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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 188 203 it is the complementary color RGB 86 67 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 188 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 188 203 shade: RGB 174 188 198, RGB 191 206 217, RGB 208 224 236, RGB 225 242 255 and RGB 242 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 188 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 188 203 shade: RGB 169 188 203, RGB 152 170 184, RGB 135 152 165, RGB 118 134 146 and RGB 101 116 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 188 203 shade: RGB 169 188 203, RGB 169 179 203, RGB 169 170 203, RGB 178 169 203 and RGB 187 169 203

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 188 203 shade: RGB 169 188 203, RGB 169 179 203, RGB 169 170 203 and RGB 169 169 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 188 203 shade matches the following richer shades: RGB 169 188 203, RGB 158 189 215, RGB 147 191 226, RGB 136 192 237 and RGB 124 193 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 188 203 shade: RGB 169 188 203, RGB 180 187 192, RGB 191 186 181, RGB 202 184 170 and RGB 213 183 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 188 203 shade: RGB 169 203 200, RGB 169 198 203, RGB 169 188 203, RGB 169 179 203 and RGB 169 170 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 188 203 shade: RGB 117 148 172, RGB 143 168 188, RGB 169 188 203, RGB 195 208 219 and RGB 221 228 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 188 203 shade: RGB 169 188 203, RGB 191 169 203 and RGB 202 203 169

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 188 203 shade: RGB 169 188 203, RGB 203 169 188 and RGB 188 203 169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 188 203 shade: RGB 169 188 203, RGB 191 169 203, RGB 203 184 169 and RGB 182 203 169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 188 203 shade: RGB 169 188 203, RGB 201 169 203, RGB 203 184 169 and RGB 171 203 169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

Complementary color

CMYK 0 / 22 / 40 / 66

HEX #564334

RGB 86 67 52

HSL 26.47, 0.25%, 0.27%

LAB 30.01, 5.77, 12.23

 

CMYK 12 / 5 / 0 / 22

HEX #AEBCC6

RGB 174 188 198

HSL 205, 0.17%, 0.73%

LAB 75.48, -2.79, -6.69

 

CMYK 12 / 5 / 0 / 15

HEX #BFCED9

RGB 191 206 217

HSL 205.38, 0.25%, 0.8%

LAB 81.96, -2.88, -7.19

 

CMYK 12 / 5 / 0 / 7

HEX #D0E0EC

RGB 208 224 236

HSL 205.71, 0.42%, 0.87%

LAB 88.34, -2.98, -7.68

 

CMYK 12 / 5 / 0 / 0

HEX #E1F2FF

RGB 225 242 255

HSL 206, 1%, 0.94%

LAB 94.62, -3.07, -8.16

 

CMYK 5 / 0 / 0 / 0

HEX #F2FFFF

RGB 242 255 255

HSL 180, 1%, 0.97%

LAB 99.07, -4.23, -1.48

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 17 / 8 / 0 / 28

HEX #98AAB8

RGB 152 170 184

HSL 206.25, 0.18%, 0.66%

LAB 68.67, -3.27, -9.3

 

CMYK 18 / 8 / 0 / 35

HEX #8798A5

RGB 135 152 165

HSL 206, 0.14%, 0.59%

LAB 61.93, -3.18, -8.84

 

CMYK 19 / 8 / 0 / 43

HEX #768692

RGB 118 134 146

HSL 205.71, 0.11%, 0.52%

LAB 55.05, -3.09, -8.38

RGB 118 134 146

CMYK 20 / 9 / 0 / 50

HEX #65747F

RGB 101 116 127

HSL 205.38, 0.11%, 0.45%

LAB 47.99, -3, -7.92

RGB 101 116 127

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 17 / 12 / 0 / 20

HEX #A9B3CB

RGB 169 179 203

HSL 222.35, 0.25%, 0.73%

LAB 72.88, 1.5, -13.32

 

CMYK 17 / 16 / 0 / 20

HEX #A9AACB

RGB 169 170 203

HSL 238.24, 0.25%, 0.73%

LAB 70.52, 6.43, -16.88

 

CMYK 12 / 17 / 0 / 20

HEX #B2A9CB

RGB 178 169 203

HSL 255.88, 0.25%, 0.73%

LAB 70.98, 9.91, -16.13

 

CMYK 8 / 17 / 0 / 20

HEX #BBA9CB

RGB 187 169 203

HSL 271.76, 0.25%, 0.73%

LAB 71.73, 12.89, -14.92

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 17 / 12 / 0 / 20

HEX #A9B3CB

RGB 169 179 203

HSL 222.35, 0.25%, 0.73%

LAB 72.88, 1.5, -13.32

 

CMYK 17 / 16 / 0 / 20

HEX #A9AACB

RGB 169 170 203

HSL 238.24, 0.25%, 0.73%

LAB 70.52, 6.43, -16.88

 

CMYK 17 / 17 / 0 / 20

HEX #A9A9CB

RGB 169 169 203

HSL 240, 0.25%, 0.73%

LAB 70.26, 6.98, -17.27

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 27 / 12 / 0 / 16

HEX #9EBDD7

RGB 158 189 215

HSL 207.37, 0.42%, 0.73%

LAB 75.18, -4.6, -16.48

 

CMYK 35 / 15 / 0 / 11

HEX #93BFE2

RGB 147 191 226

HSL 206.58, 0.58%, 0.73%

LAB 75.42, -6.14, -22.13

 

CMYK 43 / 19 / 0 / 7

HEX #88C0ED

RGB 136 192 237

HSL 206.73, 0.74%, 0.73%

LAB 75.48, -6.68, -28.04

 

CMYK 50 / 22 / 0 / 3

HEX #7CC1F8

RGB 124 193 248

HSL 206.61, 0.9%, 0.73%

LAB 75.58, -6.99, -33.87

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 6 / 3 / 0 / 25

HEX #B4BBC0

RGB 180 187 192

HSL 205, 0.09%, 0.73%

LAB 75.48, -1.45, -3.37

 

CMYK 0 / 3 / 5 / 25

HEX #BFBAB5

RGB 191 186 181

HSL 30, 0.07%, 0.73%

LAB 75.78, 0.86, 3.14

 

CMYK 0 / 9 / 16 / 21

HEX #CAB8AA

RGB 202 184 170

HSL 26.25, 0.23%, 0.73%

LAB 75.91, 4.08, 9.42

 

CMYK 0 / 14 / 25 / 16

HEX #D5B79F

RGB 213 183 159

HSL 26.67, 0.39%, 0.73%

LAB 76.39, 7.11, 16.18

 

CMYK 17 / 0 / 1 / 20

HEX #A9CBC8

RGB 169 203 200

HSL 174.71, 0.25%, 0.73%

LAB 79.22, -11.88, -2.29

 

CMYK 17 / 2 / 0 / 20

HEX #A9C6CB

RGB 169 198 203

HSL 188.82, 0.25%, 0.73%

LAB 77.95, -8.65, -5.77

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 17 / 12 / 0 / 20

HEX #A9B3CB

RGB 169 179 203

HSL 222.35, 0.25%, 0.73%

LAB 72.88, 1.5, -13.32

 

CMYK 17 / 16 / 0 / 20

HEX #A9AACB

RGB 169 170 203

HSL 238.24, 0.25%, 0.73%

LAB 70.52, 6.43, -16.88

 

CMYK 32 / 14 / 0 / 33

HEX #7594AC

RGB 117 148 172

HSL 206.18, 0.25%, 0.57%

LAB 59.83, -4.93, -16.08

 

CMYK 24 / 11 / 0 / 26

HEX #8FA8BC

RGB 143 168 188

HSL 206.67, 0.25%, 0.65%

LAB 67.63, -4.14, -13.13

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 11 / 5 / 0 / 14

HEX #C3D0DB

RGB 195 208 219

HSL 207.5, 0.25%, 0.81%

LAB 82.82, -2.23, -6.95

 

CMYK 6 / 3 / 0 / 8

HEX #DDE4EA

RGB 221 228 234

HSL 207.69, 0.24%, 0.89%

LAB 90.23, -1.22, -3.74

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 6 / 17 / 0 / 20

HEX #BFA9CB

RGB 191 169 203

HSL 278.82, 0.25%, 0.73%

LAB 72.07, 14.23, -14.37

 

CMYK 0 / 0 / 17 / 20

HEX #CACBA9

RGB 202 203 169

HSL 61.76, 0.25%, 0.73%

LAB 80.81, -6.08, 16.88

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 0 / 17 / 7 / 20

HEX #CBA9BC

RGB 203 169 188

HSL 326.47, 0.25%, 0.73%

LAB 72.7, 15.57, -5.07

 

CMYK 7 / 0 / 17 / 20

HEX #BCCBA9

RGB 188 203 169

HSL 86.47, 0.25%, 0.73%

LAB 79.77, -11.17, 15.26

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 6 / 17 / 0 / 20

HEX #BFA9CB

RGB 191 169 203

HSL 278.82, 0.25%, 0.73%

LAB 72.07, 14.23, -14.37

 

CMYK 0 / 9 / 17 / 20

HEX #CBB8A9

RGB 203 184 169

HSL 26.47, 0.25%, 0.73%

LAB 75.97, 4.3, 10.07

 

CMYK 10 / 0 / 17 / 20

HEX #B6CBA9

RGB 182 203 169

HSL 97.06, 0.25%, 0.73%

LAB 79.34, -13.31, 14.6

 

CMYK 17 / 7 / 0 / 20

HEX #A9BCCB

RGB 169 188 203

HSL 206.47, 0.25%, 0.73%

LAB 75.27, -3.36, -9.75

 

CMYK 1 / 17 / 0 / 20

HEX #C9A9CB

RGB 201 169 203

HSL 296.47, 0.25%, 0.73%

LAB 72.96, 17.61, -12.94

 

CMYK 0 / 9 / 17 / 20

HEX #CBB8A9

RGB 203 184 169

HSL 26.47, 0.25%, 0.73%

LAB 75.97, 4.3, 10.07

 

CMYK 16 / 0 / 17 / 20

HEX #ABCBA9

RGB 171 203 169

HSL 116.47, 0.25%, 0.73%

LAB 78.6, -17.15, 13.45

 

Description

Color code: RGB 169 188 203 | qconv.com Color code: RGB 169 188 203 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 188 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 188 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 7 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 7% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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