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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 60 194 it is the complementary color RGB 91 195 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 60 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 60 194 shade: RGB 169 60 189, RGB 186 78 208, RGB 203 96 227, RGB 220 114 246 and RGB 237 132 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 60 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 60 194 shade: RGB 164 60 194, RGB 147 42 175, RGB 130 24 156, RGB 113 6 137 and RGB 96 0 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 60 194 shade: RGB 165 60 195, RGB 195 60 189, RGB 195 60 152, RGB 195 60 116 and RGB 195 60 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 60 194 shade: RGB 165 60 195, RGB 128 60 195, RGB 92 60 195 and RGB 60 60 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 60 194 shade matches the following richer shades: RGB 165 60 195, RGB 176 39 216 and RGB 188 19 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 60 194 shade: RGB 165 60 195, RGB 153 81 174, RGB 142 101 154, RGB 131 122 133 and RGB 119 142 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 60 194 shade: RGB 91 60 195, RGB 128 60 195, RGB 164 60 195, RGB 195 60 191 and RGB 195 60 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 60 194 shade: RGB 111 41 132, RGB 138 50 164, RGB 165 60 195, RGB 179 91 205 and RGB 194 123 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 60 194 shade: RGB 164 60 194, RGB 195 60 64 and RGB 60 195 109

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 60 194 shade: RGB 164 60 194, RGB 195 164 60 and RGB 60 195 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 60 194 shade: RGB 164 60 194, RGB 195 60 64, RGB 91 195 60 and RGB 60 195 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 60 194 shade: RGB 164 60 194, RGB 195 96 60, RGB 91 195 60 and RGB 60 159 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 69 / 0 / 24

HEX #A43CC2

RGB 164 60 194

HSL 286.57, 0.53%, 0.5%

LAB 45.66, 61.53, -50.55

 

Complementary color

CMYK 53 / 0 / 69 / 24

HEX #5BC33D

RGB 91 195 61

HSL 106.57, 0.53%, 0.5%

LAB 70.59, -54.27, 55.74

 

CMYK 11 / 68 / 0 / 26

HEX #A93CBD

RGB 169 60 189

HSL 290.7, 0.52%, 0.49%

LAB 46.1, 61.68, -46.9

 

CMYK 11 / 63 / 0 / 18

HEX #BA4ED0

RGB 186 78 208

HSL 289.85, 0.58%, 0.56%

LAB 52.33, 61.64, -47.78

 

CMYK 11 / 58 / 0 / 11

HEX #CB60E3

RGB 203 96 227

HSL 289.01, 0.7%, 0.63%

LAB 58.61, 61.28, -48.43

 

CMYK 11 / 54 / 0 / 4

HEX #DC72F6

RGB 220 114 246

HSL 288.18, 0.88%, 0.71%

LAB 64.89, 60.73, -48.92

 

CMYK 7 / 48 / 0 / 0

HEX #ED84FF

RGB 237 132 255

HSL 291.22, 1%, 0.76%

LAB 70.68, 58.19, -44.59

 

CMYK 15 / 69 / 0 / 24

HEX #A43CC2

RGB 164 60 194

HSL 286.57, 0.53%, 0.5%

LAB 45.66, 61.53, -50.55

 

CMYK 16 / 76 / 0 / 31

HEX #932AAF

RGB 147 42 175

HSL 287.37, 0.61%, 0.43%

LAB 39.5, 61.09, -49.41

 

CMYK 17 / 85 / 0 / 39

HEX #82189C

RGB 130 24 156

HSL 288.18, 0.73%, 0.35%

LAB 33.56, 59.74, -47.71

 

CMYK 18 / 96 / 0 / 46

HEX #710689

RGB 113 6 137

HSL 289.01, 0.92%, 0.28%

LAB 27.97, 56.98, -45.2

 

CMYK 19 / 100 / 0 / 54

HEX #600076

RGB 96 0 118

HSL 288.81, 1%, 0.23%

LAB 22.98, 51.95, -41.42

 

CMYK 15 / 69 / 0 / 24

HEX #A53CC3

RGB 165 60 195

HSL 286.67, 0.53%, 0.5%

LAB 45.87, 61.94, -50.79

 

CMYK 0 / 69 / 3 / 24

HEX #C33CBD

RGB 195 60 189

HSL 302.67, 0.53%, 0.5%

LAB 50.11, 67.57, -40.28

 

CMYK 0 / 69 / 22 / 24

HEX #C33C98

RGB 195 60 152

HSL 319.11, 0.53%, 0.5%

LAB 48.39, 62.1, -21.18

 

CMYK 0 / 69 / 41 / 24

HEX #C33C74

RGB 195 60 116

HSL 335.11, 0.53%, 0.5%

LAB 47.1, 57.82, -1.36

 

CMYK 0 / 69 / 59 / 24

HEX #C33C50

RGB 195 60 80

HSL 351.11, 0.53%, 0.5%

LAB 46.19, 54.69, 19.42

 

CMYK 15 / 69 / 0 / 24

HEX #A53CC3

RGB 165 60 195

HSL 286.67, 0.53%, 0.5%

LAB 45.87, 61.94, -50.79

 

CMYK 34 / 69 / 0 / 24

HEX #803CC3

RGB 128 60 195

HSL 270.22, 0.53%, 0.5%

LAB 40.83, 54.24, -59.17

 

CMYK 53 / 69 / 0 / 24

HEX #5C3CC3

RGB 92 60 195

HSL 254.22, 0.53%, 0.5%

LAB 36.83, 47.66, -65.86

 

CMYK 69 / 69 / 0 / 24

HEX #3C3CC3

RGB 60 60 195

HSL 240, 0.53%, 0.5%

LAB 34.26, 43.15, -70.18

 

CMYK 15 / 69 / 0 / 24

HEX #A53CC3

RGB 165 60 195

HSL 286.67, 0.53%, 0.5%

LAB 45.87, 61.94, -50.79

 

CMYK 19 / 82 / 0 / 15

HEX #B027D8

RGB 176 39 216

HSL 286.44, 0.69%, 0.5%

LAB 46.5, 74.88, -61.81

 

CMYK 20 / 92 / 0 / 7

HEX #BC13EC

RGB 188 19 236

HSL 286.73, 0.85%, 0.5%

LAB 48.53, 84, -69.8

 

CMYK 15 / 69 / 0 / 24

HEX #A53CC3

RGB 165 60 195

HSL 286.67, 0.53%, 0.5%

LAB 45.87, 61.94, -50.79

 

CMYK 12 / 53 / 0 / 32

HEX #9951AE

RGB 153 81 174

HSL 286.45, 0.36%, 0.5%

LAB 46.6, 44.98, -37.46

 

CMYK 8 / 34 / 0 / 40

HEX #8E659A

RGB 142 101 154

HSL 286.42, 0.21%, 0.5%

LAB 48.75, 26.23, -22.42

 

CMYK 2 / 8 / 0 / 48

HEX #837A85

RGB 131 122 133

HSL 289.09, 0.04%, 0.5%

LAB 52.33, 5.59, -4.74

 

CMYK 16 / 0 / 20 / 44

HEX #778E71

RGB 119 142 113

HSL 107.59, 0.11%, 0.5%

LAB 56.55, -14.01, 12.78

 

CMYK 53 / 69 / 0 / 24

HEX #5B3CC3

RGB 91 60 195

HSL 253.78, 0.53%, 0.5%

LAB 36.74, 47.5, -66.02

 

CMYK 34 / 69 / 0 / 24

HEX #803CC3

RGB 128 60 195

HSL 270.22, 0.53%, 0.5%

LAB 40.83, 54.24, -59.17

 

CMYK 16 / 69 / 0 / 24

HEX #A43CC3

RGB 164 60 195

HSL 286.22, 0.53%, 0.5%

LAB 45.72, 61.73, -51.03

 

CMYK 0 / 69 / 2 / 24

HEX #C33CBF

RGB 195 60 191

HSL 301.78, 0.53%, 0.5%

LAB 50.21, 67.89, -41.28

 

CMYK 0 / 69 / 21 / 24

HEX #C33C9B

RGB 195 60 155

HSL 317.78, 0.53%, 0.5%

LAB 48.51, 62.51, -22.77

 

CMYK 16 / 69 / 0 / 48

HEX #6F2984

RGB 111 41 132

HSL 286.15, 0.53%, 0.34%

LAB 30.95, 45.01, -37.29

 

CMYK 16 / 70 / 0 / 36

HEX #8A32A4

RGB 138 50 164

HSL 286.32, 0.53%, 0.42%

LAB 38.49, 53.97, -44.55

 

CMYK 15 / 69 / 0 / 24

HEX #A53CC3

RGB 165 60 195

HSL 286.67, 0.53%, 0.5%

LAB 45.87, 61.94, -50.79

 

CMYK 13 / 56 / 0 / 20

HEX #B35BCD

RGB 179 91 205

HSL 286.32, 0.53%, 0.58%

LAB 53.46, 53.25, -44.33

 

CMYK 9 / 43 / 0 / 16

HEX #C27BD6

RGB 194 123 214

HSL 286.81, 0.53%, 0.66%

LAB 62.07, 42.7, -35.77

 

CMYK 15 / 69 / 0 / 24

HEX #A43CC2

RGB 164 60 194

HSL 286.57, 0.53%, 0.5%

LAB 45.66, 61.53, -50.55

 

CMYK 0 / 69 / 67 / 24

HEX #C33C40

RGB 195 60 64

HSL 358.22, 0.53%, 0.5%

LAB 45.91, 53.7, 28.72

 

CMYK 69 / 0 / 44 / 24

HEX #3CC36D

RGB 60 195 109

HSL 141.78, 0.53%, 0.5%

LAB 70.24, -55.1, 32.91

 

CMYK 15 / 69 / 0 / 24

HEX #A43CC2

RGB 164 60 194

HSL 286.57, 0.53%, 0.5%

LAB 45.66, 61.53, -50.55

 

CMYK 0 / 16 / 69 / 24

HEX #C3A43C

RGB 195 164 60

HSL 46.22, 0.53%, 0.5%

LAB 68.37, 0.08, 55.92

 

CMYK 69 / 0 / 16 / 24

HEX #3CC3A4

RGB 60 195 164

HSL 166.22, 0.53%, 0.5%

LAB 71.33, -43.42, 5.12

 

CMYK 15 / 69 / 0 / 24

HEX #A43CC2

RGB 164 60 194

HSL 286.57, 0.53%, 0.5%

LAB 45.66, 61.53, -50.55

 

CMYK 0 / 69 / 67 / 24

HEX #C33C40

RGB 195 60 64

HSL 358.22, 0.53%, 0.5%

LAB 45.91, 53.7, 28.72

 

CMYK 53 / 0 / 69 / 24

HEX #5BC33C

RGB 91 195 60

HSL 106.22, 0.53%, 0.5%

LAB 70.58, -54.36, 56.12

 

CMYK 69 / 0 / 2 / 24

HEX #3CC3BF

RGB 60 195 191

HSL 178.22, 0.53%, 0.5%

LAB 72.06, -36.21, -8.52

 

CMYK 15 / 69 / 0 / 24

HEX #A43CC2

RGB 164 60 194

HSL 286.57, 0.53%, 0.5%

LAB 45.66, 61.53, -50.55

 

CMYK 0 / 51 / 69 / 24

HEX #C3603C

RGB 195 96 60

HSL 16, 0.53%, 0.5%

LAB 52.17, 36.89, 38.41

 

CMYK 53 / 0 / 69 / 24

HEX #5BC33C

RGB 91 195 60

HSL 106.22, 0.53%, 0.5%

LAB 70.58, -54.36, 56.12

 

CMYK 69 / 18 / 0 / 24

HEX #3C9FC3

RGB 60 159 195

HSL 196, 0.53%, 0.5%

LAB 61.39, -17.07, -26.89

 

Description

Color code: RGB 164 60 194 | qconv.com Color code: RGB 164 60 194 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 60 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 60 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 69 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 69% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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