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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 37 124 it is the complementary color RGB 91 218 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 37 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 37 124 shade: RGB 169 37 119, RGB 186 55 138, RGB 203 73 157, RGB 220 91 176 and RGB 237 109 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 37 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 37 124 shade: RGB 164 37 124, RGB 147 19 105, RGB 130 1 86, RGB 113 0 67 and RGB 96 0 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 37 124 shade: RGB 162 37 123, RGB 162 37 89, RGB 162 37 55 and RGB 162 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 37 124 shade: RGB 162 37 123, RGB 162 37 156, RGB 134 37 162, RGB 100 37 162 and RGB 66 37 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 37 124 shade matches the following richer shades: RGB 162 37 123, RGB 178 21 129 and RGB 194 5 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 37 124 shade: RGB 162 37 123, RGB 146 53 117, RGB 130 69 111, RGB 114 85 105 and RGB 98 101 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 37 124 shade: RGB 133 37 162, RGB 162 37 158, RGB 162 37 125, RGB 162 37 91 and RGB 162 37 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 37 124 shade: RGB 95 22 72, RGB 128 29 97, RGB 162 37 123, RGB 196 44 148 and RGB 213 69 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 37 124 shade: RGB 164 37 124, RGB 162 99 37 and RGB 37 162 150

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 37 124 shade: RGB 164 37 124, RGB 125 162 37 and RGB 37 125 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 37 124 shade: RGB 164 37 124, RGB 162 99 37, RGB 37 162 74 and RGB 37 99 162

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 37 124 shade: RGB 164 37 124, RGB 162 137 37, RGB 37 162 74 and RGB 37 62 162

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 24 / 36

HEX #A4257C

RGB 164 37 124

HSL 318.9, 0.63%, 0.39%

LAB 39.02, 58.29, -19.01

 

Complementary color

CMYK 58 / 0 / 40 / 15

HEX #5BDA83

RGB 91 218 131

HSL 138.9, 0.63%, 0.61%

LAB 78.47, -54.05, 32.54

 

CMYK 0 / 78 / 30 / 34

HEX #A92577

RGB 169 37 119

HSL 322.73, 0.64%, 0.4%

LAB 39.73, 58.91, -14.72

 

CMYK 0 / 70 / 26 / 27

HEX #BA378A

RGB 186 55 138

HSL 321.98, 0.54%, 0.47%

LAB 45.64, 59.72, -17.1

 

CMYK 0 / 64 / 23 / 20

HEX #CB499D

RGB 203 73 157

HSL 321.23, 0.56%, 0.54%

LAB 51.72, 59.87, -18.92

 

CMYK 0 / 59 / 20 / 14

HEX #DC5BB0

RGB 220 91 176

HSL 320.47, 0.65%, 0.61%

LAB 57.88, 59.64, -20.37

 

CMYK 0 / 54 / 18 / 7

HEX #ED6DC3

RGB 237 109 195

HSL 319.69, 0.78%, 0.68%

LAB 64.07, 59.17, -21.55

 

CMYK 0 / 77 / 24 / 36

HEX #A4257C

RGB 164 37 124

HSL 318.9, 0.63%, 0.39%

LAB 39.02, 58.29, -19.01

 

CMYK 0 / 87 / 29 / 42

HEX #931369

RGB 147 19 105

HSL 319.69, 0.77%, 0.33%

LAB 33.33, 56.48, -16.06

 

CMYK 0 / 99 / 34 / 49

HEX #820156

RGB 130 1 86

HSL 320.47, 0.98%, 0.26%

LAB 27.95, 53.45, -12.24

 

CMYK 0 / 100 / 41 / 56

HEX #710043

RGB 113 0 67

HSL 324.42, 1%, 0.22%

LAB 23.39, 47.7, -6.7

 

CMYK 0 / 100 / 50 / 62

HEX #600030

RGB 96 0 48

HSL 330, 1%, 0.19%

LAB 18.8, 41.7, -0.64

 

CMYK 0 / 77 / 24 / 36

HEX #A2257B

RGB 162 37 123

HSL 318.72, 0.63%, 0.39%

LAB 38.61, 57.66, -19.05

 

CMYK 0 / 77 / 45 / 36

HEX #A22559

RGB 162 37 89

HSL 335.04, 0.63%, 0.39%

LAB 37.35, 53.78, 0.51

 

CMYK 0 / 77 / 66 / 36

HEX #A22537

RGB 162 37 55

HSL 351.36, 0.63%, 0.39%

LAB 36.52, 51.14, 21.15

 

CMYK 0 / 77 / 77 / 36

HEX #A22525

RGB 162 37 37

HSL 0, 0.63%, 0.39%

LAB 36.25, 50.27, 31.93

 

CMYK 0 / 77 / 24 / 36

HEX #A2257B

RGB 162 37 123

HSL 318.72, 0.63%, 0.39%

LAB 38.61, 57.66, -19.05

 

CMYK 0 / 77 / 4 / 36

HEX #A2259C

RGB 162 37 156

HSL 302.88, 0.63%, 0.39%

LAB 40.25, 62.47, -36.69

 

CMYK 17 / 77 / 0 / 36

HEX #8625A2

RGB 134 37 162

HSL 286.56, 0.63%, 0.39%

LAB 35.98, 57.72, -47.41

 

CMYK 38 / 77 / 0 / 36

HEX #6425A2

RGB 100 37 162

HSL 270.24, 0.63%, 0.39%

LAB 30.98, 51.37, -55.76

 

CMYK 59 / 77 / 0 / 36

HEX #4225A2

RGB 66 37 162

HSL 253.92, 0.63%, 0.39%

LAB 26.99, 46.17, -62.45

 

CMYK 0 / 77 / 24 / 36

HEX #A2257B

RGB 162 37 123

HSL 318.72, 0.63%, 0.39%

LAB 38.61, 57.66, -19.05

 

CMYK 0 / 88 / 28 / 30

HEX #B21581

RGB 178 21 129

HSL 318.73, 0.79%, 0.39%

LAB 40.55, 65.96, -19.53

 

CMYK 0 / 97 / 30 / 24

HEX #C20587

RGB 194 5 135

HSL 318.73, 0.95%, 0.39%

LAB 43.25, 71.97, -18.8

 

CMYK 0 / 77 / 24 / 36

HEX #A2257B

RGB 162 37 123

HSL 318.72, 0.63%, 0.39%

LAB 38.61, 57.66, -19.05

 

CMYK 0 / 64 / 20 / 43

HEX #923575

RGB 146 53 117

HSL 318.71, 0.47%, 0.39%

LAB 37.74, 46.38, -16.89

 

CMYK 0 / 47 / 15 / 49

HEX #82456F

RGB 130 69 111

HSL 318.69, 0.31%, 0.39%

LAB 38.11, 32.1, -12.79

 

CMYK 0 / 25 / 8 / 55

HEX #725569

RGB 114 85 105

HSL 318.62, 0.15%, 0.39%

LAB 39.74, 15.62, -6.81

 

CMYK 3 / 0 / 2 / 60

HEX #626563

RGB 98 101 99

HSL 140, 0.02%, 0.39%

LAB 42.47, -1.58, 0.72

 

CMYK 18 / 77 / 0 / 36

HEX #8525A2

RGB 133 37 162

HSL 286.08, 0.63%, 0.39%

LAB 35.83, 57.53, -47.67

 

CMYK 0 / 77 / 2 / 36

HEX #A2259E

RGB 162 37 158

HSL 301.92, 0.63%, 0.39%

LAB 40.37, 62.79, -37.72

 

CMYK 0 / 77 / 23 / 36

HEX #A2257D

RGB 162 37 125

HSL 317.76, 0.63%, 0.39%

LAB 38.7, 57.93, -20.15

 

CMYK 0 / 77 / 44 / 36

HEX #A2255B

RGB 162 37 91

HSL 334.08, 0.63%, 0.39%

LAB 37.41, 53.97, -0.67

 

CMYK 0 / 77 / 64 / 36

HEX #A2253A

RGB 162 37 58

HSL 349.92, 0.63%, 0.39%

LAB 36.57, 51.32, 19.32

 

CMYK 0 / 77 / 24 / 63

HEX #5F1648

RGB 95 22 72

HSL 318.9, 0.62%, 0.23%

LAB 21.85, 37.86, -12.81

 

CMYK 0 / 77 / 24 / 50

HEX #801D61

RGB 128 29 97

HSL 318.79, 0.63%, 0.31%

LAB 30.23, 48.01, -15.98

 

CMYK 0 / 77 / 24 / 36

HEX #A2257B

RGB 162 37 123

HSL 318.72, 0.63%, 0.39%

LAB 38.61, 57.66, -19.05

 

CMYK 0 / 78 / 24 / 23

HEX #C42C94

RGB 196 44 148

HSL 318.95, 0.63%, 0.47%

LAB 46.55, 67.06, -21.6

 

CMYK 0 / 68 / 22 / 16

HEX #D545A7

RGB 213 69 167

HSL 319.17, 0.63%, 0.55%

LAB 53.16, 65.47, -22.46

 

CMYK 0 / 77 / 24 / 36

HEX #A4257C

RGB 164 37 124

HSL 318.9, 0.63%, 0.39%

LAB 39.02, 58.29, -19.01

 

CMYK 0 / 39 / 77 / 36

HEX #A26325

RGB 162 99 37

HSL 29.76, 0.63%, 0.39%

LAB 47.93, 20.32, 44.05

 

CMYK 77 / 0 / 7 / 36

HEX #25A296

RGB 37 162 150

HSL 174.24, 0.63%, 0.39%

LAB 60.28, -35.48, -3.27

 

CMYK 0 / 77 / 24 / 36

HEX #A4257C

RGB 164 37 124

HSL 318.9, 0.63%, 0.39%

LAB 39.02, 58.29, -19.01

 

CMYK 23 / 0 / 77 / 36

HEX #7DA225

RGB 125 162 37

HSL 77.76, 0.63%, 0.39%

LAB 61.94, -30.31, 56.37

 

CMYK 77 / 23 / 0 / 36

HEX #257DA2

RGB 37 125 162

HSL 197.76, 0.63%, 0.39%

LAB 49.09, -12.68, -27.11

 

CMYK 0 / 77 / 24 / 36

HEX #A4257C

RGB 164 37 124

HSL 318.9, 0.63%, 0.39%

LAB 39.02, 58.29, -19.01

 

CMYK 0 / 39 / 77 / 36

HEX #A26325

RGB 162 99 37

HSL 29.76, 0.63%, 0.39%

LAB 47.93, 20.32, 44.05

 

CMYK 77 / 0 / 54 / 36

HEX #25A24A

RGB 37 162 74

HSL 137.76, 0.63%, 0.39%

LAB 58.72, -52.36, 36.1

 

CMYK 77 / 39 / 0 / 36

HEX #2563A2

RGB 37 99 162

HSL 210.24, 0.63%, 0.39%

LAB 41.1, 2.94, -39.68

 

CMYK 0 / 77 / 24 / 36

HEX #A4257C

RGB 164 37 124

HSL 318.9, 0.63%, 0.39%

LAB 39.02, 58.29, -19.01

 

CMYK 0 / 15 / 77 / 36

HEX #A28925

RGB 162 137 37

HSL 48, 0.63%, 0.39%

LAB 57.76, -1.1, 53.52

 

CMYK 77 / 0 / 54 / 36

HEX #25A24A

RGB 37 162 74

HSL 137.76, 0.63%, 0.39%

LAB 58.72, -52.36, 36.1

 

CMYK 77 / 62 / 0 / 36

HEX #253EA2

RGB 37 62 162

HSL 228, 0.63%, 0.39%

LAB 30.51, 27.47, -56.75

 

Description

Color code: RGB 164 37 124 | qconv.com Color code: RGB 164 37 124 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 37 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 37 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 24 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 24% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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