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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 232 144 it is the complementary color RGB 91 23 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 232 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 232 144 shade: RGB 169 232 139, RGB 186 250 158, RGB 203 255 177, RGB 220 255 196 and RGB 237 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 232 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 232 144 shade: RGB 164 232 144, RGB 147 214 125, RGB 130 196 106, RGB 113 178 87 and RGB 96 160 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 232 144 shade: RGB 165 232 145, RGB 188 232 145, RGB 212 232 145, RGB 232 229 145 and RGB 232 206 145

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 232 144 shade: RGB 165 232 145, RGB 145 232 149, RGB 145 232 172, RGB 145 232 196 and RGB 145 232 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 232 144 shade matches the following richer shades: RGB 165 232 145, RGB 159 243 134 and RGB 153 254 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 232 144 shade: RGB 165 232 145, RGB 171 222 156, RGB 177 211 166, RGB 182 200 177 and RGB 188 190 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 232 144 shade: RGB 212 232 145, RGB 189 232 145, RGB 165 232 145, RGB 145 232 148 and RGB 145 232 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 232 144 shade: RGB 109 218 76, RGB 137 225 111, RGB 165 232 145, RGB 193 239 179 and RGB 221 246 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 232 144 shade: RGB 164 232 144, RGB 145 232 230 and RGB 232 145 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 232 144 shade: RGB 164 232 144, RGB 145 165 232 and RGB 232 145 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 232 144 shade: RGB 164 232 144, RGB 145 232 230, RGB 212 145 232 and RGB 232 145 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 232 144 shade: RGB 164 232 144, RGB 145 209 232, RGB 212 145 232 and RGB 232 168 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 38 / 9

HEX #A4E890

RGB 164 232 144

HSL 106.36, 0.66%, 0.74%

LAB 85.82, -37.4, 36.18

 

Complementary color

CMYK 18 / 79 / 0 / 56

HEX #5B176F

RGB 91 23 111

HSL 286.36, 0.66%, 0.26%

LAB 23.62, 43.59, -35.92

 

CMYK 27 / 0 / 40 / 9

HEX #A9E88B

RGB 169 232 139

HSL 100.65, 0.67%, 0.73%

LAB 86.01, -36.41, 38.98

 

CMYK 26 / 0 / 37 / 2

HEX #BAFA9E

RGB 186 250 158

HSL 101.74, 0.9%, 0.8%

LAB 92.26, -36.26, 37.85

 

CMYK 20 / 0 / 31 / 0

HEX #CBFFB1

RGB 203 255 177

HSL 100, 1%, 0.85%

LAB 94.9, -30.13, 32.07

 

CMYK 14 / 0 / 23 / 0

HEX #DCFFC4

RGB 220 255 196

HSL 95.59, 1%, 0.88%

LAB 96.3, -21.5, 24.55

 

CMYK 7 / 0 / 16 / 0

HEX #EDFFD7

RGB 237 255 215

HSL 87, 1%, 0.92%

LAB 97.81, -12.72, 17.15

 

CMYK 29 / 0 / 38 / 9

HEX #A4E890

RGB 164 232 144

HSL 106.36, 0.66%, 0.74%

LAB 85.82, -37.4, 36.18

 

CMYK 31 / 0 / 42 / 16

HEX #93D67D

RGB 147 214 125

HSL 105.17, 0.52%, 0.66%

LAB 79.49, -37.57, 37.34

 

CMYK 34 / 0 / 46 / 23

HEX #82C46A

RGB 130 196 106

HSL 104, 0.43%, 0.59%

LAB 73.07, -37.72, 38.54

 

CMYK 37 / 0 / 51 / 30

HEX #71B257

RGB 113 178 87

HSL 102.86, 0.37%, 0.52%

LAB 66.55, -37.82, 39.76

 

CMYK 40 / 0 / 58 / 37

HEX #60A044

RGB 96 160 68

HSL 101.74, 0.4%, 0.45%

LAB 59.93, -37.84, 40.95

 

CMYK 29 / 0 / 38 / 9

HEX #A5E891

RGB 165 232 145

HSL 106.21, 0.65%, 0.74%

LAB 85.88, -36.92, 35.77

 

CMYK 19 / 0 / 38 / 9

HEX #BCE891

RGB 188 232 145

HSL 90.34, 0.65%, 0.74%

LAB 87.22, -28.99, 37.77

 

CMYK 9 / 0 / 38 / 9

HEX #D4E891

RGB 212 232 145

HSL 73.79, 0.65%, 0.74%

LAB 88.81, -20.18, 40.13

 

CMYK 0 / 1 / 38 / 9

HEX #E8E591

RGB 232 229 145

HSL 57.93, 0.65%, 0.74%

LAB 89.5, -11.09, 41.33

 

CMYK 0 / 11 / 38 / 9

HEX #E8CE91

RGB 232 206 145

HSL 42.07, 0.65%, 0.74%

LAB 83.62, 0.61, 33.69

 

CMYK 29 / 0 / 38 / 9

HEX #A5E891

RGB 165 232 145

HSL 106.21, 0.65%, 0.74%

LAB 85.88, -36.92, 35.77

 

CMYK 38 / 0 / 36 / 9

HEX #91E895

RGB 145 232 149

HSL 122.76, 0.65%, 0.74%

LAB 84.95, -42.67, 32.34

 

CMYK 38 / 0 / 26 / 9

HEX #91E8AC

RGB 145 232 172

HSL 138.62, 0.65%, 0.74%

LAB 85.36, -38.77, 21.1

 

CMYK 38 / 0 / 16 / 9

HEX #91E8C4

RGB 145 232 196

HSL 155.17, 0.65%, 0.74%

LAB 85.87, -34.11, 9.3

 

CMYK 38 / 0 / 6 / 9

HEX #91E8DB

RGB 145 232 219

HSL 171.03, 0.65%, 0.74%

LAB 86.43, -29.13, -1.97

 

CMYK 29 / 0 / 38 / 9

HEX #A5E891

RGB 165 232 145

HSL 106.21, 0.65%, 0.74%

LAB 85.88, -36.92, 35.77

 

CMYK 35 / 0 / 45 / 5

HEX #9FF386

RGB 159 243 134

HSL 106.24, 0.82%, 0.74%

LAB 88.54, -45.23, 44.54

 

CMYK 40 / 0 / 52 / 0

HEX #99FE7B

RGB 153 254 123

HSL 106.26, 0.98%, 0.74%

LAB 91.27, -53.04, 53.02

 

CMYK 29 / 0 / 38 / 9

HEX #A5E891

RGB 165 232 145

HSL 106.21, 0.65%, 0.74%

LAB 85.88, -36.92, 35.77

 

CMYK 23 / 0 / 30 / 13

HEX #ABDE9C

RGB 171 222 156

HSL 106.36, 0.5%, 0.74%

LAB 83.6, -28.62, 27.19

 

CMYK 16 / 0 / 21 / 17

HEX #B1D3A6

RGB 177 211 166

HSL 105.33, 0.34%, 0.74%

LAB 81.12, -19.6, 18.63

 

CMYK 9 / 0 / 12 / 22

HEX #B6C8B1

RGB 182 200 177

HSL 106.96, 0.17%, 0.74%

LAB 78.71, -10.39, 9.43

 

CMYK 1 / 0 / 1 / 25

HEX #BCBEBC

RGB 188 190 188

HSL 120, 0.02%, 0.74%

LAB 76.77, -1.06, 0.76

 

CMYK 9 / 0 / 38 / 9

HEX #D4E891

RGB 212 232 145

HSL 73.79, 0.65%, 0.74%

LAB 88.81, -20.18, 40.13

 

CMYK 19 / 0 / 38 / 9

HEX #BDE891

RGB 189 232 145

HSL 89.66, 0.65%, 0.74%

LAB 87.28, -28.63, 37.86

 

CMYK 29 / 0 / 38 / 9

HEX #A5E891

RGB 165 232 145

HSL 106.21, 0.65%, 0.74%

LAB 85.88, -36.92, 35.77

 

CMYK 38 / 0 / 36 / 9

HEX #91E894

RGB 145 232 148

HSL 122.07, 0.65%, 0.74%

LAB 84.93, -42.83, 32.82

 

CMYK 38 / 0 / 26 / 9

HEX #91E8AB

RGB 145 232 171

HSL 137.93, 0.65%, 0.74%

LAB 85.34, -38.95, 21.59

 

CMYK 50 / 0 / 65 / 15

HEX #6DDA4C

RGB 109 218 76

HSL 106.06, 0.66%, 0.58%

LAB 78.41, -56.66, 58.3

 

CMYK 39 / 0 / 51 / 12

HEX #89E16F

RGB 137 225 111

HSL 106.32, 0.66%, 0.66%

LAB 82.01, -47.42, 47.23

 

CMYK 29 / 0 / 38 / 9

HEX #A5E891

RGB 165 232 145

HSL 106.21, 0.65%, 0.74%

LAB 85.88, -36.92, 35.77

 

CMYK 19 / 0 / 25 / 6

HEX #C1EFB3

RGB 193 239 179

HSL 106, 0.65%, 0.82%

LAB 90.01, -25.66, 24.3

 

CMYK 10 / 0 / 13 / 4

HEX #DDF6D5

RGB 221 246 213

HSL 105.45, 0.65%, 0.9%

LAB 94.35, -14.05, 13.14

 

CMYK 29 / 0 / 38 / 9

HEX #A4E890

RGB 164 232 144

HSL 106.36, 0.66%, 0.74%

LAB 85.82, -37.4, 36.18

 

CMYK 38 / 0 / 1 / 9

HEX #91E8E6

RGB 145 232 230

HSL 178.62, 0.65%, 0.74%

LAB 86.72, -26.59, -7.32

 

CMYK 0 / 38 / 14 / 9

HEX #E891C8

RGB 232 145 200

HSL 322.07, 0.65%, 0.74%

LAB 70.58, 40.5, -14.54

 

CMYK 29 / 0 / 38 / 9

HEX #A4E890

RGB 164 232 144

HSL 106.36, 0.66%, 0.74%

LAB 85.82, -37.4, 36.18

 

CMYK 38 / 29 / 0 / 9

HEX #91A5E8

RGB 145 165 232

HSL 226.21, 0.65%, 0.74%

LAB 68.57, 9.2, -35.95

 

CMYK 0 / 38 / 29 / 9

HEX #E891A5

RGB 232 145 165

HSL 346.21, 0.65%, 0.74%

LAB 69.56, 35.37, 3.45

 

CMYK 29 / 0 / 38 / 9

HEX #A4E890

RGB 164 232 144

HSL 106.36, 0.66%, 0.74%

LAB 85.82, -37.4, 36.18

 

CMYK 38 / 0 / 1 / 9

HEX #91E8E6

RGB 145 232 230

HSL 178.62, 0.65%, 0.74%

LAB 86.72, -26.59, -7.32

 

CMYK 9 / 38 / 0 / 9

HEX #D491E8

RGB 212 145 232

HSL 286.21, 0.65%, 0.74%

LAB 69.52, 39.89, -34.03

 

CMYK 0 / 38 / 36 / 9

HEX #E89194

RGB 232 145 148

HSL 357.93, 0.65%, 0.74%

LAB 69.14, 33.23, 12.35

 

CMYK 29 / 0 / 38 / 9

HEX #A4E890

RGB 164 232 144

HSL 106.36, 0.66%, 0.74%

LAB 85.82, -37.4, 36.18

 

CMYK 38 / 10 / 0 / 9

HEX #91D1E8

RGB 145 209 232

HSL 195.86, 0.65%, 0.74%

LAB 80.43, -14.61, -17.79

 

CMYK 9 / 38 / 0 / 9

HEX #D491E8

RGB 212 145 232

HSL 286.21, 0.65%, 0.74%

LAB 69.52, 39.89, -34.03

 

CMYK 0 / 28 / 38 / 9

HEX #E8A891

RGB 232 168 145

HSL 15.86, 0.65%, 0.74%

LAB 74.32, 20.65, 21.2

 

Description

Color code: RGB 164 232 144 | qconv.com Color code: RGB 164 232 144 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 232 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 232 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 38 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 38% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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