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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 174 161 it is the complementary color RGB 90 81 94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 174 161. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 165 174 161: RGB 170 174 156, RGB 187 192 175, RGB 204 210 194, RGB 221 228 213 and RGB 238 246 232

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 174 161. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 165 174 161: RGB 165 174 161, RGB 148 156 142, RGB 131 138 123, RGB 114 120 104 and RGB 97 102 85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 7 / 32

HEX #A5AEA1

RGB 165 174 161

HSL 101.54, 0.07%, 0.66%

LAB 70.07, -5.61, 5.57

 

Complementary color

CMYK 4 / 14 / 0 / 63

HEX #5A515E

RGB 90 81 94

HSL 281.54, 0.07%, 0.34%

LAB 35.73, 6.44, -6.22

 

CMYK 2 / 0 / 10 / 32

HEX #AAAE9C

RGB 170 174 156

HSL 73.33, 0.1%, 0.65%

LAB 70.33, -4.69, 8.75

 

CMYK 3 / 0 / 9 / 25

HEX #BBC0AF

RGB 187 192 175

HSL 77.65, 0.12%, 0.72%

LAB 76.9, -4.8, 7.96

 

CMYK 3 / 0 / 8 / 18

HEX #CCD2C2

RGB 204 210 194

HSL 82.5, 0.15%, 0.79%

LAB 83.35, -4.9, 7.21

 

CMYK 3 / 0 / 7 / 11

HEX #DDE4D5

RGB 221 228 213

HSL 88, 0.22%, 0.86%

LAB 89.7, -5, 6.49

 

CMYK 3 / 0 / 6 / 4

HEX #EEF6E8

RGB 238 246 232

HSL 94.29, 0.44%, 0.94%

LAB 95.96, -5.1, 5.8

 

CMYK 5 / 0 / 7 / 32

HEX #A5AEA1

RGB 165 174 161

HSL 101.54, 0.07%, 0.66%

LAB 70.07, -5.61, 5.57

 

CMYK 5 / 0 / 9 / 39

HEX #949C8E

RGB 148 156 142

HSL 94.29, 0.07%, 0.58%

LAB 63.36, -5.54, 6.34

 

CMYK 5 / 0 / 11 / 46

HEX #838A7B

RGB 131 138 123

HSL 88, 0.06%, 0.51%

LAB 56.52, -5.47, 7.15

 

CMYK 5 / 0 / 13 / 53

HEX #727868

RGB 114 120 104

HSL 82.5, 0.07%, 0.44%

LAB 49.51, -5.4, 8.02

 

CMYK 5 / 0 / 17 / 60

HEX #616655

RGB 97 102 85

HSL 77.65, 0.09%, 0.37%

LAB 42.31, -5.32, 8.96

 

CMYK 5 / 0 / 7 / 32

HEX #A5AEA1

RGB 165 174 161

HSL 101.54, 0.07%, 0.66%

LAB 70.07, -5.61, 5.57

 

CMYK 6 / 0 / 7 / 32

HEX #A4AEA2

RGB 164 174 162

HSL 110, 0.07%, 0.66%

LAB 70.02, -5.79, 4.94

 

CMYK 7 / 0 / 7 / 32

HEX #A2AEA2

RGB 162 174 162

HSL 120, 0.07%, 0.66%

LAB 69.87, -6.5, 4.71

 

CMYK 7 / 0 / 6 / 32

HEX #A2AEA4

RGB 162 174 164

HSL 130, 0.07%, 0.66%

LAB 69.92, -6.12, 3.68

 

CMYK 7 / 0 / 5 / 32

HEX #A2AEA6

RGB 162 174 166

HSL 140, 0.07%, 0.66%

LAB 69.97, -5.74, 2.65

 

CMYK 5 / 0 / 7 / 32

HEX #A5AEA1

RGB 165 174 161

HSL 101.54, 0.07%, 0.66%

LAB 70.07, -5.61, 5.57

 

CMYK 5 / 0 / 8 / 12

HEX #D5E1D0

RGB 213 225 208

HSL 102.35, 0.22%, 0.85%

LAB 88.23, -7.07, 6.92

 

CMYK 5 / 0 / 10 / 92

HEX #141513

RGB 20 21 19

HSL 90, 0.05%, 0.08%

LAB 6.61, -0.89, 1.08

 

CMYK 6 / 0 / 7 / 72

HEX #444843

RGB 68 72 67

HSL 108, 0.04%, 0.27%

LAB 30.08, -2.75, 2.43

 

CMYK 5 / 0 / 7 / 52

HEX #757B72

RGB 117 123 114

HSL 100, 0.04%, 0.46%

LAB 50.88, -4.05, 4.14

 

CMYK 5 / 0 / 7 / 32

HEX #A5AEA1

RGB 165 174 161

HSL 101.54, 0.07%, 0.66%

LAB 70.07, -5.61, 5.57

 

CMYK 7 / 0 / 1 / 32

HEX #A2AEAC

RGB 162 174 172

HSL 170, 0.07%, 0.66%

LAB 70.13, -4.58, -0.43

 

CMYK 0 / 7 / 2 / 32

HEX #AEA2AA

RGB 174 162 170

HSL 320, 0.07%, 0.66%

LAB 67.83, 5.81, -2.58

 

CMYK 5 / 0 / 7 / 32

HEX #A5AEA1

RGB 165 174 161

HSL 101.54, 0.07%, 0.66%

LAB 70.07, -5.61, 5.57

 

CMYK 7 / 5 / 0 / 32

HEX #A2A6AE

RGB 162 166 174

HSL 220, 0.07%, 0.66%

LAB 68.03, 0.16, -4.62

 

CMYK 0 / 7 / 5 / 32

HEX #AEA2A6

RGB 174 162 166

HSL 340, 0.07%, 0.66%

LAB 67.72, 5.07, -0.51

 

CMYK 5 / 0 / 7 / 32

HEX #A5AEA1

RGB 165 174 161

HSL 101.54, 0.07%, 0.66%

LAB 70.07, -5.61, 5.57

 

CMYK 7 / 0 / 1 / 32

HEX #A2AEAC

RGB 162 174 172

HSL 170, 0.07%, 0.66%

LAB 70.13, -4.58, -0.43

 

CMYK 2 / 7 / 0 / 32

HEX #AAA2AE

RGB 170 162 174

HSL 280, 0.07%, 0.66%

LAB 67.61, 5.16, -5.17

 

CMYK 0 / 7 / 6 / 32

HEX #AEA2A3

RGB 174 162 163

HSL 355, 0.07%, 0.66%

LAB 67.64, 4.53, 1.04

 

CMYK 5 / 0 / 7 / 32

HEX #A5AEA1

RGB 165 174 161

HSL 101.54, 0.07%, 0.66%

LAB 70.07, -5.61, 5.57

 

CMYK 7 / 1 / 0 / 32

HEX #A2ACAE

RGB 162 172 174

HSL 190, 0.07%, 0.66%

LAB 69.64, -3.1, -2.25

 

CMYK 2 / 7 / 0 / 32

HEX #AAA2AE

RGB 170 162 174

HSL 280, 0.07%, 0.66%

LAB 67.61, 5.16, -5.17

 

CMYK 0 / 6 / 7 / 32

HEX #AEA4A2

RGB 174 164 162

HSL 10, 0.07%, 0.66%

LAB 68.14, 3.25, 2.32

 

Description

Color code: RGB 165 174 161 | qconv.com Color code: RGB 165 174 161 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 174 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 174 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 7 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 7% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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