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Color name
RGB 165 103 28

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165 103 28 it is the complementary color RGB 90 152 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165 103 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165 103 28 shade: RGB 170 103 23, RGB 187 121 42, RGB 204 139 61, RGB 221 157 80 and RGB 238 175 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165 103 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165 103 28 shade: RGB 165 103 28, RGB 148 85 9, RGB 131 67 0, RGB 114 49 0 and RGB 97 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165 103 28 shade: RGB 165 103 28, RGB 165 66 28, RGB 165 29 28 and RGB 165 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165 103 28 shade: RGB 165 103 28, RGB 165 140 28, RGB 153 165 28, RGB 116 165 28 and RGB 79 165 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165 103 28 shade matches the following richer shades: RGB 165 103 28 and RGB 181 104 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165 103 28 shade: RGB 165 103 28, RGB 150 101 43, RGB 134 100 59, RGB 118 98 75 and RGB 102 97 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165 103 28 shade: RGB 165 28 28, RGB 165 64 28, RGB 165 101 28, RGB 165 138 28 and RGB 156 165 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165 103 28 shade: RGB 95 59 16, RGB 130 81 22, RGB 165 103 28, RGB 200 125 34 and RGB 221 146 55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165 103 28 shade: RGB 165 103 28, RGB 64 165 28 and RGB 46 28 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165 103 28 shade: RGB 165 103 28, RGB 28 165 101 and RGB 101 28 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165 103 28 shade: RGB 165 103 28, RGB 64 165 28, RGB 28 92 165 and RGB 129 28 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165 103 28 shade: RGB 165 103 28, RGB 28 165 32, RGB 28 92 165 and RGB 165 28 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

Complementary color

CMYK 60 / 33 / 0 / 11

HEX #5A98E3

RGB 90 152 227

HSL 212.85, 0.71%, 0.62%

LAB 61.81, 2.43, -44

 

CMYK 0 / 39 / 86 / 33

HEX #AA6717

RGB 170 103 23

HSL 32.65, 0.76%, 0.38%

LAB 49.87, 21.13, 51.8

 

CMYK 0 / 35 / 78 / 27

HEX #BB792A

RGB 187 121 42

HSL 32.69, 0.63%, 0.45%

LAB 56.49, 19.23, 51.33

 

CMYK 0 / 32 / 70 / 20

HEX #CC8B3D

RGB 204 139 61

HSL 32.73, 0.58%, 0.52%

LAB 63.04, 17.6, 50.21

 

CMYK 0 / 29 / 64 / 13

HEX #DD9D50

RGB 221 157 80

HSL 32.77, 0.67%, 0.59%

LAB 69.52, 16.19, 48.86

 

CMYK 0 / 26 / 58 / 7

HEX #EEAF63

RGB 238 175 99

HSL 32.81, 0.8%, 0.66%

LAB 75.91, 14.98, 47.45

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 0 / 43 / 94 / 42

HEX #945509

RGB 148 85 9

HSL 32.81, 0.89%, 0.31%

LAB 42.48, 21.17, 48.82

 

CMYK 0 / 49 / 100 / 49

HEX #834300

RGB 131 67 0

HSL 30.69, 1%, 0.26%

LAB 35.67, 23.61, 45.76

 

CMYK 0 / 57 / 100 / 55

HEX #723100

RGB 114 49 0

HSL 25.79, 1%, 0.22%

LAB 28.84, 26.21, 39.83

 

CMYK 0 / 68 / 100 / 62

HEX #611F00

RGB 97 31 0

HSL 19.18, 1%, 0.19%

LAB 22.02, 28.56, 32.33

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 0 / 60 / 83 / 35

HEX #A5421C

RGB 165 66 28

HSL 16.64, 0.71%, 0.38%

LAB 41.18, 38.91, 41.9

 

CMYK 0 / 82 / 83 / 35

HEX #A51D1C

RGB 165 29 28

HSL 0.44, 0.71%, 0.38%

LAB 35.91, 53.28, 36.94

 

CMYK 0 / 83 / 83 / 35

HEX #A51C1C

RGB 165 28 28

HSL 0, 0.71%, 0.38%

LAB 35.82, 53.54, 36.85

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 0 / 15 / 83 / 35

HEX #A58C1C

RGB 165 140 28

HSL 49.05, 0.71%, 0.38%

LAB 58.83, -1.72, 57.6

 

CMYK 7 / 0 / 83 / 35

HEX #99A51C

RGB 153 165 28

HSL 65.26, 0.71%, 0.38%

LAB 64.78, -20.3, 62.31

 

CMYK 30 / 0 / 83 / 35

HEX #74A51C

RGB 116 165 28

HSL 81.46, 0.71%, 0.38%

LAB 62.26, -35.69, 59.14

 

CMYK 52 / 0 / 83 / 35

HEX #4FA51C

RGB 79 165 28

HSL 97.66, 0.71%, 0.38%

LAB 60.48, -48.54, 56.87

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 0 / 43 / 93 / 29

HEX #B5680C

RGB 181 104 12

HSL 32.66, 0.88%, 0.38%

LAB 51.55, 25.17, 56.8

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 0 / 33 / 71 / 41

HEX #96652B

RGB 150 101 43

HSL 32.52, 0.55%, 0.38%

LAB 46.93, 14.1, 39.68

 

CMYK 0 / 25 / 56 / 47

HEX #86643B

RGB 134 100 59

HSL 32.8, 0.39%, 0.38%

LAB 44.94, 8.6, 28.39

 

CMYK 0 / 17 / 36 / 54

HEX #76624B

RGB 118 98 75

HSL 32.09, 0.22%, 0.38%

LAB 42.91, 4.43, 16.11

 

CMYK 0 / 5 / 12 / 60

HEX #66615A

RGB 102 97 90

HSL 35, 0.06%, 0.38%

LAB 41.39, 0.62, 4.69

 

CMYK 0 / 83 / 83 / 35

HEX #A51C1C

RGB 165 28 28

HSL 0, 0.71%, 0.38%

LAB 35.82, 53.54, 36.85

 

CMYK 0 / 61 / 83 / 35

HEX #A5401C

RGB 165 64 28

HSL 15.77, 0.71%, 0.38%

LAB 40.82, 39.88, 41.56

 

CMYK 0 / 39 / 83 / 35

HEX #A5651C

RGB 165 101 28

HSL 31.97, 0.71%, 0.38%

LAB 48.75, 20.18, 48.77

 

CMYK 0 / 16 / 83 / 35

HEX #A58A1C

RGB 165 138 28

HSL 48.18, 0.71%, 0.38%

LAB 58.28, -0.62, 57.13

 

CMYK 5 / 0 / 83 / 35

HEX #9CA51C

RGB 156 165 28

HSL 63.94, 0.71%, 0.38%

LAB 65.01, -18.99, 62.61

 

CMYK 0 / 38 / 83 / 63

HEX #5F3B10

RGB 95 59 16

HSL 32.66, 0.71%, 0.22%

LAB 28.38, 11.9, 31.58

 

CMYK 0 / 38 / 83 / 49

HEX #825116

RGB 130 81 22

HSL 32.78, 0.71%, 0.3%

LAB 39.05, 15.57, 40.66

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 0 / 38 / 83 / 22

HEX #C87D22

RGB 200 125 34

HSL 32.89, 0.71%, 0.46%

LAB 59.03, 22.39, 57.37

 

CMYK 0 / 34 / 75 / 13

HEX #DD9237

RGB 221 146 55

HSL 32.89, 0.71%, 0.54%

LAB 66.68, 20.77, 57.23

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 61 / 0 / 83 / 35

HEX #40A51C

RGB 64 165 28

HSL 104.23, 0.71%, 0.38%

LAB 59.96, -52.63, 56.21

 

CMYK 72 / 83 / 0 / 35

HEX #2E1CA5

RGB 46 28 165

HSL 247.88, 0.71%, 0.38%

LAB 24.09, 49.32, -69.12

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 83 / 0 / 39 / 35

HEX #1CA565

RGB 28 165 101

HSL 151.97, 0.71%, 0.38%

LAB 59.98, -49.79, 23.56

 

CMYK 39 / 83 / 0 / 35

HEX #651CA5

RGB 101 28 165

HSL 271.97, 0.71%, 0.38%

LAB 30.19, 55.67, -58.85

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 61 / 0 / 83 / 35

HEX #40A51C

RGB 64 165 28

HSL 104.23, 0.71%, 0.38%

LAB 59.96, -52.63, 56.21

 

CMYK 83 / 44 / 0 / 35

HEX #1C5CA5

RGB 28 92 165

HSL 211.97, 0.71%, 0.38%

LAB 38.93, 7.62, -44.94

 

CMYK 22 / 83 / 0 / 35

HEX #811CA5

RGB 129 28 165

HSL 284.23, 0.71%, 0.38%

LAB 34.43, 60.22, -51.77

 

CMYK 0 / 38 / 83 / 35

HEX #A5671C

RGB 165 103 28

HSL 32.85, 0.71%, 0.38%

LAB 49.23, 19.05, 49.2

 

CMYK 83 / 0 / 81 / 35

HEX #1CA520

RGB 28 165 32

HSL 121.75, 0.71%, 0.38%

LAB 59.22, -58.93, 54.08

 

CMYK 83 / 44 / 0 / 35

HEX #1C5CA5

RGB 28 92 165

HSL 211.97, 0.71%, 0.38%

LAB 38.93, 7.62, -44.94

 

CMYK 0 / 83 / 2 / 35

HEX #A51CA1

RGB 165 28 161

HSL 301.75, 0.71%, 0.38%

LAB 40.25, 66.22, -39.68

 

Description

Color code: RGB 165 103 28 | qconv.com Color code: RGB 165 103 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 103 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 103 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 83 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 83% 35% C M Y K

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Provide designers and agencies with accurate color values.

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