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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 96 50 it is the complementary color RGB 239 159 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 96 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 16 96 50: RGB 21 96 45, RGB 38 114 64, RGB 55 132 83, RGB 72 150 102 and RGB 89 168 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 96 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 16 96 50: RGB 16 96 50, RGB 0 78 31, RGB 0 60 12, RGB 0 42 0 and RGB 0 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 48 / 62

HEX #106032

RGB 16 96 50

HSL 145.5, 0.71%, 0.22%

LAB 35.41, -34.6, 19.82

 

Complementary color

CMYK 0 / 33 / 14 / 6

HEX #EF9FCD

RGB 239 159 205

HSL 325.5, 0.71%, 0.78%

LAB 74.54, 36.28, -11.27

 

CMYK 78 / 0 / 53 / 62

HEX #15602D

RGB 21 96 45

HSL 139.2, 0.64%, 0.23%

LAB 35.43, -34.76, 22.73

 

CMYK 67 / 0 / 44 / 55

HEX #267240

RGB 38 114 64

HSL 140.53, 0.5%, 0.3%

LAB 42.49, -35.35, 21.04

 

CMYK 58 / 0 / 37 / 48

HEX #378453

RGB 55 132 83

HSL 141.82, 0.41%, 0.37%

LAB 49.42, -35.5, 19.52

 

CMYK 52 / 0 / 32 / 41

HEX #489666

RGB 72 150 102

HSL 143.08, 0.35%, 0.44%

LAB 56.24, -35.42, 18.16

 

CMYK 47 / 0 / 28 / 34

HEX #59A879

RGB 89 168 121

HSL 144.3, 0.31%, 0.5%

LAB 62.94, -35.24, 16.93

 

CMYK 83 / 0 / 48 / 62

HEX #106032

RGB 16 96 50

HSL 145.5, 0.71%, 0.22%

LAB 35.41, -34.6, 19.82

 

CMYK 100 / 0 / 60 / 69

HEX #004E1F

RGB 0 78 31

HSL 143.85, 1%, 0.15%

LAB 28.24, -33.18, 21.72

 

CMYK 100 / 0 / 80 / 76

HEX #003C0C

RGB 0 60 12

HSL 132, 1%, 0.12%

LAB 21.05, -29.4, 23.59

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 83 / 0 / 48 / 62

HEX #106032

RGB 16 96 50

HSL 145.5, 0.71%, 0.22%

LAB 35.41, -34.6, 19.82

 

CMYK 83 / 0 / 35 / 63

HEX #105F3E

RGB 16 95 62

HSL 154.94, 0.71%, 0.22%

LAB 35.29, -31.55, 12.52

 

CMYK 83 / 0 / 20 / 63

HEX #105F4C

RGB 16 95 76

HSL 165.57, 0.71%, 0.22%

LAB 35.63, -27.86, 4.41

 

CMYK 83 / 0 / 6 / 63

HEX #105F59

RGB 16 95 89

HSL 175.44, 0.71%, 0.22%

LAB 36.01, -23.92, -3.1

 

CMYK 83 / 6 / 0 / 63

HEX #10595F

RGB 16 89 95

HSL 184.56, 0.71%, 0.22%

LAB 34.15, -18.74, -9.63

 

CMYK 83 / 0 / 48 / 62

HEX #106032

RGB 16 96 50

HSL 145.5, 0.71%, 0.22%

LAB 35.41, -34.6, 19.82

 

CMYK 83 / 0 / 48 / 42

HEX #19934D

RGB 25 147 77

HSL 145.57, 0.71%, 0.34%

LAB 53.61, -48.01, 28.16

 

CMYK 83 / 0 / 48 / 22

HEX #21C667

RGB 33 198 103

HSL 145.45, 0.71%, 0.45%

LAB 70.66, -60.73, 36.38

 

CMYK 83 / 0 / 48 / 2

HEX #2AF982

RGB 42 249 130

HSL 145.51, 0.95%, 0.57%

LAB 86.93, -72.55, 43.72

 

CMYK 82 / 0 / 49 / 82

HEX #082D17

RGB 8 45 23

HSL 144.32, 0.7%, 0.1%

LAB 15.44, -19.29, 10.55

 

CMYK 83 / 0 / 48 / 62

HEX #106032

RGB 16 96 50

HSL 145.5, 0.71%, 0.22%

LAB 35.41, -34.6, 19.82

 

CMYK 83 / 52 / 0 / 63

HEX #102E5F

RGB 16 46 95

HSL 217.22, 0.71%, 0.22%

LAB 19.6, 8.95, -32.37

 

CMYK 0 / 82 / 83 / 63

HEX #5F1110

RGB 95 17 16

HSL 0.76, 0.71%, 0.22%

LAB 19.52, 34.41, 22.5

 

CMYK 83 / 0 / 48 / 62

HEX #106032

RGB 16 96 50

HSL 145.5, 0.71%, 0.22%

LAB 35.41, -34.6, 19.82

 

CMYK 48 / 83 / 0 / 63

HEX #31105F

RGB 49 16 95

HSL 265.06, 0.71%, 0.22%

LAB 14.68, 34.39, -40.25

 

CMYK 0 / 48 / 83 / 63

HEX #5F3110

RGB 95 49 16

HSL 25.06, 0.71%, 0.22%

LAB 25.76, 18.08, 29.04

 

CMYK 83 / 0 / 48 / 62

HEX #106032

RGB 16 96 50

HSL 145.5, 0.71%, 0.22%

LAB 35.41, -34.6, 19.82

 

CMYK 83 / 52 / 0 / 63

HEX #102E5F

RGB 16 46 95

HSL 217.22, 0.71%, 0.22%

LAB 19.6, 8.95, -32.37

 

CMYK 0 / 83 / 35 / 63

HEX #5F103E

RGB 95 16 62

HSL 325.06, 0.71%, 0.22%

LAB 20.64, 38.63, -7.78

 

CMYK 0 / 32 / 83 / 63

HEX #5F4110

RGB 95 65 16

HSL 37.22, 0.71%, 0.22%

LAB 30.04, 8.14, 33.16

 

CMYK 83 / 0 / 48 / 62

HEX #106032

RGB 16 96 50

HSL 145.5, 0.71%, 0.22%

LAB 35.41, -34.6, 19.82

 

CMYK 83 / 77 / 0 / 63

HEX #10165F

RGB 16 22 95

HSL 235.44, 0.71%, 0.22%

LAB 12.67, 26.41, -43.66

 

CMYK 0 / 83 / 35 / 63

HEX #5F103E

RGB 95 16 62

HSL 325.06, 0.71%, 0.22%

LAB 20.64, 38.63, -7.78

 

CMYK 0 / 6 / 83 / 63

HEX #5F5910

RGB 95 89 16

HSL 55.44, 0.71%, 0.22%

LAB 37.14, -6.48, 39.71

 

Description

Color code: RGB 16 96 50 | qconv.com Color code: RGB 16 96 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 96 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 96 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 48 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 48% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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