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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 175 94 it is the complementary color RGB 86 80 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 175 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169 175 94 shade: RGB 174 175 89, RGB 191 193 108, RGB 208 211 127, RGB 225 229 146 and RGB 242 247 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 175 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169 175 94 shade: RGB 169 175 94, RGB 152 157 75, RGB 135 139 56, RGB 118 121 37 and RGB 101 103 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169 175 94 shade: RGB 170 176 94, RGB 176 160 94, RGB 176 138 94, RGB 176 116 94 and RGB 176 94 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169 175 94 shade: RGB 170 176 94, RGB 148 176 94, RGB 126 176 94, RGB 104 176 94 and RGB 94 176 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169 175 94 shade matches the following richer shades: RGB 170 176 94, RGB 186 195 75, RGB 203 215 56, RGB 219 234 36 and RGB 236 253 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169 175 94 shade: RGB 170 176 94, RGB 153 157 114, RGB 137 137 133, RGB 120 118 153 and RGB 104 98 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169 175 94 shade: RGB 176 138 94, RGB 176 160 94, RGB 170 176 94, RGB 149 176 94 and RGB 127 176 94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169 175 94 shade: RGB 121 126 62, RGB 148 153 76, RGB 170 176 94, RGB 185 190 122 and RGB 199 203 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169 175 94 shade: RGB 169 175 94, RGB 94 176 116 and RGB 149 94 176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169 175 94 shade: RGB 169 175 94, RGB 94 170 176 and RGB 176 94 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169 175 94 shade: RGB 169 175 94, RGB 94 176 116, RGB 100 94 176 and RGB 176 94 154

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169 175 94 shade: RGB 169 175 94, RGB 94 176 141, RGB 100 94 176 and RGB 176 94 130

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 46 / 31

HEX #A9AF5E

RGB 169 175 94

HSL 64.44, 0.34%, 0.53%

LAB 69.4, -14.17, 40.58

 

Complementary color

CMYK 47 / 50 / 0 / 37

HEX #5650A1

RGB 86 80 161

HSL 244.44, 0.34%, 0.47%

LAB 38.36, 24.24, -43.3

 

CMYK 1 / 0 / 49 / 31

HEX #AEAF59

RGB 174 175 89

HSL 60.7, 0.35%, 0.52%

LAB 69.74, -12.59, 43.57

 

CMYK 1 / 0 / 44 / 24

HEX #BFC16C

RGB 191 193 108

HSL 61.41, 0.41%, 0.59%

LAB 76.25, -13.02, 42.38

 

CMYK 1 / 0 / 40 / 17

HEX #D0D37F

RGB 208 211 127

HSL 62.14, 0.49%, 0.66%

LAB 82.66, -13.37, 41.2

 

CMYK 2 / 0 / 36 / 10

HEX #E1E592

RGB 225 229 146

HSL 62.89, 0.61%, 0.74%

LAB 88.98, -13.66, 40.05

 

CMYK 2 / 0 / 33 / 3

HEX #F2F7A5

RGB 242 247 165

HSL 63.66, 0.84%, 0.81%

LAB 95.21, -13.91, 38.93

 

CMYK 3 / 0 / 46 / 31

HEX #A9AF5E

RGB 169 175 94

HSL 64.44, 0.34%, 0.53%

LAB 69.4, -14.17, 40.58

 

CMYK 3 / 0 / 52 / 38

HEX #989D4B

RGB 152 157 75

HSL 63.66, 0.35%, 0.45%

LAB 62.76, -13.75, 41.77

 

CMYK 3 / 0 / 60 / 45

HEX #878B38

RGB 135 139 56

HSL 62.89, 0.43%, 0.38%

LAB 55.99, -13.21, 42.86

 

CMYK 2 / 0 / 69 / 53

HEX #767925

RGB 118 121 37

HSL 62.14, 0.53%, 0.31%

LAB 49.08, -12.48, 43.64

 

CMYK 2 / 0 / 83 / 60

HEX #656712

RGB 101 103 18

HSL 61.41, 0.7%, 0.24%

LAB 42.02, -11.49, 43.62

 

CMYK 3 / 0 / 47 / 31

HEX #AAB05E

RGB 170 176 94

HSL 64.39, 0.34%, 0.53%

LAB 69.76, -14.28, 41.04

 

CMYK 0 / 9 / 47 / 31

HEX #B0A05E

RGB 176 160 94

HSL 48.29, 0.34%, 0.53%

LAB 65.89, -3.35, 36.38

 

CMYK 0 / 22 / 47 / 31

HEX #B08A5E

RGB 176 138 94

HSL 32.2, 0.34%, 0.53%

LAB 60.08, 8.72, 29.03

 

CMYK 0 / 34 / 47 / 31

HEX #B0745E

RGB 176 116 94

HSL 16.1, 0.34%, 0.53%

LAB 54.58, 21.04, 21.82

 

CMYK 0 / 47 / 47 / 31

HEX #B05E5E

RGB 176 94 94

HSL 0, 0.34%, 0.53%

LAB 49.55, 33.17, 15.01

 

CMYK 3 / 0 / 47 / 31

HEX #AAB05E

RGB 170 176 94

HSL 64.39, 0.34%, 0.53%

LAB 69.76, -14.28, 41.04

 

CMYK 16 / 0 / 47 / 31

HEX #94B05E

RGB 148 176 94

HSL 80.49, 0.34%, 0.53%

LAB 68.13, -23.13, 38.68

 

CMYK 28 / 0 / 47 / 31

HEX #7EB05E

RGB 126 176 94

HSL 96.59, 0.34%, 0.53%

LAB 66.74, -31.46, 36.65

 

CMYK 41 / 0 / 47 / 31

HEX #68B05E

RGB 104 176 94

HSL 112.68, 0.34%, 0.53%

LAB 65.59, -38.98, 34.96

 

CMYK 47 / 0 / 39 / 31

HEX #5EB06B

RGB 94 176 107

HSL 129.51, 0.34%, 0.53%

LAB 65.35, -40, 27.79

 

CMYK 3 / 0 / 47 / 31

HEX #AAB05E

RGB 170 176 94

HSL 64.39, 0.34%, 0.53%

LAB 69.76, -14.28, 41.04

 

CMYK 5 / 0 / 62 / 24

HEX #BAC34B

RGB 186 195 75

HSL 64.5, 0.5%, 0.53%

LAB 76.06, -18.89, 57.43

 

CMYK 6 / 0 / 74 / 16

HEX #CBD738

RGB 203 215 56

HSL 64.53, 0.67%, 0.53%

LAB 82.69, -22.73, 71.65

 

CMYK 6 / 0 / 85 / 8

HEX #DBEA24

RGB 219 234 36

HSL 64.55, 0.83%, 0.53%

LAB 88.94, -25.91, 82.82

 

CMYK 7 / 0 / 93 / 1

HEX #ECFD11

RGB 236 253 17

HSL 64.32, 0.98%, 0.53%

LAB 95.21, -28.22, 91.14

 

CMYK 3 / 0 / 47 / 31

HEX #AAB05E

RGB 170 176 94

HSL 64.39, 0.34%, 0.53%

LAB 69.76, -14.28, 41.04

 

CMYK 3 / 0 / 27 / 38

HEX #999D72

RGB 153 157 114

HSL 65.58, 0.18%, 0.53%

LAB 63.43, -8.75, 22.08

 

CMYK 0 / 0 / 3 / 46

HEX #898985

RGB 137 137 133

HSL 60, 0.02%, 0.53%

LAB 56.98, -0.77, 2.13

 

CMYK 22 / 23 / 0 / 40

HEX #787699

RGB 120 118 153

HSL 243.43, 0.15%, 0.53%

LAB 50.98, 8.57, -18.59

 

CMYK 40 / 43 / 0 / 33

HEX #6862AC

RGB 104 98 172

HSL 244.86, 0.31%, 0.53%

LAB 45.16, 20.95, -38.9

 

CMYK 0 / 22 / 47 / 31

HEX #B08A5E

RGB 176 138 94

HSL 32.2, 0.34%, 0.53%

LAB 60.08, 8.72, 29.03

 

CMYK 0 / 9 / 47 / 31

HEX #B0A05E

RGB 176 160 94

HSL 48.29, 0.34%, 0.53%

LAB 65.89, -3.35, 36.38

 

CMYK 3 / 0 / 47 / 31

HEX #AAB05E

RGB 170 176 94

HSL 64.39, 0.34%, 0.53%

LAB 69.76, -14.28, 41.04

 

CMYK 15 / 0 / 47 / 31

HEX #95B05E

RGB 149 176 94

HSL 79.76, 0.34%, 0.53%

LAB 68.2, -22.74, 38.78

 

CMYK 28 / 0 / 47 / 31

HEX #7FB05E

RGB 127 176 94

HSL 95.85, 0.34%, 0.53%

LAB 66.8, -31.1, 36.73

 

CMYK 4 / 0 / 51 / 51

HEX #797E3E

RGB 121 126 62

HSL 64.69, 0.34%, 0.37%

LAB 51.08, -11.81, 33.9

 

CMYK 3 / 0 / 50 / 40

HEX #94994C

RGB 148 153 76

HSL 63.9, 0.34%, 0.45%

LAB 61.31, -13.26, 39.47

 

CMYK 3 / 0 / 47 / 31

HEX #AAB05E

RGB 170 176 94

HSL 64.39, 0.34%, 0.53%

LAB 69.76, -14.28, 41.04

 

CMYK 3 / 0 / 36 / 25

HEX #B9BE7A

RGB 185 190 122

HSL 64.41, 0.34%, 0.61%

LAB 75.17, -12.33, 33.79

 

CMYK 2 / 0 / 26 / 20

HEX #C7CB96

RGB 199 203 150

HSL 64.53, 0.34%, 0.69%

LAB 80.21, -9.96, 26.05

 

CMYK 3 / 0 / 46 / 31

HEX #A9AF5E

RGB 169 175 94

HSL 64.44, 0.34%, 0.53%

LAB 69.4, -14.17, 40.58

 

CMYK 47 / 0 / 34 / 31

HEX #5EB074

RGB 94 176 116

HSL 136.1, 0.34%, 0.53%

LAB 65.51, -38.43, 23.19

 

CMYK 15 / 47 / 0 / 31

HEX #955EB0

RGB 149 94 176

HSL 280.24, 0.34%, 0.53%

LAB 48.92, 37.22, -35.01

 

CMYK 3 / 0 / 46 / 31

HEX #A9AF5E

RGB 169 175 94

HSL 64.44, 0.34%, 0.53%

LAB 69.4, -14.17, 40.58

 

CMYK 47 / 3 / 0 / 31

HEX #5EAAB0

RGB 94 170 176

HSL 184.39, 0.34%, 0.53%

LAB 65.17, -21.89, -10.42

 

CMYK 0 / 47 / 3 / 31

HEX #B05EAA

RGB 176 94 170

HSL 304.39, 0.34%, 0.53%

LAB 51.99, 44.16, -26.46

 

CMYK 3 / 0 / 46 / 31

HEX #A9AF5E

RGB 169 175 94

HSL 64.44, 0.34%, 0.53%

LAB 69.4, -14.17, 40.58

 

CMYK 47 / 0 / 34 / 31

HEX #5EB074

RGB 94 176 116

HSL 136.1, 0.34%, 0.53%

LAB 65.51, -38.43, 23.19

 

CMYK 43 / 47 / 0 / 31

HEX #645EB0

RGB 100 94 176

HSL 244.39, 0.34%, 0.53%

LAB 44.02, 23.55, -43.08

 

CMYK 0 / 47 / 13 / 31

HEX #B05E9A

RGB 176 94 154

HSL 316.1, 0.34%, 0.53%

LAB 51.35, 41.38, -18.08

 

CMYK 3 / 0 / 46 / 31

HEX #A9AF5E

RGB 169 175 94

HSL 64.44, 0.34%, 0.53%

LAB 69.4, -14.17, 40.58

 

CMYK 47 / 0 / 20 / 31

HEX #5EB08D

RGB 94 176 141

HSL 154.39, 0.34%, 0.53%

LAB 66.02, -33.41, 10.26

 

CMYK 43 / 47 / 0 / 31

HEX #645EB0

RGB 100 94 176

HSL 244.39, 0.34%, 0.53%

LAB 44.02, 23.55, -43.08

 

CMYK 0 / 47 / 26 / 31

HEX #B05E82

RGB 176 94 130

HSL 333.66, 0.34%, 0.53%

LAB 50.51, 37.64, -5.11

 

Description

Color code: RGB 169 175 94 | qconv.com Color code: RGB 169 175 94 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 175 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 175 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 46 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 46% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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