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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 40 204 it is the complementary color RGB 89 215 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 40 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 40 204 shade: RGB 171 40 199, RGB 188 58 218, RGB 205 76 237, RGB 222 94 255 and RGB 239 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 40 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 40 204 shade: RGB 166 40 204, RGB 149 22 185, RGB 132 4 166, RGB 115 0 147 and RGB 98 0 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 40 204 shade: RGB 166 40 204, RGB 204 40 198, RGB 204 40 153, RGB 204 40 109 and RGB 204 40 65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 40 204 shade: RGB 166 40 204, RGB 122 40 204, RGB 77 40 204 and RGB 40 40 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 40 204 shade matches the following richer shades: RGB 166 40 204, RGB 177 20 224 and RGB 187 0 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 40 204 shade: RGB 166 40 204, RGB 155 60 184, RGB 145 80 164, RGB 134 99 144 and RGB 123 119 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 40 204 shade: RGB 78 40 204, RGB 122 40 204, RGB 166 40 204, RGB 204 40 198 and RGB 204 40 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 40 204 shade: RGB 110 26 135, RGB 138 33 169, RGB 166 40 204, RGB 183 68 218 and RGB 196 102 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 40 204 shade: RGB 166 40 204, RGB 204 40 45 and RGB 40 204 100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 40 204 shade: RGB 166 40 204, RGB 204 166 40 and RGB 40 204 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 40 204 shade: RGB 166 40 204, RGB 204 40 45, RGB 78 204 40 and RGB 40 204 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 40 204 shade: RGB 166 40 204, RGB 204 84 40, RGB 78 204 40 and RGB 40 160 204

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

Complementary color

CMYK 59 / 0 / 76 / 16

HEX #59D733

RGB 89 215 51

HSL 106.1, 0.67%, 0.52%

LAB 76.66, -62.71, 65.38

 

CMYK 14 / 80 / 0 / 22

HEX #AB28C7

RGB 171 40 199

HSL 289.43, 0.67%, 0.47%

LAB 44.66, 70.69, -55.01

 

CMYK 14 / 73 / 0 / 15

HEX #BC3ADA

RGB 188 58 218

HSL 288.75, 0.68%, 0.54%

LAB 50.43, 71.74, -56.52

 

CMYK 14 / 68 / 0 / 7

HEX #CD4CED

RGB 205 76 237

HSL 288.07, 0.82%, 0.61%

LAB 56.35, 72.13, -57.62

 

CMYK 13 / 63 / 0 / 0

HEX #DE5EFF

RGB 222 94 255

HSL 287.7, 1%, 0.68%

LAB 62.3, 71.9, -57.97

 

CMYK 6 / 56 / 0 / 0

HEX #EF70FF

RGB 239 112 255

HSL 293.29, 1%, 0.72%

LAB 67.4, 68.11, -49.74

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 19 / 88 / 0 / 27

HEX #9516B9

RGB 149 22 185

HSL 286.75, 0.79%, 0.41%

LAB 38.67, 68.73, -56.67

 

CMYK 20 / 98 / 0 / 35

HEX #8404A6

RGB 132 4 166

HSL 287.41, 0.95%, 0.33%

LAB 33.45, 65.46, -53.94

 

CMYK 22 / 100 / 0 / 42

HEX #730093

RGB 115 0 147

HSL 286.94, 1%, 0.29%

LAB 28.78, 60.16, -50.08

 

CMYK 23 / 100 / 0 / 50

HEX #620080

RGB 98 0 128

HSL 285.94, 1%, 0.25%

LAB 24.18, 54.15, -45.83

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 0 / 80 / 3 / 20

HEX #CC28C6

RGB 204 40 198

HSL 302.2, 0.67%, 0.48%

LAB 50.02, 76.72, -45.55

 

CMYK 0 / 80 / 25 / 20

HEX #CC2899

RGB 204 40 153

HSL 318.66, 0.67%, 0.48%

LAB 47.82, 70.59, -22.51

 

CMYK 0 / 80 / 47 / 20

HEX #CC286D

RGB 204 40 109

HSL 334.76, 0.67%, 0.48%

LAB 46.26, 66, 1.9

 

CMYK 0 / 80 / 68 / 20

HEX #CC2841

RGB 204 40 65

HSL 350.85, 0.67%, 0.48%

LAB 45.27, 63.01, 27.71

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 40 / 80 / 0 / 20

HEX #7A28CC

RGB 122 40 204

HSL 270, 0.67%, 0.48%

LAB 37.87, 63.63, -69.27

 

CMYK 62 / 80 / 0 / 20

HEX #4D28CC

RGB 77 40 204

HSL 253.54, 0.67%, 0.48%

LAB 32.82, 58.06, -77.76

 

CMYK 80 / 80 / 0 / 20

HEX #2828CC

RGB 40 40 204

HSL 240, 0.67%, 0.48%

LAB 30.23, 55.24, -82.13

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 21 / 91 / 0 / 12

HEX #B114E0

RGB 177 20 224

HSL 286.18, 0.84%, 0.48%

LAB 45.95, 80.23, -67.26

 

CMYK 23 / 100 / 0 / 4

HEX #BB00F4

RGB 187 0 244

HSL 285.98, 1%, 0.48%

LAB 48.38, 86.99, -74.55

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 16 / 67 / 0 / 28

HEX #9B3CB8

RGB 155 60 184

HSL 285.97, 0.51%, 0.48%

LAB 43.74, 57.57, -47.86

 

CMYK 12 / 51 / 0 / 36

HEX #9150A4

RGB 145 80 164

HSL 286.43, 0.34%, 0.48%

LAB 44.85, 41.15, -34.38

 

CMYK 7 / 31 / 0 / 44

HEX #866390

RGB 134 99 144

HSL 286.67, 0.19%, 0.48%

LAB 46.98, 22.55, -19.28

 

CMYK 2 / 5 / 0 / 51

HEX #7B777D

RGB 123 119 125

HSL 280, 0.02%, 0.48%

LAB 50.55, 2.73, -2.74

 

CMYK 62 / 80 / 0 / 20

HEX #4E28CC

RGB 78 40 204

HSL 253.9, 0.67%, 0.48%

LAB 32.91, 58.16, -77.6

 

CMYK 40 / 80 / 0 / 20

HEX #7A28CC

RGB 122 40 204

HSL 270, 0.67%, 0.48%

LAB 37.87, 63.63, -69.27

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 0 / 80 / 3 / 20

HEX #CC28C6

RGB 204 40 198

HSL 302.2, 0.67%, 0.48%

LAB 50.02, 76.72, -45.55

 

CMYK 0 / 80 / 24 / 20

HEX #CC289B

RGB 204 40 155

HSL 317.93, 0.67%, 0.48%

LAB 47.91, 70.83, -23.58

 

CMYK 19 / 81 / 0 / 47

HEX #6E1A87

RGB 110 26 135

HSL 286.24, 0.68%, 0.32%

LAB 28.91, 51.35, -42.46

 

CMYK 18 / 80 / 0 / 34

HEX #8A21A9

RGB 138 33 169

HSL 286.32, 0.67%, 0.4%

LAB 36.66, 61.14, -50.49

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 16 / 69 / 0 / 15

HEX #B744DA

RGB 183 68 218

HSL 286, 0.67%, 0.56%

LAB 50.99, 67.04, -55.65

 

CMYK 13 / 54 / 0 / 12

HEX #C466E0

RGB 196 102 224

HSL 286.23, 0.66%, 0.64%

LAB 58.62, 56.06, -46.79

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 0 / 80 / 78 / 20

HEX #CC282D

RGB 204 40 45

HSL 358.17, 0.67%, 0.48%

LAB 45, 62.19, 39.18

 

CMYK 80 / 0 / 51 / 20

HEX #28CC64

RGB 40 204 100

HSL 141.95, 0.67%, 0.48%

LAB 72.6, -62.53, 40.31

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 0 / 19 / 80 / 20

HEX #CCA628

RGB 204 166 40

HSL 46.1, 0.67%, 0.48%

LAB 69.66, 2.09, 64.88

 

CMYK 80 / 0 / 19 / 20

HEX #28CCA6

RGB 40 204 166

HSL 166.1, 0.67%, 0.48%

LAB 73.8, -49.1, 7.54

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 0 / 80 / 78 / 20

HEX #CC282D

RGB 204 40 45

HSL 358.17, 0.67%, 0.48%

LAB 45, 62.19, 39.18

 

CMYK 62 / 0 / 80 / 20

HEX #4ECC28

RGB 78 204 40

HSL 106.1, 0.67%, 0.48%

LAB 72.86, -62.18, 64.94

 

CMYK 80 / 0 / 3 / 20

HEX #28CCC6

RGB 40 204 198

HSL 177.8, 0.67%, 0.48%

LAB 74.64, -40.49, -8.51

 

CMYK 19 / 80 / 0 / 20

HEX #A628CC

RGB 166 40 204

HSL 286.1, 0.67%, 0.48%

LAB 44.21, 70.71, -58.67

 

CMYK 0 / 59 / 80 / 20

HEX #CC5428

RGB 204 84 40

HSL 16.1, 0.67%, 0.48%

LAB 51.07, 45.38, 47.86

 

CMYK 62 / 0 / 80 / 20

HEX #4ECC28

RGB 78 204 40

HSL 106.1, 0.67%, 0.48%

LAB 72.86, -62.18, 64.94

 

CMYK 80 / 22 / 0 / 20

HEX #28A0CC

RGB 40 160 204

HSL 196.1, 0.67%, 0.48%

LAB 61.61, -17, -31.62

 

Description

Color code: RGB 166 40 204 | qconv.com Color code: RGB 166 40 204 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 40 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 40 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 80 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 80% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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