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Color name
RGB 167 53 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 167 53 29 it is the complementary color RGB 88 202 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 167 53 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 167 53 29 shade: RGB 172 53 24, RGB 189 71 43, RGB 206 89 62, RGB 223 107 81 and RGB 240 125 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 167 53 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 167 53 29 shade: RGB 167 53 29, RGB 150 35 10, RGB 133 17 0, RGB 116 0 0 and RGB 99 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 167 53 29 shade: RGB 165 53 29 and RGB 165 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 167 53 29 shade: RGB 165 53 29, RGB 165 89 29, RGB 165 126 29, RGB 165 162 29 and RGB 130 165 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 167 53 29 shade matches the following richer shades: RGB 165 53 29 and RGB 180 42 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 167 53 29 shade: RGB 165 53 29, RGB 149 63 45, RGB 133 73 60, RGB 118 83 76 and RGB 102 94 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 167 53 29 shade: RGB 165 29 79, RGB 165 29 43, RGB 165 52 29, RGB 165 88 29 and RGB 165 124 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 167 53 29 shade: RGB 95 30 17, RGB 130 41 23, RGB 165 53 29, RGB 200 64 35 and RGB 220 85 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 167 53 29 shade: RGB 167 53 29, RGB 115 165 29 and RGB 29 61 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 167 53 29 shade: RGB 167 53 29, RGB 29 165 52 and RGB 52 29 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 167 53 29 shade: RGB 167 53 29, RGB 115 165 29, RGB 29 142 165 and RGB 79 29 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 167 53 29 shade: RGB 167 53 29, RGB 74 165 29, RGB 29 142 165 and RGB 120 29 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 83 / 35

HEX #A7351D

RGB 167 53 29

HSL 10.43, 0.7%, 0.38%

LAB 39.33, 45.6, 39.8

 

Complementary color

CMYK 61 / 11 / 0 / 11

HEX #58CAE2

RGB 88 202 226

HSL 190.43, 0.7%, 0.62%

LAB 75.95, -25.2, -21.57

 

CMYK 0 / 69 / 86 / 33

HEX #AC3518

RGB 172 53 24

HSL 11.76, 0.76%, 0.38%

LAB 40.22, 47.19, 43.39

 

CMYK 0 / 62 / 77 / 26

HEX #BD472B

RGB 189 71 43

HSL 11.51, 0.63%, 0.45%

LAB 46.31, 46.02, 40.78

 

CMYK 0 / 57 / 70 / 19

HEX #CE593E

RGB 206 89 62

HSL 11.25, 0.6%, 0.53%

LAB 52.52, 44.67, 38.18

 

CMYK 0 / 52 / 64 / 13

HEX #DF6B51

RGB 223 107 81

HSL 10.99, 0.69%, 0.6%

LAB 58.79, 43.3, 35.8

 

CMYK 0 / 48 / 58 / 6

HEX #F07D64

RGB 240 125 100

HSL 10.71, 0.82%, 0.67%

LAB 65.05, 41.97, 33.68

 

CMYK 0 / 68 / 83 / 35

HEX #A7351D

RGB 167 53 29

HSL 10.43, 0.7%, 0.38%

LAB 39.33, 45.6, 39.8

 

CMYK 0 / 77 / 93 / 41

HEX #96230A

RGB 150 35 10

HSL 10.71, 0.88%, 0.31%

LAB 33.37, 46.36, 42.18

 

CMYK 0 / 87 / 100 / 48

HEX #851100

RGB 133 17 0

HSL 7.67, 1%, 0.26%

LAB 27.81, 46.2, 40.52

 

CMYK 0 / 100 / 100 / 55

HEX #740000

RGB 116 0 0

HSL 0, 1%, 0.23%

LAB 22.7, 44.78, 34.31

 

CMYK 0 / 100 / 100 / 61

HEX #630000

RGB 99 0 0

HSL 0, 1%, 0.19%

LAB 18.6, 40.03, 28.62

 

CMYK 0 / 68 / 82 / 35

HEX #A5351D

RGB 165 53 29

HSL 10.59, 0.7%, 0.38%

LAB 38.96, 44.89, 39.32

 

CMYK 0 / 82 / 82 / 35

HEX #A51D1D

RGB 165 29 29

HSL 0, 0.7%, 0.38%

LAB 35.92, 53.3, 36.39

 

CMYK 0 / 68 / 82 / 35

HEX #A5351D

RGB 165 53 29

HSL 10.59, 0.7%, 0.38%

LAB 38.96, 44.89, 39.32

 

CMYK 0 / 46 / 82 / 35

HEX #A5591D

RGB 165 89 29

HSL 26.47, 0.7%, 0.38%

LAB 45.95, 26.91, 45.84

 

CMYK 0 / 24 / 82 / 35

HEX #A57E1D

RGB 165 126 29

HSL 42.79, 0.7%, 0.38%

LAB 55.08, 6.09, 54.02

 

CMYK 0 / 2 / 82 / 35

HEX #A5A21D

RGB 165 162 29

HSL 58.68, 0.7%, 0.38%

LAB 64.91, -13.45, 62.55

 

CMYK 21 / 0 / 82 / 35

HEX #82A51D

RGB 130 165 29

HSL 75.44, 0.7%, 0.38%

LAB 63.13, -30.04, 59.97

 

CMYK 0 / 68 / 82 / 35

HEX #A5351D

RGB 165 53 29

HSL 10.59, 0.7%, 0.38%

LAB 38.96, 44.89, 39.32

 

CMYK 0 / 77 / 93 / 29

HEX #B42A0D

RGB 180 42 13

HSL 10.42, 0.87%, 0.38%

LAB 40.23, 53.66, 48.58

 

CMYK 0 / 68 / 82 / 35

HEX #A5351D

RGB 165 53 29

HSL 10.59, 0.7%, 0.38%

LAB 38.96, 44.89, 39.32

 

CMYK 0 / 58 / 70 / 42

HEX #953F2D

RGB 149 63 45

HSL 10.38, 0.54%, 0.38%

LAB 38.08, 34.94, 28.66

 

CMYK 0 / 45 / 55 / 48

HEX #85493C

RGB 133 73 60

HSL 10.68, 0.38%, 0.38%

LAB 37.98, 24.08, 18.95

 

CMYK 0 / 30 / 36 / 54

HEX #76534C

RGB 118 83 76

HSL 10, 0.22%, 0.38%

LAB 38.83, 13.58, 9.9

 

CMYK 0 / 8 / 10 / 60

HEX #665E5C

RGB 102 94 92

HSL 12, 0.05%, 0.38%

LAB 40.58, 2.81, 2.29

 

CMYK 0 / 82 / 52 / 35

HEX #A51D4F

RGB 165 29 79

HSL 337.94, 0.7%, 0.38%

LAB 36.82, 56.05, 6.26

 

CMYK 0 / 82 / 74 / 35

HEX #A51D2B

RGB 165 29 43

HSL 353.82, 0.7%, 0.38%

LAB 36.09, 53.81, 28.28

 

CMYK 0 / 68 / 82 / 35

HEX #A5341D

RGB 165 52 29

HSL 10.15, 0.7%, 0.38%

LAB 38.8, 45.32, 39.17

 

CMYK 0 / 47 / 82 / 35

HEX #A5581D

RGB 165 88 29

HSL 26.03, 0.7%, 0.38%

LAB 45.73, 27.46, 45.64

 

CMYK 0 / 25 / 82 / 35

HEX #A57C1D

RGB 165 124 29

HSL 41.91, 0.7%, 0.38%

LAB 54.56, 7.21, 53.56

 

CMYK 0 / 68 / 82 / 63

HEX #5F1E11

RGB 95 30 17

HSL 10, 0.7%, 0.22%

LAB 21.59, 28.83, 24.22

 

CMYK 0 / 68 / 82 / 49

HEX #822917

RGB 130 41 23

HSL 10.09, 0.7%, 0.3%

LAB 30.38, 37.31, 31.93

 

CMYK 0 / 68 / 82 / 35

HEX #A5351D

RGB 165 53 29

HSL 10.59, 0.7%, 0.38%

LAB 38.96, 44.89, 39.32

 

CMYK 0 / 68 / 83 / 22

HEX #C84023

RGB 200 64 35

HSL 10.55, 0.7%, 0.46%

LAB 47.06, 52.57, 46.23

 

CMYK 0 / 61 / 75 / 14

HEX #DC5538

RGB 220 85 56

HSL 10.61, 0.7%, 0.54%

LAB 54.03, 51.28, 43.69

 

CMYK 0 / 68 / 83 / 35

HEX #A7351D

RGB 167 53 29

HSL 10.43, 0.7%, 0.38%

LAB 39.33, 45.6, 39.8

 

CMYK 30 / 0 / 82 / 35

HEX #73A51D

RGB 115 165 29

HSL 82.06, 0.7%, 0.38%

LAB 62.21, -36.04, 58.8

 

CMYK 82 / 63 / 0 / 35

HEX #1D3DA5

RGB 29 61 165

HSL 225.88, 0.7%, 0.38%

LAB 30.19, 28.5, -59.09

 

CMYK 0 / 68 / 83 / 35

HEX #A7351D

RGB 167 53 29

HSL 10.43, 0.7%, 0.38%

LAB 39.33, 45.6, 39.8

 

CMYK 82 / 0 / 68 / 35

HEX #1DA534

RGB 29 165 52

HSL 130.15, 0.7%, 0.38%

LAB 59.36, -57.16, 46.97

 

CMYK 68 / 82 / 0 / 35

HEX #341DA5

RGB 52 29 165

HSL 250.15, 0.7%, 0.38%

LAB 24.72, 49.36, -68.06

 

CMYK 0 / 68 / 83 / 35

HEX #A7351D

RGB 167 53 29

HSL 10.43, 0.7%, 0.38%

LAB 39.33, 45.6, 39.8

 

CMYK 30 / 0 / 82 / 35

HEX #73A51D

RGB 115 165 29

HSL 82.06, 0.7%, 0.38%

LAB 62.21, -36.04, 58.8

 

CMYK 82 / 14 / 0 / 35

HEX #1D8EA5

RGB 29 142 165

HSL 190.15, 0.7%, 0.38%

LAB 54.37, -21.76, -20.72

 

CMYK 52 / 82 / 0 / 35

HEX #4F1DA5

RGB 79 29 165

HSL 262.06, 0.7%, 0.38%

LAB 27.46, 52.26, -63.45

 

CMYK 0 / 68 / 83 / 35

HEX #A7351D

RGB 167 53 29

HSL 10.43, 0.7%, 0.38%

LAB 39.33, 45.6, 39.8

 

CMYK 55 / 0 / 82 / 35

HEX #4AA51D

RGB 74 165 29

HSL 100.15, 0.7%, 0.38%

LAB 60.3, -49.94, 56.36

 

CMYK 82 / 14 / 0 / 35

HEX #1D8EA5

RGB 29 142 165

HSL 190.15, 0.7%, 0.38%

LAB 54.37, -21.76, -20.72

 

CMYK 27 / 82 / 0 / 35

HEX #781DA5

RGB 120 29 165

HSL 280.15, 0.7%, 0.38%

LAB 33.11, 58.38, -53.97

 

Description

Color code: RGB 167 53 29 | qconv.com Color code: RGB 167 53 29 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 53 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 53 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 83 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 83% 35% C M Y K

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