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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 98 81 it is the complementary color RGB 239 157 174. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 98 81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 98 81 shade: RGB 21 98 76, RGB 38 116 95, RGB 55 134 114, RGB 72 152 133 and RGB 89 170 152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 98 81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 98 81 shade: RGB 16 98 81, RGB 0 80 62, RGB 0 62 43, RGB 0 44 24 and RGB 0 26 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 98 81 shade: RGB 15 96 79, RGB 15 96 57, RGB 15 96 36, RGB 17 96 15 and RGB 38 96 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 98 81 shade: RGB 15 96 79, RGB 15 91 96, RGB 15 69 96, RGB 15 47 96 and RGB 15 26 96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 98 81 shade matches the following richer shades: RGB 15 96 79 and RGB 6 105 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 98 81 shade: RGB 15 96 79, RGB 24 87 74, RGB 33 78 69, RGB 42 69 63 and RGB 52 60 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 98 81 shade: RGB 15 96 35, RGB 15 96 57, RGB 15 96 78, RGB 15 92 96 and RGB 15 70 96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 98 81 shade: RGB 4 25 21, RGB 9 61 50, RGB 15 96 79, RGB 21 131 109 and RGB 27 167 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 98 81 shade: RGB 16 98 81, RGB 15 17 96 and RGB 96 46 15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 98 81 shade: RGB 16 98 81, RGB 78 15 96 and RGB 96 78 15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 98 81 shade: RGB 16 98 81, RGB 15 17 96, RGB 96 15 33 and RGB 96 95 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 98 81 shade: RGB 16 98 81, RGB 38 15 96, RGB 96 15 33 and RGB 73 96 15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 17 / 62

HEX #106251

RGB 16 98 81

HSL 167.56, 0.72%, 0.22%

LAB 36.82, -27.84, 3.03

 

Complementary color

CMYK 0 / 34 / 27 / 6

HEX #EF9DAE

RGB 239 157 174

HSL 347.56, 0.72%, 0.78%

LAB 73.23, 32.77, 3.87

 

CMYK 79 / 0 / 22 / 62

HEX #15624C

RGB 21 98 76

HSL 162.86, 0.65%, 0.23%

LAB 36.77, -28.59, 6.05

 

CMYK 67 / 0 / 18 / 55

HEX #26745F

RGB 38 116 95

HSL 163.85, 0.51%, 0.3%

LAB 43.84, -29.12, 4.7

 

CMYK 59 / 0 / 15 / 47

HEX #378672

RGB 55 134 114

HSL 164.81, 0.42%, 0.37%

LAB 50.78, -29.31, 3.55

 

CMYK 53 / 0 / 13 / 40

HEX #489885

RGB 72 152 133

HSL 165.75, 0.36%, 0.44%

LAB 57.59, -29.34, 2.54

 

CMYK 48 / 0 / 11 / 33

HEX #59AA98

RGB 89 170 152

HSL 166.67, 0.32%, 0.51%

LAB 64.27, -29.27, 1.62

 

CMYK 84 / 0 / 17 / 62

HEX #106251

RGB 16 98 81

HSL 167.56, 0.72%, 0.22%

LAB 36.82, -27.84, 3.03

 

CMYK 100 / 0 / 23 / 69

HEX #00503E

RGB 0 80 62

HSL 166.5, 1%, 0.16%

LAB 29.63, -26.63, 4.58

 

CMYK 100 / 0 / 31 / 76

HEX #003E2B

RGB 0 62 43

HSL 161.61, 1%, 0.12%

LAB 22.37, -23.8, 6.63

 

CMYK 100 / 0 / 45 / 83

HEX #002C18

RGB 0 44 24

HSL 152.73, 1%, 0.09%

LAB 14.77, -20.75, 8.95

 

CMYK 100 / 0 / 81 / 90

HEX #001A05

RGB 0 26 5

HSL 131.54, 1%, 0.05%

LAB 6.77, -12.94, 7.85

 

CMYK 84 / 0 / 18 / 62

HEX #0F604F

RGB 15 96 79

HSL 167.41, 0.73%, 0.22%

LAB 36.05, -27.59, 3.15

 

CMYK 84 / 0 / 41 / 62

HEX #0F6039

RGB 15 96 57

HSL 151.11, 0.73%, 0.22%

LAB 35.52, -33.27, 15.84

 

CMYK 84 / 0 / 63 / 62

HEX #0F6024

RGB 15 96 36

HSL 135.56, 0.73%, 0.22%

LAB 35.19, -37.15, 27.32

 

CMYK 82 / 0 / 84 / 62

HEX #11600F

RGB 17 96 15

HSL 118.52, 0.73%, 0.22%

LAB 35.04, -39.12, 36.5

 

CMYK 60 / 0 / 84 / 62

HEX #26600F

RGB 38 96 15

HSL 102.96, 0.73%, 0.22%

LAB 35.62, -34.3, 37.26

 

CMYK 84 / 0 / 18 / 62

HEX #0F604F

RGB 15 96 79

HSL 167.41, 0.73%, 0.22%

LAB 36.05, -27.59, 3.15

 

CMYK 84 / 5 / 0 / 62

HEX #0F5B60

RGB 15 91 96

HSL 183.7, 0.73%, 0.22%

LAB 34.86, -19.59, -9.19

 

CMYK 84 / 28 / 0 / 62

HEX #0F4560

RGB 15 69 96

HSL 200, 0.73%, 0.22%

LAB 27.3, -6.63, -20.79

 

CMYK 84 / 51 / 0 / 62

HEX #0F2F60

RGB 15 47 96

HSL 216.3, 0.73%, 0.22%

LAB 19.96, 8.52, -32.45

 

CMYK 84 / 73 / 0 / 62

HEX #0F1A60

RGB 15 26 96

HSL 231.85, 0.73%, 0.22%

LAB 13.74, 23.96, -42.58

 

CMYK 84 / 0 / 18 / 62

HEX #0F604F

RGB 15 96 79

HSL 167.41, 0.73%, 0.22%

LAB 36.05, -27.59, 3.15

 

CMYK 94 / 0 / 19 / 59

HEX #066955

RGB 6 105 85

HSL 167.88, 0.89%, 0.22%

LAB 39.24, -30.87, 4.04

 

CMYK 84 / 0 / 18 / 62

HEX #0F604F

RGB 15 96 79

HSL 167.41, 0.73%, 0.22%

LAB 36.05, -27.59, 3.15

 

CMYK 72 / 0 / 15 / 66

HEX #18574A

RGB 24 87 74

HSL 167.62, 0.57%, 0.22%

LAB 32.93, -23.3, 1.79

 

CMYK 58 / 0 / 12 / 69

HEX #214E45

RGB 33 78 69

HSL 168, 0.41%, 0.22%

LAB 29.92, -18.03, 0.62

 

CMYK 39 / 0 / 9 / 73

HEX #2A453F

RGB 42 69 63

HSL 166.67, 0.24%, 0.22%

LAB 27.04, -11.88, 0.37

 

CMYK 13 / 0 / 3 / 76

HEX #343C3A

RGB 52 60 58

HSL 165, 0.07%, 0.22%

LAB 24.54, -3.82, 0.1

 

CMYK 84 / 0 / 64 / 62

HEX #0F6023

RGB 15 96 35

HSL 134.81, 0.73%, 0.22%

LAB 35.18, -37.3, 27.83

 

CMYK 84 / 0 / 41 / 62

HEX #0F6039

RGB 15 96 57

HSL 151.11, 0.73%, 0.22%

LAB 35.52, -33.27, 15.84

 

CMYK 84 / 0 / 19 / 62

HEX #0F604E

RGB 15 96 78

HSL 166.67, 0.73%, 0.22%

LAB 36.02, -27.88, 3.73

 

CMYK 84 / 4 / 0 / 62

HEX #0F5C60

RGB 15 92 96

HSL 182.96, 0.73%, 0.22%

LAB 35.2, -20.13, -8.67

 

CMYK 84 / 27 / 0 / 62

HEX #0F4660

RGB 15 70 96

HSL 199.26, 0.73%, 0.22%

LAB 27.65, -7.26, -20.26

 

CMYK 84 / 0 / 16 / 90

HEX #041915

RGB 4 25 21

HSL 168.57, 0.72%, 0.06%

LAB 7, -8.35, 0.19

 

CMYK 85 / 0 / 18 / 76

HEX #093D32

RGB 9 61 50

HSL 167.31, 0.74%, 0.14%

LAB 22.39, -19.68, 2.04

 

CMYK 84 / 0 / 18 / 62

HEX #0F604F

RGB 15 96 79

HSL 167.41, 0.73%, 0.22%

LAB 36.05, -27.59, 3.15

 

CMYK 84 / 0 / 17 / 49

HEX #15836D

RGB 21 131 109

HSL 168, 0.72%, 0.3%

LAB 48.88, -34.62, 3.63

 

CMYK 84 / 0 / 17 / 35

HEX #1BA78A

RGB 27 167 138

HSL 167.57, 0.72%, 0.38%

LAB 61.4, -41.99, 5.09

 

CMYK 84 / 0 / 17 / 62

HEX #106251

RGB 16 98 81

HSL 167.56, 0.72%, 0.22%

LAB 36.82, -27.84, 3.03

 

CMYK 84 / 82 / 0 / 62

HEX #0F1160

RGB 15 17 96

HSL 238.52, 0.73%, 0.22%

LAB 11.6, 29.9, -46.11

 

CMYK 0 / 52 / 84 / 62

HEX #602E0F

RGB 96 46 15

HSL 22.96, 0.73%, 0.22%

LAB 25.18, 20.31, 29.05

 

CMYK 84 / 0 / 17 / 62

HEX #106251

RGB 16 98 81

HSL 167.56, 0.72%, 0.22%

LAB 36.82, -27.84, 3.03

 

CMYK 19 / 84 / 0 / 62

HEX #4E0F60

RGB 78 15 96

HSL 286.67, 0.73%, 0.22%

LAB 19.25, 40.56, -33.27

 

CMYK 0 / 19 / 84 / 62

HEX #604E0F

RGB 96 78 15

HSL 46.67, 0.73%, 0.22%

LAB 33.92, 0.56, 37.21

 

CMYK 84 / 0 / 17 / 62

HEX #106251

RGB 16 98 81

HSL 167.56, 0.72%, 0.22%

LAB 36.82, -27.84, 3.03

 

CMYK 84 / 82 / 0 / 62

HEX #0F1160

RGB 15 17 96

HSL 238.52, 0.73%, 0.22%

LAB 11.6, 29.9, -46.11

 

CMYK 0 / 84 / 66 / 62

HEX #600F21

RGB 96 15 33

HSL 346.67, 0.73%, 0.22%

LAB 19.79, 36.36, 11.45

 

CMYK 0 / 1 / 84 / 62

HEX #605F0F

RGB 96 95 15

HSL 59.26, 0.73%, 0.22%

LAB 39.08, -9.5, 41.81

 

CMYK 84 / 0 / 17 / 62

HEX #106251

RGB 16 98 81

HSL 167.56, 0.72%, 0.22%

LAB 36.82, -27.84, 3.03

 

CMYK 60 / 84 / 0 / 62

HEX #260F60

RGB 38 15 96

HSL 257.04, 0.73%, 0.22%

LAB 13.22, 33.49, -43.37

 

CMYK 0 / 84 / 66 / 62

HEX #600F21

RGB 96 15 33

HSL 346.67, 0.73%, 0.22%

LAB 19.79, 36.36, 11.45

 

CMYK 24 / 0 / 84 / 62

HEX #49600F

RGB 73 96 15

HSL 77.04, 0.73%, 0.22%

LAB 37.51, -20.9, 39.69

 

Description

Color code: RGB 16 98 81 | qconv.com Color code: RGB 16 98 81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 98 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 98 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 17 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 17% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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