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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 53 213 it is the complementary color RGB 87 202 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 53 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 168 53 213 shade: RGB 173 53 208, RGB 190 71 227, RGB 207 89 246, RGB 224 107 255 and RGB 241 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 53 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 168 53 213 shade: RGB 168 53 213, RGB 151 35 194, RGB 134 17 175, RGB 117 0 156 and RGB 100 0 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 168 53 213 shade: RGB 168 52 213, RGB 212 52 213, RGB 213 52 172, RGB 213 52 128 and RGB 213 52 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 168 53 213 shade: RGB 168 52 213, RGB 124 52 213, RGB 81 52 213 and RGB 52 52 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 168 53 213 shade matches the following richer shades: RGB 168 52 213, RGB 177 32 233 and RGB 185 12 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 168 53 213 shade: RGB 168 52 213, RGB 159 72 194, RGB 151 91 174, RGB 142 111 154 and RGB 133 131 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 168 53 213 shade: RGB 81 52 213, RGB 125 52 213, RGB 168 52 213, RGB 211 52 213 and RGB 213 52 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 168 53 213 shade: RGB 118 31 152, RGB 144 38 186, RGB 168 52 213, RGB 183 86 220 and RGB 197 120 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 168 53 213 shade: RGB 168 53 213, RGB 213 52 65 and RGB 52 213 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 168 53 213 shade: RGB 168 53 213, RGB 213 168 52 and RGB 52 213 168

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 168 53 213 shade: RGB 168 53 213, RGB 213 52 65, RGB 98 213 52 and RGB 52 213 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 168 53 213 shade: RGB 168 53 213, RGB 213 87 52, RGB 98 213 52 and RGB 52 178 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 75 / 0 / 16

HEX #A835D5

RGB 168 53 213

HSL 283.13, 0.66%, 0.52%

LAB 46.55, 68.68, -60.07

 

Complementary color

CMYK 57 / 0 / 79 / 21

HEX #57CA2A

RGB 87 202 42

HSL 103.13, 0.66%, 0.48%

LAB 72.52, -59.19, 64.15

 

CMYK 17 / 75 / 0 / 18

HEX #AD35D0

RGB 173 53 208

HSL 286.45, 0.62%, 0.51%

LAB 46.95, 68.67, -56.5

 

CMYK 16 / 69 / 0 / 11

HEX #BE47E3

RGB 190 71 227

HSL 285.77, 0.74%, 0.58%

LAB 52.95, 69.05, -57.56

 

CMYK 16 / 64 / 0 / 4

HEX #CF59F6

RGB 207 89 246

HSL 285.1, 0.9%, 0.66%

LAB 59.03, 68.97, -58.32

 

CMYK 12 / 58 / 0 / 0

HEX #E06BFF

RGB 224 107 255

HSL 287.43, 1%, 0.71%

LAB 64.63, 66.7, -54.24

 

CMYK 5 / 51 / 0 / 0

HEX #F17DFF

RGB 241 125 255

HSL 293.54, 1%, 0.75%

LAB 69.89, 62.64, -45.8

 

CMYK 21 / 75 / 0 / 16

HEX #A835D5

RGB 168 53 213

HSL 283.13, 0.66%, 0.52%

LAB 46.55, 68.68, -60.07

 

CMYK 22 / 82 / 0 / 24

HEX #9723C2

RGB 151 35 194

HSL 283.77, 0.69%, 0.45%

LAB 40.7, 67.65, -58.65

 

CMYK 23 / 90 / 0 / 31

HEX #8611AF

RGB 134 17 175

HSL 284.43, 0.82%, 0.38%

LAB 35.13, 65.51, -56.59

 

CMYK 25 / 100 / 0 / 39

HEX #75009C

RGB 117 0 156

HSL 285, 1%, 0.31%

LAB 29.87, 62.12, -53.81

 

CMYK 27 / 100 / 0 / 46

HEX #640089

RGB 100 0 137

HSL 283.8, 1%, 0.27%

LAB 25.31, 56.18, -49.63

 

CMYK 21 / 76 / 0 / 16

HEX #A834D5

RGB 168 52 213

HSL 283.23, 0.66%, 0.52%

LAB 46.43, 69.02, -60.26

 

CMYK 0 / 76 / 0 / 16

HEX #D434D5

RGB 212 52 213

HSL 299.63, 0.66%, 0.52%

LAB 53.23, 77.5, -48.98

 

CMYK 0 / 76 / 19 / 16

HEX #D534AC

RGB 213 52 172

HSL 315.28, 0.66%, 0.52%

LAB 51.36, 71.8, -28.18

 

CMYK 0 / 76 / 40 / 16

HEX #D53480

RGB 213 52 128

HSL 331.68, 0.66%, 0.52%

LAB 49.69, 66.72, -4.47

 

CMYK 0 / 76 / 60 / 16

HEX #D53455

RGB 213 52 85

HSL 347.7, 0.66%, 0.52%

LAB 48.58, 63.22, 20.14

 

CMYK 21 / 76 / 0 / 16

HEX #A834D5

RGB 168 52 213

HSL 283.23, 0.66%, 0.52%

LAB 46.43, 69.02, -60.26

 

CMYK 42 / 76 / 0 / 16

HEX #7C34D5

RGB 124 52 213

HSL 266.83, 0.66%, 0.52%

LAB 40.48, 61.42, -70.19

 

CMYK 62 / 76 / 0 / 16

HEX #5134D5

RGB 81 52 213

HSL 250.81, 0.66%, 0.52%

LAB 36, 55.51, -77.71

 

CMYK 76 / 76 / 0 / 16

HEX #3434D5

RGB 52 52 213

HSL 240, 0.66%, 0.52%

LAB 33.96, 52.76, -81.15

 

CMYK 21 / 76 / 0 / 16

HEX #A834D5

RGB 168 52 213

HSL 283.23, 0.66%, 0.52%

LAB 46.43, 69.02, -60.26

 

CMYK 24 / 86 / 0 / 9

HEX #B120E9

RGB 177 32 233

HSL 283.28, 0.82%, 0.52%

LAB 47.32, 79.76, -70.15

 

CMYK 27 / 95 / 0 / 1

HEX #B90CFD

RGB 185 12 253

HSL 283.07, 0.98%, 0.52%

LAB 49.09, 87.35, -78.44

 

CMYK 21 / 76 / 0 / 16

HEX #A834D5

RGB 168 52 213

HSL 283.23, 0.66%, 0.52%

LAB 46.43, 69.02, -60.26

 

CMYK 18 / 63 / 0 / 24

HEX #9F48C2

RGB 159 72 194

HSL 282.79, 0.5%, 0.52%

LAB 46.84, 55.16, -48.7

 

CMYK 13 / 48 / 0 / 32

HEX #975BAE

RGB 151 91 174

HSL 283.37, 0.34%, 0.52%

LAB 48.41, 39.04, -34.63

 

CMYK 8 / 28 / 0 / 40

HEX #8E6F9A

RGB 142 111 154

HSL 283.26, 0.18%, 0.52%

LAB 51.21, 20.38, -18.64

 

CMYK 1 / 2 / 0 / 47

HEX #858386

RGB 133 131 134

HSL 280, 0.01%, 0.52%

LAB 55.01, 1.34, -1.36

 

CMYK 62 / 76 / 0 / 16

HEX #5134D5

RGB 81 52 213

HSL 250.81, 0.66%, 0.52%

LAB 36, 55.51, -77.71

 

CMYK 41 / 76 / 0 / 16

HEX #7D34D5

RGB 125 52 213

HSL 267.2, 0.66%, 0.52%

LAB 40.61, 61.58, -69.98

 

CMYK 21 / 76 / 0 / 16

HEX #A834D5

RGB 168 52 213

HSL 283.23, 0.66%, 0.52%

LAB 46.43, 69.02, -60.26

 

CMYK 1 / 76 / 0 / 16

HEX #D334D5

RGB 211 52 213

HSL 299.25, 0.66%, 0.52%

LAB 53.07, 77.3, -49.24

 

CMYK 0 / 76 / 19 / 16

HEX #D534AD

RGB 213 52 173

HSL 314.91, 0.66%, 0.52%

LAB 51.4, 71.94, -28.69

 

CMYK 22 / 80 / 0 / 40

HEX #761F98

RGB 118 31 152

HSL 283.14, 0.66%, 0.36%

LAB 32.03, 54.68, -47.85

 

CMYK 23 / 80 / 0 / 27

HEX #9026BA

RGB 144 38 186

HSL 282.97, 0.66%, 0.44%

LAB 39.34, 63.99, -56.2

 

CMYK 21 / 76 / 0 / 16

HEX #A834D5

RGB 168 52 213

HSL 283.23, 0.66%, 0.52%

LAB 46.43, 69.02, -60.26

 

CMYK 17 / 61 / 0 / 14

HEX #B756DC

RGB 183 86 220

HSL 283.43, 0.66%, 0.6%

LAB 53.91, 59.67, -52.12

 

CMYK 13 / 47 / 0 / 11

HEX #C578E3

RGB 197 120 227

HSL 283.18, 0.66%, 0.68%

LAB 62.38, 47.79, -42.53

 

CMYK 21 / 75 / 0 / 16

HEX #A835D5

RGB 168 53 213

HSL 283.13, 0.66%, 0.52%

LAB 46.55, 68.68, -60.07

 

CMYK 0 / 76 / 69 / 16

HEX #D53441

RGB 213 52 65

HSL 355.16, 0.66%, 0.52%

LAB 48.24, 62.1, 31.73

 

CMYK 76 / 0 / 52 / 16

HEX #34D567

RGB 52 213 103

HSL 139.01, 0.66%, 0.52%

LAB 75.64, -63.65, 42.64

 

CMYK 21 / 75 / 0 / 16

HEX #A835D5

RGB 168 53 213

HSL 283.13, 0.66%, 0.52%

LAB 46.55, 68.68, -60.07

 

CMYK 0 / 21 / 76 / 16

HEX #D5A834

RGB 213 168 52

HSL 43.23, 0.66%, 0.52%

LAB 71.15, 5.4, 62.44

 

CMYK 76 / 0 / 21 / 16

HEX #34D5A8

RGB 52 213 168

HSL 163.23, 0.66%, 0.52%

LAB 76.77, -51.02, 10.73

 

CMYK 21 / 75 / 0 / 16

HEX #A835D5

RGB 168 53 213

HSL 283.13, 0.66%, 0.52%

LAB 46.55, 68.68, -60.07

 

CMYK 0 / 76 / 69 / 16

HEX #D53441

RGB 213 52 65

HSL 355.16, 0.66%, 0.52%

LAB 48.24, 62.1, 31.73

 

CMYK 54 / 0 / 76 / 16

HEX #62D534

RGB 98 213 52

HSL 102.86, 0.66%, 0.52%

LAB 76.33, -59.65, 64.85

 

CMYK 76 / 0 / 6 / 16

HEX #34D5C8

RGB 52 213 200

HSL 175.16, 0.66%, 0.52%

LAB 77.57, -42.79, -5.23

 

CMYK 21 / 75 / 0 / 16

HEX #A835D5

RGB 168 53 213

HSL 283.13, 0.66%, 0.52%

LAB 46.55, 68.68, -60.07

 

CMYK 0 / 59 / 76 / 16

HEX #D55734

RGB 213 87 52

HSL 13.04, 0.66%, 0.52%

LAB 53.18, 47.71, 44.53

 

CMYK 54 / 0 / 76 / 16

HEX #62D534

RGB 98 213 52

HSL 102.86, 0.66%, 0.52%

LAB 76.33, -59.65, 64.85

 

CMYK 76 / 16 / 0 / 16

HEX #34B2D5

RGB 52 178 213

HSL 193.04, 0.66%, 0.52%

LAB 67.56, -22.22, -27.41

 

Description

Color code: RGB 168 53 213 | qconv.com Color code: RGB 168 53 213 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 53 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 53 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 75 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 75% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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