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Color name
RGB 16 147 103

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 16 147 103 it is the complementary color RGB 239 108 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 16 147 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 16 147 103 shade: RGB 21 147 98, RGB 38 165 117, RGB 55 183 136, RGB 72 201 155 and RGB 89 219 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 16 147 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 16 147 103 shade: RGB 16 147 103, RGB 0 129 84, RGB 0 111 65, RGB 0 93 46 and RGB 0 75 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 16 147 103 shade: RGB 16 147 103, RGB 16 147 68, RGB 16 147 33, RGB 35 147 16 and RGB 70 147 16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 16 147 103 shade: RGB 16 147 103, RGB 16 147 138, RGB 16 120 147, RGB 16 85 147 and RGB 16 50 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 16 147 103 shade matches the following richer shades: RGB 16 147 103 and RGB 3 160 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 16 147 103 shade: RGB 16 147 103, RGB 30 134 99, RGB 43 120 94, RGB 56 107 90 and RGB 69 94 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 16 147 103 shade: RGB 16 147 32, RGB 16 147 66, RGB 16 147 101, RGB 16 147 136 and RGB 16 123 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 16 147 103 shade: RGB 8 73 51, RGB 12 110 77, RGB 16 147 103, RGB 20 184 129 and RGB 25 221 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 16 147 103 shade: RGB 16 147 103, RGB 16 36 147 and RGB 147 49 16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 16 147 103 shade: RGB 16 147 103, RGB 101 16 147 and RGB 147 101 16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 16 147 103 shade: RGB 16 147 103, RGB 16 36 147, RGB 147 16 62 and RGB 147 127 16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 16 147 103 shade: RGB 16 147 103, RGB 36 16 147, RGB 147 16 62 and RGB 127 147 16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

Complementary color

CMYK 0 / 55 / 36 / 6

HEX #EF6C98

RGB 239 108 152

HSL 339.85, 0.8%, 0.68%

LAB 62.8, 54.7, 1.11

 

CMYK 86 / 0 / 33 / 42

HEX #159362

RGB 21 147 98

HSL 156.67, 0.75%, 0.33%

LAB 53.93, -44.15, 17.04

 

CMYK 77 / 0 / 29 / 35

HEX #26A575

RGB 38 165 117

HSL 157.32, 0.63%, 0.4%

LAB 60.43, -45.19, 15.44

 

CMYK 70 / 0 / 26 / 28

HEX #37B788

RGB 55 183 136

HSL 157.97, 0.54%, 0.47%

LAB 66.87, -45.82, 14.02

 

CMYK 64 / 0 / 23 / 21

HEX #48C99B

RGB 72 201 155

HSL 158.6, 0.54%, 0.54%

LAB 73.23, -46.18, 12.74

 

CMYK 59 / 0 / 21 / 14

HEX #59DBAE

RGB 89 219 174

HSL 159.23, 0.64%, 0.6%

LAB 79.52, -46.36, 11.57

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 100 / 0 / 35 / 49

HEX #008154

RGB 0 129 84

HSL 159.07, 1%, 0.25%

LAB 47.42, -41.72, 16.07

 

CMYK 100 / 0 / 41 / 56

HEX #006F41

RGB 0 111 65

HSL 155.14, 1%, 0.22%

LAB 40.82, -38.99, 18.15

 

CMYK 100 / 0 / 51 / 64

HEX #005D2E

RGB 0 93 46

HSL 149.68, 1%, 0.18%

LAB 34.04, -36.04, 20.33

 

CMYK 100 / 0 / 64 / 71

HEX #004B1B

RGB 0 75 27

HSL 141.6, 1%, 0.15%

LAB 27.05, -32.74, 22.53

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 89 / 0 / 54 / 42

HEX #109344

RGB 16 147 68

HSL 143.82, 0.8%, 0.32%

LAB 53.38, -50.39, 32.55

 

CMYK 89 / 0 / 78 / 42

HEX #109321

RGB 16 147 33

HSL 127.79, 0.8%, 0.32%

LAB 53.05, -54.52, 47.74

 

CMYK 76 / 0 / 89 / 42

HEX #239310

RGB 35 147 16

HSL 111.3, 0.8%, 0.32%

LAB 53.24, -53.15, 52.87

 

CMYK 52 / 0 / 89 / 42

HEX #469310

RGB 70 147 16

HSL 95.27, 0.8%, 0.32%

LAB 54.25, -44.82, 54.14

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 89 / 0 / 6 / 42

HEX #10938A

RGB 16 147 138

HSL 175.88, 0.8%, 0.32%

LAB 54.88, -33.91, -4.44

 

CMYK 89 / 18 / 0 / 42

HEX #107893

RGB 16 120 147

HSL 192.37, 0.8%, 0.32%

LAB 46.51, -17.25, -22.34

 

CMYK 89 / 42 / 0 / 42

HEX #105593

RGB 16 85 147

HSL 208.4, 0.8%, 0.32%

LAB 35.43, 3.91, -39.75

 

CMYK 89 / 66 / 0 / 42

HEX #103293

RGB 16 50 147

HSL 224.43, 0.8%, 0.32%

LAB 25.25, 27.91, -56.24

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 98 / 0 / 33 / 37

HEX #03A06B

RGB 3 160 107

HSL 159.75, 0.96%, 0.32%

LAB 58.25, -48.27, 17.91

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 78 / 0 / 26 / 47

HEX #1E8663

RGB 30 134 99

HSL 159.81, 0.63%, 0.32%

LAB 49.77, -37.54, 10.74

 

CMYK 64 / 0 / 22 / 53

HEX #2B785E

RGB 43 120 94

HSL 159.74, 0.47%, 0.32%

LAB 45.3, -30.28, 7.39

 

CMYK 48 / 0 / 16 / 58

HEX #386B5A

RGB 56 107 90

HSL 160, 0.31%, 0.32%

LAB 41.37, -21.64, 4.24

 

CMYK 27 / 0 / 9 / 63

HEX #455E56

RGB 69 94 86

HSL 160.8, 0.15%, 0.32%

LAB 37.74, -11.27, 1.54

 

CMYK 89 / 0 / 78 / 42

HEX #109320

RGB 16 147 32

HSL 127.33, 0.8%, 0.32%

LAB 53.04, -54.6, 48.08

 

CMYK 89 / 0 / 55 / 42

HEX #109342

RGB 16 147 66

HSL 142.9, 0.8%, 0.32%

LAB 53.35, -50.7, 33.54

 

CMYK 89 / 0 / 31 / 42

HEX #109365

RGB 16 147 101

HSL 158.93, 0.8%, 0.32%

LAB 53.94, -43.87, 15.36

 

CMYK 89 / 0 / 7 / 42

HEX #109388

RGB 16 147 136

HSL 174.96, 0.8%, 0.32%

LAB 54.82, -34.51, -3.38

 

CMYK 89 / 16 / 0 / 42

HEX #107B93

RGB 16 123 147

HSL 190.99, 0.8%, 0.32%

LAB 47.47, -18.89, -20.86

 

CMYK 89 / 0 / 30 / 71

HEX #084933

RGB 8 73 51

HSL 159.69, 0.8%, 0.16%

LAB 26.89, -25.47, 7.77

 

CMYK 89 / 0 / 30 / 57

HEX #0C6E4D

RGB 12 110 77

HSL 159.8, 0.8%, 0.24%

LAB 40.84, -34.76, 11.14

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 89 / 0 / 30 / 28

HEX #14B881

RGB 20 184 129

HSL 159.88, 0.8%, 0.4%

LAB 66.53, -51.6, 17.28

 

CMYK 89 / 0 / 30 / 13

HEX #19DD9B

RGB 25 221 155

HSL 159.8, 0.8%, 0.48%

LAB 78.63, -59.42, 20.16

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 89 / 76 / 0 / 42

HEX #102493

RGB 16 36 147

HSL 230.84, 0.8%, 0.32%

LAB 21.87, 37.09, -61.82

 

CMYK 0 / 67 / 89 / 42

HEX #933110

RGB 147 49 16

HSL 15.11, 0.8%, 0.32%

LAB 34.88, 39.79, 40.62

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 31 / 89 / 0 / 42

HEX #651093

RGB 101 16 147

HSL 278.93, 0.8%, 0.32%

LAB 27.42, 55.17, -52.39

 

CMYK 0 / 31 / 89 / 42

HEX #936510

RGB 147 101 16

HSL 38.93, 0.8%, 0.32%

LAB 46.38, 11.63, 49.9

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 89 / 76 / 0 / 42

HEX #102493

RGB 16 36 147

HSL 230.84, 0.8%, 0.32%

LAB 21.87, 37.09, -61.82

 

CMYK 0 / 89 / 58 / 42

HEX #93103E

RGB 147 16 62

HSL 338.93, 0.8%, 0.32%

LAB 31.63, 52.9, 9.54

 

CMYK 0 / 14 / 89 / 42

HEX #937F10

RGB 147 127 16

HSL 50.84, 0.8%, 0.32%

LAB 53.41, -3.18, 55.56

 

CMYK 89 / 0 / 30 / 42

HEX #109367

RGB 16 147 103

HSL 159.85, 0.8%, 0.32%

LAB 53.98, -43.4, 14.29

 

CMYK 76 / 89 / 0 / 42

HEX #241093

RGB 36 16 147

HSL 249.16, 0.8%, 0.32%

LAB 19.44, 48.28, -65.82

 

CMYK 0 / 89 / 58 / 42

HEX #93103E

RGB 147 16 62

HSL 338.93, 0.8%, 0.32%

LAB 31.63, 52.9, 9.54

 

CMYK 14 / 0 / 89 / 42

HEX #7F9310

RGB 127 147 16

HSL 69.16, 0.8%, 0.32%

LAB 57.48, -22.94, 58.16

 

Description

Color code: RGB 16 147 103 | qconv.com Color code: RGB 16 147 103 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 147 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 147 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 30 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 30% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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