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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 23 183 it is the complementary color RGB 91 232 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 23 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 23 183 shade: RGB 169 23 178, RGB 186 41 197, RGB 203 59 216, RGB 220 77 235 and RGB 237 95 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 23 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 23 183 shade: RGB 164 23 183, RGB 147 5 164, RGB 130 0 145, RGB 113 0 126 and RGB 96 0 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 23 183 shade: RGB 163 22 182, RGB 182 22 158, RGB 182 22 115, RGB 182 22 72 and RGB 182 22 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 23 183 shade: RGB 163 22 182, RGB 120 22 182, RGB 77 22 182, RGB 34 22 182 and RGB 22 22 182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 23 183 shade matches the following richer shades: RGB 163 22 182 and RGB 175 6 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 23 183 shade: RGB 163 22 182, RGB 150 39 165, RGB 138 55 149, RGB 125 72 132 and RGB 112 88 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 23 183 shade: RGB 75 22 182, RGB 118 22 182, RGB 160 22 182, RGB 182 22 160 and RGB 182 22 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 23 183 shade: RGB 97 13 108, RGB 130 18 145, RGB 163 22 182, RGB 196 27 218 and RGB 210 56 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 23 183 shade: RGB 164 23 183, RGB 182 33 22 and RGB 22 182 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 23 183 shade: RGB 164 23 183, RGB 182 160 22 and RGB 22 182 160

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 23 183 shade: RGB 164 23 183, RGB 182 33 22, RGB 44 182 22 and RGB 22 171 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 23 183 shade: RGB 164 23 183, RGB 182 81 22, RGB 44 182 22 and RGB 22 123 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 87 / 0 / 28

HEX #A417B7

RGB 164 23 183

HSL 292.88, 0.78%, 0.4%

LAB 41.1, 70.64, -51.44

 

Complementary color

CMYK 61 / 0 / 69 / 9

HEX #5BE848

RGB 91 232 72

HSL 112.88, 0.78%, 0.6%

LAB 82.06, -66.55, 63.57

 

CMYK 5 / 87 / 0 / 30

HEX #A917B2

RGB 169 23 178

HSL 296.52, 0.77%, 0.39%

LAB 41.63, 70.69, -47.58

 

CMYK 6 / 79 / 0 / 23

HEX #BA29C5

RGB 186 41 197

HSL 295.77, 0.66%, 0.47%

LAB 47.05, 72.86, -49.88

 

CMYK 6 / 73 / 0 / 15

HEX #CB3BD8

RGB 203 59 216

HSL 295.03, 0.67%, 0.54%

LAB 52.71, 74.06, -51.6

 

CMYK 6 / 67 / 0 / 8

HEX #DC4DEB

RGB 220 77 235

HSL 294.3, 0.8%, 0.61%

LAB 58.53, 74.6, -52.89

 

CMYK 7 / 63 / 0 / 0

HEX #ED5FFE

RGB 237 95 254

HSL 293.58, 0.99%, 0.68%

LAB 64.44, 74.7, -53.89

 

CMYK 10 / 87 / 0 / 28

HEX #A417B7

RGB 164 23 183

HSL 292.88, 0.78%, 0.4%

LAB 41.1, 70.64, -51.44

 

CMYK 10 / 97 / 0 / 36

HEX #9305A4

RGB 147 5 164

HSL 293.58, 0.94%, 0.33%

LAB 35.97, 67.26, -48.53

 

CMYK 10 / 100 / 0 / 43

HEX #820091

RGB 130 0 145

HSL 293.79, 1%, 0.28%

LAB 31.32, 62.05, -44.59

 

CMYK 10 / 100 / 0 / 51

HEX #71007E

RGB 113 0 126

HSL 293.81, 1%, 0.25%

LAB 26.78, 56.08, -40.21

 

CMYK 10 / 100 / 0 / 58

HEX #60006B

RGB 96 0 107

HSL 293.83, 1%, 0.21%

LAB 22.12, 49.94, -35.7

 

CMYK 10 / 88 / 0 / 29

HEX #A316B6

RGB 163 22 182

HSL 292.88, 0.78%, 0.4%

LAB 40.8, 70.49, -51.34

 

CMYK 0 / 88 / 13 / 29

HEX #B6169E

RGB 182 22 158

HSL 309, 0.78%, 0.4%

LAB 42.74, 70.32, -33.73

 

CMYK 0 / 88 / 37 / 29

HEX #B61673

RGB 182 22 115

HSL 325.13, 0.78%, 0.4%

LAB 40.83, 65.15, -10.33

 

CMYK 0 / 88 / 60 / 29

HEX #B61648

RGB 182 22 72

HSL 341.25, 0.78%, 0.4%

LAB 39.56, 61.58, 15.07

 

CMYK 0 / 88 / 84 / 29

HEX #B6161D

RGB 182 22 29

HSL 357.38, 0.78%, 0.4%

LAB 38.91, 59.71, 40.48

 

CMYK 10 / 88 / 0 / 29

HEX #A316B6

RGB 163 22 182

HSL 292.88, 0.78%, 0.4%

LAB 40.8, 70.49, -51.34

 

CMYK 34 / 88 / 0 / 29

HEX #7816B6

RGB 120 22 182

HSL 276.75, 0.78%, 0.4%

LAB 33.87, 63.85, -62.91

 

CMYK 58 / 88 / 0 / 29

HEX #4D16B6

RGB 77 22 182

HSL 260.63, 0.78%, 0.4%

LAB 28.19, 58.89, -72.45

 

CMYK 81 / 88 / 0 / 29

HEX #2216B6

RGB 34 22 182

HSL 244.5, 0.78%, 0.4%

LAB 24.61, 56.09, -78.5

 

CMYK 88 / 88 / 0 / 29

HEX #1616B6

RGB 22 22 182

HSL 240, 0.78%, 0.4%

LAB 24.07, 55.7, -79.42

 

CMYK 10 / 88 / 0 / 29

HEX #A316B6

RGB 163 22 182

HSL 292.88, 0.78%, 0.4%

LAB 40.8, 70.49, -51.34

 

CMYK 12 / 97 / 0 / 22

HEX #AF06C6

RGB 175 6 198

HSL 292.81, 0.94%, 0.4%

LAB 43.24, 77.08, -56.68

 

CMYK 10 / 88 / 0 / 29

HEX #A316B6

RGB 163 22 182

HSL 292.88, 0.78%, 0.4%

LAB 40.8, 70.49, -51.34

 

CMYK 9 / 76 / 0 / 35

HEX #9627A5

RGB 150 39 165

HSL 292.86, 0.62%, 0.4%

LAB 38.99, 60.85, -44.25

 

CMYK 7 / 63 / 0 / 42

HEX #8A3795

RGB 138 55 149

HSL 292.98, 0.46%, 0.4%

LAB 38.39, 48.79, -35.67

 

CMYK 5 / 45 / 0 / 48

HEX #7D4884

RGB 125 72 132

HSL 293, 0.29%, 0.4%

LAB 39, 32.76, -24.45

 

CMYK 3 / 24 / 0 / 55

HEX #705874

RGB 112 88 116

HSL 291.43, 0.14%, 0.4%

LAB 40.71, 15.29, -12.14

 

CMYK 59 / 88 / 0 / 29

HEX #4B16B6

RGB 75 22 182

HSL 259.88, 0.78%, 0.4%

LAB 27.97, 58.71, -72.82

 

CMYK 35 / 88 / 0 / 29

HEX #7616B6

RGB 118 22 182

HSL 276, 0.78%, 0.4%

LAB 33.57, 63.57, -63.41

 

CMYK 12 / 88 / 0 / 29

HEX #A016B6

RGB 160 22 182

HSL 291.75, 0.78%, 0.4%

LAB 40.29, 69.99, -52.19

 

CMYK 0 / 88 / 12 / 29

HEX #B616A0

RGB 182 22 160

HSL 308.25, 0.78%, 0.4%

LAB 42.85, 70.6, -34.77

 

CMYK 0 / 88 / 35 / 29

HEX #B61676

RGB 182 22 118

HSL 324, 0.78%, 0.4%

LAB 40.94, 65.46, -12.04

 

CMYK 10 / 88 / 0 / 58

HEX #610D6C

RGB 97 13 108

HSL 293.05, 0.79%, 0.24%

LAB 23.38, 47.37, -34.32

 

CMYK 10 / 88 / 0 / 43

HEX #821291

RGB 130 18 145

HSL 292.91, 0.78%, 0.32%

LAB 32.31, 59.14, -43

 

CMYK 10 / 88 / 0 / 29

HEX #A316B6

RGB 163 22 182

HSL 292.88, 0.78%, 0.4%

LAB 40.8, 70.49, -51.34

 

CMYK 10 / 88 / 0 / 15

HEX #C41BDA

RGB 196 27 218

HSL 293.09, 0.78%, 0.48%

LAB 48.98, 81.03, -58.77

 

CMYK 9 / 76 / 0 / 10

HEX #D238E6

RGB 210 56 230

HSL 293.1, 0.78%, 0.56%

LAB 54.28, 78.72, -56.95

 

CMYK 10 / 87 / 0 / 28

HEX #A417B7

RGB 164 23 183

HSL 292.88, 0.78%, 0.4%

LAB 41.1, 70.64, -51.44

 

CMYK 0 / 82 / 88 / 29

HEX #B62116

RGB 182 33 22

HSL 4.13, 0.78%, 0.4%

LAB 39.73, 57.07, 44.71

 

CMYK 88 / 0 / 47 / 29

HEX #16B661

RGB 22 182 97

HSL 148.13, 0.78%, 0.4%

LAB 65.35, -57.18, 32.66

 

CMYK 10 / 87 / 0 / 28

HEX #A417B7

RGB 164 23 183

HSL 292.88, 0.78%, 0.4%

LAB 41.1, 70.64, -51.44

 

CMYK 0 / 12 / 88 / 29

HEX #B6A016

RGB 182 160 22

HSL 51.75, 0.78%, 0.4%

LAB 65.86, -4.99, 65.65

 

CMYK 88 / 0 / 12 / 29

HEX #16B6A0

RGB 22 182 160

HSL 171.75, 0.78%, 0.4%

LAB 66.65, -42.84, 0.45

 

CMYK 10 / 87 / 0 / 28

HEX #A417B7

RGB 164 23 183

HSL 292.88, 0.78%, 0.4%

LAB 41.1, 70.64, -51.44

 

CMYK 0 / 82 / 88 / 29

HEX #B62116

RGB 182 33 22

HSL 4.13, 0.78%, 0.4%

LAB 39.73, 57.07, 44.71

 

CMYK 76 / 0 / 88 / 29

HEX #2CB616

RGB 44 182 22

HSL 111.75, 0.78%, 0.4%

LAB 65, -62.48, 61.95

 

CMYK 88 / 6 / 0 / 29

HEX #16ABB6

RGB 22 171 182

HSL 184.13, 0.78%, 0.4%

LAB 63.9, -31.29, -15.86

 

CMYK 10 / 87 / 0 / 28

HEX #A417B7

RGB 164 23 183

HSL 292.88, 0.78%, 0.4%

LAB 41.1, 70.64, -51.44

 

CMYK 0 / 55 / 88 / 29

HEX #B65116

RGB 182 81 22

HSL 22.13, 0.78%, 0.4%

LAB 46.83, 37.94, 50.39

 

CMYK 76 / 0 / 88 / 29

HEX #2CB616

RGB 44 182 22

HSL 111.75, 0.78%, 0.4%

LAB 65, -62.48, 61.95

 

CMYK 88 / 32 / 0 / 29

HEX #167BB6

RGB 22 123 182

HSL 202.13, 0.78%, 0.4%

LAB 49.15, -5.55, -38.66

 

Description

Color code: RGB 164 23 183 | qconv.com Color code: RGB 164 23 183 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 23 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 23 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 87 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 87% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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