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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165.1 216.8 96 it is the complementary color RGB 89.9 38.2 159. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165.1 216.8 96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165.1 216.8 96 shade: RGB 170.1 216.8 91, RGB 187.1 234.8 110, RGB 204.1 252.8 129, RGB 221.1 255 148 and RGB 238.1 255 167

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165.1 216.8 96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165.1 216.8 96 shade: RGB 165.1 216.8 96, RGB 148.1 198.8 77, RGB 131.1 180.8 58, RGB 114.1 162.8 39 and RGB 97.1 144.8 20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165.1 216.8 96 shade: RGB 164 216 95, RGB 197 216 95, RGB 216 203 95, RGB 216 170 95 and RGB 216 137 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165.1 216.8 96 shade: RGB 164 216 95, RGB 132 216 95, RGB 99 216 95, RGB 95 216 124 and RGB 95 216 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165.1 216.8 96 shade matches the following richer shades: RGB 164 216 95, RGB 167 232 79 and RGB 169 248 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165.1 216.8 96 shade: RGB 164 216 95, RGB 162 200 111, RGB 160 184 127, RGB 157 168 143 and RGB 155 152 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165.1 216.8 96 shade: RGB 216 202 95, RGB 198 216 95, RGB 166 216 95, RGB 133 216 95 and RGB 101 216 95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165.1 216.8 96 shade: RGB 124 184 45, RGB 145 208 62, RGB 164 216 95, RGB 183 224 128 and RGB 202 232 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165.1 216.8 96 shade: RGB 165.1 216.8 96, RGB 95 216 170 and RGB 216 95 214

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165.1 216.8 96 shade: RGB 165.1 216.8 96, RGB 95 166 216 and RGB 216 95 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165.1 216.8 96 shade: RGB 165.1 216.8 96, RGB 95 216 170, RGB 145 95 216 and RGB 216 95 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165.1 216.8 96 shade: RGB 165.1 216.8 96, RGB 95 216 206, RGB 145 95 216 and RGB 216 95 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 56 / 15

HEX #A5D860

RGB 165.1 216.8 96

HSL 85.68, 0.61%, 0.61%

LAB 80.95, -35.8, 53.28

 

Complementary color

CMYK 43 / 76 / 0 / 38

HEX #59269F

RGB 89.9 38.2 159

HSL 265.68, 0.61%, 0.39%

LAB 29.59, 48.36, -56.26

 

CMYK 22 / 0 / 58 / 15

HEX #AAD85B

RGB 170.1 216.8 91

HSL 82.27, 0.62%, 0.6%

LAB 81.2, -34.39, 55.88

 

CMYK 20 / 0 / 53 / 8

HEX #BBEA6E

RGB 187.1 234.8 110

HSL 82.93, 0.76%, 0.68%

LAB 87.49, -34.57, 54.88

 

CMYK 19 / 0 / 49 / 1

HEX #CCFC81

RGB 204.1 252.8 129

HSL 83.6, 0.97%, 0.75%

LAB 93.69, -34.68, 53.81

 

CMYK 13 / 0 / 42 / 0

HEX #DDFF94

RGB 221.1 255 148

HSL 79.01, 1%, 0.79%

LAB 95.6, -27.46, 47.45

 

CMYK 7 / 0 / 35 / 0

HEX #EEFFA7

RGB 238.1 255 167

HSL 71.52, 1%, 0.83%

LAB 97.03, -19.01, 40.26

 

CMYK 24 / 0 / 56 / 15

HEX #A5D860

RGB 165.1 216.8 96

HSL 85.68, 0.61%, 0.61%

LAB 80.95, -35.8, 53.28

 

CMYK 26 / 0 / 61 / 22

HEX #94C64D

RGB 148.1 198.8 77

HSL 84.98, 0.52%, 0.54%

LAB 74.57, -35.63, 54.21

 

CMYK 27 / 0 / 68 / 29

HEX #83B43A

RGB 131.1 180.8 58

HSL 84.28, 0.51%, 0.47%

LAB 68.1, -35.35, 54.9

 

CMYK 30 / 0 / 76 / 36

HEX #72A227

RGB 114.1 162.8 39

HSL 83.6, 0.61%, 0.4%

LAB 61.53, -34.9, 55.07

 

CMYK 33 / 0 / 86 / 43

HEX #619014

RGB 97.1 144.8 20

HSL 82.93, 0.76%, 0.32%

LAB 54.85, -34.23, 54.26

 

CMYK 24 / 0 / 56 / 15

HEX #A4D85F

RGB 164 216 95

HSL 85.79, 0.61%, 0.61%

LAB 80.64, -35.94, 53.36

 

CMYK 9 / 0 / 56 / 15

HEX #C5D85F

RGB 197 216 95

HSL 69.42, 0.61%, 0.61%

LAB 82.81, -23.23, 56.41

 

CMYK 0 / 6 / 56 / 15

HEX #D8CB5F

RGB 216 203 95

HSL 53.55, 0.61%, 0.61%

LAB 80.81, -9.05, 54.53

 

CMYK 0 / 21 / 56 / 15

HEX #D8AA5F

RGB 216 170 95

HSL 37.19, 0.61%, 0.61%

LAB 72.35, 8.2, 44.64

 

CMYK 0 / 37 / 56 / 15

HEX #D8895F

RGB 216 137 95

HSL 20.83, 0.61%, 0.61%

LAB 64.42, 25.97, 34.93

 

CMYK 24 / 0 / 56 / 15

HEX #A4D85F

RGB 164 216 95

HSL 85.79, 0.61%, 0.61%

LAB 80.64, -35.94, 53.36

 

CMYK 39 / 0 / 56 / 15

HEX #84D85F

RGB 132 216 95

HSL 101.65, 0.61%, 0.61%

LAB 78.95, -47.05, 50.96

 

CMYK 54 / 0 / 56 / 15

HEX #63D85F

RGB 99 216 95

HSL 118.02, 0.61%, 0.61%

LAB 77.63, -56.6, 49.08

 

CMYK 56 / 0 / 43 / 15

HEX #5FD87C

RGB 95 216 124

HSL 134.38, 0.61%, 0.61%

LAB 77.87, -53.52, 35.33

 

CMYK 56 / 0 / 28 / 15

HEX #5FD89C

RGB 95 216 156

HSL 150.25, 0.61%, 0.61%

LAB 78.43, -47.7, 19.56

 

CMYK 24 / 0 / 56 / 15

HEX #A4D85F

RGB 164 216 95

HSL 85.79, 0.61%, 0.61%

LAB 80.64, -35.94, 53.36

 

CMYK 28 / 0 / 66 / 9

HEX #A7E84F

RGB 167 232 79

HSL 85.49, 0.77%, 0.61%

LAB 85.25, -43.27, 65.21

 

CMYK 32 / 0 / 75 / 3

HEX #A9F83F

RGB 169 248 63

HSL 85.62, 0.93%, 0.61%

LAB 89.83, -50.31, 75.45

 

CMYK 24 / 0 / 56 / 15

HEX #A4D85F

RGB 164 216 95

HSL 85.79, 0.61%, 0.61%

LAB 80.64, -35.94, 53.36

 

CMYK 19 / 0 / 45 / 22

HEX #A2C86F

RGB 162 200 111

HSL 85.62, 0.45%, 0.61%

LAB 76.15, -27.51, 40.31

 

CMYK 13 / 0 / 31 / 28

HEX #A0B87F

RGB 160 184 127

HSL 85.26, 0.29%, 0.61%

LAB 71.75, -18.26, 26.32

 

CMYK 7 / 0 / 15 / 34

HEX #9DA88F

RGB 157 168 143

HSL 86.4, 0.13%, 0.61%

LAB 67.39, -8.52, 11.61

 

CMYK 3 / 4 / 0 / 38

HEX #9B989F

RGB 155 152 159

HSL 265.71, 0.04%, 0.61%

LAB 63.28, 2.45, -3.28

 

CMYK 0 / 6 / 56 / 15

HEX #D8CA5F

RGB 216 202 95

HSL 53.06, 0.61%, 0.61%

LAB 80.55, -8.54, 54.23

 

CMYK 8 / 0 / 56 / 15

HEX #C6D85F

RGB 198 216 95

HSL 68.93, 0.61%, 0.61%

LAB 82.88, -22.84, 56.51

 

CMYK 23 / 0 / 56 / 15

HEX #A6D85F

RGB 166 216 95

HSL 84.79, 0.61%, 0.61%

LAB 80.76, -35.2, 53.53

 

CMYK 38 / 0 / 56 / 15

HEX #85D85F

RGB 133 216 95

HSL 101.16, 0.61%, 0.61%

LAB 79, -46.73, 51.03

 

CMYK 53 / 0 / 56 / 15

HEX #65D85F

RGB 101 216 95

HSL 117.02, 0.61%, 0.61%

LAB 77.7, -56.09, 49.18

 

CMYK 33 / 0 / 76 / 28

HEX #7CB82D

RGB 124 184 45

HSL 85.9, 0.61%, 0.45%

LAB 68.57, -40.27, 60.02

 

CMYK 30 / 0 / 70 / 18

HEX #91D03E

RGB 145 208 62

HSL 85.89, 0.61%, 0.53%

LAB 76.97, -41.99, 62.72

 

CMYK 24 / 0 / 56 / 15

HEX #A4D85F

RGB 164 216 95

HSL 85.79, 0.61%, 0.61%

LAB 80.64, -35.94, 53.36

 

CMYK 18 / 0 / 43 / 12

HEX #B7E080

RGB 183 224 128

HSL 85.63, 0.61%, 0.69%

LAB 84.45, -29.14, 42.59

 

CMYK 13 / 0 / 31 / 9

HEX #CAE8A1

RGB 202 232 161

HSL 85.35, 0.61%, 0.77%

LAB 88.37, -21.81, 31.38

 

CMYK 24 / 0 / 56 / 15

HEX #A5D860

RGB 165.1 216.8 96

HSL 85.68, 0.61%, 0.61%

LAB 80.95, -35.8, 53.28

 

CMYK 56 / 0 / 21 / 15

HEX #5FD8AA

RGB 95 216 170

HSL 157.19, 0.61%, 0.61%

LAB 78.72, -44.75, 12.58

 

CMYK 0 / 56 / 1 / 15

HEX #D85FD6

RGB 216 95 214

HSL 300.99, 0.61%, 0.61%

LAB 59.56, 62.7, -39.5

 

CMYK 24 / 0 / 56 / 15

HEX #A5D860

RGB 165.1 216.8 96

HSL 85.68, 0.61%, 0.61%

LAB 80.95, -35.8, 53.28

 

CMYK 56 / 23 / 0 / 15

HEX #5FA6D8

RGB 95 166 216

HSL 204.79, 0.61%, 0.61%

LAB 65.49, -7.98, -32.15

 

CMYK 0 / 56 / 23 / 15

HEX #D85FA6

RGB 216 95 166

HSL 324.79, 0.61%, 0.61%

LAB 57.59, 55.26, -15.07

 

CMYK 24 / 0 / 56 / 15

HEX #A5D860

RGB 165.1 216.8 96

HSL 85.68, 0.61%, 0.61%

LAB 80.95, -35.8, 53.28

 

CMYK 56 / 0 / 21 / 15

HEX #5FD8AA

RGB 95 216 170

HSL 157.19, 0.61%, 0.61%

LAB 78.72, -44.75, 12.58

 

CMYK 33 / 56 / 0 / 15

HEX #915FD8

RGB 145 95 216

HSL 264.79, 0.61%, 0.61%

LAB 50.88, 45.08, -54.96

 

CMYK 0 / 56 / 35 / 15

HEX #D85F8D

RGB 216 95 141

HSL 337.19, 0.61%, 0.61%

LAB 56.79, 52.06, -1.7

 

CMYK 24 / 0 / 56 / 15

HEX #A5D860

RGB 165.1 216.8 96

HSL 85.68, 0.61%, 0.61%

LAB 80.95, -35.8, 53.28

 

CMYK 56 / 0 / 5 / 15

HEX #5FD8CE

RGB 95 216 206

HSL 175.04, 0.61%, 0.61%

LAB 79.61, -36.14, -5.32

 

CMYK 33 / 56 / 0 / 15

HEX #915FD8

RGB 145 95 216

HSL 264.79, 0.61%, 0.61%

LAB 50.88, 45.08, -54.96

 

CMYK 0 / 56 / 51 / 15

HEX #D85F69

RGB 216 95 105

HSL 355.04, 0.61%, 0.61%

LAB 55.89, 48.38, 18.15

 

Description

Color code: RGB 165.1 216.8 96 | qconv.com Color code: RGB 165.1 216.8 96 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165.1 red, 216.8 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165.1 216.8 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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