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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 168 103 73 it is the complementary color RGB 87 152 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 168 103 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 168 103 73: RGB 173 103 68, RGB 190 121 87, RGB 207 139 106, RGB 224 157 125 and RGB 241 175 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 168 103 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 168 103 73: RGB 168 103 73, RGB 151 85 54, RGB 134 67 35, RGB 117 49 16 and RGB 100 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 57 / 34

HEX #A86749

RGB 168 103 73

HSL 18.95, 0.39%, 0.47%

LAB 50.1, 22.99, 27.81

 

Complementary color

CMYK 52 / 16 / 0 / 29

HEX #5798B6

RGB 87 152 182

HSL 198.95, 0.39%, 0.53%

LAB 59.76, -12.29, -22

 

CMYK 0 / 40 / 61 / 32

HEX #AD6744

RGB 173 103 68

HSL 20, 0.44%, 0.47%

LAB 50.69, 24.7, 31.5

 

CMYK 0 / 36 / 54 / 25

HEX #BE7957

RGB 190 121 87

HSL 19.81, 0.44%, 0.54%

LAB 57.38, 23.37, 29.75

 

CMYK 0 / 33 / 49 / 19

HEX #CF8B6A

RGB 207 139 106

HSL 19.6, 0.51%, 0.61%

LAB 63.98, 22.21, 28.16

 

CMYK 0 / 30 / 44 / 12

HEX #E09D7D

RGB 224 157 125

HSL 19.39, 0.61%, 0.68%

LAB 70.48, 21.2, 26.72

 

CMYK 0 / 27 / 40 / 5

HEX #F1AF90

RGB 241 175 144

HSL 19.18, 0.78%, 0.75%

LAB 76.91, 20.3, 25.41

 

CMYK 0 / 39 / 57 / 34

HEX #A86749

RGB 168 103 73

HSL 18.95, 0.39%, 0.47%

LAB 50.1, 22.99, 27.81

 

CMYK 0 / 44 / 64 / 41

HEX #975536

RGB 151 85 54

HSL 19.18, 0.47%, 0.4%

LAB 43.28, 24.42, 29.7

 

CMYK 0 / 50 / 74 / 47

HEX #864323

RGB 134 67 35

HSL 19.39, 0.59%, 0.33%

LAB 36.37, 26.07, 31.79

 

CMYK 0 / 58 / 86 / 54

HEX #753110

RGB 117 49 16

HSL 19.6, 0.76%, 0.26%

LAB 29.45, 27.92, 33.83

 

CMYK 0 / 69 / 100 / 61

HEX #641F00

RGB 100 31 0

HSL 18.6, 1%, 0.2%

LAB 22.62, 29.78, 33.14

 

CMYK 0 / 39 / 57 / 34

HEX #A86749

RGB 168 103 73

HSL 18.95, 0.39%, 0.47%

LAB 50.1, 22.99, 27.81

 

CMYK 0 / 30 / 56 / 35

HEX #A67449

RGB 166 116 73

HSL 27.74, 0.39%, 0.47%

LAB 53.04, 14.79, 31.42

 

CMYK 0 / 20 / 56 / 35

HEX #A68449

RGB 166 132 73

HSL 38.06, 0.39%, 0.47%

LAB 57.16, 5.77, 36.46

 

CMYK 0 / 11 / 56 / 35

HEX #A69349

RGB 166 147 73

HSL 47.74, 0.39%, 0.47%

LAB 61.18, -2.53, 41.22

 

CMYK 0 / 2 / 56 / 35

HEX #A6A349

RGB 166 163 73

HSL 58.06, 0.39%, 0.47%

LAB 65.58, -11.1, 46.29

 

CMYK 0 / 39 / 57 / 34

HEX #A86749

RGB 168 103 73

HSL 18.95, 0.39%, 0.47%

LAB 50.1, 22.99, 27.81

 

CMYK 0 / 39 / 57 / 14

HEX #DB865F

RGB 219 134 95

HSL 18.87, 0.63%, 0.62%

LAB 64.11, 28.78, 34.63

 

CMYK 0 / 40 / 53 / 94

HEX #0F0907

RGB 15 9 7

HSL 15, 0.36%, 0.04%

LAB 2.82, 1.48, 1.38

 

CMYK 0 / 39 / 56 / 74

HEX #42281D

RGB 66 40 29

HSL 17.84, 0.39%, 0.19%

LAB 19.08, 10.72, 12.26

 

CMYK 0 / 38 / 56 / 54

HEX #754833

RGB 117 72 51

HSL 19.09, 0.39%, 0.33%

LAB 35.31, 16.83, 20.56

 

CMYK 0 / 39 / 57 / 34

HEX #A86749

RGB 168 103 73

HSL 18.95, 0.39%, 0.47%

LAB 50.1, 22.99, 27.81

 

CMYK 28 / 0 / 56 / 35

HEX #77A649

RGB 119 166 73

HSL 90.32, 0.39%, 0.47%

LAB 63.07, -31.78, 42.53

 

CMYK 56 / 51 / 0 / 35

HEX #4952A6

RGB 73 82 166

HSL 234.19, 0.39%, 0.47%

LAB 38.21, 21.62, -46.58

 

CMYK 0 / 39 / 57 / 34

HEX #A86749

RGB 168 103 73

HSL 18.95, 0.39%, 0.47%

LAB 50.1, 22.99, 27.81

 

CMYK 56 / 0 / 39 / 35

HEX #49A665

RGB 73 166 101

HSL 138.06, 0.39%, 0.47%

LAB 61.33, -42.35, 25.55

 

CMYK 39 / 56 / 0 / 35

HEX #6549A6

RGB 101 73 166

HSL 258.06, 0.39%, 0.47%

LAB 38.35, 33.71, -46.22

 

CMYK 0 / 39 / 57 / 34

HEX #A86749

RGB 168 103 73

HSL 18.95, 0.39%, 0.47%

LAB 50.1, 22.99, 27.81

 

CMYK 28 / 0 / 56 / 35

HEX #77A649

RGB 119 166 73

HSL 90.32, 0.39%, 0.47%

LAB 63.07, -31.78, 42.53

 

CMYK 56 / 17 / 0 / 35

HEX #498AA6

RGB 73 138 166

HSL 198.06, 0.39%, 0.47%

LAB 54.39, -12.51, -21.16

 

CMYK 28 / 56 / 0 / 35

HEX #7749A6

RGB 119 73 166

HSL 269.68, 0.39%, 0.47%

LAB 40.31, 38.29, -42.97

 

CMYK 0 / 39 / 57 / 34

HEX #A86749

RGB 168 103 73

HSL 18.95, 0.39%, 0.47%

LAB 50.1, 22.99, 27.81

 

CMYK 45 / 0 / 56 / 35

HEX #5BA649

RGB 91 166 73

HSL 108.39, 0.39%, 0.47%

LAB 61.63, -41.5, 40.48

 

CMYK 56 / 17 / 0 / 35

HEX #498AA6

RGB 73 138 166

HSL 198.06, 0.39%, 0.47%

LAB 54.39, -12.51, -21.16

 

CMYK 11 / 56 / 0 / 35

HEX #9349A6

RGB 147 73 166

HSL 287.74, 0.39%, 0.47%

LAB 43.83, 45.8, -37.16

 

Description

Color code: RGB 168 103 73 | qconv.com Color code: RGB 168 103 73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 103 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 103 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 57 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 57% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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