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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 233 200 it is the complementary color RGB 90 22 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 233 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 165 233 200: RGB 170 233 195, RGB 187 251 214, RGB 204 255 233, RGB 221 255 252 and RGB 238 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 233 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 165 233 200: RGB 165 233 200, RGB 148 215 181, RGB 131 197 162, RGB 114 179 143 and RGB 97 161 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 14 / 9

HEX #A5E9C8

RGB 165 233 200

HSL 150.88, 0.61%, 0.78%

LAB 87.22, -28.03, 9.26

 

Complementary color

CMYK 0 / 76 / 39 / 65

HEX #5A1637

RGB 90 22 55

HSL 330.88, 0.61%, 0.22%

LAB 20.14, 33.96, -3.76

 

CMYK 27 / 0 / 16 / 9

HEX #AAE9C3

RGB 170 233 195

HSL 143.81, 0.59%, 0.79%

LAB 87.37, -27.48, 12.13

 

CMYK 25 / 0 / 15 / 2

HEX #BBFBD6

RGB 187 251 214

HSL 145.31, 0.89%, 0.86%

LAB 93.63, -27.27, 11.32

 

CMYK 20 / 0 / 9 / 0

HEX #CCFFE9

RGB 204 255 233

HSL 154.12, 1%, 0.9%

LAB 96.1, -20.38, 5.2

 

CMYK 13 / 0 / 1 / 0

HEX #DDFFFC

RGB 221 255 252

HSL 174.71, 1%, 0.93%

LAB 97.6, -11.45, -2.26

 

CMYK 7 / 0 / 0 / 0

HEX #EEFFFF

RGB 238 255 255

HSL 180, 1%, 0.97%

LAB 98.8, -5.52, -1.92

 

CMYK 29 / 0 / 14 / 9

HEX #A5E9C8

RGB 165 233 200

HSL 150.88, 0.61%, 0.78%

LAB 87.22, -28.03, 9.26

 

CMYK 31 / 0 / 16 / 16

HEX #94D7B5

RGB 148 215 181

HSL 149.55, 0.46%, 0.71%

LAB 80.87, -28.26, 10.09

 

CMYK 34 / 0 / 18 / 23

HEX #83C5A2

RGB 131 197 162

HSL 148.18, 0.36%, 0.64%

LAB 74.42, -28.5, 10.97

 

CMYK 36 / 0 / 20 / 30

HEX #72B38F

RGB 114 179 143

HSL 146.77, 0.3%, 0.57%

LAB 67.87, -28.76, 11.91

 

CMYK 40 / 0 / 23 / 37

HEX #61A17C

RGB 97 161 124

HSL 145.31, 0.25%, 0.51%

LAB 61.21, -29.03, 12.92

 

CMYK 29 / 0 / 14 / 9

HEX #A5E9C8

RGB 165 233 200

HSL 150.88, 0.61%, 0.78%

LAB 87.22, -28.03, 9.26

 

CMYK 30 / 0 / 10 / 9

HEX #A4E9D2

RGB 164 233 210

HSL 160, 0.61%, 0.78%

LAB 87.4, -26.32, 4.28

 

CMYK 30 / 0 / 5 / 9

HEX #A4E9DD

RGB 164 233 221

HSL 169.57, 0.61%, 0.78%

LAB 87.67, -24, -1.08

 

CMYK 30 / 0 / 0 / 9

HEX #A4E9E9

RGB 164 233 233

HSL 180, 0.61%, 0.78%

LAB 87.99, -21.35, -6.91

 

CMYK 30 / 5 / 0 / 9

HEX #A4DDE9

RGB 164 221 233

HSL 190.43, 0.61%, 0.78%

LAB 84.73, -15.35, -11.76

 

CMYK 29 / 0 / 14 / 9

HEX #A5E9C8

RGB 165 233 200

HSL 150.88, 0.61%, 0.78%

LAB 87.22, -28.03, 9.26

 

CMYK 28 / 0 / 14 / 89

HEX #151D19

RGB 21 29 25

HSL 150, 0.16%, 0.1%

LAB 9.86, -4.76, 1.55

 

CMYK 29 / 0 / 14 / 69

HEX #395045

RGB 57 80 69

HSL 151.3, 0.17%, 0.27%

LAB 31.89, -11.52, 3.64

 

CMYK 29 / 0 / 15 / 49

HEX #5D8370

RGB 93 131 112

HSL 150, 0.17%, 0.44%

LAB 51.53, -17.58, 6.02

 

CMYK 29 / 0 / 14 / 29

HEX #81B69C

RGB 129 182 156

HSL 150.57, 0.27%, 0.61%

LAB 69.84, -22.96, 7.69

 

CMYK 29 / 0 / 14 / 9

HEX #A5E9C8

RGB 165 233 200

HSL 150.88, 0.61%, 0.78%

LAB 87.22, -28.03, 9.26

 

CMYK 30 / 21 / 0 / 9

HEX #A4B9E9

RGB 164 185 233

HSL 221.74, 0.61%, 0.78%

LAB 75.12, 3.64, -26.29

 

CMYK 0 / 27 / 30 / 9

HEX #E9ABA4

RGB 233 171 164

HSL 6.09, 0.61%, 0.78%

LAB 75.53, 21.79, 12.56

 

CMYK 29 / 0 / 14 / 9

HEX #A5E9C8

RGB 165 233 200

HSL 150.88, 0.61%, 0.78%

LAB 87.22, -28.03, 9.26

 

CMYK 15 / 30 / 0 / 9

HEX #C6A4E9

RGB 198 164 233

HSL 269.57, 0.61%, 0.78%

LAB 72.52, 25.46, -30.05

 

CMYK 0 / 15 / 30 / 9

HEX #E9C6A4

RGB 233 198 164

HSL 29.57, 0.61%, 0.78%

LAB 82.05, 7.47, 21.65

 

CMYK 29 / 0 / 14 / 9

HEX #A5E9C8

RGB 165 233 200

HSL 150.88, 0.61%, 0.78%

LAB 87.22, -28.03, 9.26

 

CMYK 30 / 21 / 0 / 9

HEX #A4B9E9

RGB 164 185 233

HSL 221.74, 0.61%, 0.78%

LAB 75.12, 3.64, -26.29

 

CMYK 0 / 30 / 15 / 9

HEX #E9A4C6

RGB 233 164 198

HSL 330.43, 0.61%, 0.78%

LAB 74.79, 30.47, -7.13

 

CMYK 0 / 9 / 30 / 9

HEX #E9D4A4

RGB 233 212 164

HSL 41.74, 0.61%, 0.78%

LAB 85.55, 0.18, 26.44

 

CMYK 29 / 0 / 14 / 9

HEX #A5E9C8

RGB 165 233 200

HSL 150.88, 0.61%, 0.78%

LAB 87.22, -28.03, 9.26

 

CMYK 30 / 30 / 0 / 9

HEX #A4A4E9

RGB 164 164 233

HSL 240, 0.61%, 0.78%

LAB 69.7, 15.3, -34.64

 

CMYK 0 / 30 / 15 / 9

HEX #E9A4C6

RGB 233 164 198

HSL 330.43, 0.61%, 0.78%

LAB 74.79, 30.47, -7.13

 

CMYK 0 / 0 / 30 / 9

HEX #E9E9A4

RGB 233 233 164

HSL 60, 0.61%, 0.78%

LAB 90.91, -10.48, 33.63

 

Description

Color code: RGB 165 233 200 | qconv.com Color code: RGB 165 233 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 233 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 233 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 14 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 14% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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