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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 31 208 it is the complementary color RGB 91 224 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 31 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 31 208 shade: RGB 169 31 203, RGB 186 49 222, RGB 203 67 241, RGB 220 85 255 and RGB 237 103 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 31 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 31 208 shade: RGB 164 31 208, RGB 147 13 189, RGB 130 0 170, RGB 113 0 151 and RGB 96 0 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 31 208 shade: RGB 164 31 208, RGB 208 31 204, RGB 208 31 156, RGB 208 31 109 and RGB 208 31 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 31 208 shade: RGB 164 31 208, RGB 116 31 208, RGB 68 31 208 and RGB 31 31 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 31 208 shade matches the following richer shades: RGB 164 31 208 and RGB 174 11 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 31 208 shade: RGB 164 31 208, RGB 154 50 189, RGB 144 69 169, RGB 135 89 150 and RGB 125 108 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 31 208 shade: RGB 69 31 208, RGB 116 31 208, RGB 164 31 208, RGB 208 31 205 and RGB 208 31 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 31 208 shade: RGB 107 20 136, RGB 136 25 172, RGB 164 31 208, RGB 183 55 225 and RGB 196 91 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 31 208 shade: RGB 164 31 208, RGB 208 31 40 and RGB 31 208 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 31 208 shade: RGB 164 31 208, RGB 208 164 31 and RGB 31 208 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 31 208 shade: RGB 164 31 208, RGB 208 31 40, RGB 75 208 31 and RGB 31 208 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 31 208 shade: RGB 164 31 208, RGB 208 75 31, RGB 75 208 31 and RGB 31 164 208

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

Complementary color

CMYK 59 / 0 / 79 / 12

HEX #5BE02F

RGB 91 224 47

HSL 105.08, 0.74%, 0.53%

LAB 79.47, -65.54, 69.27

 

CMYK 17 / 85 / 0 / 20

HEX #A91FCB

RGB 169 31 203

HSL 288.14, 0.74%, 0.46%

LAB 43.84, 73.3, -58.67

 

CMYK 16 / 78 / 0 / 13

HEX #BA31DE

RGB 186 49 222

HSL 287.51, 0.72%, 0.53%

LAB 49.39, 74.94, -60.49

 

CMYK 16 / 72 / 0 / 5

HEX #CB43F1

RGB 203 67 241

HSL 286.9, 0.86%, 0.6%

LAB 55.14, 75.76, -61.82

 

CMYK 14 / 67 / 0 / 0

HEX #DC55FF

RGB 220 85 255

HSL 287.65, 1%, 0.67%

LAB 60.72, 75.11, -60.5

 

CMYK 7 / 60 / 0 / 0

HEX #ED67FF

RGB 237 103 255

HSL 292.89, 1%, 0.7%

LAB 65.69, 71.56, -52.45

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 22 / 93 / 0 / 26

HEX #930DBD

RGB 147 13 189

HSL 285.68, 0.87%, 0.4%

LAB 38.14, 70.65, -59.9

 

CMYK 24 / 100 / 0 / 33

HEX #8200AA

RGB 130 0 170

HSL 285.88, 1%, 0.33%

LAB 33.24, 66.47, -56.7

 

CMYK 25 / 100 / 0 / 41

HEX #710097

RGB 113 0 151

HSL 284.9, 1%, 0.3%

LAB 28.76, 60.63, -52.58

 

CMYK 27 / 100 / 0 / 48

HEX #600084

RGB 96 0 132

HSL 283.64, 1%, 0.26%

LAB 24.17, 54.65, -48.38

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 0 / 85 / 2 / 18

HEX #D01FCC

RGB 208 31 204

HSL 301.36, 0.74%, 0.47%

LAB 50.39, 80.22, -48.37

 

CMYK 0 / 85 / 25 / 18

HEX #D01F9C

RGB 208 31 156

HSL 317.63, 0.74%, 0.47%

LAB 47.99, 73.81, -23.98

 

CMYK 0 / 85 / 48 / 18

HEX #D01F6D

RGB 208 31 109

HSL 333.56, 0.74%, 0.47%

LAB 46.3, 69.07, 2.06

 

CMYK 0 / 85 / 71 / 18

HEX #D01F3D

RGB 208 31 61

HSL 349.83, 0.74%, 0.47%

LAB 45.26, 66.03, 30.29

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 44 / 85 / 0 / 18

HEX #741FD0

RGB 116 31 208

HSL 268.81, 0.74%, 0.47%

LAB 36.46, 66.65, -73.94

 

CMYK 67 / 85 / 0 / 18

HEX #441FD0

RGB 68 31 208

HSL 252.54, 0.74%, 0.47%

LAB 31.26, 61.97, -82.69

 

CMYK 85 / 85 / 0 / 18

HEX #1F1FD0

RGB 31 31 208

HSL 240, 0.74%, 0.47%

LAB 28.97, 60.04, -86.57

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 23 / 95 / 0 / 11

HEX #AE0BE3

RGB 174 11 227

HSL 285.28, 0.91%, 0.47%

LAB 45.34, 81.41, -69.98

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 19 / 74 / 0 / 26

HEX #9A32BD

RGB 154 50 189

HSL 284.89, 0.58%, 0.47%

LAB 42.5, 62.35, -52.79

 

CMYK 15 / 59 / 0 / 34

HEX #9045A9

RGB 144 69 169

HSL 285, 0.42%, 0.47%

LAB 42.84, 47.65, -40.54

 

CMYK 10 / 41 / 0 / 41

HEX #875996

RGB 135 89 150

HSL 285.25, 0.26%, 0.47%

LAB 44.94, 30.04, -26.01

 

CMYK 4 / 17 / 0 / 49

HEX #7D6C82

RGB 125 108 130

HSL 286.36, 0.09%, 0.47%

LAB 47.88, 11, -9.67

 

CMYK 67 / 85 / 0 / 18

HEX #451FD0

RGB 69 31 208

HSL 252.88, 0.74%, 0.47%

LAB 31.35, 62.04, -82.55

 

CMYK 44 / 85 / 0 / 18

HEX #741FD0

RGB 116 31 208

HSL 268.81, 0.74%, 0.47%

LAB 36.46, 66.65, -73.94

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 0 / 85 / 1 / 18

HEX #D01FCD

RGB 208 31 205

HSL 301.02, 0.74%, 0.47%

LAB 50.45, 80.37, -48.86

 

CMYK 0 / 85 / 24 / 18

HEX #D01F9E

RGB 208 31 158

HSL 316.95, 0.74%, 0.47%

LAB 48.08, 74.05, -25.04

 

CMYK 21 / 85 / 0 / 47

HEX #6B1488

RGB 107 20 136

HSL 285, 0.74%, 0.31%

LAB 27.86, 52.83, -44.81

 

CMYK 21 / 85 / 0 / 33

HEX #8819AC

RGB 136 25 172

HSL 285.31, 0.75%, 0.39%

LAB 35.81, 63.55, -53.68

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 19 / 76 / 0 / 12

HEX #B737E1

RGB 183 55 225

HSL 285.18, 0.74%, 0.55%

LAB 49.78, 73.08, -61.58

 

CMYK 15 / 60 / 0 / 10

HEX #C45BE6

RGB 196 91 230

HSL 285.32, 0.74%, 0.63%

LAB 57.01, 62.45, -52.71

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 0 / 85 / 81 / 18

HEX #D01F28

RGB 208 31 40

HSL 356.95, 0.74%, 0.47%

LAB 45, 65.28, 42.21

 

CMYK 85 / 0 / 55 / 18

HEX #1FD05D

RGB 31 208 93

HSL 141.02, 0.74%, 0.47%

LAB 73.67, -65.74, 44.94

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 0 / 21 / 85 / 18

HEX #D0A41F

RGB 208 164 31

HSL 45.08, 0.74%, 0.47%

LAB 69.51, 4.65, 67.53

 

CMYK 85 / 0 / 21 / 18

HEX #1FD0A4

RGB 31 208 164

HSL 165.08, 0.74%, 0.47%

LAB 74.88, -51.96, 10.14

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 0 / 85 / 81 / 18

HEX #D01F28

RGB 208 31 40

HSL 356.95, 0.74%, 0.47%

LAB 45, 65.28, 42.21

 

CMYK 64 / 0 / 85 / 18

HEX #4BD01F

RGB 75 208 31

HSL 105.08, 0.74%, 0.47%

LAB 74, -64.6, 68.19

 

CMYK 85 / 0 / 4 / 18

HEX #1FD0C7

RGB 31 208 199

HSL 176.95, 0.74%, 0.47%

LAB 75.78, -42.65, -7.38

 

CMYK 21 / 85 / 0 / 18

HEX #A41FD0

RGB 164 31 208

HSL 285.08, 0.74%, 0.47%

LAB 43.4, 73.4, -62.31

 

CMYK 0 / 64 / 85 / 18

HEX #D04B1F

RGB 208 75 31

HSL 14.92, 0.74%, 0.47%

LAB 50.15, 50.63, 51.32

 

CMYK 64 / 0 / 85 / 18

HEX #4BD01F

RGB 75 208 31

HSL 105.08, 0.74%, 0.47%

LAB 74, -64.6, 68.19

 

CMYK 85 / 21 / 0 / 18

HEX #1FA4D0

RGB 31 164 208

HSL 194.92, 0.74%, 0.47%

LAB 62.84, -18.51, -31.95

 

Description

Color code: RGB 164 31 208 | qconv.com Color code: RGB 164 31 208 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 31 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 31 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 85 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 85% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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