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Color name
RGB 166 100 143

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 166 100 143 it is the complementary color RGB 89 155 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 166 100 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 166 100 143 shade: RGB 171 100 138, RGB 188 118 157, RGB 205 136 176, RGB 222 154 195 and RGB 239 172 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 166 100 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 166 100 143 shade: RGB 166 100 143, RGB 149 82 124, RGB 132 64 105, RGB 115 46 86 and RGB 98 28 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 166 100 143 shade: RGB 166 100 143, RGB 166 100 125, RGB 166 100 107 and RGB 166 100 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 166 100 143 shade: RGB 166 100 143, RGB 166 100 160, RGB 153 100 166, RGB 135 100 166 and RGB 117 100 166

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 166 100 143 shade matches the following richer shades: RGB 166 100 143, RGB 185 80 149, RGB 205 60 155, RGB 225 40 161 and RGB 245 20 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 166 100 143 shade: RGB 166 100 143, RGB 146 119 137, RGB 126 139 131, RGB 106 159 125 and RGB 86 179 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 166 100 143 shade: RGB 152 100 166, RGB 166 100 161, RGB 166 100 144, RGB 166 100 126 and RGB 166 100 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 166 100 143 shade: RGB 116 67 99, RGB 142 82 121, RGB 166 100 143, RGB 181 126 162 and RGB 196 152 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 166 100 143 shade: RGB 166 100 143, RGB 166 135 100 and RGB 100 166 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 166 100 143 shade: RGB 166 100 143, RGB 144 166 100 and RGB 100 144 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 166 100 143 shade: RGB 166 100 143, RGB 166 135 100, RGB 100 166 122 and RGB 100 130 166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 166 100 143 shade: RGB 166 100 143, RGB 166 155 100, RGB 100 166 122 and RGB 100 111 166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

Complementary color

CMYK 43 / 0 / 28 / 39

HEX #599B70

RGB 89 155 112

HSL 140.91, 0.27%, 0.48%

LAB 58.73, -30.96, 16.11

 

CMYK 0 / 42 / 19 / 33

HEX #AB648A

RGB 171 100 138

HSL 327.89, 0.3%, 0.53%

LAB 51.39, 33.85, -8.62

 

CMYK 0 / 37 / 16 / 26

HEX #BC769D

RGB 188 118 157

HSL 326.57, 0.34%, 0.6%

LAB 58.12, 33.03, -9.45

 

CMYK 0 / 34 / 14 / 20

HEX #CD88B0

RGB 205 136 176

HSL 325.22, 0.41%, 0.67%

LAB 64.74, 32.26, -10.18

 

CMYK 0 / 31 / 12 / 13

HEX #DE9AC3

RGB 222 154 195

HSL 323.82, 0.51%, 0.74%

LAB 71.27, 31.54, -10.85

 

CMYK 0 / 28 / 10 / 6

HEX #EFACD6

RGB 239 172 214

HSL 322.39, 0.68%, 0.81%

LAB 77.7, 30.87, -11.46

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 0 / 45 / 17 / 42

HEX #95527C

RGB 149 82 124

HSL 322.39, 0.29%, 0.45%

LAB 44.06, 33.73, -11.53

 

CMYK 0 / 52 / 20 / 48

HEX #844069

RGB 132 64 105

HSL 323.82, 0.35%, 0.38%

LAB 37.1, 34.54, -10.54

 

CMYK 0 / 60 / 25 / 55

HEX #732E56

RGB 115 46 86

HSL 325.22, 0.43%, 0.32%

LAB 30.09, 35.23, -9.25

 

CMYK 0 / 71 / 32 / 62

HEX #621C43

RGB 98 28 67

HSL 326.57, 0.56%, 0.25%

LAB 23.11, 35.53, -7.43

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 0 / 40 / 25 / 35

HEX #A6647D

RGB 166 100 125

HSL 337.27, 0.27%, 0.52%

LAB 50.34, 30.03, -2.54

 

CMYK 0 / 40 / 36 / 35

HEX #A6646B

RGB 166 100 107

HSL 353.64, 0.27%, 0.52%

LAB 49.84, 27.51, 7.47

 

CMYK 0 / 40 / 40 / 35

HEX #A66464

RGB 166 100 100

HSL 0, 0.27%, 0.52%

LAB 49.67, 26.64, 11.4

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 0 / 40 / 4 / 35

HEX #A664A0

RGB 166 100 160

HSL 305.45, 0.27%, 0.52%

LAB 51.56, 35.94, -21.38

 

CMYK 8 / 40 / 0 / 35

HEX #9964A6

RGB 153 100 166

HSL 288.18, 0.27%, 0.52%

LAB 50.26, 32.93, -27.03

 

CMYK 19 / 40 / 0 / 35

HEX #8764A6

RGB 135 100 166

HSL 271.82, 0.27%, 0.52%

LAB 48.28, 27.25, -30.26

 

CMYK 30 / 40 / 0 / 35

HEX #7564A6

RGB 117 100 166

HSL 255.45, 0.27%, 0.52%

LAB 46.51, 21.76, -33.17

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 0 / 57 / 19 / 27

HEX #B95095

RGB 185 80 149

HSL 320.57, 0.43%, 0.52%

LAB 49.76, 50.42, -17.42

 

CMYK 0 / 71 / 24 / 20

HEX #CD3C9B

RGB 205 60 155

HSL 320.69, 0.59%, 0.52%

LAB 50.19, 65.09, -20.05

 

CMYK 0 / 82 / 28 / 12

HEX #E128A1

RGB 225 40 161

HSL 320.76, 0.76%, 0.52%

LAB 51.95, 76.25, -20.61

 

CMYK 0 / 92 / 32 / 4

HEX #F514A7

RGB 245 20 167

HSL 320.8, 0.92%, 0.52%

LAB 54.76, 84.33, -19.51

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 0 / 18 / 6 / 43

HEX #927789

RGB 146 119 137

HSL 320, 0.11%, 0.52%

LAB 53.07, 13.71, -5.83

 

CMYK 9 / 0 / 6 / 45

HEX #7E8B83

RGB 126 139 131

HSL 143.08, 0.05%, 0.52%

LAB 56.62, -6.35, 2.66

 

CMYK 33 / 0 / 21 / 38

HEX #6A9F7D

RGB 106 159 125

HSL 141.51, 0.22%, 0.52%

LAB 61.08, -25.05, 12.25

 

CMYK 52 / 0 / 34 / 30

HEX #56B377

RGB 86 179 119

HSL 141.29, 0.38%, 0.52%

LAB 66.18, -41.33, 22.42

 

CMYK 8 / 40 / 0 / 35

HEX #9864A6

RGB 152 100 166

HSL 287.27, 0.27%, 0.52%

LAB 50.15, 32.61, -27.22

 

CMYK 0 / 40 / 3 / 35

HEX #A664A1

RGB 166 100 161

HSL 304.55, 0.27%, 0.52%

LAB 51.6, 36.13, -21.9

 

CMYK 0 / 40 / 13 / 35

HEX #A66490

RGB 166 100 144

HSL 320, 0.27%, 0.52%

LAB 50.96, 33.08, -12.88

 

CMYK 0 / 40 / 24 / 35

HEX #A6647E

RGB 166 100 126

HSL 336.36, 0.27%, 0.52%

LAB 50.37, 30.18, -3.09

 

CMYK 0 / 40 / 35 / 35

HEX #A6646C

RGB 166 100 108

HSL 352.73, 0.27%, 0.52%

LAB 49.86, 27.64, 6.91

 

CMYK 0 / 42 / 15 / 55

HEX #744363

RGB 116 67 99

HSL 320.82, 0.27%, 0.36%

LAB 35.26, 26.08, -9.77

 

CMYK 0 / 42 / 15 / 44

HEX #8E5279

RGB 142 82 121

HSL 321, 0.27%, 0.44%

LAB 43.01, 30.76, -11.38

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 0 / 30 / 10 / 29

HEX #B57EA2

RGB 181 126 162

HSL 320.73, 0.27%, 0.6%

LAB 59.3, 26.99, -10.64

 

CMYK 0 / 22 / 8 / 23

HEX #C498B4

RGB 196 152 180

HSL 321.82, 0.27%, 0.68%

LAB 67.64, 21.01, -8.21

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 0 / 19 / 40 / 35

HEX #A68764

RGB 166 135 100

HSL 31.82, 0.27%, 0.52%

LAB 58.37, 6.85, 23.27

 

CMYK 40 / 0 / 3 / 35

HEX #64A6A1

RGB 100 166 161

HSL 175.45, 0.27%, 0.52%

LAB 63.8, -22.22, -4.05

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 13 / 0 / 40 / 35

HEX #90A664

RGB 144 166 100

HSL 80, 0.27%, 0.52%

LAB 65.06, -18.94, 31.65

 

CMYK 40 / 13 / 0 / 35

HEX #6490A6

RGB 100 144 166

HSL 200, 0.27%, 0.52%

LAB 57.47, -9.17, -16.34

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 0 / 19 / 40 / 35

HEX #A68764

RGB 166 135 100

HSL 31.82, 0.27%, 0.52%

LAB 58.37, 6.85, 23.27

 

CMYK 40 / 0 / 27 / 35

HEX #64A67A

RGB 100 166 122

HSL 140, 0.27%, 0.52%

LAB 62.83, -30.93, 16.31

 

CMYK 40 / 22 / 0 / 35

HEX #6482A6

RGB 100 130 166

HSL 212.73, 0.27%, 0.52%

LAB 53.41, -1.21, -22.54

 

CMYK 0 / 40 / 14 / 35

HEX #A6648F

RGB 166 100 143

HSL 320.91, 0.27%, 0.52%

LAB 50.93, 32.91, -12.34

 

CMYK 0 / 7 / 40 / 35

HEX #A69B64

RGB 166 155 100

HSL 50, 0.27%, 0.52%

LAB 63.73, -4.19, 30.29

 

CMYK 40 / 0 / 27 / 35

HEX #64A67A

RGB 100 166 122

HSL 140, 0.27%, 0.52%

LAB 62.83, -30.93, 16.31

 

CMYK 40 / 33 / 0 / 35

HEX #646FA6

RGB 100 111 166

HSL 230, 0.27%, 0.52%

LAB 48.05, 10.12, -30.86

 

Description

Color code: RGB 166 100 143 | qconv.com Color code: RGB 166 100 143 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 100 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 100 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 14 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 14% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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