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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170.3 90.4 52 it is the complementary color RGB 84.7 164.6 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170.3 90.4 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170.3 90.4 52 shade: RGB 175.3 90.4 47, RGB 192.3 108.4 66, RGB 209.3 126.4 85, RGB 226.3 144.4 104 and RGB 243.3 162.4 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170.3 90.4 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170.3 90.4 52 shade: RGB 170.3 90.4 52, RGB 153.3 72.4 33, RGB 136.3 54.4 14, RGB 119.3 36.4 0 and RGB 102.3 18.4 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170.3 90.4 52 shade: RGB 172 91 53, RGB 172 59 53 and RGB 172 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170.3 90.4 52 shade: RGB 172 91 53, RGB 172 123 53, RGB 172 155 53, RGB 156 172 53 and RGB 124 172 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170.3 90.4 52 shade matches the following richer shades: RGB 172 91 53, RGB 190 85 35 and RGB 208 79 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170.3 90.4 52 shade: RGB 172 91 53, RGB 154 98 71, RGB 135 104 89, RGB 117 110 107 and RGB 99 117 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170.3 90.4 52 shade: RGB 172 53 79, RGB 172 59 53, RGB 172 90 53, RGB 172 122 53 and RGB 172 154 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170.3 90.4 52 shade: RGB 109 58 33, RGB 140 75 43, RGB 172 91 53, RGB 198 110 68 and RGB 207 135 100

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170.3 90.4 52 shade: RGB 170.3 90.4 52, RGB 110 172 53 and RGB 53 63 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170.3 90.4 52 shade: RGB 170.3 90.4 52, RGB 53 172 90 and RGB 90 53 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170.3 90.4 52 shade: RGB 170.3 90.4 52, RGB 110 172 53, RGB 53 134 172 and RGB 114 53 172

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170.3 90.4 52 shade: RGB 170.3 90.4 52, RGB 75 172 53, RGB 53 134 172 and RGB 150 53 172

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 69 / 33

HEX #AA5A34

RGB 170.3 90.4 52

HSL 19.48, 0.53%, 0.44%

LAB 47.25, 29.43, 36.14

 

Complementary color

CMYK 58 / 19 / 0 / 20

HEX #54A4CB

RGB 84.7 164.6 203

HSL 199.48, 0.53%, 0.56%

LAB 64.16, -13.28, -27.03

 

CMYK 0 / 48 / 73 / 31

HEX #AF5A2F

RGB 175.3 90.4 47

HSL 20.3, 0.58%, 0.44%

LAB 47.92, 31.23, 39.75

 

CMYK 0 / 44 / 66 / 25

HEX #C06C42

RGB 192.3 108.4 66

HSL 20.14, 0.5%, 0.51%

LAB 54.5, 29.61, 37.78

 

CMYK 0 / 40 / 59 / 18

HEX #D17E55

RGB 209.3 126.4 85

HSL 19.98, 0.58%, 0.58%

LAB 61.03, 28.17, 35.93

 

CMYK 0 / 36 / 54 / 11

HEX #E29068

RGB 226.3 144.4 104

HSL 19.82, 0.68%, 0.65%

LAB 67.49, 26.89, 34.23

 

CMYK 0 / 33 / 49 / 5

HEX #F3A27B

RGB 243.3 162.4 123

HSL 19.65, 0.84%, 0.72%

LAB 73.88, 25.75, 32.68

 

CMYK 0 / 47 / 69 / 33

HEX #AA5A34

RGB 170.3 90.4 52

HSL 19.48, 0.53%, 0.44%

LAB 47.25, 29.43, 36.14

 

CMYK 0 / 53 / 78 / 40

HEX #994821

RGB 153.3 72.4 33

HSL 19.65, 0.65%, 0.37%

LAB 40.57, 31.15, 38.19

 

CMYK 0 / 60 / 90 / 47

HEX #88360E

RGB 136.3 54.4 14

HSL 19.82, 0.81%, 0.29%

LAB 33.91, 33.01, 39.87

 

CMYK 0 / 69 / 100 / 53

HEX #772400

RGB 119.3 36.4 0

HSL 18.31, 1%, 0.23%

LAB 27.38, 34.78, 39.02

 

CMYK 0 / 82 / 100 / 60

HEX #661200

RGB 102.3 18.4 0

HSL 10.79, 1%, 0.2%

LAB 21.16, 35.94, 31.73

 

CMYK 0 / 47 / 69 / 33

HEX #AC5B35

RGB 172 91 53

HSL 19.16, 0.53%, 0.44%

LAB 47.64, 29.87, 36.11

 

CMYK 0 / 66 / 69 / 33

HEX #AC3B35

RGB 172 59 53

HSL 3.03, 0.53%, 0.44%

LAB 41.46, 45.79, 28.91

 

CMYK 0 / 69 / 69 / 33

HEX #AC3535

RGB 172 53 53

HSL 0, 0.53%, 0.44%

LAB 40.53, 48.32, 27.79

 

CMYK 0 / 47 / 69 / 33

HEX #AC5B35

RGB 172 91 53

HSL 19.16, 0.53%, 0.44%

LAB 47.64, 29.87, 36.11

 

CMYK 0 / 28 / 69 / 33

HEX #AC7B35

RGB 172 123 53

HSL 35.29, 0.53%, 0.44%

LAB 55.27, 12.04, 44.55

 

CMYK 0 / 10 / 69 / 33

HEX #AC9B35

RGB 172 155 53

HSL 51.43, 0.53%, 0.44%

LAB 63.73, -5.6, 53.39

 

CMYK 9 / 0 / 69 / 33

HEX #9CAC35

RGB 156 172 53

HSL 68.07, 0.53%, 0.44%

LAB 67.15, -21.39, 56.42

 

CMYK 28 / 0 / 69 / 33

HEX #7CAC35

RGB 124 172 53

HSL 84.2, 0.53%, 0.44%

LAB 65, -34.4, 53.54

 

CMYK 0 / 47 / 69 / 33

HEX #AC5B35

RGB 172 91 53

HSL 19.16, 0.53%, 0.44%

LAB 47.64, 29.87, 36.11

 

CMYK 0 / 55 / 82 / 25

HEX #BE5523

RGB 190 85 35

HSL 19.35, 0.69%, 0.44%

LAB 48.96, 39.43, 47.38

 

CMYK 0 / 62 / 92 / 18

HEX #D04F10

RGB 208 79 16

HSL 19.69, 0.86%, 0.44%

LAB 50.73, 48.58, 57.16

 

CMYK 0 / 47 / 69 / 33

HEX #AC5B35

RGB 172 91 53

HSL 19.16, 0.53%, 0.44%

LAB 47.64, 29.87, 36.11

 

CMYK 0 / 36 / 54 / 40

HEX #9A6247

RGB 154 98 71

HSL 19.52, 0.37%, 0.44%

LAB 47.05, 19.7, 24.71

 

CMYK 0 / 23 / 34 / 47

HEX #876859

RGB 135 104 89

HSL 19.57, 0.21%, 0.44%

LAB 46.67, 10.15, 13.21

 

CMYK 0 / 6 / 9 / 54

HEX #756E6B

RGB 117 110 107

HSL 18, 0.04%, 0.44%

LAB 46.97, 2.14, 2.64

 

CMYK 21 / 6 / 0 / 51

HEX #63757D

RGB 99 117 125

HSL 198.46, 0.12%, 0.44%

LAB 48.08, -4.75, -6.62

 

CMYK 0 / 69 / 54 / 33

HEX #AC354F

RGB 172 53 79

HSL 346.89, 0.53%, 0.44%

LAB 41.03, 50.08, 12.34

 

CMYK 0 / 66 / 69 / 33

HEX #AC3B35

RGB 172 59 53

HSL 3.03, 0.53%, 0.44%

LAB 41.46, 45.79, 28.91

 

CMYK 0 / 48 / 69 / 33

HEX #AC5A35

RGB 172 90 53

HSL 18.66, 0.53%, 0.44%

LAB 47.42, 30.41, 35.86

 

CMYK 0 / 29 / 69 / 33

HEX #AC7A35

RGB 172 122 53

HSL 34.79, 0.53%, 0.44%

LAB 55.02, 12.6, 44.28

 

CMYK 0 / 10 / 69 / 33

HEX #AC9A35

RGB 172 154 53

HSL 50.92, 0.53%, 0.44%

LAB 63.46, -5.07, 53.12

 

CMYK 0 / 47 / 70 / 57

HEX #6D3A21

RGB 109 58 33

HSL 19.74, 0.54%, 0.28%

LAB 30.37, 20.11, 25.1

 

CMYK 0 / 46 / 69 / 45

HEX #8C4B2B

RGB 140 75 43

HSL 19.79, 0.53%, 0.36%

LAB 39.21, 24.61, 30.76

 

CMYK 0 / 47 / 69 / 33

HEX #AC5B35

RGB 172 91 53

HSL 19.16, 0.53%, 0.44%

LAB 47.64, 29.87, 36.11

 

CMYK 0 / 44 / 66 / 22

HEX #C66E44

RGB 198 110 68

HSL 19.38, 0.53%, 0.52%

LAB 55.66, 31.21, 38.27

 

CMYK 0 / 35 / 52 / 19

HEX #CF8764

RGB 207 135 100

HSL 19.63, 0.53%, 0.6%

LAB 62.94, 23.83, 30.11

 

CMYK 0 / 47 / 69 / 33

HEX #AA5A34

RGB 170.3 90.4 52

HSL 19.48, 0.53%, 0.44%

LAB 47.25, 29.43, 36.14

 

CMYK 36 / 0 / 69 / 33

HEX #6EAC35

RGB 110 172 53

HSL 91.26, 0.53%, 0.44%

LAB 64.22, -39.61, 52.5

 

CMYK 69 / 63 / 0 / 33

HEX #353FAC

RGB 53 63 172

HSL 234.96, 0.53%, 0.44%

LAB 32.46, 32.49, -59.54

 

CMYK 0 / 47 / 69 / 33

HEX #AA5A34

RGB 170.3 90.4 52

HSL 19.48, 0.53%, 0.44%

LAB 47.25, 29.43, 36.14

 

CMYK 69 / 0 / 48 / 33

HEX #35AC5A

RGB 53 172 90

HSL 138.66, 0.53%, 0.44%

LAB 62.51, -50.91, 32.75

 

CMYK 48 / 69 / 0 / 33

HEX #5A35AC

RGB 90 53 172

HSL 258.66, 0.53%, 0.44%

LAB 33.35, 44.49, -57.96

 

CMYK 0 / 47 / 69 / 33

HEX #AA5A34

RGB 170.3 90.4 52

HSL 19.48, 0.53%, 0.44%

LAB 47.25, 29.43, 36.14

 

CMYK 36 / 0 / 69 / 33

HEX #6EAC35

RGB 110 172 53

HSL 91.26, 0.53%, 0.44%

LAB 64.22, -39.61, 52.5

 

CMYK 69 / 22 / 0 / 33

HEX #3586AC

RGB 53 134 172

HSL 199.16, 0.53%, 0.44%

LAB 52.71, -12.06, -27.26

 

CMYK 34 / 69 / 0 / 33

HEX #7235AC

RGB 114 53 172

HSL 270.76, 0.53%, 0.44%

LAB 36.18, 49.19, -53.23

 

CMYK 0 / 47 / 69 / 33

HEX #AA5A34

RGB 170.3 90.4 52

HSL 19.48, 0.53%, 0.44%

LAB 47.25, 29.43, 36.14

 

CMYK 56 / 0 / 69 / 33

HEX #4BAC35

RGB 75 172 53

HSL 108.91, 0.53%, 0.44%

LAB 62.72, -50.63, 50.47

 

CMYK 69 / 22 / 0 / 33

HEX #3586AC

RGB 53 134 172

HSL 199.16, 0.53%, 0.44%

LAB 52.71, -12.06, -27.26

 

CMYK 13 / 69 / 0 / 33

HEX #9635AC

RGB 150 53 172

HSL 288.91, 0.53%, 0.44%

LAB 41.23, 57.01, -44.84

 

Description

Color code: RGB 170.3 90.4 52 | qconv.com Color code: RGB 170.3 90.4 52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170.3 red, 90.4 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170.3 90.4 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 69 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 69% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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