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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 105 28 it is the complementary color RGB 87 150 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 105 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 168 105 28: RGB 173 105 23, RGB 190 123 42, RGB 207 141 61, RGB 224 159 80 and RGB 241 177 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 105 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 168 105 28: RGB 168 105 28, RGB 151 87 9, RGB 134 69 0, RGB 117 51 0 and RGB 100 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 83 / 34

HEX #A8691C

RGB 168 105 28

HSL 33, 0.71%, 0.38%

LAB 50.11, 19.26, 50.13

 

Complementary color

CMYK 62 / 34 / 0 / 11

HEX #5796E3

RGB 87 150 227

HSL 213, 0.71%, 0.62%

LAB 61.12, 3.04, -45.09

 

CMYK 0 / 39 / 87 / 32

HEX #AD6917

RGB 173 105 23

HSL 32.8, 0.77%, 0.38%

LAB 50.74, 21.33, 52.69

 

CMYK 0 / 35 / 78 / 25

HEX #BE7B2A

RGB 190 123 42

HSL 32.84, 0.64%, 0.45%

LAB 57.35, 19.43, 52.28

 

CMYK 0 / 32 / 71 / 19

HEX #CF8D3D

RGB 207 141 61

HSL 32.88, 0.6%, 0.53%

LAB 63.88, 17.79, 51.2

 

CMYK 0 / 29 / 64 / 12

HEX #E09F50

RGB 224 159 80

HSL 32.92, 0.7%, 0.6%

LAB 70.33, 16.38, 49.87

 

CMYK 0 / 27 / 59 / 5

HEX #F1B163

RGB 241 177 99

HSL 32.96, 0.84%, 0.67%

LAB 76.71, 15.16, 48.47

 

CMYK 0 / 38 / 83 / 34

HEX #A8691C

RGB 168 105 28

HSL 33, 0.71%, 0.38%

LAB 50.11, 19.26, 50.13

 

CMYK 0 / 42 / 94 / 41

HEX #975709

RGB 151 87 9

HSL 32.96, 0.89%, 0.31%

LAB 43.38, 21.38, 49.68

 

CMYK 0 / 49 / 100 / 47

HEX #864500

RGB 134 69 0

HSL 30.9, 1%, 0.26%

LAB 36.6, 23.82, 46.57

 

CMYK 0 / 56 / 100 / 54

HEX #753300

RGB 117 51 0

HSL 26.15, 1%, 0.23%

LAB 29.79, 26.41, 40.8

 

CMYK 0 / 67 / 100 / 61

HEX #642100

RGB 100 33 0

HSL 19.8, 1%, 0.2%

LAB 22.99, 28.79, 33.52

 

CMYK 0 / 38 / 83 / 34

HEX #A8691C

RGB 168 105 28

HSL 33, 0.71%, 0.38%

LAB 50.11, 19.26, 50.13

 

CMYK 0 / 24 / 83 / 35

HEX #A57E1C

RGB 165 126 28

HSL 42.92, 0.71%, 0.38%

LAB 55.08, 6.05, 54.35

 

CMYK 0 / 10 / 83 / 35

HEX #A5951C

RGB 165 149 28

HSL 52.99, 0.71%, 0.38%

LAB 61.29, -6.6, 59.72

 

CMYK 4 / 0 / 83 / 35

HEX #9EA51C

RGB 158 165 28

HSL 63.07, 0.71%, 0.38%

LAB 65.17, -18.11, 62.81

 

CMYK 18 / 0 / 83 / 35

HEX #87A51C

RGB 135 165 28

HSL 73.14, 0.71%, 0.38%

LAB 63.46, -28, 60.66

 

CMYK 0 / 38 / 83 / 34

HEX #A8691C

RGB 168 105 28

HSL 33, 0.71%, 0.38%

LAB 50.11, 19.26, 50.13

 

CMYK 0 / 37 / 83 / 14

HEX #DB8925

RGB 219 137 37

HSL 32.97, 0.72%, 0.5%

LAB 64.23, 24.11, 61.77

 

CMYK 0 / 40 / 87 / 94

HEX #0F0902

RGB 15 9 2

HSL 32.31, 0.76%, 0.03%

LAB 2.72, 0.79, 3.27

 

CMYK 0 / 38 / 83 / 74

HEX #42290B

RGB 66 41 11

HSL 32.73, 0.71%, 0.15%

LAB 19.09, 8.5, 23.08

 

CMYK 0 / 38 / 83 / 54

HEX #754914

RGB 117 73 20

HSL 32.78, 0.71%, 0.27%

LAB 35.2, 14.14, 37.3

 

CMYK 0 / 38 / 83 / 34

HEX #A8691C

RGB 168 105 28

HSL 33, 0.71%, 0.38%

LAB 50.11, 19.26, 50.13

 

CMYK 62 / 0 / 83 / 35

HEX #3EA51C

RGB 62 165 28

HSL 105.11, 0.71%, 0.38%

LAB 59.91, -53.12, 56.13

 

CMYK 71 / 83 / 0 / 35

HEX #301CA5

RGB 48 28 165

HSL 248.76, 0.71%, 0.38%

LAB 24.24, 49.48, -68.86

 

CMYK 0 / 38 / 83 / 34

HEX #A8691C

RGB 168 105 28

HSL 33, 0.71%, 0.38%

LAB 50.11, 19.26, 50.13

 

CMYK 83 / 0 / 38 / 35

HEX #1CA567

RGB 28 165 103

HSL 152.85, 0.71%, 0.38%

LAB 60.01, -49.38, 22.52

 

CMYK 38 / 83 / 0 / 35

HEX #671CA5

RGB 103 28 165

HSL 272.85, 0.71%, 0.38%

LAB 30.47, 55.97, -58.38

 

CMYK 0 / 38 / 83 / 34

HEX #A8691C

RGB 168 105 28

HSL 33, 0.71%, 0.38%

LAB 50.11, 19.26, 50.13

 

CMYK 62 / 0 / 83 / 35

HEX #3EA51C

RGB 62 165 28

HSL 105.11, 0.71%, 0.38%

LAB 59.91, -53.12, 56.13

 

CMYK 83 / 45 / 0 / 35

HEX #1C5AA5

RGB 28 90 165

HSL 212.85, 0.71%, 0.38%

LAB 38.33, 8.93, -45.89

 

CMYK 21 / 83 / 0 / 35

HEX #831CA5

RGB 131 28 165

HSL 285.11, 0.71%, 0.38%

LAB 34.75, 60.56, -51.24

 

CMYK 0 / 38 / 83 / 34

HEX #A8691C

RGB 168 105 28

HSL 33, 0.71%, 0.38%

LAB 50.11, 19.26, 50.13

 

CMYK 83 / 0 / 79 / 35

HEX #1CA522

RGB 28 165 34

HSL 122.63, 0.71%, 0.38%

LAB 59.23, -58.8, 53.47

 

CMYK 83 / 45 / 0 / 35

HEX #1C5AA5

RGB 28 90 165

HSL 212.85, 0.71%, 0.38%

LAB 38.33, 8.93, -45.89

 

CMYK 0 / 83 / 4 / 35

HEX #A51C9E

RGB 165 28 158

HSL 303.07, 0.71%, 0.38%

LAB 40.08, 65.76, -38.15

 

Description

Color code: RGB 168 105 28 | qconv.com Color code: RGB 168 105 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 105 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 105 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 83 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 83% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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