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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 223 164 it is the complementary color RGB 91 32 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 223 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 223 164 shade: RGB 169 223 159, RGB 186 241 178, RGB 203 255 197, RGB 220 255 216 and RGB 237 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 223 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 223 164 shade: RGB 164 223 164, RGB 147 205 145, RGB 130 187 126, RGB 113 169 107 and RGB 96 151 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 223 164 shade: RGB 164 223 164, RGB 180 223 164, RGB 196 223 164, RGB 211 223 164 and RGB 223 218 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 223 164 shade: RGB 164 223 164, RGB 164 223 180, RGB 164 223 196, RGB 164 223 211 and RGB 164 218 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 223 164 shade matches the following richer shades: RGB 164 223 164, RGB 154 233 154, RGB 144 242 144 and RGB 134 252 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 223 164 shade: RGB 164 223 164, RGB 174 213 174, RGB 184 203 184, RGB 194 193 194 and RGB 204 183 204

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 223 164 shade: RGB 195 223 164, RGB 180 223 164, RGB 164 223 164, RGB 164 223 180 and RGB 164 223 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 223 164 shade: RGB 103 201 103, RGB 133 212 133, RGB 164 223 164, RGB 194 233 194 and RGB 225 244 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 223 164 shade: RGB 164 223 164, RGB 164 211 223 and RGB 223 164 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 223 164 shade: RGB 164 223 164, RGB 164 164 223 and RGB 223 164 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 223 164 shade: RGB 164 223 164, RGB 164 211 223, RGB 223 164 223 and RGB 223 176 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 223 164 shade: RGB 164 223 164, RGB 164 193 223, RGB 223 164 223 and RGB 223 193 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

Complementary color

CMYK 0 / 65 / 0 / 64

HEX #5B205B

RGB 91 32 91

HSL 300, 0.48%, 0.24%

LAB 23.71, 35.57, -22.71

 

CMYK 24 / 0 / 29 / 13

HEX #A9DF9F

RGB 169 223 159

HSL 110.63, 0.5%, 0.75%

LAB 83.82, -29.3, 25.92

 

CMYK 23 / 0 / 26 / 5

HEX #BAF1B2

RGB 186 241 178

HSL 112.38, 0.69%, 0.82%

LAB 90.12, -29.12, 24.9

 

CMYK 20 / 0 / 23 / 0

HEX #CBFFC5

RGB 203 255 197

HSL 113.79, 1%, 0.89%

LAB 95.27, -27.06, 22.45

 

CMYK 14 / 0 / 15 / 0

HEX #DCFFD8

RGB 220 255 216

HSL 113.85, 1%, 0.92%

LAB 96.69, -18.3, 14.91

 

CMYK 7 / 0 / 8 / 0

HEX #EDFFEB

RGB 237 255 235

HSL 114, 1%, 0.96%

LAB 98.24, -9.42, 7.54

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 28 / 0 / 29 / 20

HEX #93CD91

RGB 147 205 145

HSL 118, 0.38%, 0.69%

LAB 77.23, -30.38, 24.05

 

CMYK 30 / 0 / 33 / 27

HEX #82BB7E

RGB 130 187 126

HSL 116.07, 0.31%, 0.61%

LAB 70.73, -30.61, 25.16

 

CMYK 33 / 0 / 37 / 34

HEX #71A96B

RGB 113 169 107

HSL 114.19, 0.26%, 0.54%

LAB 64.12, -30.85, 26.33

 

CMYK 36 / 0 / 42 / 41

HEX #609758

RGB 96 151 88

HSL 112.38, 0.26%, 0.47%

LAB 57.39, -31.07, 27.57

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 19 / 0 / 26 / 13

HEX #B4DFA4

RGB 180 223 164

HSL 103.73, 0.48%, 0.76%

LAB 84.57, -24.77, 24.45

 

CMYK 12 / 0 / 26 / 13

HEX #C4DFA4

RGB 196 223 164

HSL 87.46, 0.48%, 0.76%

LAB 85.6, -19.13, 26.04

 

CMYK 5 / 0 / 26 / 13

HEX #D3DFA4

RGB 211 223 164

HSL 72.2, 0.48%, 0.76%

LAB 86.65, -13.67, 27.64

 

CMYK 0 / 2 / 26 / 13

HEX #DFDAA4

RGB 223 218 164

HSL 54.92, 0.48%, 0.76%

LAB 86.26, -6.68, 27.26

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 26 / 0 / 19 / 13

HEX #A4DFB4

RGB 164 223 180

HSL 136.27, 0.48%, 0.76%

LAB 83.95, -27.35, 15.1

 

CMYK 26 / 0 / 12 / 13

HEX #A4DFC4

RGB 164 223 196

HSL 152.54, 0.48%, 0.76%

LAB 84.3, -24.3, 7.19

 

CMYK 26 / 0 / 5 / 13

HEX #A4DFD3

RGB 164 223 211

HSL 167.8, 0.48%, 0.76%

LAB 84.67, -21.22, -0.2

 

CMYK 26 / 2 / 0 / 13

HEX #A4DADF

RGB 164 218 223

HSL 185.08, 0.48%, 0.76%

LAB 83.63, -16.1, -8.1

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 34 / 0 / 34 / 9

HEX #9AE99A

RGB 154 233 154

HSL 120, 0.64%, 0.76%

LAB 85.75, -39.57, 30.94

 

CMYK 40 / 0 / 40 / 5

HEX #90F290

RGB 144 242 144

HSL 120, 0.79%, 0.76%

LAB 87.7, -48.02, 38.44

 

CMYK 47 / 0 / 47 / 1

HEX #86FC86

RGB 134 252 134

HSL 120, 0.95%, 0.76%

LAB 90.05, -56.34, 46.2

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 18 / 0 / 18 / 16

HEX #AED5AE

RGB 174 213 174

HSL 120, 0.32%, 0.76%

LAB 81.64, -20.26, 15.11

 

CMYK 9 / 0 / 9 / 20

HEX #B8CBB8

RGB 184 203 184

HSL 120, 0.15%, 0.76%

LAB 79.82, -10, 7.29

 

CMYK 0 / 1 / 0 / 24

HEX #C2C1C2

RGB 194 193 194

HSL 300, 0.01%, 0.76%

LAB 78.17, 0.54, -0.39

 

CMYK 0 / 10 / 0 / 20

HEX #CCB7CC

RGB 204 183 204

HSL 300, 0.17%, 0.76%

LAB 76.72, 11.21, -7.85

 

CMYK 13 / 0 / 26 / 13

HEX #C3DFA4

RGB 195 223 164

HSL 88.47, 0.48%, 0.76%

LAB 85.53, -19.49, 25.93

 

CMYK 19 / 0 / 26 / 13

HEX #B4DFA4

RGB 180 223 164

HSL 103.73, 0.48%, 0.76%

LAB 84.57, -24.77, 24.45

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 26 / 0 / 19 / 13

HEX #A4DFB4

RGB 164 223 180

HSL 136.27, 0.48%, 0.76%

LAB 83.95, -27.35, 15.1

 

CMYK 26 / 0 / 13 / 13

HEX #A4DFC3

RGB 164 223 195

HSL 151.53, 0.48%, 0.76%

LAB 84.28, -24.5, 7.68

 

CMYK 49 / 0 / 49 / 21

HEX #67C967

RGB 103 201 103

HSL 120, 0.48%, 0.6%

LAB 73.31, -48.62, 40.07

 

CMYK 37 / 0 / 37 / 17

HEX #85D485

RGB 133 212 133

HSL 120, 0.48%, 0.68%

LAB 78.33, -40.02, 31.63

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 17 / 0 / 17 / 9

HEX #C2E9C2

RGB 194 233 194

HSL 120, 0.47%, 0.84%

LAB 88.75, -19.94, 14.81

 

CMYK 8 / 0 / 8 / 4

HEX #E1F4E1

RGB 225 244 225

HSL 120, 0.46%, 0.92%

LAB 94.37, -9.66, 7.01

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 26 / 5 / 0 / 13

HEX #A4D3DF

RGB 164 211 223

HSL 192.2, 0.48%, 0.76%

LAB 81.73, -12.53, -10.92

 

CMYK 0 / 26 / 16 / 13

HEX #DFA4BB

RGB 223 164 187

HSL 336.61, 0.48%, 0.76%

LAB 73.43, 25.22, -3.21

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 26 / 26 / 0 / 13

HEX #A4A4DF

RGB 164 164 223

HSL 240, 0.48%, 0.76%

LAB 69.31, 12.85, -29.77

 

CMYK 0 / 26 / 26 / 13

HEX #DFA4A4

RGB 223 164 164

HSL 0, 0.48%, 0.76%

LAB 72.84, 21.8, 8.59

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 26 / 5 / 0 / 13

HEX #A4D3DF

RGB 164 211 223

HSL 192.2, 0.48%, 0.76%

LAB 81.73, -12.53, -10.92

 

CMYK 0 / 26 / 0 / 13

HEX #DFA4DF

RGB 223 164 223

HSL 300, 0.48%, 0.76%

LAB 74.55, 31.41, -21.28

 

CMYK 0 / 21 / 26 / 13

HEX #DFB0A4

RGB 223 176 164

HSL 12.2, 0.48%, 0.76%

LAB 75.71, 15.35, 12.67

 

CMYK 26 / 0 / 26 / 13

HEX #A4DFA4

RGB 164 223 164

HSL 120, 0.48%, 0.76%

LAB 83.63, -30.15, 23.02

 

CMYK 26 / 13 / 0 / 13

HEX #A4C1DF

RGB 164 193 223

HSL 210.51, 0.48%, 0.76%

LAB 76.9, -3.08, -18.18

 

CMYK 0 / 26 / 0 / 13

HEX #DFA4DF

RGB 223 164 223

HSL 300, 0.48%, 0.76%

LAB 74.55, 31.41, -21.28

 

CMYK 0 / 13 / 26 / 13

HEX #DFC1A4

RGB 223 193 164

HSL 29.49, 0.48%, 0.76%

LAB 79.9, 6.3, 18.54

 

Description

Color code: RGB 164 223 164 | qconv.com Color code: RGB 164 223 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 223 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 223 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 26 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 26% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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