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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170.3 180.4 108 it is the complementary color RGB 84.7 74.6 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170.3 180.4 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170.3 180.4 108 shade: RGB 175.3 180.4 103, RGB 192.3 198.4 122, RGB 209.3 216.4 141, RGB 226.3 234.4 160 and RGB 243.3 252.4 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170.3 180.4 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170.3 180.4 108 shade: RGB 170.3 180.4 108, RGB 153.3 162.4 89, RGB 136.3 144.4 70, RGB 119.3 126.4 51 and RGB 102.3 108.4 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170.3 180.4 108 shade: RGB 171 182 109, RGB 182 172 109, RGB 182 153 109, RGB 182 133 109 and RGB 182 114 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170.3 180.4 108 shade: RGB 171 182 109, RGB 152 182 109, RGB 132 182 109, RGB 113 182 109 and RGB 109 182 125

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170.3 180.4 108 shade matches the following richer shades: RGB 171 182 109, RGB 184 199 91, RGB 197 217 74, RGB 210 235 56 and RGB 223 252 38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170.3 180.4 108 shade: RGB 171 182 109, RGB 159 164 127, RGB 146 146 145, RGB 133 128 162 and RGB 120 111 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170.3 180.4 108 shade: RGB 182 153 109, RGB 182 172 109, RGB 172 182 109, RGB 153 182 109 and RGB 133 182 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170.3 180.4 108 shade: RGB 129 138 70, RGB 154 166 84, RGB 171 182 109, RGB 187 195 137 and RGB 203 209 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170.3 180.4 108 shade: RGB 170.3 180.4 108, RGB 109 182 133 and RGB 162 109 182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170.3 180.4 108 shade: RGB 170.3 180.4 108, RGB 109 172 182 and RGB 182 109 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170.3 180.4 108 shade: RGB 170.3 180.4 108, RGB 109 182 133, RGB 119 109 182 and RGB 182 109 157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170.3 180.4 108 shade: RGB 170.3 180.4 108, RGB 109 182 155, RGB 119 109 182 and RGB 182 109 136

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 40 / 29

HEX #AAB46C

RGB 170.3 180.4 108

HSL 68.37, 0.33%, 0.57%

LAB 71.19, -14.9, 35.7

 

Complementary color

CMYK 42 / 49 / 0 / 42

HEX #544A93

RGB 84.7 74.6 147

HSL 248.37, 0.33%, 0.43%

LAB 35.99, 23.03, -38.65

 

CMYK 3 / 0 / 43 / 29

HEX #AFB467

RGB 175.3 180.4 103

HSL 63.95, 0.34%, 0.56%

LAB 71.51, -13.44, 38.74

 

CMYK 3 / 0 / 39 / 22

HEX #C0C67A

RGB 192.3 198.4 122

HSL 64.79, 0.4%, 0.63%

LAB 78.01, -13.74, 37.55

 

CMYK 3 / 0 / 35 / 15

HEX #D1D88D

RGB 209.3 216.4 141

HSL 65.65, 0.49%, 0.7%

LAB 84.4, -13.98, 36.4

 

CMYK 3 / 0 / 32 / 8

HEX #E2EAA0

RGB 226.3 234.4 160

HSL 66.53, 0.64%, 0.77%

LAB 90.7, -14.18, 35.29

 

CMYK 4 / 0 / 29 / 1

HEX #F3FCB3

RGB 243.3 252.4 179

HSL 67.44, 0.93%, 0.85%

LAB 96.92, -14.35, 34.23

 

CMYK 6 / 0 / 40 / 29

HEX #AAB46C

RGB 170.3 180.4 108

HSL 68.37, 0.33%, 0.57%

LAB 71.19, -14.9, 35.7

 

CMYK 6 / 0 / 45 / 36

HEX #99A259

RGB 153.3 162.4 89

HSL 67.44, 0.29%, 0.49%

LAB 64.57, -14.63, 36.91

 

CMYK 6 / 0 / 52 / 43

HEX #889046

RGB 136.3 144.4 70

HSL 66.53, 0.35%, 0.42%

LAB 57.82, -14.28, 38.12

 

CMYK 6 / 0 / 60 / 50

HEX #777E33

RGB 119.3 126.4 51

HSL 65.65, 0.43%, 0.35%

LAB 50.93, -13.8, 39.25

 

CMYK 6 / 0 / 70 / 57

HEX #666C20

RGB 102.3 108.4 32

HSL 64.79, 0.54%, 0.28%

LAB 43.88, -13.13, 40.06

 

CMYK 6 / 0 / 40 / 29

HEX #ABB66D

RGB 171 182 109

HSL 69.04, 0.33%, 0.57%

LAB 71.7, -15.32, 35.85

 

CMYK 0 / 5 / 40 / 29

HEX #B6AC6D

RGB 182 172 109

HSL 51.78, 0.33%, 0.57%

LAB 69.86, -5.66, 33.68

 

CMYK 0 / 16 / 40 / 29

HEX #B6996D

RGB 182 153 109

HSL 36.16, 0.33%, 0.57%

LAB 64.83, 4.59, 27.14

 

CMYK 0 / 27 / 40 / 29

HEX #B6856D

RGB 182 133 109

HSL 19.73, 0.33%, 0.57%

LAB 59.73, 15.67, 20.33

 

CMYK 0 / 37 / 40 / 29

HEX #B6726D

RGB 182 114 109

HSL 4.11, 0.33%, 0.57%

LAB 55.16, 26.25, 14.06

 

CMYK 6 / 0 / 40 / 29

HEX #ABB66D

RGB 171 182 109

HSL 69.04, 0.33%, 0.57%

LAB 71.7, -15.32, 35.85

 

CMYK 16 / 0 / 40 / 29

HEX #98B66D

RGB 152 182 109

HSL 84.66, 0.33%, 0.57%

LAB 70.34, -22.75, 33.83

 

CMYK 27 / 0 / 40 / 29

HEX #84B66D

RGB 132 182 109

HSL 101.1, 0.33%, 0.57%

LAB 69.09, -30.13, 31.97

 

CMYK 38 / 0 / 40 / 29

HEX #71B66D

RGB 113 182 109

HSL 116.71, 0.33%, 0.57%

LAB 68.07, -36.57, 30.45

 

CMYK 40 / 0 / 31 / 29

HEX #6DB67D

RGB 109 182 125

HSL 133.15, 0.33%, 0.57%

LAB 68.16, -35.14, 22.04

 

CMYK 6 / 0 / 40 / 29

HEX #ABB66D

RGB 171 182 109

HSL 69.04, 0.33%, 0.57%

LAB 71.7, -15.32, 35.85

 

CMYK 8 / 0 / 54 / 22

HEX #B8C75B

RGB 184 199 91

HSL 68.33, 0.49%, 0.57%

LAB 77.16, -20.46, 51.51

 

CMYK 9 / 0 / 66 / 15

HEX #C5D94A

RGB 197 217 74

HSL 68.39, 0.65%, 0.57%

LAB 82.91, -25.21, 65.31

 

CMYK 11 / 0 / 76 / 8

HEX #D2EB38

RGB 210 235 56

HSL 68.38, 0.82%, 0.57%

LAB 88.64, -29.39, 77.34

 

CMYK 12 / 0 / 85 / 1

HEX #DFFC26

RGB 223 252 38

HSL 68.13, 0.97%, 0.57%

LAB 94.08, -32.62, 86.79

 

CMYK 6 / 0 / 40 / 29

HEX #ABB66D

RGB 171 182 109

HSL 69.04, 0.33%, 0.57%

LAB 71.7, -15.32, 35.85

 

CMYK 3 / 0 / 23 / 36

HEX #9FA47F

RGB 159 164 127

HSL 68.11, 0.17%, 0.57%

LAB 66.1, -8.22, 18.65

 

CMYK 0 / 0 / 1 / 43

HEX #929291

RGB 146 146 145

HSL 60, 0%, 0.57%

LAB 60.53, -0.19, 0.52

 

CMYK 18 / 21 / 0 / 36

HEX #8580A2

RGB 133 128 162

HSL 248.82, 0.15%, 0.57%

LAB 55.11, 9.15, -17.43

 

CMYK 33 / 38 / 0 / 29

HEX #786FB4

RGB 120 111 180

HSL 247.83, 0.32%, 0.57%

LAB 50.28, 19.74, -35.39

 

CMYK 0 / 16 / 40 / 29

HEX #B6996D

RGB 182 153 109

HSL 36.16, 0.33%, 0.57%

LAB 64.83, 4.59, 27.14

 

CMYK 0 / 5 / 40 / 29

HEX #B6AC6D

RGB 182 172 109

HSL 51.78, 0.33%, 0.57%

LAB 69.86, -5.66, 33.68

 

CMYK 5 / 0 / 40 / 29

HEX #ACB66D

RGB 172 182 109

HSL 68.22, 0.33%, 0.57%

LAB 71.78, -14.92, 35.96

 

CMYK 16 / 0 / 40 / 29

HEX #99B66D

RGB 153 182 109

HSL 83.84, 0.33%, 0.57%

LAB 70.41, -22.36, 33.93

 

CMYK 27 / 0 / 40 / 29

HEX #85B66D

RGB 133 182 109

HSL 100.27, 0.33%, 0.57%

LAB 69.15, -29.78, 32.05

 

CMYK 7 / 0 / 49 / 46

HEX #818A46

RGB 129 138 70

HSL 67.94, 0.33%, 0.41%

LAB 55.37, -14, 35.05

 

CMYK 7 / 0 / 49 / 35

HEX #9AA654

RGB 154 166 84

HSL 68.78, 0.33%, 0.49%

LAB 65.58, -16.73, 40.69

 

CMYK 6 / 0 / 40 / 29

HEX #ABB66D

RGB 171 182 109

HSL 69.04, 0.33%, 0.57%

LAB 71.7, -15.32, 35.85

 

CMYK 4 / 0 / 30 / 24

HEX #BBC389

RGB 187 195 137

HSL 68.28, 0.33%, 0.65%

LAB 76.92, -12.2, 28.3

 

CMYK 3 / 0 / 22 / 18

HEX #CBD1A4

RGB 203 209 164

HSL 68, 0.33%, 0.73%

LAB 82.37, -9.55, 21.69

 

CMYK 6 / 0 / 40 / 29

HEX #AAB46C

RGB 170.3 180.4 108

HSL 68.37, 0.33%, 0.57%

LAB 71.19, -14.9, 35.7

 

CMYK 40 / 0 / 27 / 29

HEX #6DB685

RGB 109 182 133

HSL 139.73, 0.33%, 0.57%

LAB 68.31, -33.66, 17.94

 

CMYK 11 / 40 / 0 / 29

HEX #A26DB6

RGB 162 109 182

HSL 283.56, 0.33%, 0.57%

LAB 54.02, 34.06, -30.4

 

CMYK 6 / 0 / 40 / 29

HEX #AAB46C

RGB 170.3 180.4 108

HSL 68.37, 0.33%, 0.57%

LAB 71.19, -14.9, 35.7

 

CMYK 40 / 5 / 0 / 29

HEX #6DACB6

RGB 109 172 182

HSL 188.22, 0.33%, 0.57%

LAB 66.62, -17.59, -11.51

 

CMYK 0 / 40 / 5 / 29

HEX #B66DAC

RGB 182 109 172

HSL 308.22, 0.33%, 0.57%

LAB 55.95, 38.46, -21.47

 

CMYK 6 / 0 / 40 / 29

HEX #AAB46C

RGB 170.3 180.4 108

HSL 68.37, 0.33%, 0.57%

LAB 71.19, -14.9, 35.7

 

CMYK 40 / 0 / 27 / 29

HEX #6DB685

RGB 109 182 133

HSL 139.73, 0.33%, 0.57%

LAB 68.31, -33.66, 17.94

 

CMYK 35 / 40 / 0 / 29

HEX #776DB6

RGB 119 109 182

HSL 248.22, 0.33%, 0.57%

LAB 49.78, 21.2, -37.35

 

CMYK 0 / 40 / 14 / 29

HEX #B66D9D

RGB 182 109 157

HSL 320.55, 0.33%, 0.57%

LAB 55.4, 35.86, -13.61

 

CMYK 6 / 0 / 40 / 29

HEX #AAB46C

RGB 170.3 180.4 108

HSL 68.37, 0.33%, 0.57%

LAB 71.19, -14.9, 35.7

 

CMYK 40 / 0 / 15 / 29

HEX #6DB69B

RGB 109 182 155

HSL 157.81, 0.33%, 0.57%

LAB 68.8, -29.12, 6.62

 

CMYK 35 / 40 / 0 / 29

HEX #776DB6

RGB 119 109 182

HSL 248.22, 0.33%, 0.57%

LAB 49.78, 21.2, -37.35

 

CMYK 0 / 40 / 25 / 29

HEX #B66D88

RGB 182 109 136

HSL 337.81, 0.33%, 0.57%

LAB 54.72, 32.57, -2.35

 

Description

Color code: RGB 170.3 180.4 108 | qconv.com Color code: RGB 170.3 180.4 108 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170.3 red, 180.4 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170.3 180.4 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 40 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 40% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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