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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 254 221 it is the complementary color RGB 91 1 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 254 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 254 221 shade: RGB 169 254 216, RGB 186 255 235, RGB 203 255 254, RGB 220 255 255 and RGB 237 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 254 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 254 221 shade: RGB 164 254 221, RGB 147 236 202, RGB 130 218 183, RGB 113 200 164 and RGB 96 182 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 254 221 shade: RGB 164 254 221, RGB 164 254 196, RGB 164 254 172, RGB 179 254 164 and RGB 204 254 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 254 221 shade: RGB 164 254 221, RGB 164 254 245, RGB 164 238 254, RGB 164 214 254 and RGB 164 190 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 254 221 shade matches the following richer shades: RGB 164 254 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 254 221 shade: RGB 164 254 221, RGB 171 246 219, RGB 178 239 217, RGB 186 231 215 and RGB 193 224 213

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 254 221 shade: RGB 164 254 173, RGB 164 254 197, RGB 164 254 221, RGB 164 254 245 and RGB 164 239 254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 254 221 shade: RGB 82 253 190, RGB 123 253 205, RGB 164 254 221, RGB 204 254 236 and RGB 245 254 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 254 221 shade: RGB 164 254 221, RGB 164 179 254 and RGB 254 185 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 254 221 shade: RGB 164 254 221, RGB 221 164 254 and RGB 254 221 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 254 221 shade: RGB 164 254 221, RGB 164 179 254, RGB 254 164 197 and RGB 254 239 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 254 221 shade: RGB 164 254 221, RGB 176 164 254, RGB 254 164 197 and RGB 242 254 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

Complementary color

CMYK 0 / 99 / 63 / 64

HEX #5B0122

RGB 91 1 34

HSL 338, 0.98%, 0.18%

LAB 17.28, 38.95, 7.14

 

CMYK 33 / 0 / 15 / 0

HEX #A9FED8

RGB 169 254 216

HSL 153.18, 0.98%, 0.83%

LAB 93.57, -33.59, 10.08

 

CMYK 27 / 0 / 8 / 0

HEX #BAFFEB

RGB 186 255 235

HSL 162.61, 1%, 0.86%

LAB 95.14, -25.38, 2.66

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFE

RGB 203 255 254

HSL 178.85, 1%, 0.9%

LAB 96.56, -16.51, -4.94

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 7 / 0 / 0 / 0

HEX #EDFFFF

RGB 237 255 255

HSL 180, 1%, 0.96%

LAB 98.73, -5.84, -2.02

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 38 / 0 / 14 / 7

HEX #93ECCA

RGB 147 236 202

HSL 157.08, 0.7%, 0.75%

LAB 87.22, -34.18, 8.11

 

CMYK 40 / 0 / 16 / 15

HEX #82DAB7

RGB 130 218 183

HSL 156.14, 0.54%, 0.68%

LAB 80.91, -34.4, 8.97

 

CMYK 44 / 0 / 18 / 22

HEX #71C8A4

RGB 113 200 164

HSL 155.17, 0.44%, 0.61%

LAB 74.51, -34.61, 9.9

 

CMYK 47 / 0 / 20 / 29

HEX #60B691

RGB 96 182 145

HSL 154.19, 0.37%, 0.55%

LAB 68.01, -34.81, 10.89

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 35 / 0 / 23 / 0

HEX #A4FEC4

RGB 164 254 196

HSL 141.33, 0.98%, 0.82%

LAB 92.91, -38.82, 19.37

 

CMYK 35 / 0 / 32 / 0

HEX #A4FEAC

RGB 164 254 172

HSL 125.33, 0.98%, 0.82%

LAB 92.47, -42.95, 30.94

 

CMYK 30 / 0 / 35 / 0

HEX #B3FEA4

RGB 179 254 164

HSL 110, 0.98%, 0.82%

LAB 93.08, -39.51, 35.88

 

CMYK 20 / 0 / 35 / 0

HEX #CCFEA4

RGB 204 254 164

HSL 93.33, 0.98%, 0.82%

LAB 94.48, -31.14, 37.99

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 35 / 0 / 4 / 0

HEX #A4FEF5

RGB 164 254 245

HSL 174, 0.98%, 0.82%

LAB 94.04, -28.81, -4.24

 

CMYK 35 / 6 / 0 / 0

HEX #A4EEFE

RGB 164 238 254

HSL 190.67, 0.98%, 0.82%

LAB 89.95, -18.96, -14.99

 

CMYK 35 / 16 / 0 / 0

HEX #A4D6FE

RGB 164 214 254

HSL 206.67, 0.98%, 0.82%

LAB 83.52, -6.7, -24.71

 

CMYK 35 / 25 / 0 / 0

HEX #A4BEFE

RGB 164 190 254

HSL 222.67, 0.98%, 0.82%

LAB 77.21, 6.17, -34.39

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 30 / 0 / 11 / 4

HEX #ABF6DB

RGB 171 246 219

HSL 158.4, 0.81%, 0.82%

LAB 91.54, -28.67, 5.63

 

CMYK 26 / 0 / 9 / 6

HEX #B2EFD9

RGB 178 239 217

HSL 158.36, 0.66%, 0.82%

LAB 89.96, -23.66, 4.42

 

CMYK 19 / 0 / 7 / 9

HEX #BAE7D7

RGB 186 231 215

HSL 158.67, 0.48%, 0.82%

LAB 88.21, -17.67, 2.99

 

CMYK 14 / 0 / 5 / 12

HEX #C1E0D5

RGB 193 224 213

HSL 158.71, 0.33%, 0.82%

LAB 86.73, -12.31, 1.94

 

CMYK 35 / 0 / 32 / 0

HEX #A4FEAD

RGB 164 254 173

HSL 126, 0.98%, 0.82%

LAB 92.48, -42.79, 30.46

 

CMYK 35 / 0 / 22 / 0

HEX #A4FEC5

RGB 164 254 197

HSL 142, 0.98%, 0.82%

LAB 92.93, -38.64, 18.89

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 35 / 0 / 4 / 0

HEX #A4FEF5

RGB 164 254 245

HSL 174, 0.98%, 0.82%

LAB 94.04, -28.81, -4.24

 

CMYK 35 / 6 / 0 / 0

HEX #A4EFFE

RGB 164 239 254

HSL 190, 0.98%, 0.82%

LAB 90.22, -19.45, -14.59

 

CMYK 68 / 0 / 25 / 1

HEX #52FDBE

RGB 82 253 190

HSL 157.89, 0.98%, 0.66%

LAB 89.75, -57.92, 17.62

 

CMYK 51 / 0 / 19 / 1

HEX #7BFDCD

RGB 123 253 205

HSL 157.85, 0.97%, 0.74%

LAB 91.18, -47.05, 12.07

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 20 / 0 / 7 / 0

HEX #CCFEEC

RGB 204 254 236

HSL 158.4, 0.96%, 0.9%

LAB 95.9, -19.32, 3.38

 

CMYK 4 / 0 / 1 / 0

HEX #F5FEFB

RGB 245 254 251

HSL 160, 0.82%, 0.98%

LAB 98.93, -3.48, 0.39

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 35 / 30 / 0 / 0

HEX #A4B3FE

RGB 164 179 254

HSL 230, 0.98%, 0.82%

LAB 74.37, 12.24, -38.78

 

CMYK 0 / 27 / 35 / 0

HEX #FEB9A4

RGB 254 185 164

HSL 14, 0.98%, 0.82%

LAB 80.99, 22.29, 20.51

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 13 / 35 / 0 / 0

HEX #DDA4FE

RGB 221 164 254

HSL 278, 0.98%, 0.82%

LAB 75.5, 36.85, -36.66

 

CMYK 0 / 13 / 35 / 0

HEX #FEDDA4

RGB 254 221 164

HSL 38, 0.98%, 0.82%

LAB 89.61, 3.58, 32.21

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 35 / 30 / 0 / 0

HEX #A4B3FE

RGB 164 179 254

HSL 230, 0.98%, 0.82%

LAB 74.37, 12.24, -38.78

 

CMYK 0 / 35 / 22 / 0

HEX #FEA4C5

RGB 254 164 197

HSL 338, 0.98%, 0.82%

LAB 77.07, 37.59, -2.96

 

CMYK 0 / 6 / 35 / 0

HEX #FEEFA4

RGB 254 239 164

HSL 50, 0.98%, 0.82%

LAB 94.09, -5.53, 38.14

 

CMYK 35 / 0 / 13 / 0

HEX #A4FEDD

RGB 164 254 221

HSL 158, 0.98%, 0.82%

LAB 93.45, -33.97, 7.29

 

CMYK 31 / 35 / 0 / 0

HEX #B0A4FE

RGB 176 164 254

HSL 248, 0.98%, 0.82%

LAB 71.51, 23.9, -43.18

 

CMYK 0 / 35 / 22 / 0

HEX #FEA4C5

RGB 254 164 197

HSL 338, 0.98%, 0.82%

LAB 77.07, 37.59, -2.96

 

CMYK 5 / 0 / 35 / 0

HEX #F2FEA4

RGB 242 254 164

HSL 68, 0.98%, 0.82%

LAB 97, -17.44, 41.76

 

Description

Color code: RGB 164 254 221 | qconv.com Color code: RGB 164 254 221 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 254 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 254 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 13 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 13% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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