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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 146 130 it is the complementary color RGB 90 109 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 146 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 146 130 shade: RGB 170 146 125, RGB 187 164 144, RGB 204 182 163, RGB 221 200 182 and RGB 238 218 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 146 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 146 130 shade: RGB 165 146 130, RGB 148 128 111, RGB 131 110 92, RGB 114 92 73 and RGB 97 74 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 146 130 shade: RGB 165 146 131, RGB 165 137 131 and RGB 165 131 131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 146 130 shade: RGB 165 146 131, RGB 165 156 131, RGB 165 165 131, RGB 156 165 131 and RGB 147 165 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 146 130 shade matches the following richer shades: RGB 165 146 131, RGB 182 145 113, RGB 200 143 96, RGB 217 142 79 and RGB 234 140 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 146 130 shade: RGB 165 146 131, RGB 148 148 148, RGB 130 149 165, RGB 113 151 183 and RGB 96 152 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 146 130 shade: RGB 165 131 134, RGB 165 137 131, RGB 165 146 131, RGB 165 155 131 and RGB 165 164 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 146 130 shade: RGB 124 105 90, RGB 148 126 107, RGB 165 146 131, RGB 182 167 155 and RGB 200 188 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 146 130 shade: RGB 165 146 130, RGB 143 165 131 and RGB 132 131 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 146 130 shade: RGB 165 146 130, RGB 131 165 146 and RGB 146 131 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 146 130 shade: RGB 165 146 130, RGB 143 165 131, RGB 131 150 165 and RGB 153 131 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 146 130 shade: RGB 165 146 130, RGB 132 165 131, RGB 131 150 165 and RGB 163 131 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 21 / 35

HEX #A59282

RGB 165 146 130

HSL 27.43, 0.16%, 0.58%

LAB 61.8, 4.43, 11.07

 

Complementary color

CMYK 28 / 13 / 0 / 51

HEX #5A6D7D

RGB 90 109 125

HSL 207.43, 0.16%, 0.42%

LAB 45.07, -3.09, -11.19

 

CMYK 0 / 14 / 26 / 33

HEX #AA927D

RGB 170 146 125

HSL 28, 0.21%, 0.58%

LAB 62.16, 5.65, 14.45

 

CMYK 0 / 12 / 23 / 27

HEX #BBA490

RGB 187 164 144

HSL 27.91, 0.24%, 0.65%

LAB 68.84, 5.21, 13.46

 

CMYK 0 / 11 / 20 / 20

HEX #CCB6A3

RGB 204 182 163

HSL 27.8, 0.29%, 0.72%

LAB 75.41, 4.82, 12.54

 

CMYK 0 / 10 / 18 / 13

HEX #DDC8B6

RGB 221 200 182

HSL 27.69, 0.36%, 0.79%

LAB 81.87, 4.47, 11.67

 

CMYK 0 / 8 / 16 / 7

HEX #EEDAC9

RGB 238 218 201

HSL 27.57, 0.52%, 0.86%

LAB 88.23, 4.15, 10.85

 

CMYK 0 / 12 / 21 / 35

HEX #A59282

RGB 165 146 130

HSL 27.43, 0.16%, 0.58%

LAB 61.8, 4.43, 11.07

 

CMYK 0 / 14 / 25 / 42

HEX #94806F

RGB 148 128 111

HSL 27.57, 0.15%, 0.51%

LAB 54.95, 4.86, 12.05

 

CMYK 0 / 16 / 30 / 49

HEX #836E5C

RGB 131 110 92

HSL 27.69, 0.17%, 0.44%

LAB 47.94, 5.36, 13.12

 

CMYK 0 / 19 / 36 / 55

HEX #725C49

RGB 114 92 73

HSL 27.8, 0.22%, 0.37%

LAB 40.76, 5.98, 14.32

 

CMYK 0 / 24 / 44 / 62

HEX #614A36

RGB 97 74 54

HSL 27.91, 0.28%, 0.3%

LAB 33.36, 6.76, 15.69

 

CMYK 0 / 12 / 21 / 35

HEX #A59283

RGB 165 146 131

HSL 26.47, 0.16%, 0.58%

LAB 61.82, 4.58, 10.54

 

CMYK 0 / 17 / 21 / 35

HEX #A58983

RGB 165 137 131

HSL 10.59, 0.16%, 0.58%

LAB 59.46, 9.63, 7.18

 

CMYK 0 / 21 / 21 / 35

HEX #A58383

RGB 165 131 131

HSL 0, 0.16%, 0.58%

LAB 57.91, 13.03, 4.96

 

CMYK 0 / 12 / 21 / 35

HEX #A59283

RGB 165 146 131

HSL 26.47, 0.16%, 0.58%

LAB 61.82, 4.58, 10.54

 

CMYK 0 / 5 / 21 / 35

HEX #A59C83

RGB 165 156 131

HSL 44.12, 0.16%, 0.58%

LAB 64.5, -0.94, 14.29

 

CMYK 0 / 0 / 21 / 35

HEX #A5A583

RGB 165 165 131

HSL 60, 0.16%, 0.58%

LAB 66.94, -5.82, 17.68

 

CMYK 5 / 0 / 21 / 35

HEX #9CA583

RGB 156 165 131

HSL 75.88, 0.16%, 0.58%

LAB 66.23, -9.28, 16.59

 

CMYK 11 / 0 / 21 / 35

HEX #93A583

RGB 147 165 131

HSL 91.76, 0.16%, 0.58%

LAB 65.56, -12.68, 15.55

 

CMYK 0 / 12 / 21 / 35

HEX #A59283

RGB 165 146 131

HSL 26.47, 0.16%, 0.58%

LAB 61.82, 4.58, 10.54

 

CMYK 0 / 20 / 38 / 29

HEX #B69171

RGB 182 145 113

HSL 27.83, 0.32%, 0.58%

LAB 62.83, 9.47, 22.28

 

CMYK 0 / 29 / 52 / 22

HEX #C88F60

RGB 200 143 96

HSL 27.12, 0.49%, 0.58%

LAB 63.97, 16.22, 33.44

 

CMYK 0 / 35 / 64 / 15

HEX #D98E4F

RGB 217 142 79

HSL 27.39, 0.64%, 0.58%

LAB 65.48, 22.53, 44.61

 

CMYK 0 / 40 / 74 / 8

HEX #EA8C3D

RGB 234 140 61

HSL 27.4, 0.8%, 0.58%

LAB 66.96, 29.63, 55.44

 

CMYK 0 / 12 / 21 / 35

HEX #A59283

RGB 165 146 131

HSL 26.47, 0.16%, 0.58%

LAB 61.82, 4.58, 10.54

 

CMYK 0 / 0 / 0 / 42

HEX #949494

RGB 148 148 148

HSL 0, 0%, 0.58%

LAB 61.32, 0, -0.01

 

CMYK 21 / 10 / 0 / 35

HEX #8295A5

RGB 130 149 165

HSL 207.43, 0.16%, 0.58%

LAB 60.74, -3.15, -10.66

 

CMYK 38 / 17 / 0 / 28

HEX #7197B7

RGB 113 151 183

HSL 207.43, 0.33%, 0.58%

LAB 60.84, -4.86, -20.8

 

CMYK 52 / 24 / 0 / 22

HEX #6098C8

RGB 96 152 200

HSL 207.69, 0.49%, 0.58%

LAB 60.88, -4.84, -30.38

 

CMYK 0 / 21 / 19 / 35

HEX #A58386

RGB 165 131 134

HSL 354.71, 0.16%, 0.58%

LAB 57.99, 13.51, 3.35

 

CMYK 0 / 17 / 21 / 35

HEX #A58983

RGB 165 137 131

HSL 10.59, 0.16%, 0.58%

LAB 59.46, 9.63, 7.18

 

CMYK 0 / 12 / 21 / 35

HEX #A59283

RGB 165 146 131

HSL 26.47, 0.16%, 0.58%

LAB 61.82, 4.58, 10.54

 

CMYK 0 / 6 / 21 / 35

HEX #A59B83

RGB 165 155 131

HSL 42.35, 0.16%, 0.58%

LAB 64.23, -0.39, 13.91

 

CMYK 0 / 1 / 21 / 35

HEX #A5A483

RGB 165 164 131

HSL 58.24, 0.16%, 0.58%

LAB 66.66, -5.28, 17.3

 

CMYK 0 / 15 / 27 / 51

HEX #7C695A

RGB 124 105 90

HSL 26.47, 0.16%, 0.42%

LAB 45.81, 5.04, 11.23

 

CMYK 0 / 15 / 28 / 42

HEX #947E6B

RGB 148 126 107

HSL 27.8, 0.16%, 0.5%

LAB 54.32, 5.4, 13.48

 

CMYK 0 / 12 / 21 / 35

HEX #A59283

RGB 165 146 131

HSL 26.47, 0.16%, 0.58%

LAB 61.82, 4.58, 10.54

 

CMYK 0 / 8 / 15 / 29

HEX #B6A79B

RGB 182 167 155

HSL 26.67, 0.16%, 0.66%

LAB 69.43, 3.38, 8.16

 

CMYK 0 / 6 / 11 / 22

HEX #C8BCB3

RGB 200 188 179

HSL 25.71, 0.16%, 0.74%

LAB 76.98, 2.68, 6.06

 

CMYK 0 / 12 / 21 / 35

HEX #A59282

RGB 165 146 130

HSL 27.43, 0.16%, 0.58%

LAB 61.8, 4.43, 11.07

 

CMYK 13 / 0 / 21 / 35

HEX #8FA583

RGB 143 165 131

HSL 98.82, 0.16%, 0.58%

LAB 65.27, -14.16, 15.11

 

CMYK 20 / 21 / 0 / 35

HEX #8483A5

RGB 132 131 165

HSL 241.76, 0.16%, 0.58%

LAB 55.94, 7.78, -17.89

 

CMYK 0 / 12 / 21 / 35

HEX #A59282

RGB 165 146 130

HSL 27.43, 0.16%, 0.58%

LAB 61.8, 4.43, 11.07

 

CMYK 21 / 0 / 12 / 35

HEX #83A592

RGB 131 165 146

HSL 146.47, 0.16%, 0.58%

LAB 64.81, -15.62, 6.02

 

CMYK 12 / 21 / 0 / 35

HEX #9283A5

RGB 146 131 165

HSL 266.47, 0.16%, 0.58%

LAB 57.13, 12.48, -15.97

 

CMYK 0 / 12 / 21 / 35

HEX #A59282

RGB 165 146 130

HSL 27.43, 0.16%, 0.58%

LAB 61.8, 4.43, 11.07

 

CMYK 13 / 0 / 21 / 35

HEX #8FA583

RGB 143 165 131

HSL 98.82, 0.16%, 0.58%

LAB 65.27, -14.16, 15.11

 

CMYK 21 / 9 / 0 / 35

HEX #8396A5

RGB 131 150 165

HSL 206.47, 0.16%, 0.58%

LAB 61.09, -3.38, -10.13

 

CMYK 7 / 21 / 0 / 35

HEX #9983A5

RGB 153 131 165

HSL 278.82, 0.16%, 0.58%

LAB 57.77, 14.89, -14.95

 

CMYK 0 / 12 / 21 / 35

HEX #A59282

RGB 165 146 130

HSL 27.43, 0.16%, 0.58%

LAB 61.8, 4.43, 11.07

 

CMYK 20 / 0 / 21 / 35

HEX #84A583

RGB 132 165 131

HSL 118.24, 0.16%, 0.58%

LAB 64.53, -18.14, 13.96

 

CMYK 21 / 9 / 0 / 35

HEX #8396A5

RGB 131 150 165

HSL 206.47, 0.16%, 0.58%

LAB 61.09, -3.38, -10.13

 

CMYK 1 / 21 / 0 / 35

HEX #A383A5

RGB 163 131 165

HSL 296.47, 0.16%, 0.58%

LAB 58.73, 18.37, -13.41

 

Description

Color code: RGB 165 146 130 | qconv.com Color code: RGB 165 146 130 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 146 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 146 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 21 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 21% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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