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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 53 90 it is the complementary color RGB 89 202 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 53 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 53 90 shade: RGB 171 53 85, RGB 188 71 104, RGB 205 89 123, RGB 222 107 142 and RGB 239 125 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 53 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 53 90 shade: RGB 166 53 90, RGB 149 35 71, RGB 132 17 52, RGB 115 0 33 and RGB 98 0 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 53 90 shade: RGB 167 53 90, RGB 167 53 59 and RGB 167 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 53 90 shade: RGB 167 53 90, RGB 167 53 121, RGB 167 53 151, RGB 151 53 167 and RGB 120 53 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 53 90 shade matches the following richer shades: RGB 167 53 90, RGB 184 35 84 and RGB 202 17 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 53 90 shade: RGB 167 53 90, RGB 149 70 96, RGB 131 88 102, RGB 113 106 108 and RGB 96 124 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 53 90 shade: RGB 167 53 151, RGB 167 53 121, RGB 167 53 91, RGB 167 53 60 and RGB 167 75 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 53 90 shade: RGB 104 33 56, RGB 135 43 73, RGB 167 53 90, RGB 195 65 108 and RGB 205 97 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 53 90 shade: RGB 166 53 90, RGB 167 151 53 and RGB 53 136 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 53 90 shade: RGB 166 53 90, RGB 91 167 53 and RGB 53 91 167

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 53 90 shade: RGB 166 53 90, RGB 167 151 53, RGB 53 167 129 and RGB 53 68 167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 53 90 shade: RGB 166 53 90, RGB 148 167 53, RGB 53 167 129 and RGB 72 53 167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 46 / 35

HEX #A6355A

RGB 166 53 90

HSL 340.35, 0.52%, 0.43%

LAB 40.23, 49.17, 4.15

 

Complementary color

CMYK 56 / 0 / 18 / 21

HEX #59CAA5

RGB 89 202 165

HSL 160.35, 0.52%, 0.57%

LAB 74.24, -41.02, 8.86

 

CMYK 0 / 69 / 50 / 33

HEX #AB3555

RGB 171 53 85

HSL 343.73, 0.53%, 0.44%

LAB 40.99, 50.28, 8.5

 

CMYK 0 / 62 / 45 / 26

HEX #BC4768

RGB 188 71 104

HSL 343.08, 0.47%, 0.51%

LAB 47.23, 49.89, 6

 

CMYK 0 / 57 / 40 / 20

HEX #CD597B

RGB 205 89 123

HSL 342.41, 0.54%, 0.58%

LAB 53.55, 49.22, 4

 

CMYK 0 / 52 / 36 / 13

HEX #DE6B8E

RGB 222 107 142

HSL 341.74, 0.64%, 0.65%

LAB 59.89, 48.42, 2.35

 

CMYK 0 / 48 / 33 / 6

HEX #EF7DA1

RGB 239 125 161

HSL 341.05, 0.78%, 0.71%

LAB 66.21, 47.57, 0.94

 

CMYK 0 / 68 / 46 / 35

HEX #A6355A

RGB 166 53 90

HSL 340.35, 0.52%, 0.43%

LAB 40.23, 49.17, 4.15

 

CMYK 0 / 77 / 52 / 42

HEX #952347

RGB 149 35 71

HSL 341.05, 0.62%, 0.36%

LAB 34.08, 49.03, 7.11

 

CMYK 0 / 87 / 61 / 48

HEX #841134

RGB 132 17 52

HSL 341.74, 0.77%, 0.29%

LAB 28.26, 47.89, 11.09

 

CMYK 0 / 100 / 71 / 55

HEX #730021

RGB 115 0 33

HSL 342.78, 1%, 0.23%

LAB 22.84, 45.54, 16.25

 

CMYK 0 / 100 / 86 / 62

HEX #62000E

RGB 98 0 14

HSL 351.43, 1%, 0.19%

LAB 18.49, 40.13, 22.54

 

CMYK 0 / 68 / 46 / 35

HEX #A7355A

RGB 167 53 90

HSL 340.53, 0.52%, 0.43%

LAB 40.41, 49.49, 4.43

 

CMYK 0 / 68 / 65 / 35

HEX #A7353B

RGB 167 53 59

HSL 356.84, 0.52%, 0.43%

LAB 39.71, 46.99, 22.9

 

CMYK 0 / 68 / 68 / 35

HEX #A73535

RGB 167 53 53

HSL 0, 0.52%, 0.43%

LAB 39.61, 46.64, 26.46

 

CMYK 0 / 68 / 46 / 35

HEX #A7355A

RGB 167 53 90

HSL 340.53, 0.52%, 0.43%

LAB 40.41, 49.49, 4.43

 

CMYK 0 / 68 / 28 / 35

HEX #A73579

RGB 167 53 121

HSL 324.21, 0.52%, 0.43%

LAB 41.44, 53.04, -13.4

 

CMYK 0 / 68 / 10 / 35

HEX #A73597

RGB 167 53 151

HSL 308.42, 0.52%, 0.43%

LAB 42.76, 57.39, -29.68

 

CMYK 10 / 68 / 0 / 35

HEX #9735A7

RGB 151 53 167

HSL 291.58, 0.52%, 0.43%

LAB 41.08, 56.28, -42.09

 

CMYK 28 / 68 / 0 / 35

HEX #7835A7

RGB 120 53 167

HSL 275.26, 0.52%, 0.43%

LAB 36.61, 49.27, -49.5

 

CMYK 0 / 68 / 46 / 35

HEX #A7355A

RGB 167 53 90

HSL 340.53, 0.52%, 0.43%

LAB 40.41, 49.49, 4.43

 

CMYK 0 / 81 / 54 / 28

HEX #B82354

RGB 184 35 84

HSL 340.27, 0.68%, 0.43%

LAB 41.27, 60, 9.87

 

CMYK 0 / 92 / 61 / 21

HEX #CA114E

RGB 202 17 78

HSL 340.22, 0.84%, 0.43%

LAB 43.52, 67.75, 17.31

 

CMYK 0 / 68 / 46 / 35

HEX #A7355A

RGB 167 53 90

HSL 340.53, 0.52%, 0.43%

LAB 40.41, 49.49, 4.43

 

CMYK 0 / 53 / 36 / 42

HEX #954660

RGB 149 70 96

HSL 340.25, 0.36%, 0.43%

LAB 40.6, 36.07, 0.56

 

CMYK 0 / 33 / 22 / 49

HEX #835866

RGB 131 88 102

HSL 340.47, 0.2%, 0.43%

LAB 42.41, 19.93, -0.8

 

CMYK 0 / 6 / 4 / 56

HEX #716A6C

RGB 113 106 108

HSL 342.86, 0.03%, 0.43%

LAB 45.5, 3.13, -0.14

 

CMYK 23 / 0 / 8 / 51

HEX #607C72

RGB 96 124 114

HSL 158.57, 0.13%, 0.43%

LAB 49.64, -12.31, 2.15

 

CMYK 0 / 68 / 10 / 35

HEX #A73597

RGB 167 53 151

HSL 308.42, 0.52%, 0.43%

LAB 42.76, 57.39, -29.68

 

CMYK 0 / 68 / 28 / 35

HEX #A73579

RGB 167 53 121

HSL 324.21, 0.52%, 0.43%

LAB 41.44, 53.04, -13.4

 

CMYK 0 / 68 / 46 / 35

HEX #A7355B

RGB 167 53 91

HSL 340, 0.52%, 0.43%

LAB 40.44, 49.59, 3.84

 

CMYK 0 / 68 / 64 / 35

HEX #A7353C

RGB 167 53 60

HSL 356.32, 0.52%, 0.43%

LAB 39.73, 47.06, 22.31

 

CMYK 0 / 55 / 68 / 35

HEX #A74B35

RGB 167 75 53

HSL 11.58, 0.52%, 0.43%

LAB 43.51, 36.31, 31.14

 

CMYK 0 / 68 / 46 / 59

HEX #682138

RGB 104 33 56

HSL 340.56, 0.52%, 0.27%

LAB 24.69, 33.86, 2.54

 

CMYK 0 / 68 / 46 / 47

HEX #872B49

RGB 135 43 73

HSL 340.43, 0.52%, 0.35%

LAB 32.61, 41.7, 3.36

 

CMYK 0 / 68 / 46 / 35

HEX #A7355A

RGB 167 53 90

HSL 340.53, 0.52%, 0.43%

LAB 40.41, 49.49, 4.43

 

CMYK 0 / 67 / 45 / 24

HEX #C3416C

RGB 195 65 108

HSL 340.15, 0.52%, 0.51%

LAB 47.58, 55.05, 4.22

 

CMYK 0 / 53 / 36 / 20

HEX #CD6184

RGB 205 97 132

HSL 340.56, 0.52%, 0.59%

LAB 55.27, 46.39, 1.18

 

CMYK 0 / 68 / 46 / 35

HEX #A6355A

RGB 166 53 90

HSL 340.35, 0.52%, 0.43%

LAB 40.23, 49.17, 4.15

 

CMYK 0 / 10 / 68 / 35

HEX #A79735

RGB 167 151 53

HSL 51.58, 0.52%, 0.43%

LAB 62.17, -5.67, 51.65

 

CMYK 68 / 19 / 0 / 35

HEX #3588A7

RGB 53 136 167

HSL 196.32, 0.52%, 0.43%

LAB 53.12, -14.85, -23.75

 

CMYK 0 / 68 / 46 / 35

HEX #A6355A

RGB 166 53 90

HSL 340.35, 0.52%, 0.43%

LAB 40.23, 49.17, 4.15

 

CMYK 46 / 0 / 68 / 35

HEX #5BA735

RGB 91 167 53

HSL 100, 0.52%, 0.43%

LAB 61.76, -43.96, 49.63

 

CMYK 68 / 46 / 0 / 35

HEX #355BA7

RGB 53 91 167

HSL 220, 0.52%, 0.43%

LAB 39.63, 12.33, -44.96

 

CMYK 0 / 68 / 46 / 35

HEX #A6355A

RGB 166 53 90

HSL 340.35, 0.52%, 0.43%

LAB 40.23, 49.17, 4.15

 

CMYK 0 / 10 / 68 / 35

HEX #A79735

RGB 167 151 53

HSL 51.58, 0.52%, 0.43%

LAB 62.17, -5.67, 51.65

 

CMYK 68 / 0 / 23 / 35

HEX #35A781

RGB 53 167 129

HSL 160, 0.52%, 0.43%

LAB 61.64, -41.01, 10.51

 

CMYK 68 / 59 / 0 / 35

HEX #3544A7

RGB 53 68 167

HSL 232.11, 0.52%, 0.43%

LAB 33.31, 27.45, -55.16

 

CMYK 0 / 68 / 46 / 35

HEX #A6355A

RGB 166 53 90

HSL 340.35, 0.52%, 0.43%

LAB 40.23, 49.17, 4.15

 

CMYK 11 / 0 / 68 / 35

HEX #94A735

RGB 148 167 53

HSL 70, 0.52%, 0.43%

LAB 65.11, -22.27, 54.17

 

CMYK 68 / 0 / 23 / 35

HEX #35A781

RGB 53 167 129

HSL 160, 0.52%, 0.43%

LAB 61.64, -41.01, 10.51

 

CMYK 57 / 68 / 0 / 35

HEX #4835A7

RGB 72 53 167

HSL 250, 0.52%, 0.43%

LAB 31.15, 39.86, -58.63

 

Description

Color code: RGB 166 53 90 | qconv.com Color code: RGB 166 53 90 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 53 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 53 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 46 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 46% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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