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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 44 192 it is the complementary color RGB 90 211 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 44 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 165 44 192: RGB 170 44 187, RGB 187 62 206, RGB 204 80 225, RGB 221 98 244 and RGB 238 116 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 44 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 165 44 192: RGB 165 44 192, RGB 148 26 173, RGB 131 8 154, RGB 114 0 135 and RGB 97 0 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 77 / 0 / 25

HEX #A52CC0

RGB 165 44 192

HSL 289.05, 0.63%, 0.46%

LAB 43.66, 67.12, -52.59

 

Complementary color

CMYK 57 / 0 / 70 / 17

HEX #5AD33F

RGB 90 211 63

HSL 109.05, 0.63%, 0.54%

LAB 75.53, -60.21, 60.12

 

CMYK 9 / 76 / 0 / 27

HEX #AA2CBB

RGB 170 44 187

HSL 292.87, 0.62%, 0.45%

LAB 44.14, 67.2, -48.85

 

CMYK 9 / 70 / 0 / 19

HEX #BB3ECE

RGB 187 62 206

HSL 292.08, 0.6%, 0.53%

LAB 50.06, 67.96, -50.26

 

CMYK 9 / 64 / 0 / 12

HEX #CC50E1

RGB 204 80 225

HSL 291.31, 0.71%, 0.6%

LAB 56.1, 68.13, -51.29

 

CMYK 9 / 60 / 0 / 4

HEX #DD62F4

RGB 221 98 244

HSL 290.55, 0.87%, 0.67%

LAB 62.2, 67.93, -52.06

 

CMYK 7 / 55 / 0 / 0

HEX #EE74FF

RGB 238 116 255

HSL 292.66, 1%, 0.73%

LAB 67.94, 66.05, -48.89

 

CMYK 14 / 77 / 0 / 25

HEX #A52CC0

RGB 165 44 192

HSL 289.05, 0.63%, 0.46%

LAB 43.66, 67.12, -52.59

 

CMYK 14 / 85 / 0 / 32

HEX #941AAD

RGB 148 26 173

HSL 289.8, 0.74%, 0.39%

LAB 37.94, 65.53, -50.74

 

CMYK 15 / 95 / 0 / 40

HEX #83089A

RGB 131 8 154

HSL 290.55, 0.9%, 0.32%

LAB 32.55, 62.6, -48.12

 

CMYK 16 / 100 / 0 / 47

HEX #720087

RGB 114 0 135

HSL 290.67, 1%, 0.26%

LAB 27.65, 57.82, -44.47

 

CMYK 16 / 100 / 0 / 55

HEX #610074

RGB 97 0 116

HSL 290.17, 1%, 0.23%

LAB 23.01, 51.74, -40.08

 

CMYK 14 / 77 / 0 / 25

HEX #A52CC0

RGB 165 44 192

HSL 289.05, 0.63%, 0.46%

LAB 43.66, 67.12, -52.59

 

CMYK 2 / 77 / 0 / 25

HEX #BC2BBF

RGB 188 43 191

HSL 298.78, 0.63%, 0.46%

LAB 47.21, 71.74, -46.11

 

CMYK 0 / 77 / 12 / 25

HEX #BF2BA9

RGB 191 43 169

HSL 308.92, 0.63%, 0.46%

LAB 46.54, 69.02, -34.22

 

CMYK 0 / 77 / 25 / 25

HEX #BF2B90

RGB 191 43 144

HSL 319.05, 0.63%, 0.46%

LAB 45.38, 65.65, -21.05

 

CMYK 0 / 77 / 38 / 25

HEX #BF2B77

RGB 191 43 119

HSL 329.19, 0.63%, 0.46%

LAB 44.43, 62.77, -7.24

 

CMYK 14 / 77 / 0 / 25

HEX #A52CC0

RGB 165 44 192

HSL 289.05, 0.63%, 0.46%

LAB 43.66, 67.12, -52.59

 

CMYK 14 / 77 / 0 / 5

HEX #D138F3

RGB 209 56 243

HSL 289.09, 0.89%, 0.59%

LAB 54.92, 80.76, -63.23

 

CMYK 13 / 77 / 0 / 85

HEX #220927

RGB 34 9 39

HSL 290, 0.63%, 0.09%

LAB 6.16, 18.38, -14.49

 

CMYK 14 / 77 / 0 / 65

HEX #4D155A

RGB 77 21 90

HSL 288.7, 0.62%, 0.22%

LAB 19.44, 36.73, -28.98

 

CMYK 14 / 77 / 0 / 45

HEX #79208D

RGB 121 32 141

HSL 288.99, 0.63%, 0.34%

LAB 31.85, 52.72, -41.35

 

CMYK 14 / 77 / 0 / 25

HEX #A52CC0

RGB 165 44 192

HSL 289.05, 0.63%, 0.46%

LAB 43.66, 67.12, -52.59

 

CMYK 0 / 76 / 77 / 25

HEX #BF2D2B

RGB 191 45 43

HSL 0.81, 0.63%, 0.46%

LAB 42.95, 56.83, 37.37

 

CMYK 77 / 0 / 46 / 25

HEX #2BBF68

RGB 43 191 104

HSL 144.73, 0.63%, 0.46%

LAB 68.59, -57.02, 33.27

 

CMYK 14 / 77 / 0 / 25

HEX #A52CC0

RGB 165 44 192

HSL 289.05, 0.63%, 0.46%

LAB 43.66, 67.12, -52.59

 

CMYK 0 / 14 / 77 / 25

HEX #BFA42B

RGB 191 164 43

HSL 49.05, 0.63%, 0.46%

LAB 67.87, -2.47, 61.81

 

CMYK 77 / 0 / 14 / 25

HEX #2BBFA4

RGB 43 191 164

HSL 169.05, 0.63%, 0.46%

LAB 69.79, -43.86, 2.86

 

CMYK 14 / 77 / 0 / 25

HEX #A52CC0

RGB 165 44 192

HSL 289.05, 0.63%, 0.46%

LAB 43.66, 67.12, -52.59

 

CMYK 0 / 76 / 77 / 25

HEX #BF2D2B

RGB 191 45 43

HSL 0.81, 0.63%, 0.46%

LAB 42.95, 56.83, 37.37

 

CMYK 63 / 0 / 77 / 25

HEX #46BF2B

RGB 70 191 43

HSL 109.05, 0.63%, 0.46%

LAB 68.56, -59.4, 59.9

 

CMYK 77 / 2 / 0 / 25

HEX #2BBCBF

RGB 43 188 191

HSL 181.22, 0.63%, 0.46%

LAB 69.64, -34.94, -12.16

 

CMYK 14 / 77 / 0 / 25

HEX #A52CC0

RGB 165 44 192

HSL 289.05, 0.63%, 0.46%

LAB 43.66, 67.12, -52.59

 

CMYK 0 / 53 / 77 / 25

HEX #BF5A2B

RGB 191 90 43

HSL 19.05, 0.63%, 0.46%

LAB 50.17, 37.59, 44.84

 

CMYK 63 / 0 / 77 / 25

HEX #46BF2B

RGB 70 191 43

HSL 109.05, 0.63%, 0.46%

LAB 68.56, -59.4, 59.9

 

CMYK 77 / 25 / 0 / 25

HEX #2B90BF

RGB 43 144 191

HSL 199.05, 0.63%, 0.46%

LAB 56.31, -12.44, -32.55

 

Description

Color code: RGB 165 44 192 | qconv.com Color code: RGB 165 44 192 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 44 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 44 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 77 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 77% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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