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Color name
RGB 169.9 128.2 86.6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 169.9 128.2 86.6 it is the complementary color RGB 85.1 126.8 168.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 169.9 128.2 86.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 169.9 128.2 86.6 shade: RGB 174.9 128.2 81.6, RGB 191.9 146.2 100.6, RGB 208.9 164.2 119.6, RGB 225.9 182.2 138.6 and RGB 242.9 200.2 157.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 169.9 128.2 86.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 169.9 128.2 86.6 shade: RGB 169.9 128.2 86.6, RGB 152.9 110.2 67.6, RGB 135.9 92.2 48.6, RGB 118.9 74.2 29.6 and RGB 101.9 56.2 10.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 169.9 128.2 86.6 shade: RGB 170 127 85, RGB 170 105 85 and RGB 170 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 169.9 128.2 86.6 shade: RGB 170 127 85, RGB 170 150 85, RGB 166 170 85, RGB 144 170 85 and RGB 121 170 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 169.9 128.2 86.6 shade matches the following richer shades: RGB 170 127 85, RGB 190 127 65, RGB 211 127 44, RGB 231 127 24 and RGB 252 127 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 169.9 128.2 86.6 shade: RGB 170 127 85, RGB 149 127 106, RGB 128 127 127, RGB 108 128 147 and RGB 87 128 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 169.9 128.2 86.6 shade: RGB 170 85 90, RGB 170 104 85, RGB 170 126 85, RGB 170 149 85 and RGB 168 170 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 169.9 128.2 86.6 shade: RGB 115 86 58, RGB 142 107 72, RGB 170 127 85, RGB 183 148 113 and RGB 197 169 140

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 169.9 128.2 86.6 shade: RGB 169.9 128.2 86.6, RGB 112 170 85 and RGB 92 85 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 169.9 128.2 86.6 shade: RGB 169.9 128.2 86.6, RGB 85 170 126 and RGB 126 85 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 169.9 128.2 86.6 shade: RGB 169.9 128.2 86.6, RGB 112 170 85, RGB 85 129 170 and RGB 143 85 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 169.9 128.2 86.6 shade: RGB 169.9 128.2 86.6, RGB 87 170 85, RGB 85 129 170 and RGB 168 85 170

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 49 / 33

HEX #A98056

RGB 169.9 128.2 86.6

HSL 29.96, 0.33%, 0.5%

LAB 56.79, 10.85, 28.74

 

Complementary color

CMYK 49 / 25 / 0 / 34

HEX #557EA8

RGB 85.1 126.8 168.4

HSL 209.96, 0.33%, 0.5%

LAB 51.73, -2.57, -26.6

 

CMYK 0 / 27 / 53 / 31

HEX #AE8051

RGB 174.9 128.2 81.6

HSL 29.97, 0.37%, 0.5%

LAB 57.27, 12.52, 32.2

 

CMYK 0 / 24 / 48 / 25

HEX #BF9264

RGB 191.9 146.2 100.6

HSL 29.97, 0.42%, 0.57%

LAB 63.95, 11.53, 30.75

 

CMYK 0 / 21 / 43 / 18

HEX #D0A477

RGB 208.9 164.2 119.6

HSL 29.97, 0.49%, 0.64%

LAB 70.53, 10.69, 29.41

 

CMYK 0 / 19 / 39 / 11

HEX #E1B68A

RGB 225.9 182.2 138.6

HSL 29.97, 0.6%, 0.71%

LAB 77.01, 9.96, 28.16

 

CMYK 0 / 18 / 35 / 5

HEX #F2C89D

RGB 242.9 200.2 157.6

HSL 29.96, 0.78%, 0.79%

LAB 83.39, 9.32, 26.99

 

CMYK 0 / 25 / 49 / 33

HEX #A98056

RGB 169.9 128.2 86.6

HSL 29.96, 0.33%, 0.5%

LAB 56.79, 10.85, 28.74

 

CMYK 0 / 28 / 56 / 40

HEX #986E43

RGB 152.9 110.2 67.6

HSL 29.96, 0.39%, 0.43%

LAB 49.94, 11.9, 30.24

 

CMYK 0 / 32 / 64 / 47

HEX #875C30

RGB 135.9 92.2 48.6

HSL 29.97, 0.47%, 0.36%

LAB 42.96, 13.18, 31.85

 

CMYK 0 / 38 / 75 / 53

HEX #764A1D

RGB 118.9 74.2 29.6

HSL 29.97, 0.6%, 0.29%

LAB 35.85, 14.77, 33.45

 

CMYK 0 / 45 / 90 / 60

HEX #65380A

RGB 101.9 56.2 10.6

HSL 29.97, 0.81%, 0.22%

LAB 28.62, 16.77, 34.54

 

CMYK 0 / 25 / 50 / 33

HEX #AA7F55

RGB 170 127 85

HSL 29.65, 0.33%, 0.5%

LAB 56.47, 11.41, 29.21

 

CMYK 0 / 38 / 50 / 33

HEX #AA6955

RGB 170 105 85

HSL 14.12, 0.33%, 0.5%

LAB 51.04, 23.81, 22.18

RGB 170 105 85

CMYK 0 / 50 / 50 / 33

HEX #AA5555

RGB 170 85 85

HSL 0, 0.33%, 0.5%

LAB 46.58, 34.76, 16.2

RGB 170 85 85

CMYK 0 / 25 / 50 / 33

HEX #AA7F55

RGB 170 127 85

HSL 29.65, 0.33%, 0.5%

LAB 56.47, 11.41, 29.21

 

CMYK 0 / 12 / 50 / 33

HEX #AA9655

RGB 170 150 85

HSL 45.88, 0.33%, 0.5%

LAB 62.52, -1.36, 36.78

 

CMYK 2 / 0 / 50 / 33

HEX #A6AA55

RGB 166 170 85

HSL 62.82, 0.33%, 0.5%

LAB 67.66, -13.71, 42.91

 

CMYK 15 / 0 / 50 / 33

HEX #90AA55

RGB 144 170 85

HSL 78.35, 0.33%, 0.5%

LAB 66.01, -22.72, 40.53

 

CMYK 29 / 0 / 50 / 33

HEX #79AA55

RGB 121 170 85

HSL 94.59, 0.33%, 0.5%

LAB 64.54, -31.57, 38.41

 

CMYK 0 / 25 / 50 / 33

HEX #AA7F55

RGB 170 127 85

HSL 29.65, 0.33%, 0.5%

LAB 56.47, 11.41, 29.21

 

CMYK 0 / 33 / 66 / 25

HEX #BE7F41

RGB 190 127 65

HSL 29.76, 0.49%, 0.5%

LAB 58.52, 18.4, 42.84

 

CMYK 0 / 40 / 79 / 17

HEX #D37F2C

RGB 211 127 44

HSL 29.82, 0.65%, 0.5%

LAB 60.97, 26.32, 55.83

 

CMYK 0 / 45 / 90 / 9

HEX #E77F18

RGB 231 127 24

HSL 29.86, 0.81%, 0.5%

LAB 63.54, 34.07, 65.8

 

CMYK 0 / 50 / 99 / 1

HEX #FC7F03

RGB 252 127 3

HSL 29.88, 0.98%, 0.5%

LAB 66.43, 42.19, 73

 

CMYK 0 / 25 / 50 / 33

HEX #AA7F55

RGB 170 127 85

HSL 29.65, 0.33%, 0.5%

LAB 56.47, 11.41, 29.21

 

CMYK 0 / 15 / 29 / 42

HEX #957F6A

RGB 149 127 106

HSL 29.3, 0.17%, 0.5%

LAB 54.67, 5.09, 14.55

 

CMYK 0 / 1 / 1 / 50

HEX #807F7F

RGB 128 127 127

HSL 0, 0%, 0.5%

LAB 53.28, 0.38, 0.13

 

CMYK 27 / 13 / 0 / 42

HEX #6C8093

RGB 108 128 147

HSL 209.23, 0.15%, 0.5%

LAB 52.66, -2.71, -12.62

 

CMYK 48 / 24 / 0 / 34

HEX #5780A8

RGB 87 128 168

HSL 209.63, 0.32%, 0.5%

LAB 52.17, -2.92, -25.68

 

CMYK 0 / 50 / 47 / 33

HEX #AA555A

RGB 170 85 90

HSL 356.47, 0.33%, 0.5%

LAB 46.69, 35.26, 13.33

 

CMYK 0 / 39 / 50 / 33

HEX #AA6855

RGB 170 104 85

HSL 13.41, 0.33%, 0.5%

LAB 50.81, 24.37, 21.87

 

CMYK 0 / 26 / 50 / 33

HEX #AA7E55

RGB 170 126 85

HSL 28.94, 0.33%, 0.5%

LAB 56.21, 11.97, 28.89

 

CMYK 0 / 12 / 50 / 33

HEX #AA9555

RGB 170 149 85

HSL 45.18, 0.33%, 0.5%

LAB 62.25, -0.82, 36.45

 

CMYK 1 / 0 / 50 / 33

HEX #A8AA55

RGB 168 170 85

HSL 61.41, 0.33%, 0.5%

LAB 67.82, -12.87, 43.14

 

CMYK 0 / 25 / 50 / 55

HEX #73563A

RGB 115 86 58

HSL 29.47, 0.33%, 0.34%

LAB 38.91, 8.18, 20.91

 

CMYK 0 / 25 / 49 / 44

HEX #8E6B48

RGB 142 107 72

HSL 30, 0.33%, 0.42%

LAB 47.92, 9.36, 24.96

 

CMYK 0 / 25 / 50 / 33

HEX #AA7F55

RGB 170 127 85

HSL 29.65, 0.33%, 0.5%

LAB 56.47, 11.41, 29.21

 

CMYK 0 / 19 / 38 / 28

HEX #B79471

RGB 183 148 113

HSL 30, 0.33%, 0.58%

LAB 63.7, 8.22, 23.47

 

CMYK 0 / 14 / 29 / 23

HEX #C5A98C

RGB 197 169 140

HSL 30.53, 0.33%, 0.66%

LAB 70.97, 5.82, 18.75

 

CMYK 0 / 25 / 49 / 33

HEX #A98056

RGB 169.9 128.2 86.6

HSL 29.96, 0.33%, 0.5%

LAB 56.79, 10.85, 28.74

 

CMYK 34 / 0 / 50 / 33

HEX #70AA55

RGB 112 170 85

HSL 100.94, 0.33%, 0.5%

LAB 64.04, -34.8, 37.69

 

CMYK 46 / 50 / 0 / 33

HEX #5C55AA

RGB 92 85 170

HSL 244.94, 0.33%, 0.5%

LAB 40.69, 25.34, -44.89

 

CMYK 0 / 25 / 49 / 33

HEX #A98056

RGB 169.9 128.2 86.6

HSL 29.96, 0.33%, 0.5%

LAB 56.79, 10.85, 28.74

 

CMYK 50 / 0 / 26 / 33

HEX #55AA7E

RGB 85 170 126

HSL 148.94, 0.33%, 0.5%

LAB 63.5, -36.19, 14.93

 

CMYK 26 / 50 / 0 / 33

HEX #7E55AA

RGB 126 85 170

HSL 268.94, 0.33%, 0.5%

LAB 44, 34.31, -39.43

 

CMYK 0 / 25 / 49 / 33

HEX #A98056

RGB 169.9 128.2 86.6

HSL 29.96, 0.33%, 0.5%

LAB 56.79, 10.85, 28.74

 

CMYK 34 / 0 / 50 / 33

HEX #70AA55

RGB 112 170 85

HSL 100.94, 0.33%, 0.5%

LAB 64.04, -34.8, 37.69

 

CMYK 50 / 24 / 0 / 33

HEX #5581AA

RGB 85 129 170

HSL 208.94, 0.33%, 0.5%

LAB 52.44, -3.39, -26.43

 

CMYK 16 / 50 / 0 / 33

HEX #8F55AA

RGB 143 85 170

HSL 280.94, 0.33%, 0.5%

LAB 45.96, 39.14, -36.2

 

CMYK 0 / 25 / 49 / 33

HEX #A98056

RGB 169.9 128.2 86.6

HSL 29.96, 0.33%, 0.5%

LAB 56.79, 10.85, 28.74

 

CMYK 49 / 0 / 50 / 33

HEX #57AA55

RGB 87 170 85

HSL 118.59, 0.33%, 0.5%

LAB 62.87, -42.84, 35.98

 

CMYK 50 / 24 / 0 / 33

HEX #5581AA

RGB 85 129 170

HSL 208.94, 0.33%, 0.5%

LAB 52.44, -3.39, -26.43

 

CMYK 1 / 50 / 0 / 33

HEX #A855AA

RGB 168 85 170

HSL 298.59, 0.33%, 0.5%

LAB 49.16, 46.41, -30.95

 

Description

Color code: RGB 169.9 128.2 86.6 | qconv.com Color code: RGB 169.9 128.2 86.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169.9 red, 128.2 green and 86.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169.9 128.2 86.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 49 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 49% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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