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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169 104 93 it is the complementary color RGB 86 151 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169 104 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 169 104 93: RGB 174 104 88, RGB 191 122 107, RGB 208 140 126, RGB 225 158 145 and RGB 242 176 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169 104 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 169 104 93: RGB 169 104 93, RGB 152 86 74, RGB 135 68 55, RGB 118 50 36 and RGB 101 32 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 45 / 34

HEX #A9685D

RGB 169 104 93

HSL 8.68, 0.31%, 0.51%

LAB 50.83, 24.8, 17.21

 

Complementary color

CMYK 47 / 7 / 0 / 36

HEX #5697A2

RGB 86 151 162

HSL 188.68, 0.31%, 0.49%

LAB 58.71, -17.74, -12.25

 

CMYK 0 / 40 / 49 / 32

HEX #AE6858

RGB 174 104 88

HSL 11.16, 0.35%, 0.51%

LAB 51.39, 26.3, 20.98

 

CMYK 0 / 36 / 44 / 25

HEX #BF7A6B

RGB 191 122 107

HSL 10.71, 0.4%, 0.58%

LAB 58.09, 25.18, 19.42

 

CMYK 0 / 33 / 39 / 18

HEX #D08C7E

RGB 208 140 126

HSL 10.24, 0.47%, 0.65%

LAB 64.7, 24.19, 18.04

 

CMYK 0 / 30 / 36 / 12

HEX #E19E91

RGB 225 158 145

HSL 9.75, 0.57%, 0.73%

LAB 71.22, 23.3, 16.79

 

CMYK 0 / 27 / 32 / 5

HEX #F2B0A4

RGB 242 176 164

HSL 9.23, 0.75%, 0.8%

LAB 77.64, 22.51, 15.66

 

CMYK 0 / 38 / 45 / 34

HEX #A9685D

RGB 169 104 93

HSL 8.68, 0.31%, 0.51%

LAB 50.83, 24.8, 17.21

 

CMYK 0 / 43 / 51 / 40

HEX #98564A

RGB 152 86 74

HSL 9.23, 0.35%, 0.44%

LAB 43.98, 25.98, 18.87

 

CMYK 0 / 50 / 59 / 47

HEX #874437

RGB 135 68 55

HSL 9.75, 0.42%, 0.37%

LAB 37.04, 27.31, 20.86

 

CMYK 0 / 58 / 69 / 54

HEX #763224

RGB 118 50 36

HSL 10.24, 0.53%, 0.3%

LAB 30.06, 28.77, 23.28

 

CMYK 0 / 68 / 83 / 60

HEX #652011

RGB 101 32 17

HSL 10.71, 0.71%, 0.23%

LAB 23.14, 30.23, 26.21

 

CMYK 0 / 38 / 45 / 34

HEX #A9685D

RGB 169 104 93

HSL 8.68, 0.31%, 0.51%

LAB 50.83, 24.8, 17.21

 

CMYK 0 / 32 / 46 / 34

HEX #A8725B

RGB 168 114 91

HSL 17.92, 0.31%, 0.51%

LAB 53.07, 18.53, 21.36

 

CMYK 0 / 24 / 46 / 34

HEX #A87F5B

RGB 168 127 91

HSL 28.05, 0.31%, 0.51%

LAB 56.35, 11.18, 25.68

 

CMYK 0 / 17 / 46 / 34

HEX #A88C5B

RGB 168 140 91

HSL 38.18, 0.31%, 0.51%

LAB 59.74, 3.89, 30.06

 

CMYK 0 / 9 / 46 / 34

HEX #A8995B

RGB 168 153 91

HSL 48.31, 0.31%, 0.51%

LAB 63.23, -3.25, 34.48

 

CMYK 0 / 38 / 45 / 34

HEX #A9685D

RGB 169 104 93

HSL 8.68, 0.31%, 0.51%

LAB 50.83, 24.8, 17.21

 

CMYK 0 / 39 / 45 / 14

HEX #DC8779

RGB 220 135 121

HSL 8.48, 0.59%, 0.67%

LAB 64.9, 31, 21.34

 

CMYK 0 / 38 / 44 / 94

HEX #100A09

RGB 16 10 9

HSL 8.57, 0.28%, 0.05%

LAB 3.13, 1.71, 1.03

 

CMYK 0 / 39 / 45 / 74

HEX #432925

RGB 67 41 37

HSL 8, 0.29%, 0.2%

LAB 19.69, 11.58, 7.64

 

CMYK 0 / 38 / 45 / 54

HEX #764941

RGB 118 73 65

HSL 9.06, 0.29%, 0.36%

LAB 35.98, 18.18, 12.81

 

CMYK 0 / 38 / 45 / 34

HEX #A9685D

RGB 169 104 93

HSL 8.68, 0.31%, 0.51%

LAB 50.83, 24.8, 17.21

 

CMYK 15 / 0 / 46 / 34

HEX #8EA85B

RGB 142 168 91

HSL 80.26, 0.31%, 0.51%

LAB 65.37, -21.85, 36.69

 

CMYK 46 / 34 / 0 / 34

HEX #5B6FA8

RGB 91 111 168

HSL 224.42, 0.31%, 0.51%

LAB 47.52, 8.28, -32.9

 

CMYK 0 / 38 / 45 / 34

HEX #A9685D

RGB 169 104 93

HSL 8.68, 0.31%, 0.51%

LAB 50.83, 24.8, 17.21

 

CMYK 46 / 0 / 40 / 34

HEX #5BA865

RGB 91 168 101

HSL 127.79, 0.31%, 0.51%

LAB 62.65, -38.35, 27.41

 

CMYK 40 / 46 / 0 / 34

HEX #655BA8

RGB 101 91 168

HSL 247.79, 0.31%, 0.51%

LAB 42.88, 23.3, -40.18

 

CMYK 0 / 38 / 45 / 34

HEX #A9685D

RGB 169 104 93

HSL 8.68, 0.31%, 0.51%

LAB 50.83, 24.8, 17.21

 

CMYK 15 / 0 / 46 / 34

HEX #8EA85B

RGB 142 168 91

HSL 80.26, 0.31%, 0.51%

LAB 65.37, -21.85, 36.69

 

CMYK 46 / 6 / 0 / 34

HEX #5B9EA8

RGB 91 158 168

HSL 187.79, 0.31%, 0.51%

LAB 61.22, -18.56, -11.86

 

CMYK 30 / 46 / 0 / 34

HEX #755BA8

RGB 117 91 168

HSL 260.26, 0.31%, 0.51%

LAB 44.36, 27.71, -37.73

 

CMYK 0 / 38 / 45 / 34

HEX #A9685D

RGB 169 104 93

HSL 8.68, 0.31%, 0.51%

LAB 50.83, 24.8, 17.21

 

CMYK 29 / 0 / 46 / 34

HEX #77A85B

RGB 119 168 91

HSL 98.18, 0.31%, 0.51%

LAB 63.9, -30.6, 34.55

 

CMYK 46 / 6 / 0 / 34

HEX #5B9EA8

RGB 91 158 168

HSL 187.79, 0.31%, 0.51%

LAB 61.22, -18.56, -11.86

 

CMYK 17 / 46 / 0 / 34

HEX #8C5BA8

RGB 140 91 168

HSL 278.18, 0.31%, 0.51%

LAB 46.82, 34.45, -33.69

 

Description

Color code: RGB 169 104 93 | qconv.com Color code: RGB 169 104 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 104 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 104 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 45 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 45% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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