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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 165.1 162 166 it is the complementary color RGB 89.9 93 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 165.1 162 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 165.1 162 166 shade: RGB 170.1 162 161, RGB 187.1 180 180, RGB 204.1 198 199, RGB 221.1 216 218 and RGB 238.1 234 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 165.1 162 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 165.1 162 166 shade: RGB 165.1 162 166, RGB 148.1 144 147, RGB 131.1 126 128, RGB 114.1 108 109 and RGB 97.1 90 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 165.1 162 166 shade: RGB 164 161 165, RGB 165 161 165, RGB 165 161 164, RGB 165 161 163 and RGB 165 161 162

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 165.1 162 166 shade: RGB 164 161 165, RGB 163 161 165, RGB 162 161 165 and RGB 161 161 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 165.1 162 166 shade matches the following richer shades: RGB 164 161 165, RGB 172 147 180, RGB 181 132 195, RGB 189 117 210 and RGB 197 102 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 165.1 162 166 shade: RGB 164 161 165, RGB 156 176 150, RGB 148 191 135, RGB 140 206 120 and RGB 132 221 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 165.1 162 166 shade: RGB 162 161 165, RGB 163 161 165, RGB 164 161 165, RGB 165 161 165 and RGB 165 161 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 165.1 162 166 shade: RGB 123 120 124, RGB 144 140 145, RGB 164 161 165, RGB 185 182 185 and RGB 205 203 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 165.1 162 166 shade: RGB 165.1 162 166, RGB 165 161 161 and RGB 161 165 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 165.1 162 166 shade: RGB 165.1 162 166, RGB 165 164 161 and RGB 161 165 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 165.1 162 166 shade: RGB 165.1 162 166, RGB 165 161 161, RGB 162 165 161 and RGB 161 165 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 165.1 162 166 shade: RGB 165.1 162 166, RGB 165 162 161, RGB 162 165 161 and RGB 161 164 165

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 2 / 0 / 35

HEX #A5A2A6

RGB 165.1 162 166

HSL 286.5, 0.02%, 0.64%

LAB 66.98, 1.88, -1.68

 

Complementary color

CMYK 3 / 0 / 4 / 64

HEX #595D59

RGB 89.9 93 89

HSL 106.5, 0.02%, 0.36%

LAB 39.1, -2.07, 1.86

 

CMYK 0 / 5 / 5 / 33

HEX #AAA2A1

RGB 170.1 162 161

HSL 6.59, 0.05%, 0.65%

LAB 67.26, 2.75, 1.56

 

CMYK 0 / 4 / 4 / 27

HEX #BBB4B4

RGB 187.1 180 180

HSL 0, 0.05%, 0.72%

LAB 73.88, 2.51, 0.89

 

CMYK 0 / 3 / 2 / 20

HEX #CCC6C7

RGB 204.1 198 199

HSL 350.16, 0.06%, 0.79%

LAB 80.38, 2.3, 0.24

 

CMYK 0 / 2 / 1 / 13

HEX #DDD8DA

RGB 221.1 216 218

HSL 336.47, 0.07%, 0.86%

LAB 86.78, 2.1, -0.37

 

CMYK 0 / 2 / 0 / 7

HEX #EEEAED

RGB 238.1 234 237

HSL 316.1, 0.11%, 0.93%

LAB 93.08, 1.91, -0.97

 

CMYK 1 / 2 / 0 / 35

HEX #A5A2A6

RGB 165.1 162 166

HSL 286.5, 0.02%, 0.64%

LAB 66.98, 1.88, -1.68

 

CMYK 0 / 3 / 1 / 42

HEX #949093

RGB 148.1 144 147

HSL 316.1, 0.02%, 0.57%

LAB 60.21, 2.09, -1.06

 

CMYK 0 / 4 / 2 / 49

HEX #837E80

RGB 131.1 126 128

HSL 336.47, 0.02%, 0.5%

LAB 53.29, 2.32, -0.4

 

CMYK 0 / 5 / 4 / 55

HEX #726C6D

RGB 114.1 108 109

HSL 350.16, 0.03%, 0.44%

LAB 46.2, 2.57, 0.29

 

CMYK 0 / 7 / 7 / 62

HEX #615A5A

RGB 97.1 90 90

HSL 0, 0.04%, 0.37%

LAB 38.89, 2.86, 1.02

 

CMYK 1 / 2 / 0 / 35

HEX #A4A1A5

RGB 164 161 165

HSL 285, 0.02%, 0.64%

LAB 66.6, 1.84, -1.7

 

CMYK 0 / 2 / 0 / 35

HEX #A5A1A5

RGB 165 161 165

HSL 300, 0.02%, 0.64%

LAB 66.68, 2.2, -1.57

 

CMYK 0 / 2 / 1 / 35

HEX #A5A1A4

RGB 165 161 164

HSL 315, 0.02%, 0.64%

LAB 66.65, 2.01, -1.05

 

CMYK 0 / 2 / 1 / 35

HEX #A5A1A3

RGB 165 161 163

HSL 330, 0.02%, 0.64%

LAB 66.62, 1.82, -0.53

 

CMYK 0 / 2 / 2 / 35

HEX #A5A1A2

RGB 165 161 162

HSL 345, 0.02%, 0.64%

LAB 66.59, 1.63, -0.01

 

CMYK 1 / 2 / 0 / 35

HEX #A4A1A5

RGB 164 161 165

HSL 285, 0.02%, 0.64%

LAB 66.6, 1.84, -1.7

 

CMYK 1 / 2 / 0 / 35

HEX #A3A1A5

RGB 163 161 165

HSL 270, 0.02%, 0.64%

LAB 66.51, 1.49, -1.83

 

CMYK 2 / 2 / 0 / 35

HEX #A2A1A5

RGB 162 161 165

HSL 255, 0.02%, 0.64%

LAB 66.43, 1.13, -1.95

 

CMYK 2 / 2 / 0 / 35

HEX #A1A1A5

RGB 161 161 165

HSL 240, 0.02%, 0.64%

LAB 66.35, 0.78, -2.08

 

CMYK 1 / 2 / 0 / 35

HEX #A4A1A5

RGB 164 161 165

HSL 285, 0.02%, 0.64%

LAB 66.6, 1.84, -1.7

 

CMYK 4 / 18 / 0 / 29

HEX #AC93B4

RGB 172 147 180

HSL 285.45, 0.18%, 0.64%

LAB 64.11, 15.42, -13.73

 

CMYK 7 / 32 / 0 / 24

HEX #B584C3

RGB 181 132 195

HSL 286.67, 0.34%, 0.64%

LAB 61.88, 29.9, -25.49

 

CMYK 10 / 44 / 0 / 18

HEX #BD75D2

RGB 189 117 210

HSL 286.45, 0.51%, 0.64%

LAB 60.06, 43.62, -36.7

 

CMYK 12 / 54 / 0 / 12

HEX #C566E0

RGB 197 102 224

HSL 286.72, 0.66%, 0.64%

LAB 58.75, 56.32, -46.58

 

CMYK 1 / 2 / 0 / 35

HEX #A4A1A5

RGB 164 161 165

HSL 285, 0.02%, 0.64%

LAB 66.6, 1.84, -1.7

 

CMYK 11 / 0 / 15 / 31

HEX #9CB096

RGB 156 176 150

HSL 106.15, 0.14%, 0.64%

LAB 69.7, -11.89, 11

 

CMYK 23 / 0 / 29 / 25

HEX #94BF87

RGB 148 191 135

HSL 106.07, 0.3%, 0.64%

LAB 73.09, -24.9, 23.74

 

CMYK 32 / 0 / 42 / 19

HEX #8CCE78

RGB 140 206 120

HSL 106.05, 0.47%, 0.64%

LAB 76.72, -36.98, 36.24

 

CMYK 40 / 0 / 52 / 13

HEX #84DD6A

RGB 132 221 106

HSL 106.43, 0.63%, 0.64%

LAB 80.55, -47.9, 47.76

 

CMYK 2 / 2 / 0 / 35

HEX #A2A1A5

RGB 162 161 165

HSL 255, 0.02%, 0.64%

LAB 66.43, 1.13, -1.95

 

CMYK 1 / 2 / 0 / 35

HEX #A3A1A5

RGB 163 161 165

HSL 270, 0.02%, 0.64%

LAB 66.51, 1.49, -1.83

 

CMYK 1 / 2 / 0 / 35

HEX #A4A1A5

RGB 164 161 165

HSL 285, 0.02%, 0.64%

LAB 66.6, 1.84, -1.7

 

CMYK 0 / 2 / 0 / 35

HEX #A5A1A5

RGB 165 161 165

HSL 300, 0.02%, 0.64%

LAB 66.68, 2.2, -1.57

 

CMYK 0 / 2 / 1 / 35

HEX #A5A1A4

RGB 165 161 164

HSL 315, 0.02%, 0.64%

LAB 66.65, 2.01, -1.05

 

CMYK 1 / 3 / 0 / 51

HEX #7B787C

RGB 123 120 124

HSL 285, 0.02%, 0.48%

LAB 50.8, 1.94, -1.79

 

CMYK 1 / 3 / 0 / 43

HEX #908C91

RGB 144 140 145

HSL 288, 0.02%, 0.56%

LAB 58.72, 2.45, -2.14

 

CMYK 1 / 2 / 0 / 35

HEX #A4A1A5

RGB 164 161 165

HSL 285, 0.02%, 0.64%

LAB 66.6, 1.84, -1.7

 

CMYK 0 / 2 / 0 / 27

HEX #B9B6B9

RGB 185 182 185

HSL 300, 0.02%, 0.72%

LAB 74.36, 1.61, -1.16

 

CMYK 0 / 1 / 0 / 20

HEX #CDCBCD

RGB 205 203 205

HSL 300, 0.02%, 0.8%

LAB 81.89, 1.06, -0.76

 

CMYK 1 / 2 / 0 / 35

HEX #A5A2A6

RGB 165.1 162 166

HSL 286.5, 0.02%, 0.64%

LAB 66.98, 1.88, -1.68

 

CMYK 0 / 2 / 2 / 35

HEX #A5A1A1

RGB 165 161 161

HSL 0, 0.02%, 0.64%

LAB 66.57, 1.44, 0.5

 

CMYK 2 / 0 / 1 / 35

HEX #A1A5A3

RGB 161 165 163

HSL 150, 0.02%, 0.64%

LAB 67.38, -1.8, 0.53

 

CMYK 1 / 2 / 0 / 35

HEX #A5A2A6

RGB 165.1 162 166

HSL 286.5, 0.02%, 0.64%

LAB 66.98, 1.88, -1.68

 

CMYK 0 / 1 / 2 / 35

HEX #A5A4A1

RGB 165 164 161

HSL 45, 0.02%, 0.64%

LAB 67.37, -0.2, 1.67

 

CMYK 2 / 0 / 1 / 35

HEX #A1A5A4

RGB 161 165 164

HSL 165, 0.02%, 0.64%

LAB 67.4, -1.61, 0.01

 

CMYK 1 / 2 / 0 / 35

HEX #A5A2A6

RGB 165.1 162 166

HSL 286.5, 0.02%, 0.64%

LAB 66.98, 1.88, -1.68

 

CMYK 0 / 2 / 2 / 35

HEX #A5A1A1

RGB 165 161 161

HSL 0, 0.02%, 0.64%

LAB 66.57, 1.44, 0.5

 

CMYK 2 / 0 / 2 / 35

HEX #A2A5A1

RGB 162 165 161

HSL 105, 0.02%, 0.64%

LAB 67.4, -1.83, 1.69

 

CMYK 2 / 0 / 0 / 35

HEX #A1A5A5

RGB 161 165 165

HSL 180, 0.02%, 0.64%

LAB 67.43, -1.42, -0.5

 

CMYK 1 / 2 / 0 / 35

HEX #A5A2A6

RGB 165.1 162 166

HSL 286.5, 0.02%, 0.64%

LAB 66.98, 1.88, -1.68

 

CMYK 0 / 2 / 2 / 35

HEX #A5A2A1

RGB 165 162 161

HSL 15, 0.02%, 0.64%

LAB 66.83, 0.89, 0.89

 

CMYK 2 / 0 / 2 / 35

HEX #A2A5A1

RGB 162 165 161

HSL 105, 0.02%, 0.64%

LAB 67.4, -1.83, 1.69

 

CMYK 2 / 1 / 0 / 35

HEX #A1A4A5

RGB 161 164 165

HSL 195, 0.02%, 0.64%

LAB 67.16, -0.87, -0.9

 

Description

Color code: RGB 165.1 162 166 | qconv.com Color code: RGB 165.1 162 166 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165.1 red, 162 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165.1 162 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 2 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 2% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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