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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 229 23 it is the complementary color RGB 91 26 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 229 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 229 23 shade: RGB 169 229 18, RGB 186 247 37, RGB 203 255 56, RGB 220 255 75 and RGB 237 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 229 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 229 23 shade: RGB 164 229 23, RGB 147 211 4, RGB 130 193 0, RGB 113 175 0 and RGB 96 157 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 229 23 shade: RGB 163 227 22, RGB 218 227 22, RGB 227 182 22, RGB 227 126 22 and RGB 227 71 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 229 23 shade: RGB 163 227 22, RGB 107 227 22, RGB 52 227 22, RGB 22 227 48 and RGB 22 227 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 229 23 shade matches the following richer shades: RGB 163 227 22 and RGB 170 248 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 229 23 shade: RGB 163 227 22, RGB 155 207 43, RGB 148 187 63, RGB 140 167 83 and RGB 133 147 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 229 23 shade: RGB 227 180 22, RGB 221 227 22, RGB 166 227 22, RGB 111 227 22 and RGB 57 227 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 229 23 shade: RGB 109 152 15, RGB 136 190 19, RGB 163 227 22, RGB 179 235 56 and RGB 193 239 93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 229 23 shade: RGB 164 229 23, RGB 22 227 125 and RGB 207 22 227

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 229 23 shade: RGB 164 229 23, RGB 22 166 227 and RGB 227 22 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 229 23 shade: RGB 164 229 23, RGB 22 227 125, RGB 84 22 227 and RGB 227 22 125

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 229 23 shade: RGB 164 229 23, RGB 22 227 186, RGB 84 22 227 and RGB 227 22 63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 90 / 10

HEX #A4E517

RGB 164 229 23

HSL 78.93, 0.82%, 0.49%

LAB 83.96, -45.6, 79.57

 

Complementary color

CMYK 61 / 89 / 0 / 9

HEX #5B1AE8

RGB 91 26 232

HSL 258.93, 0.82%, 0.51%

LAB 35.58, 71.32, -89.28

 

CMYK 26 / 0 / 92 / 10

HEX #A9E512

RGB 169 229 18

HSL 77.06, 0.85%, 0.48%

LAB 84.23, -43.82, 80.58

 

CMYK 25 / 0 / 85 / 3

HEX #BAF725

RGB 186 247 37

HSL 77.43, 0.93%, 0.56%

LAB 90.36, -44.75, 82.94

 

CMYK 20 / 0 / 78 / 0

HEX #CBFF38

RGB 203 255 56

HSL 75.68, 1%, 0.61%

LAB 93.67, -41.18, 81.75

 

CMYK 14 / 0 / 71 / 0

HEX #DCFF4B

RGB 220 255 75

HSL 71.67, 1%, 0.65%

LAB 94.84, -33.79, 77.44

 

CMYK 7 / 0 / 63 / 0

HEX #EDFF5E

RGB 237 255 94

HSL 66.71, 1%, 0.68%

LAB 96.13, -26.06, 72.2

 

CMYK 28 / 0 / 90 / 10

HEX #A4E517

RGB 164 229 23

HSL 78.93, 0.82%, 0.49%

LAB 83.96, -45.6, 79.57

 

CMYK 30 / 0 / 98 / 17

HEX #93D304

RGB 147 211 4

HSL 78.55, 0.96%, 0.42%

LAB 77.76, -44.56, 76.36

 

CMYK 33 / 0 / 100 / 24

HEX #82C100

RGB 130 193 0

HSL 79.59, 1%, 0.38%

LAB 71.48, -43.28, 71.52

 

CMYK 35 / 0 / 100 / 31

HEX #71AF00

RGB 113 175 0

HSL 81.26, 1%, 0.34%

LAB 65.1, -41.91, 66.21

 

CMYK 39 / 0 / 100 / 38

HEX #609D00

RGB 96 157 0

HSL 83.31, 1%, 0.31%

LAB 58.6, -40.51, 60.81

 

CMYK 28 / 0 / 90 / 11

HEX #A3E316

RGB 163 227 22

HSL 78.73, 0.82%, 0.49%

LAB 83.33, -45.14, 79.18

 

CMYK 4 / 0 / 90 / 11

HEX #DAE316

RGB 218 227 22

HSL 62.63, 0.82%, 0.49%

LAB 86.95, -23.27, 83.59

 

CMYK 0 / 20 / 90 / 11

HEX #E3B616

RGB 227 182 22

HSL 46.83, 0.82%, 0.49%

LAB 75.97, 3.25, 75.44

 

CMYK 0 / 44 / 90 / 11

HEX #E37E16

RGB 227 126 22

HSL 30.44, 0.82%, 0.49%

LAB 62.77, 32.92, 65.49

 

CMYK 0 / 69 / 90 / 11

HEX #E34716

RGB 227 71 22

HSL 14.34, 0.82%, 0.49%

LAB 52.83, 58.5, 58.3

 

CMYK 28 / 0 / 90 / 11

HEX #A3E316

RGB 163 227 22

HSL 78.73, 0.82%, 0.49%

LAB 83.33, -45.14, 79.18

 

CMYK 53 / 0 / 90 / 11

HEX #6BE316

RGB 107 227 22

HSL 95.12, 0.82%, 0.49%

LAB 80.81, -63.46, 76.07

 

CMYK 77 / 0 / 90 / 11

HEX #34E316

RGB 52 227 22

HSL 111.22, 0.82%, 0.49%

LAB 79.46, -74.73, 74.39

 

CMYK 90 / 0 / 79 / 11

HEX #16E330

RGB 22 227 48

HSL 127.61, 0.82%, 0.49%

LAB 79.23, -76.45, 68.34

 

CMYK 90 / 0 / 55 / 11

HEX #16E367

RGB 22 227 103

HSL 143.71, 0.82%, 0.49%

LAB 79.66, -70.98, 47.47

 

CMYK 28 / 0 / 90 / 11

HEX #A3E316

RGB 163 227 22

HSL 78.73, 0.82%, 0.49%

LAB 83.33, -45.14, 79.18

 

CMYK 31 / 0 / 99 / 3

HEX #AAF802

RGB 170 248 2

HSL 79.02, 0.98%, 0.49%

LAB 89.71, -51.61, 86.31

 

CMYK 28 / 0 / 90 / 11

HEX #A3E316

RGB 163 227 22

HSL 78.73, 0.82%, 0.49%

LAB 83.33, -45.14, 79.18

 

CMYK 25 / 0 / 79 / 19

HEX #9BCF2B

RGB 155 207 43

HSL 79.02, 0.66%, 0.49%

LAB 77.14, -38.82, 69.27

 

CMYK 21 / 0 / 66 / 27

HEX #94BB3F

RGB 148 187 63

HSL 78.87, 0.5%, 0.49%

LAB 71.01, -31.29, 56.25

 

CMYK 16 / 0 / 50 / 35

HEX #8CA753

RGB 140 167 83

HSL 79.29, 0.34%, 0.49%

LAB 64.83, -23.03, 40.05

 

CMYK 10 / 0 / 30 / 42

HEX #859367

RGB 133 147 103

HSL 79.09, 0.18%, 0.49%

LAB 58.82, -12.94, 21.68

 

CMYK 0 / 21 / 90 / 11

HEX #E3B416

RGB 227 180 22

HSL 46.24, 0.82%, 0.49%

LAB 75.47, 4.3, 75.05

 

CMYK 3 / 0 / 90 / 11

HEX #DDE316

RGB 221 227 22

HSL 61.76, 0.82%, 0.49%

LAB 87.18, -22.02, 83.86

 

CMYK 27 / 0 / 90 / 11

HEX #A6E316

RGB 166 227 22

HSL 77.85, 0.82%, 0.49%

LAB 83.5, -44.02, 79.38

 

CMYK 51 / 0 / 90 / 11

HEX #6FE316

RGB 111 227 22

HSL 93.95, 0.82%, 0.49%

LAB 80.95, -62.35, 76.24

 

CMYK 75 / 0 / 90 / 11

HEX #39E316

RGB 57 227 22

HSL 109.76, 0.82%, 0.49%

LAB 79.54, -74.03, 74.49

 

CMYK 28 / 0 / 90 / 40

HEX #6D980F

RGB 109 152 15

HSL 78.83, 0.82%, 0.33%

LAB 57.79, -32.96, 58.12

 

CMYK 28 / 0 / 90 / 25

HEX #88BE13

RGB 136 190 19

HSL 78.95, 0.82%, 0.41%

LAB 70.95, -39.38, 68.91

 

CMYK 28 / 0 / 90 / 11

HEX #A3E316

RGB 163 227 22

HSL 78.73, 0.82%, 0.49%

LAB 83.33, -45.14, 79.18

 

CMYK 24 / 0 / 76 / 8

HEX #B3EB38

RGB 179 235 56

HSL 78.77, 0.82%, 0.57%

LAB 86.65, -41.48, 74.77

 

CMYK 19 / 0 / 61 / 6

HEX #C1EF5D

RGB 193 239 93

HSL 78.9, 0.82%, 0.65%

LAB 88.86, -35.73, 63.92

 

CMYK 28 / 0 / 90 / 10

HEX #A4E517

RGB 164 229 23

HSL 78.93, 0.82%, 0.49%

LAB 83.96, -45.6, 79.57

 

CMYK 90 / 0 / 45 / 11

HEX #16E37D

RGB 22 227 125

HSL 150.15, 0.82%, 0.49%

LAB 79.95, -67.55, 37.25

 

CMYK 9 / 90 / 0 / 11

HEX #CF16E3

RGB 207 22 227

HSL 294.15, 0.82%, 0.49%

LAB 51.13, 84.96, -60.34

 

CMYK 28 / 0 / 90 / 10

HEX #A4E517

RGB 164 229 23

HSL 78.93, 0.82%, 0.49%

LAB 83.96, -45.6, 79.57

 

CMYK 90 / 27 / 0 / 11

HEX #16A6E3

RGB 22 166 227

HSL 197.85, 0.82%, 0.49%

LAB 64.15, -13.46, -40.43

 

CMYK 0 / 90 / 27 / 11

HEX #E316A6

RGB 227 22 166

HSL 317.85, 0.82%, 0.49%

LAB 51.45, 80.34, -24.3

 

CMYK 28 / 0 / 90 / 10

HEX #A4E517

RGB 164 229 23

HSL 78.93, 0.82%, 0.49%

LAB 83.96, -45.6, 79.57

 

CMYK 90 / 0 / 45 / 11

HEX #16E37D

RGB 22 227 125

HSL 150.15, 0.82%, 0.49%

LAB 79.95, -67.55, 37.25

 

CMYK 63 / 90 / 0 / 11

HEX #5416E3

RGB 84 22 227

HSL 258.15, 0.82%, 0.49%

LAB 33.99, 70.62, -89.07

 

CMYK 0 / 90 / 45 / 11

HEX #E3167D

RGB 227 22 125

HSL 329.85, 0.82%, 0.49%

LAB 49.96, 76.33, -1.96

 

CMYK 28 / 0 / 90 / 10

HEX #A4E517

RGB 164 229 23

HSL 78.93, 0.82%, 0.49%

LAB 83.96, -45.6, 79.57

 

CMYK 90 / 0 / 18 / 11

HEX #16E3BA

RGB 22 227 186

HSL 168, 0.82%, 0.49%

LAB 81.1, -54.57, 7.32

 

CMYK 63 / 90 / 0 / 11

HEX #5416E3

RGB 84 22 227

HSL 258.15, 0.82%, 0.49%

LAB 33.99, 70.62, -89.07

 

CMYK 0 / 90 / 72 / 11

HEX #E3163F

RGB 227 22 63

HSL 348, 0.82%, 0.49%

LAB 48.59, 72.53, 34

 

Description

Color code: RGB 164 229 23 | qconv.com Color code: RGB 164 229 23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 229 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 229 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 90 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 90% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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