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Color name
RGB 166 145 142

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 145 142 it is the complementary color RGB 89 110 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 145 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 145 142 shade: RGB 171 145 137, RGB 188 163 156, RGB 205 181 175, RGB 222 199 194 and RGB 239 217 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 145 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 145 142 shade: RGB 166 145 142, RGB 149 127 123, RGB 132 109 104, RGB 115 91 85 and RGB 98 73 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 145 142 shade: RGB 165 143 140 and RGB 165 140 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 145 142 shade: RGB 165 143 140, RGB 165 150 140, RGB 165 157 140, RGB 165 163 140 and RGB 160 165 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 145 142 shade matches the following richer shades: RGB 165 143 140, RGB 181 131 124, RGB 198 119 107, RGB 214 106 91 and RGB 231 94 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 145 142 shade: RGB 165 143 140, RGB 148 156 157, RGB 132 168 173, RGB 115 180 190 and RGB 99 193 206

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 145 142 shade: RGB 165 140 150, RGB 165 140 144, RGB 165 143 140, RGB 165 150 140 and RGB 165 156 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 145 142 shade: RGB 125 101 98, RGB 147 121 117, RGB 165 143 140, RGB 183 166 163 and RGB 201 188 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 145 142 shade: RGB 166 145 142, RGB 157 165 140 and RGB 140 147 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 145 142 shade: RGB 166 145 142, RGB 140 165 143 and RGB 143 140 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 145 142 shade: RGB 166 145 142, RGB 157 165 140, RGB 140 162 165 and RGB 148 140 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 145 142 shade: RGB 166 145 142, RGB 150 165 140, RGB 140 162 165 and RGB 155 140 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 14 / 35

HEX #A6918E

RGB 166 145 142

HSL 7.5, 0.12%, 0.6%

LAB 61.92, 7.32, 4.46

 

Complementary color

CMYK 21 / 3 / 0 / 56

HEX #596E71

RGB 89 110 113

HSL 187.5, 0.12%, 0.4%

LAB 44.9, -7.03, -4.26

 

CMYK 0 / 15 / 20 / 33

HEX #AB9189

RGB 171 145 137

HSL 14.12, 0.17%, 0.6%

LAB 62.27, 8.42, 7.85

 

CMYK 0 / 13 / 17 / 26

HEX #BCA39C

RGB 188 163 156

HSL 13.13, 0.19%, 0.67%

LAB 68.96, 7.99, 6.99

 

CMYK 0 / 12 / 15 / 20

HEX #CDB5AF

RGB 205 181 175

HSL 12, 0.23%, 0.75%

LAB 75.53, 7.6, 6.19

 

CMYK 0 / 10 / 13 / 13

HEX #DEC7C2

RGB 222 199 194

HSL 10.71, 0.3%, 0.82%

LAB 81.99, 7.25, 5.43

 

CMYK 0 / 9 / 11 / 6

HEX #EFD9D5

RGB 239 217 213

HSL 9.23, 0.45%, 0.89%

LAB 88.34, 6.92, 4.71

 

CMYK 0 / 13 / 14 / 35

HEX #A6918E

RGB 166 145 142

HSL 7.5, 0.12%, 0.6%

LAB 61.92, 7.32, 4.46

 

CMYK 0 / 15 / 17 / 42

HEX #957F7B

RGB 149 127 123

HSL 9.23, 0.11%, 0.53%

LAB 55.07, 7.74, 5.29

 

CMYK 0 / 17 / 21 / 48

HEX #846D68

RGB 132 109 104

HSL 10.71, 0.12%, 0.46%

LAB 48.06, 8.23, 6.19

 

CMYK 0 / 21 / 26 / 55

HEX #735B55

RGB 115 91 85

HSL 12, 0.15%, 0.39%

LAB 40.87, 8.81, 7.18

 

CMYK 0 / 26 / 33 / 62

HEX #624942

RGB 98 73 66

HSL 13.13, 0.2%, 0.32%

LAB 33.47, 9.52, 8.31

 

CMYK 0 / 13 / 15 / 35

HEX #A58F8C

RGB 165 143 140

HSL 7.2, 0.12%, 0.6%

LAB 61.25, 7.72, 4.62

 

CMYK 0 / 15 / 15 / 35

HEX #A58C8C

RGB 165 140 140

HSL 0, 0.12%, 0.6%

LAB 60.47, 9.41, 3.49

 

CMYK 0 / 13 / 15 / 35

HEX #A58F8C

RGB 165 143 140

HSL 7.2, 0.12%, 0.6%

LAB 61.25, 7.72, 4.62

 

CMYK 0 / 9 / 15 / 35

HEX #A5968C

RGB 165 150 140

HSL 24, 0.12%, 0.6%

LAB 63.1, 3.81, 7.27

 

CMYK 0 / 5 / 15 / 35

HEX #A59D8C

RGB 165 157 140

HSL 40.8, 0.12%, 0.6%

LAB 64.97, -0.05, 9.93

 

CMYK 0 / 1 / 15 / 35

HEX #A5A38C

RGB 165 163 140

HSL 55.2, 0.12%, 0.6%

LAB 66.59, -3.32, 12.22

 

CMYK 3 / 0 / 15 / 35

HEX #A0A58C

RGB 160 165 140

HSL 72, 0.12%, 0.6%

LAB 66.73, -6.3, 12.37

 

CMYK 0 / 13 / 15 / 35

HEX #A58F8C

RGB 165 143 140

HSL 7.2, 0.12%, 0.6%

LAB 61.25, 7.72, 4.62

 

CMYK 0 / 28 / 31 / 29

HEX #B5837C

RGB 181 131 124

HSL 7.37, 0.28%, 0.6%

LAB 59.44, 18.28, 11.39

 

CMYK 0 / 40 / 46 / 22

HEX #C6776B

RGB 198 119 107

HSL 7.91, 0.44%, 0.6%

LAB 58.28, 29.59, 19.83

 

CMYK 0 / 50 / 57 / 16

HEX #D66A5B

RGB 214 106 91

HSL 7.32, 0.6%, 0.6%

LAB 57.42, 41.13, 28.21

 

CMYK 0 / 59 / 68 / 9

HEX #E75E4A

RGB 231 94 74

HSL 7.64, 0.77%, 0.6%

LAB 57.55, 51.95, 38.46

 

CMYK 0 / 13 / 15 / 35

HEX #A58F8C

RGB 165 143 140

HSL 7.2, 0.12%, 0.6%

LAB 61.25, 7.72, 4.62

 

CMYK 6 / 1 / 0 / 38

HEX #949C9D

RGB 148 156 157

HSL 186.67, 0.04%, 0.6%

LAB 63.76, -2.65, -1.52

 

CMYK 24 / 3 / 0 / 32

HEX #84A8AD

RGB 132 168 173

HSL 187.32, 0.2%, 0.6%

LAB 66.46, -11.05, -6.61

 

CMYK 39 / 5 / 0 / 25

HEX #73B4BE

RGB 115 180 190

HSL 188, 0.37%, 0.6%

LAB 69.47, -18.12, -11.64

 

CMYK 52 / 6 / 0 / 19

HEX #63C1CE

RGB 99 193 206

HSL 187.29, 0.52%, 0.6%

LAB 73.06, -24.27, -15.09

 

CMYK 0 / 15 / 9 / 35

HEX #A58C96

RGB 165 140 150

HSL 336, 0.12%, 0.6%

LAB 60.74, 11.15, -1.81

 

CMYK 0 / 15 / 13 / 35

HEX #A58C90

RGB 165 140 144

HSL 350.4, 0.12%, 0.6%

LAB 60.58, 10.09, 1.37

 

CMYK 0 / 13 / 15 / 35

HEX #A58F8C

RGB 165 143 140

HSL 7.2, 0.12%, 0.6%

LAB 61.25, 7.72, 4.62

 

CMYK 0 / 9 / 15 / 35

HEX #A5968C

RGB 165 150 140

HSL 24, 0.12%, 0.6%

LAB 63.1, 3.81, 7.27

 

CMYK 0 / 5 / 15 / 35

HEX #A59C8C

RGB 165 156 140

HSL 38.4, 0.12%, 0.6%

LAB 64.7, 0.5, 9.55

 

CMYK 0 / 19 / 22 / 51

HEX #7D6562

RGB 125 101 98

HSL 6.67, 0.12%, 0.44%

LAB 45.01, 9.11, 5.32

 

CMYK 0 / 18 / 20 / 42

HEX #937975

RGB 147 121 117

HSL 8, 0.12%, 0.52%

LAB 53.13, 9.41, 5.97

 

CMYK 0 / 13 / 15 / 35

HEX #A58F8C

RGB 165 143 140

HSL 7.2, 0.12%, 0.6%

LAB 61.25, 7.72, 4.62

 

CMYK 0 / 9 / 11 / 28

HEX #B7A6A3

RGB 183 166 163

HSL 9, 0.12%, 0.68%

LAB 69.46, 5.64, 3.78

 

CMYK 0 / 6 / 7 / 21

HEX #C9BCBA

RGB 201 188 186

HSL 8, 0.12%, 0.76%

LAB 77.24, 4.23, 2.65

 

CMYK 0 / 13 / 14 / 35

HEX #A6918E

RGB 166 145 142

HSL 7.5, 0.12%, 0.6%

LAB 61.92, 7.32, 4.46

 

CMYK 5 / 0 / 15 / 35

HEX #9DA58C

RGB 157 165 140

HSL 79.2, 0.12%, 0.6%

LAB 66.5, -7.42, 12.01

 

CMYK 15 / 11 / 0 / 35

HEX #8C93A5

RGB 140 147 165

HSL 223.2, 0.12%, 0.6%

LAB 60.92, 1.29, -10.31

 

CMYK 0 / 13 / 14 / 35

HEX #A6918E

RGB 166 145 142

HSL 7.5, 0.12%, 0.6%

LAB 61.92, 7.32, 4.46

 

CMYK 15 / 0 / 13 / 35

HEX #8CA58F

RGB 140 165 143

HSL 127.2, 0.12%, 0.6%

LAB 65.33, -13.09, 8.52

 

CMYK 13 / 15 / 0 / 35

HEX #8F8CA5

RGB 143 140 165

HSL 247.2, 0.12%, 0.6%

LAB 59.26, 6.28, -12.78

 

CMYK 0 / 13 / 14 / 35

HEX #A6918E

RGB 166 145 142

HSL 7.5, 0.12%, 0.6%

LAB 61.92, 7.32, 4.46

 

CMYK 5 / 0 / 15 / 35

HEX #9DA58C

RGB 157 165 140

HSL 79.2, 0.12%, 0.6%

LAB 66.5, -7.42, 12.01

 

CMYK 15 / 2 / 0 / 35

HEX #8CA2A5

RGB 140 162 165

HSL 187.2, 0.12%, 0.6%

LAB 65.07, -7.02, -4.15

 

CMYK 10 / 15 / 0 / 35

HEX #948CA5

RGB 148 140 165

HSL 259.2, 0.12%, 0.6%

LAB 59.68, 8, -12.11

 

CMYK 0 / 13 / 14 / 35

HEX #A6918E

RGB 166 145 142

HSL 7.5, 0.12%, 0.6%

LAB 61.92, 7.32, 4.46

 

CMYK 9 / 0 / 15 / 35

HEX #96A58C

RGB 150 165 140

HSL 96, 0.12%, 0.6%

LAB 65.97, -10.02, 11.19

 

CMYK 15 / 2 / 0 / 35

HEX #8CA2A5

RGB 140 162 165

HSL 187.2, 0.12%, 0.6%

LAB 65.07, -7.02, -4.15

 

CMYK 6 / 15 / 0 / 35

HEX #9B8CA5

RGB 155 140 165

HSL 276, 0.12%, 0.6%

LAB 60.29, 10.43, -11.14

 

Description

Color code: RGB 166 145 142 | qconv.com Color code: RGB 166 145 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 145 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 145 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 14 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 14% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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