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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 72.8 211.4 it is the complementary color RGB 239 182.2 43.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 72.8 211.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 72.8 211.4 shade: RGB 21 72.8 206.4, RGB 38 90.8 225.4, RGB 55 108.8 244.4, RGB 72 126.8 255 and RGB 89 144.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 72.8 211.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 72.8 211.4 shade: RGB 16 72.8 211.4, RGB 0 54.8 192.4, RGB 0 36.8 173.4, RGB 0 18.8 154.4 and RGB 0 0.8 135.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 72.8 211.4 shade: RGB 16 73 213, RGB 16 20 213, RGB 65 16 213, RGB 118 16 213 and RGB 172 16 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 72.8 211.4 shade: RGB 16 73 213, RGB 16 20 213 and RGB 16 16 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 72.8 211.4 shade matches the following richer shades: RGB 16 73 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 72.8 211.4 shade: RGB 16 73 213, RGB 35 81 195, RGB 53 89 176, RGB 72 97 158 and RGB 90 105 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 72.8 211.4 shade: RGB 16 181 213, RGB 16 128 213, RGB 16 75 213, RGB 16 23 213 and RGB 62 16 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 72.8 211.4 shade: RGB 10 47 137, RGB 13 60 175, RGB 16 73 213, RGB 33 92 238 and RGB 71 120 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 72.8 211.4 shade: RGB 16 72.8 211.4, RGB 194 16 213 and RGB 154 213 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 72.8 211.4 shade: RGB 16 72.8 211.4, RGB 213 16 75 and RGB 75 213 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 72.8 211.4 shade: RGB 16 72.8 211.4, RGB 194 16 213, RGB 213 154 16 and RGB 36 213 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 72.8 211.4 shade: RGB 16 72.8 211.4, RGB 213 16 174, RGB 213 154 16 and RGB 16 213 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 66 / 0 / 17

HEX #1048D3

RGB 16 72.8 211.4

HSL 222.56, 0.86%, 0.45%

LAB 37.06, 37.77, -75.15

 

Complementary color

CMYK 0 / 24 / 82 / 6

HEX #EFB62B

RGB 239 182.2 43.6

HSL 42.56, 0.86%, 0.55%

LAB 77.32, 8.81, 71.85

 

CMYK 90 / 65 / 0 / 19

HEX #1548CE

RGB 21 72.8 206.4

HSL 223.24, 0.82%, 0.45%

LAB 36.69, 36.09, -72.87

 

CMYK 83 / 60 / 0 / 12

HEX #265AE1

RGB 38 90.8 225.4

HSL 223.09, 0.76%, 0.52%

LAB 43.24, 32.69, -73.02

 

CMYK 77 / 55 / 0 / 4

HEX #376CF4

RGB 55 108.8 244.4

HSL 222.96, 0.9%, 0.59%

LAB 49.81, 29.75, -72.96

 

CMYK 72 / 50 / 0 / 0

HEX #487EFF

RGB 72 126.8 255

HSL 222.03, 1%, 0.64%

LAB 55.81, 24.29, -69.09

 

CMYK 65 / 43 / 0 / 0

HEX #5990FF

RGB 89 144.8 255

HSL 219.83, 1%, 0.67%

LAB 61.25, 15.82, -60.31

 

CMYK 92 / 66 / 0 / 17

HEX #1048D3

RGB 16 72.8 211.4

HSL 222.56, 0.86%, 0.45%

LAB 37.06, 37.77, -75.15

 

CMYK 100 / 72 / 0 / 25

HEX #0036C0

RGB 0 54.8 192.4

HSL 222.91, 1%, 0.38%

LAB 30.73, 41.62, -74.54

 

CMYK 100 / 79 / 0 / 32

HEX #0024AD

RGB 0 36.8 173.4

HSL 227.27, 1%, 0.34%

LAB 24.78, 45.51, -73.11

 

CMYK 100 / 88 / 0 / 39

HEX #00129A

RGB 0 18.8 154.4

HSL 232.69, 1%, 0.3%

LAB 19.25, 48.21, -70.75

 

CMYK 100 / 99 / 0 / 47

HEX #000087

RGB 0 0.8 135.4

HSL 239.65, 1%, 0.27%

LAB 14.28, 49.17, -67.22

 

CMYK 92 / 66 / 0 / 16

HEX #1049D5

RGB 16 73 213

HSL 222.64, 0.86%, 0.45%

LAB 37.26, 38.25, -75.75

 

CMYK 92 / 91 / 0 / 16

HEX #1014D5

RGB 16 20 213

HSL 238.78, 0.86%, 0.45%

LAB 27.88, 64.94, -91.29

 

CMYK 69 / 92 / 0 / 16

HEX #4110D5

RGB 65 16 213

HSL 254.92, 0.86%, 0.45%

LAB 30.15, 67.46, -87.44

 

CMYK 45 / 92 / 0 / 16

HEX #7610D5

RGB 118 16 213

HSL 271.07, 0.86%, 0.45%

LAB 36.03, 71.45, -77.52

 

CMYK 19 / 92 / 0 / 16

HEX #AC10D5

RGB 172 16 213

HSL 287.51, 0.86%, 0.45%

LAB 44.15, 78.13, -63.91

 

CMYK 92 / 66 / 0 / 16

HEX #1049D5

RGB 16 73 213

HSL 222.64, 0.86%, 0.45%

LAB 37.26, 38.25, -75.75

 

CMYK 92 / 91 / 0 / 16

HEX #1014D5

RGB 16 20 213

HSL 238.78, 0.86%, 0.45%

LAB 27.88, 64.94, -91.29

 

CMYK 92 / 92 / 0 / 16

HEX #1010D5

RGB 16 16 213

HSL 240, 0.86%, 0.45%

LAB 27.53, 66.02, -91.88

 

CMYK 92 / 66 / 0 / 16

HEX #1049D5

RGB 16 73 213

HSL 222.64, 0.86%, 0.45%

LAB 37.26, 38.25, -75.75

 

CMYK 92 / 66 / 0 / 16

HEX #1049D5

RGB 16 73 213

HSL 222.64, 0.86%, 0.45%

LAB 37.26, 38.25, -75.75

 

CMYK 82 / 58 / 0 / 24

HEX #2351C3

RGB 35 81 195

HSL 222.75, 0.7%, 0.45%

LAB 38.17, 27.3, -63.82

 

CMYK 70 / 49 / 0 / 31

HEX #3559B0

RGB 53 89 176

HSL 222.44, 0.54%, 0.45%

LAB 39.64, 16.97, -50.26

 

CMYK 54 / 39 / 0 / 38

HEX #48619E

RGB 72 97 158

HSL 222.56, 0.37%, 0.45%

LAB 41.84, 9.09, -36.03

 

CMYK 35 / 24 / 0 / 45

HEX #5A698B

RGB 90 105 139

HSL 221.63, 0.21%, 0.45%

LAB 44.43, 3.11, -20.55

 

CMYK 92 / 15 / 0 / 16

HEX #10B5D5

RGB 16 181 213

HSL 189.75, 0.86%, 0.45%

LAB 67.99, -26.41, -26.78

 

CMYK 92 / 40 / 0 / 16

HEX #1080D5

RGB 16 128 213

HSL 205.89, 0.86%, 0.45%

LAB 52.23, 3, -51.47

 

CMYK 92 / 65 / 0 / 16

HEX #104BD5

RGB 16 75 213

HSL 222.03, 0.86%, 0.45%

LAB 37.75, 36.97, -74.95

 

CMYK 92 / 89 / 0 / 16

HEX #1017D5

RGB 16 23 213

HSL 237.87, 0.86%, 0.45%

LAB 28.19, 64.02, -90.79

 

CMYK 71 / 92 / 0 / 16

HEX #3E10D5

RGB 62 16 213

HSL 254.01, 0.86%, 0.45%

LAB 29.91, 67.32, -87.86

 

CMYK 93 / 66 / 0 / 46

HEX #0A2F89

RGB 10 47 137

HSL 222.52, 0.86%, 0.29%

LAB 23.35, 25.6, -53.17

 

CMYK 93 / 66 / 0 / 31

HEX #0D3CAF

RGB 13 60 175

HSL 222.59, 0.86%, 0.37%

LAB 30.43, 32.07, -64.72

 

CMYK 92 / 66 / 0 / 16

HEX #1049D5

RGB 16 73 213

HSL 222.64, 0.86%, 0.45%

LAB 37.26, 38.25, -75.75

 

CMYK 86 / 61 / 0 / 7

HEX #215CEE

RGB 33 92 238

HSL 222.73, 0.86%, 0.53%

LAB 44.45, 36.28, -78.16

 

CMYK 71 / 50 / 0 / 5

HEX #4778F1

RGB 71 120 241

HSL 222.71, 0.86%, 0.61%

LAB 53.08, 23.4, -65.74

 

CMYK 92 / 66 / 0 / 17

HEX #1048D3

RGB 16 72.8 211.4

HSL 222.56, 0.86%, 0.45%

LAB 37.06, 37.77, -75.15

 

CMYK 9 / 92 / 0 / 16

HEX #C210D5

RGB 194 16 213

HSL 294.21, 0.86%, 0.45%

LAB 47.81, 81.44, -57.82

 

CMYK 28 / 0 / 92 / 16

HEX #9AD510

RGB 154 213 16

HSL 77.97, 0.86%, 0.45%

LAB 78.75, -42.62, 76.09

 

CMYK 92 / 66 / 0 / 17

HEX #1048D3

RGB 16 72.8 211.4

HSL 222.56, 0.86%, 0.45%

LAB 37.06, 37.77, -75.15

 

CMYK 0 / 92 / 65 / 16

HEX #D5104B

RGB 213 16 75

HSL 342.03, 0.86%, 0.45%

LAB 45.67, 70.39, 22.44

 

CMYK 65 / 0 / 92 / 16

HEX #4BD510

RGB 75 213 16

HSL 102.03, 0.86%, 0.45%

LAB 75.53, -66.69, 72.13

 

CMYK 92 / 66 / 0 / 17

HEX #1048D3

RGB 16 72.8 211.4

HSL 222.56, 0.86%, 0.45%

LAB 37.06, 37.77, -75.15

 

CMYK 9 / 92 / 0 / 16

HEX #C210D5

RGB 194 16 213

HSL 294.21, 0.86%, 0.45%

LAB 47.81, 81.44, -57.82

 

CMYK 0 / 28 / 92 / 16

HEX #D59A10

RGB 213 154 16

HSL 42.03, 0.86%, 0.45%

LAB 67.5, 11.93, 69.46

 

CMYK 83 / 0 / 92 / 16

HEX #24D510

RGB 36 213 16

HSL 113.91, 0.86%, 0.45%

LAB 74.83, -72.78, 71.26

 

CMYK 92 / 66 / 0 / 17

HEX #1048D3

RGB 16 72.8 211.4

HSL 222.56, 0.86%, 0.45%

LAB 37.06, 37.77, -75.15

 

CMYK 0 / 92 / 18 / 16

HEX #D510AE

RGB 213 16 174

HSL 311.88, 0.86%, 0.45%

LAB 48.97, 79.23, -33.07

 

CMYK 0 / 28 / 92 / 16

HEX #D59A10

RGB 213 154 16

HSL 42.03, 0.86%, 0.45%

LAB 67.5, 11.93, 69.46

 

CMYK 92 / 0 / 74 / 16

HEX #10D538

RGB 16 213 56

HSL 132.18, 0.86%, 0.45%

LAB 74.81, -72.28, 61.49

 

Description

Color code: RGB 16 72.8 211.4 | qconv.com Color code: RGB 16 72.8 211.4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 72.8 green and 211.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 72.8 211.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 66 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 66% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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