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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 231 56 it is the complementary color RGB 91 24 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 231 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 231 56 shade: RGB 169 231 51, RGB 186 249 70, RGB 203 255 89, RGB 220 255 108 and RGB 237 255 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 231 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 231 56 shade: RGB 164 231 56, RGB 147 213 37, RGB 130 195 18, RGB 113 177 0 and RGB 96 159 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 231 56 shade: RGB 163 230 55, RGB 210 230 55, RGB 230 202 55, RGB 230 155 55 and RGB 230 108 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 231 56 shade: RGB 163 230 55, RGB 116 230 55, RGB 68 230 55, RGB 55 230 88 and RGB 55 230 136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 231 56 shade matches the following richer shades: RGB 163 230 55 and RGB 167 248 37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 231 56 shade: RGB 163 230 55, RGB 159 212 73, RGB 154 194 91, RGB 150 175 109 and RGB 146 157 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 231 56 shade: RGB 230 201 55, RGB 212 230 55, RGB 166 230 55, RGB 119 230 55 and RGB 72 230 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 231 56 shade: RGB 120 180 22, RGB 144 217 26, RGB 163 230 55, RGB 180 234 92 and RGB 197 239 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 231 56 shade: RGB 164 231 56, RGB 55 230 154 and RGB 224 55 230

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 231 56 shade: RGB 164 231 56, RGB 55 166 230 and RGB 230 55 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 231 56 shade: RGB 164 231 56, RGB 55 230 154, RGB 119 55 230 and RGB 230 55 131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 231 56 shade: RGB 164 231 56, RGB 55 230 206, RGB 119 55 230 and RGB 230 55 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 76 / 9

HEX #A4E738

RGB 164 231 56

HSL 82.97, 0.78%, 0.56%

LAB 84.65, -45.31, 72.59

 

Complementary color

CMYK 54 / 88 / 0 / 22

HEX #5B18C7

RGB 91 24 199

HSL 262.97, 0.78%, 0.44%

LAB 31.81, 63.83, -76.46

 

CMYK 27 / 0 / 78 / 9

HEX #A9E733

RGB 169 231 51

HSL 80.67, 0.79%, 0.55%

LAB 84.91, -43.71, 74.4

 

CMYK 25 / 0 / 72 / 2

HEX #BAF946

RGB 186 249 70

HSL 81.12, 0.94%, 0.63%

LAB 91.07, -44.26, 74.71

 

CMYK 20 / 0 / 65 / 0

HEX #CBFF59

RGB 203 255 89

HSL 78.8, 1%, 0.67%

LAB 93.86, -39.44, 71.05

 

CMYK 14 / 0 / 58 / 0

HEX #DCFF6C

RGB 220 255 108

HSL 74.29, 1%, 0.71%

LAB 95.08, -31.66, 65.02

 

CMYK 7 / 0 / 50 / 0

HEX #EDFF7F

RGB 237 255 127

HSL 68.44, 1%, 0.75%

LAB 96.43, -23.59, 58.53

 

CMYK 29 / 0 / 76 / 9

HEX #A4E738

RGB 164 231 56

HSL 82.97, 0.78%, 0.56%

LAB 84.65, -45.31, 72.59

 

CMYK 31 / 0 / 83 / 16

HEX #93D525

RGB 147 213 37

HSL 82.5, 0.7%, 0.49%

LAB 78.42, -44.67, 71.8

 

CMYK 33 / 0 / 91 / 24

HEX #82C312

RGB 130 195 18

HSL 82.03, 0.83%, 0.42%

LAB 72.11, -43.83, 69.89

 

CMYK 36 / 0 / 100 / 31

HEX #71B100

RGB 113 177 0

HSL 81.69, 1%, 0.35%

LAB 65.71, -42.76, 66.69

 

CMYK 40 / 0 / 100 / 38

HEX #609F00

RGB 96 159 0

HSL 83.77, 1%, 0.31%

LAB 59.24, -41.36, 61.3

 

CMYK 29 / 0 / 76 / 10

HEX #A3E637

RGB 163 230 55

HSL 82.97, 0.78%, 0.56%

LAB 84.31, -45.3, 72.55

 

CMYK 9 / 0 / 76 / 10

HEX #D2E637

RGB 210 230 55

HSL 66.86, 0.78%, 0.56%

LAB 87.28, -27.08, 76.38

 

CMYK 0 / 12 / 76 / 10

HEX #E6CA37

RGB 230 202 55

HSL 50.4, 0.78%, 0.56%

LAB 81.48, -4.92, 71.65

 

CMYK 0 / 33 / 76 / 10

HEX #E69B37

RGB 230 155 55

HSL 34.29, 0.78%, 0.56%

LAB 69.85, 19.77, 60.69

 

CMYK 0 / 53 / 76 / 10

HEX #E66C37

RGB 230 108 55

HSL 18.17, 0.78%, 0.56%

LAB 59.73, 44.12, 50.65

 

CMYK 29 / 0 / 76 / 10

HEX #A3E637

RGB 163 230 55

HSL 82.97, 0.78%, 0.56%

LAB 84.31, -45.3, 72.55

 

CMYK 50 / 0 / 76 / 10

HEX #74E637

RGB 116 230 55

HSL 99.09, 0.78%, 0.56%

LAB 82.15, -60.68, 69.75

 

CMYK 70 / 0 / 76 / 10

HEX #44E637

RGB 68 230 55

HSL 115.54, 0.78%, 0.56%

LAB 80.79, -71.67, 67.96

 

CMYK 76 / 0 / 62 / 10

HEX #37E658

RGB 55 230 88

HSL 131.31, 0.78%, 0.56%

LAB 80.8, -70.74, 55.56

 

CMYK 76 / 0 / 41 / 10

HEX #37E688

RGB 55 230 136

HSL 147.77, 0.78%, 0.56%

LAB 81.39, -63.76, 33.7

 

CMYK 29 / 0 / 76 / 10

HEX #A3E637

RGB 163 230 55

HSL 82.97, 0.78%, 0.56%

LAB 84.31, -45.3, 72.55

 

CMYK 33 / 0 / 85 / 3

HEX #A7F825

RGB 167 248 37

HSL 83.03, 0.94%, 0.56%

LAB 89.62, -52.06, 81.9

 

CMYK 29 / 0 / 76 / 10

HEX #A3E637

RGB 163 230 55

HSL 82.97, 0.78%, 0.56%

LAB 84.31, -45.3, 72.55

 

CMYK 25 / 0 / 66 / 17

HEX #9FD449

RGB 159 212 73

HSL 82.88, 0.62%, 0.56%

LAB 79.01, -37.82, 60.86

 

CMYK 21 / 0 / 53 / 24

HEX #9AC25B

RGB 154 194 91

HSL 83.3, 0.46%, 0.56%

LAB 73.68, -29.87, 46.93

 

CMYK 14 / 0 / 38 / 31

HEX #96AF6D

RGB 150 175 109

HSL 82.73, 0.29%, 0.56%

LAB 68.2, -20, 31.05

 

CMYK 7 / 0 / 19 / 38

HEX #929D7F

RGB 146 157 127

HSL 82, 0.13%, 0.56%

LAB 63.14, -9.46, 14.4

 

CMYK 0 / 13 / 76 / 10

HEX #E6C937

RGB 230 201 55

HSL 50.06, 0.78%, 0.56%

LAB 81.22, -4.41, 71.41

 

CMYK 8 / 0 / 76 / 10

HEX #D4E637

RGB 212 230 55

HSL 66.17, 0.78%, 0.56%

LAB 87.42, -26.27, 76.57

 

CMYK 28 / 0 / 76 / 10

HEX #A6E637

RGB 166 230 55

HSL 81.94, 0.78%, 0.56%

LAB 84.47, -44.2, 72.77

 

CMYK 48 / 0 / 76 / 10

HEX #77E637

RGB 119 230 55

HSL 98.06, 0.78%, 0.56%

LAB 82.27, -59.82, 69.89

 

CMYK 69 / 0 / 76 / 10

HEX #48E637

RGB 72 230 55

HSL 114.17, 0.78%, 0.56%

LAB 80.88, -70.97, 68.07

 

CMYK 33 / 0 / 88 / 29

HEX #78B416

RGB 120 180 22

HSL 82.78, 0.78%, 0.4%

LAB 67.05, -41, 64.76

 

CMYK 34 / 0 / 88 / 15

HEX #90D91A

RGB 144 217 26

HSL 82.93, 0.79%, 0.48%

LAB 79.4, -47.78, 74.88

 

CMYK 29 / 0 / 76 / 10

HEX #A3E637

RGB 163 230 55

HSL 82.97, 0.78%, 0.56%

LAB 84.31, -45.3, 72.55

 

CMYK 23 / 0 / 61 / 8

HEX #B4EA5C

RGB 180 234 92

HSL 82.82, 0.77%, 0.64%

LAB 86.66, -38.41, 61.71

 

CMYK 18 / 0 / 46 / 6

HEX #C5EF80

RGB 197 239 128

HSL 82.7, 0.78%, 0.72%

LAB 89.47, -31.02, 49.03

 

CMYK 29 / 0 / 76 / 9

HEX #A4E738

RGB 164 231 56

HSL 82.97, 0.78%, 0.56%

LAB 84.65, -45.31, 72.59

 

CMYK 76 / 0 / 33 / 10

HEX #37E69A

RGB 55 230 154

HSL 153.94, 0.78%, 0.56%

LAB 81.7, -60.33, 24.94

 

CMYK 3 / 76 / 0 / 10

HEX #E037E6

RGB 224 55 230

HSL 297.94, 0.78%, 0.56%

LAB 56.38, 81.69, -53.48

 

CMYK 29 / 0 / 76 / 9

HEX #A4E738

RGB 164 231 56

HSL 82.97, 0.78%, 0.56%

LAB 84.65, -45.31, 72.59

 

CMYK 76 / 28 / 0 / 10

HEX #37A6E6

RGB 55 166 230

HSL 201.94, 0.78%, 0.56%

LAB 64.8, -9.77, -41.03

 

CMYK 0 / 76 / 28 / 10

HEX #E637A6

RGB 230 55 166

HSL 321.94, 0.78%, 0.56%

LAB 54.35, 74.18, -19.79

 

CMYK 29 / 0 / 76 / 9

HEX #A4E738

RGB 164 231 56

HSL 82.97, 0.78%, 0.56%

LAB 84.65, -45.31, 72.59

 

CMYK 76 / 0 / 33 / 10

HEX #37E69A

RGB 55 230 154

HSL 153.94, 0.78%, 0.56%

LAB 81.7, -60.33, 24.94

 

CMYK 48 / 76 / 0 / 10

HEX #7737E6

RGB 119 55 230

HSL 261.94, 0.78%, 0.56%

LAB 41.79, 63.62, -77.78

 

CMYK 0 / 76 / 43 / 10

HEX #E63783

RGB 230 55 131

HSL 333.94, 0.78%, 0.56%

LAB 53.16, 70.54, -0.82

 

CMYK 29 / 0 / 76 / 9

HEX #A4E738

RGB 164 231 56

HSL 82.97, 0.78%, 0.56%

LAB 84.65, -45.31, 72.59

 

CMYK 76 / 0 / 10 / 10

HEX #37E6CE

RGB 55 230 206

HSL 171.77, 0.78%, 0.56%

LAB 82.84, -48.2, -0.68

 

CMYK 48 / 76 / 0 / 10

HEX #7737E6

RGB 119 55 230

HSL 261.94, 0.78%, 0.56%

LAB 41.79, 63.62, -77.78

 

CMYK 0 / 76 / 66 / 10

HEX #E6374E

RGB 230 55 78

HSL 352.11, 0.78%, 0.56%

LAB 51.96, 66.74, 29.33

 

Description

Color code: RGB 164 231 56 | qconv.com Color code: RGB 164 231 56 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 231 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 231 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 76 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 76% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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