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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 235 71 it is the complementary color RGB 86 20 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 235 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 169 235 71: RGB 174 235 66, RGB 191 253 85, RGB 208 255 104, RGB 225 255 123 and RGB 242 255 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 235 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 169 235 71: RGB 169 235 71, RGB 152 217 52, RGB 135 199 33, RGB 118 181 14 and RGB 101 163 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 70 / 8

HEX #A9EB47

RGB 169 235 71

HSL 84.15, 0.8%, 0.6%

LAB 86.16, -44.37, 69.17

 

Complementary color

CMYK 53 / 89 / 0 / 28

HEX #5614B8

RGB 86 20 184

HSL 264.15, 0.8%, 0.4%

LAB 29.26, 60.8, -71.84

 

CMYK 26 / 0 / 72 / 8

HEX #AEEB42

RGB 174 235 66

HSL 81.66, 0.81%, 0.59%

LAB 86.41, -42.84, 71.25

 

CMYK 25 / 0 / 66 / 1

HEX #BFFD55

RGB 191 253 85

HSL 82.14, 0.98%, 0.66%

LAB 92.57, -43.25, 71

 

CMYK 18 / 0 / 59 / 0

HEX #D0FF68

RGB 208 255 104

HSL 78.68, 1%, 0.7%

LAB 94.28, -36.49, 65.59

 

CMYK 12 / 0 / 52 / 0

HEX #E1FF7B

RGB 225 255 123

HSL 73.64, 1%, 0.74%

LAB 95.56, -28.51, 59.1

 

CMYK 5 / 0 / 44 / 0

HEX #F2FF8E

RGB 242 255 142

HSL 66.9, 1%, 0.78%

LAB 96.96, -20.28, 52.31

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB47

RGB 169 235 71

HSL 84.15, 0.8%, 0.6%

LAB 86.16, -44.37, 69.17

 

CMYK 30 / 0 / 76 / 15

HEX #98D934

RGB 152 217 52

HSL 83.64, 0.68%, 0.53%

LAB 79.93, -43.9, 69.13

 

CMYK 32 / 0 / 83 / 22

HEX #87C721

RGB 135 199 33

HSL 83.13, 0.72%, 0.45%

LAB 73.62, -43.25, 68.3

 

CMYK 35 / 0 / 92 / 29

HEX #76B50E

RGB 118 181 14

HSL 82.63, 0.86%, 0.38%

LAB 67.23, -42.37, 66.24

 

CMYK 38 / 0 / 100 / 36

HEX #65A300

RGB 101 163 0

HSL 82.82, 1%, 0.32%

LAB 60.75, -41.23, 62.58

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB47

RGB 169 235 71

HSL 84.15, 0.8%, 0.6%

LAB 86.16, -44.37, 69.17

 

CMYK 39 / 0 / 70 / 8

HEX #8EEA47

RGB 142 234 71

HSL 93.87, 0.8%, 0.6%

LAB 84.51, -53.26, 67.06

 

CMYK 51 / 0 / 70 / 8

HEX #72EA47

RGB 114 234 71

HSL 104.17, 0.8%, 0.6%

LAB 83.38, -61.64, 65.54

 

CMYK 63 / 0 / 70 / 8

HEX #57EA47

RGB 87 234 71

HSL 114.11, 0.8%, 0.6%

LAB 82.55, -68.17, 64.42

 

CMYK 70 / 0 / 65 / 8

HEX #47EA52

RGB 71 234 82

HSL 124.05, 0.8%, 0.6%

LAB 82.27, -70.23, 59.77

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB47

RGB 169 235 71

HSL 84.15, 0.8%, 0.6%

LAB 86.16, -44.37, 69.17

 

CMYK 29 / 0 / 71 / 88

HEX #161F09

RGB 22 31 9

HSL 84.55, 0.55%, 0.08%

LAB 10.34, -8.92, 11.55

 

CMYK 28 / 0 / 70 / 68

HEX #3B5219

RGB 59 82 25

HSL 84.21, 0.53%, 0.21%

LAB 31.89, -19.1, 29.67

 

CMYK 28 / 0 / 70 / 48

HEX #608528

RGB 96 133 40

HSL 83.87, 0.54%, 0.34%

LAB 51.17, -28.04, 44.01

 

CMYK 28 / 0 / 70 / 28

HEX #84B838

RGB 132 184 56

HSL 84.38, 0.53%, 0.47%

LAB 69.09, -36.6, 56.72

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB47

RGB 169 235 71

HSL 84.15, 0.8%, 0.6%

LAB 86.16, -44.37, 69.17

 

CMYK 70 / 0 / 28 / 8

HEX #47EAA9

RGB 71 234 169

HSL 156.07, 0.8%, 0.6%

LAB 83.47, -56.62, 19.66

 

CMYK 0 / 70 / 0 / 8

HEX #EA47EA

RGB 234 71 234

HSL 300, 0.8%, 0.6%

LAB 59.83, 79.53, -50.13

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB47

RGB 169 235 71

HSL 84.15, 0.8%, 0.6%

LAB 86.16, -44.37, 69.17

 

CMYK 70 / 28 / 0 / 8

HEX #47A9EA

RGB 71 169 234

HSL 203.93, 0.8%, 0.6%

LAB 66.26, -8.03, -40.92

 

CMYK 0 / 70 / 28 / 8

HEX #EA47A9

RGB 234 71 169

HSL 323.93, 0.8%, 0.6%

LAB 56.94, 70.46, -17.54

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB47

RGB 169 235 71

HSL 84.15, 0.8%, 0.6%

LAB 86.16, -44.37, 69.17

 

CMYK 70 / 0 / 28 / 8

HEX #47EAA9

RGB 71 234 169

HSL 156.07, 0.8%, 0.6%

LAB 83.47, -56.62, 19.66

 

CMYK 42 / 70 / 0 / 8

HEX #8847EA

RGB 136 71 234

HSL 263.93, 0.8%, 0.6%

LAB 46.55, 60.1, -72.19

 

CMYK 0 / 70 / 42 / 8

HEX #EA4788

RGB 234 71 136

HSL 336.07, 0.8%, 0.6%

LAB 55.86, 66.89, 0.24

 

CMYK 28 / 0 / 70 / 8

HEX #A9EB47

RGB 169 235 71

HSL 84.15, 0.8%, 0.6%

LAB 86.16, -44.37, 69.17

 

CMYK 70 / 0 / 7 / 8

HEX #47EADA

RGB 71 234 218

HSL 174.11, 0.8%, 0.6%

LAB 84.61, -44.91, -4.39

 

CMYK 42 / 70 / 0 / 8

HEX #8847EA

RGB 136 71 234

HSL 263.93, 0.8%, 0.6%

LAB 46.55, 60.1, -72.19

 

CMYK 0 / 70 / 63 / 8

HEX #EA4757

RGB 234 71 87

HSL 354.11, 0.8%, 0.6%

LAB 54.75, 63.09, 27.72

 

Description

Color code: RGB 169 235 71 | qconv.com Color code: RGB 169 235 71 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 235 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 235 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 70 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 70% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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