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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 26 28 it is the complementary color RGB 91 229 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 26 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 164 26 28: RGB 169 26 23, RGB 186 44 42, RGB 203 62 61, RGB 220 80 80 and RGB 237 98 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 26 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 164 26 28: RGB 164 26 28, RGB 147 8 9, RGB 130 0 0, RGB 113 0 0 and RGB 96 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 83 / 36

HEX #A41A1C

RGB 164 26 28

HSL 359.13, 0.73%, 0.37%

LAB 35.43, 53.76, 36.41

 

Complementary color

CMYK 60 / 0 / 1 / 10

HEX #5BE5E3

RGB 91 229 227

HSL 179.13, 0.73%, 0.63%

LAB 83.87, -37.33, -10.19

 

CMYK 0 / 85 / 86 / 34

HEX #A91A17

RGB 169 26 23

HSL 1.23, 0.76%, 0.38%

LAB 36.43, 55.07, 40.38

 

CMYK 0 / 76 / 77 / 27

HEX #BA2C2A

RGB 186 44 42

HSL 0.83, 0.63%, 0.45%

LAB 41.86, 55.59, 36.47

 

CMYK 0 / 69 / 70 / 20

HEX #CB3E3D

RGB 203 62 61

HSL 0.42, 0.58%, 0.52%

LAB 47.6, 55.35, 32.86

 

CMYK 0 / 64 / 64 / 14

HEX #DC5050

RGB 220 80 80

HSL 0, 0.67%, 0.59%

LAB 53.53, 54.66, 29.75

 

CMYK 0 / 59 / 58 / 7

HEX #ED6263

RGB 237 98 99

HSL 359.57, 0.79%, 0.66%

LAB 59.56, 53.76, 27.1

 

CMYK 0 / 84 / 83 / 36

HEX #A41A1C

RGB 164 26 28

HSL 359.13, 0.73%, 0.37%

LAB 35.43, 53.76, 36.41

NCS® S2570-Y90R

CMYK 0 / 95 / 94 / 42

HEX #930809

RGB 147 8 9

HSL 359.57, 0.9%, 0.3%

LAB 30.39, 52.04, 40.22

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 100 / 100 / 62

HEX #600000

RGB 96 0 0

HSL 0, 1%, 0.19%

LAB 17.86, 39.18, 27.56

 

CMYK 0 / 84 / 83 / 36

HEX #A41A1C

RGB 164 26 28

HSL 359.13, 0.73%, 0.37%

LAB 35.43, 53.76, 36.41

NCS® S2570-Y90R

CMYK 0 / 72 / 85 / 36

HEX #A32E19

RGB 163 46 25

HSL 9.13, 0.73%, 0.37%

LAB 37.5, 46.94, 39.86

 

CMYK 0 / 58 / 85 / 36

HEX #A34519

RGB 163 69 25

HSL 19.13, 0.73%, 0.37%

LAB 41.4, 36.56, 43.35

 

CMYK 0 / 44 / 85 / 36

HEX #A35C19

RGB 163 92 25

HSL 29.13, 0.73%, 0.37%

LAB 46.33, 24.25, 47.69

 

CMYK 0 / 29 / 85 / 36

HEX #A37319

RGB 163 115 25

HSL 39.13, 0.73%, 0.37%

LAB 51.97, 11.25, 52.56

 

CMYK 0 / 84 / 83 / 36

HEX #A41A1C

RGB 164 26 28

HSL 359.13, 0.73%, 0.37%

LAB 35.43, 53.76, 36.41

NCS® S2570-Y90R

CMYK 0 / 84 / 83 / 16

HEX #D72225

RGB 215 34 37

HSL 359.01, 0.73%, 0.49%

LAB 46.61, 66.46, 45.84

 

CMYK 0 / 82 / 82 / 96

HEX #0B0202

RGB 11 2 2

HSL 0, 0.69%, 0.03%

LAB 1.07, 2.36, 0.83

 

CMYK 0 / 84 / 82 / 76

HEX #3E0A0B

RGB 62 10 11

HSL 358.85, 0.72%, 0.14%

LAB 11.03, 25.01, 12.62

 

CMYK 0 / 84 / 83 / 56

HEX #711213

RGB 113 18 19

HSL 359.37, 0.73%, 0.26%

LAB 23.64, 40.15, 26.32

 

CMYK 0 / 84 / 83 / 36

HEX #A41A1C

RGB 164 26 28

HSL 359.13, 0.73%, 0.37%

LAB 35.43, 53.76, 36.41

NCS® S2570-Y90R

CMYK 16 / 0 / 85 / 36

HEX #89A319

RGB 137 163 25

HSL 71.3, 0.73%, 0.37%

LAB 63, -26.29, 61.07

 

CMYK 85 / 50 / 0 / 36

HEX #1952A3

RGB 25 82 163

HSL 215.22, 0.73%, 0.37%

LAB 35.76, 13.15, -48.84

 

CMYK 0 / 84 / 83 / 36

HEX #A41A1C

RGB 164 26 28

HSL 359.13, 0.73%, 0.37%

LAB 35.43, 53.76, 36.41

NCS® S2570-Y90R

CMYK 83 / 0 / 85 / 36

HEX #1BA319

RGB 27 163 25

HSL 119.13, 0.73%, 0.37%

LAB 58.51, -58.83, 55.38

 

CMYK 85 / 83 / 0 / 36

HEX #191BA3

RGB 25 27 163

HSL 239.13, 0.73%, 0.37%

LAB 22.43, 47.91, -70.7

 

CMYK 0 / 84 / 83 / 36

HEX #A41A1C

RGB 164 26 28

HSL 359.13, 0.73%, 0.37%

LAB 35.43, 53.76, 36.41

NCS® S2570-Y90R

CMYK 16 / 0 / 85 / 36

HEX #89A319

RGB 137 163 25

HSL 71.3, 0.73%, 0.37%

LAB 63, -26.29, 61.07

 

CMYK 85 / 0 / 2 / 36

HEX #19A3A0

RGB 25 163 160

HSL 178.7, 0.73%, 0.37%

LAB 60.73, -34.11, -8.27

 

CMYK 69 / 85 / 0 / 36

HEX #3219A3

RGB 50 25 163

HSL 250.87, 0.73%, 0.37%

LAB 23.73, 50.35, -68.49

 

CMYK 0 / 84 / 83 / 36

HEX #A41A1C

RGB 164 26 28

HSL 359.13, 0.73%, 0.37%

LAB 35.43, 53.76, 36.41

NCS® S2570-Y90R

CMYK 41 / 0 / 85 / 36

HEX #60A319

RGB 96 163 25

HSL 89.13, 0.73%, 0.37%

LAB 60.56, -42.36, 58

 

CMYK 85 / 0 / 2 / 36

HEX #19A3A0

RGB 25 163 160

HSL 178.7, 0.73%, 0.37%

LAB 60.73, -34.11, -8.27

 

CMYK 44 / 85 / 0 / 36

HEX #5C19A3

RGB 92 25 163

HSL 269.13, 0.73%, 0.37%

LAB 28.42, 54.92, -60.59

 

Description

Color code: RGB 164 26 28 | qconv.com Color code: RGB 164 26 28 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 26 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 26 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 83 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 83% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to CMYK

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

convert from Sherwin Williams®-number (SW 0000) to #RRGGBB

Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RGBA

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NCS® to CMYK

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NCS® to HKS®

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NCS® to PANTONE®

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