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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 20 158 it is the complementary color RGB 91 235 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 20 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 20 158 shade: RGB 169 20 153, RGB 186 38 172, RGB 203 56 191, RGB 220 74 210 and RGB 237 92 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 20 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 20 158 shade: RGB 164 20 158, RGB 147 2 139, RGB 130 0 120, RGB 113 0 101 and RGB 96 0 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 20 158 shade: RGB 163 20 157, RGB 163 20 119, RGB 163 20 80, RGB 163 20 42 and RGB 163 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 20 158 shade: RGB 163 20 157, RGB 131 20 163, RGB 92 20 163, RGB 54 20 163 and RGB 20 20 163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 20 158 shade matches the following richer shades: RGB 163 20 157 and RGB 178 5 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 20 158 shade: RGB 163 20 157, RGB 149 35 144, RGB 134 50 130, RGB 119 65 117 and RGB 104 80 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 20 158 shade: RGB 92 20 163, RGB 130 20 163, RGB 163 20 159, RGB 163 20 120 and RGB 163 20 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 20 158 shade: RGB 90 11 87, RGB 127 16 122, RGB 163 20 157, RGB 200 25 193 and RGB 228 38 220

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 20 158 shade: RGB 164 20 158, RGB 163 54 20 and RGB 20 163 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 20 158 shade: RGB 164 20 158, RGB 159 163 20 and RGB 20 159 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 20 158 shade: RGB 164 20 158, RGB 163 54 20, RGB 20 163 25 and RGB 20 130 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 20 158 shade: RGB 164 20 158, RGB 163 97 20, RGB 20 163 25 and RGB 20 87 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 4 / 36

HEX #A4149E

RGB 164 20 158

HSL 302.5, 0.78%, 0.36%

LAB 39.35, 67.18, -39.32

 

Complementary color

CMYK 61 / 0 / 59 / 8

HEX #5BEB61

RGB 91 235 97

HSL 122.5, 0.78%, 0.64%

LAB 83.18, -65.14, 54.6

 

CMYK 0 / 88 / 9 / 34

HEX #A91499

RGB 169 20 153

HSL 306.44, 0.79%, 0.37%

LAB 39.97, 67.4, -35.24

 

CMYK 0 / 80 / 8 / 27

HEX #BA26AC

RGB 186 38 172

HSL 305.68, 0.66%, 0.44%

LAB 45.36, 69.73, -37.9

 

CMYK 0 / 72 / 6 / 20

HEX #CB38BF

RGB 203 56 191

HSL 304.9, 0.59%, 0.51%

LAB 51.02, 71.02, -39.92

 

CMYK 0 / 66 / 5 / 14

HEX #DC4AD2

RGB 220 74 210

HSL 304.11, 0.68%, 0.58%

LAB 56.85, 71.61, -41.46

 

CMYK 0 / 61 / 3 / 7

HEX #ED5CE5

RGB 237 92 229

HSL 303.31, 0.8%, 0.65%

LAB 62.77, 71.73, -42.67

 

CMYK 0 / 88 / 4 / 36

HEX #A4149E

RGB 164 20 158

HSL 302.5, 0.78%, 0.36%

LAB 39.35, 67.18, -39.32

 

CMYK 0 / 99 / 5 / 42

HEX #93028B

RGB 147 2 139

HSL 303.31, 0.97%, 0.29%

LAB 34.21, 63.7, -36.08

 

CMYK 0 / 100 / 8 / 49

HEX #820078

RGB 130 0 120

HSL 304.62, 1%, 0.25%

LAB 29.67, 58.07, -31.6

 

CMYK 0 / 100 / 11 / 56

HEX #710065

RGB 113 0 101

HSL 306.37, 1%, 0.22%

LAB 25.11, 52.04, -26.81

 

CMYK 0 / 100 / 15 / 62

HEX #600052

RGB 96 0 82

HSL 308.75, 1%, 0.19%

LAB 20.42, 45.85, -21.82

 

CMYK 0 / 88 / 4 / 36

HEX #A3149D

RGB 163 20 157

HSL 302.52, 0.78%, 0.36%

LAB 39.11, 66.84, -39.11

 

CMYK 0 / 88 / 27 / 36

HEX #A31477

RGB 163 20 119

HSL 318.46, 0.78%, 0.36%

LAB 37.15, 61.63, -18.79

 

CMYK 0 / 88 / 51 / 36

HEX #A31450

RGB 163 20 80

HSL 334.83, 0.78%, 0.36%

LAB 35.73, 57.66, 3.99

 

CMYK 0 / 88 / 74 / 36

HEX #A3142A

RGB 163 20 42

HSL 350.77, 0.78%, 0.36%

LAB 34.91, 55.32, 27.43

 

CMYK 0 / 88 / 88 / 36

HEX #A31414

RGB 163 20 20

HSL 0, 0.78%, 0.36%

LAB 34.68, 54.63, 39.91

 

CMYK 0 / 88 / 4 / 36

HEX #A3149D

RGB 163 20 157

HSL 302.52, 0.78%, 0.36%

LAB 39.11, 66.84, -39.11

 

CMYK 20 / 88 / 0 / 36

HEX #8314A3

RGB 131 20 163

HSL 286.57, 0.78%, 0.36%

LAB 33.92, 62.17, -51.37

 

CMYK 44 / 88 / 0 / 36

HEX #5C14A3

RGB 92 20 163

HSL 270.21, 0.78%, 0.36%

LAB 27.9, 56.45, -61.45

 

CMYK 67 / 88 / 0 / 36

HEX #3614A3

RGB 54 20 163

HSL 254.27, 0.78%, 0.36%

LAB 23.44, 52.58, -68.97

 

CMYK 88 / 88 / 0 / 36

HEX #1414A3

RGB 20 20 163

HSL 240, 0.78%, 0.36%

LAB 21.18, 50.8, -72.78

 

CMYK 0 / 88 / 4 / 36

HEX #A3149D

RGB 163 20 157

HSL 302.52, 0.78%, 0.36%

LAB 39.11, 66.84, -39.11

 

CMYK 0 / 97 / 4 / 30

HEX #B205AB

RGB 178 5 171

HSL 302.43, 0.95%, 0.36%

LAB 42.02, 73.5, -42.71

 

CMYK 0 / 88 / 4 / 36

HEX #A3149D

RGB 163 20 157

HSL 302.52, 0.78%, 0.36%

LAB 39.11, 66.84, -39.11

 

CMYK 0 / 77 / 3 / 42

HEX #952390

RGB 149 35 144

HSL 302.63, 0.62%, 0.36%

LAB 37.12, 58.3, -34.5

 

CMYK 0 / 63 / 3 / 47

HEX #863282

RGB 134 50 130

HSL 302.86, 0.46%, 0.36%

LAB 35.91, 46.46, -27.96

 

CMYK 0 / 45 / 2 / 53

HEX #774175

RGB 119 65 117

HSL 302.22, 0.29%, 0.36%

LAB 35.96, 31.72, -19.97

 

CMYK 0 / 23 / 1 / 59

HEX #685067

RGB 104 80 103

HSL 302.5, 0.13%, 0.36%

LAB 37.22, 14.44, -9.46

 

CMYK 44 / 88 / 0 / 36

HEX #5C14A3

RGB 92 20 163

HSL 270.21, 0.78%, 0.36%

LAB 27.9, 56.45, -61.45

 

CMYK 20 / 88 / 0 / 36

HEX #8214A3

RGB 130 20 163

HSL 286.15, 0.78%, 0.36%

LAB 33.75, 62.01, -51.65

 

CMYK 0 / 88 / 2 / 36

HEX #A3149F

RGB 163 20 159

HSL 301.68, 0.78%, 0.36%

LAB 39.22, 67.14, -40.13

 

CMYK 0 / 88 / 26 / 36

HEX #A31478

RGB 163 20 120

HSL 318.04, 0.78%, 0.36%

LAB 37.19, 61.75, -19.34

 

CMYK 0 / 88 / 50 / 36

HEX #A31452

RGB 163 20 82

HSL 333.99, 0.78%, 0.36%

LAB 35.78, 57.83, 2.78

 

CMYK 0 / 88 / 3 / 65

HEX #5A0B57

RGB 90 11 87

HSL 302.28, 0.78%, 0.2%

LAB 20.44, 42.62, -25.23

 

CMYK 0 / 87 / 4 / 50

HEX #7F107A

RGB 127 16 122

HSL 302.7, 0.78%, 0.28%

LAB 30.13, 55.11, -32.17

 

CMYK 0 / 88 / 4 / 36

HEX #A3149D

RGB 163 20 157

HSL 302.52, 0.78%, 0.36%

LAB 39.11, 66.84, -39.11

 

CMYK 0 / 88 / 4 / 22

HEX #C819C1

RGB 200 25 193

HSL 302.4, 0.78%, 0.44%

LAB 48.04, 78.18, -45.84

 

CMYK 0 / 83 / 4 / 11

HEX #E426DC

RGB 228 38 220

HSL 302.53, 0.78%, 0.52%

LAB 55.12, 84.88, -49.79

 

CMYK 0 / 88 / 4 / 36

HEX #A4149E

RGB 164 20 158

HSL 302.5, 0.78%, 0.36%

LAB 39.35, 67.18, -39.32

 

CMYK 0 / 67 / 88 / 36

HEX #A33614

RGB 163 54 20

HSL 14.27, 0.78%, 0.36%

LAB 38.68, 43.5, 43.22

 

CMYK 88 / 0 / 32 / 36

HEX #14A36F

RGB 20 163 111

HSL 158.18, 0.78%, 0.36%

LAB 59.43, -47.58, 17.33

 

CMYK 0 / 88 / 4 / 36

HEX #A4149E

RGB 164 20 158

HSL 302.5, 0.78%, 0.36%

LAB 39.35, 67.18, -39.32

 

CMYK 2 / 0 / 88 / 36

HEX #9FA314

RGB 159 163 20

HSL 61.68, 0.78%, 0.36%

LAB 64.66, -16.87, 64.25

 

CMYK 88 / 2 / 0 / 36

HEX #149FA3

RGB 20 159 163

HSL 181.68, 0.78%, 0.36%

LAB 59.52, -31.63, -11.79

 

CMYK 0 / 88 / 4 / 36

HEX #A4149E

RGB 164 20 158

HSL 302.5, 0.78%, 0.36%

LAB 39.35, 67.18, -39.32

 

CMYK 0 / 67 / 88 / 36

HEX #A33614

RGB 163 54 20

HSL 14.27, 0.78%, 0.36%

LAB 38.68, 43.5, 43.22

 

CMYK 88 / 0 / 85 / 36

HEX #14A319

RGB 20 163 25

HSL 122.1, 0.78%, 0.36%

LAB 58.43, -59.54, 55.28

 

CMYK 88 / 20 / 0 / 36

HEX #1482A3

RGB 20 130 163

HSL 193.85, 0.78%, 0.36%

LAB 50.4, -16.73, -25.69

 

CMYK 0 / 88 / 4 / 36

HEX #A4149E

RGB 164 20 158

HSL 302.5, 0.78%, 0.36%

LAB 39.35, 67.18, -39.32

 

CMYK 0 / 40 / 88 / 36

HEX #A36114

RGB 163 97 20

HSL 32.31, 0.78%, 0.36%

LAB 47.48, 21.31, 50.43

 

CMYK 88 / 0 / 85 / 36

HEX #14A319

RGB 20 163 25

HSL 122.1, 0.78%, 0.36%

LAB 58.43, -59.54, 55.28

 

CMYK 88 / 47 / 0 / 36

HEX #1457A3

RGB 20 87 163

HSL 211.89, 0.78%, 0.36%

LAB 37.13, 9.42, -46.64

 

Description

Color code: RGB 164 20 158 | qconv.com Color code: RGB 164 20 158 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 20 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 20 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 4 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 4% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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