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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 208 114 it is the complementary color RGB 91 47 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 208 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 208 114 shade: RGB 169 208 109, RGB 186 226 128, RGB 203 244 147, RGB 220 255 166 and RGB 237 255 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 208 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 208 114 shade: RGB 164 208 114, RGB 147 190 95, RGB 130 172 76, RGB 113 154 57 and RGB 96 136 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 208 114 shade: RGB 164 208 113, RGB 189 208 113, RGB 208 201 113, RGB 208 176 113 and RGB 208 150 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 208 114 shade: RGB 164 208 113, RGB 138 208 113, RGB 113 208 114, RGB 113 208 140 and RGB 113 208 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 208 114 shade matches the following richer shades: RGB 164 208 113, RGB 165 223 98, RGB 166 238 83 and RGB 167 254 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 208 114 shade: RGB 164 208 113, RGB 163 193 129, RGB 162 177 144, RGB 161 162 159 and RGB 160 147 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 208 114 shade: RGB 208 202 113, RGB 189 208 113, RGB 164 208 113, RGB 139 208 113 and RGB 113 208 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 208 114 shade: RGB 123 179 60, RGB 144 198 83, RGB 164 208 113, RGB 184 218 144 and RGB 204 228 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 208 114 shade: RGB 164 208 114, RGB 113 208 176 and RGB 208 113 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 208 114 shade: RGB 164 208 114, RGB 113 164 208 and RGB 208 113 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 208 114 shade: RGB 164 208 114, RGB 113 208 176, RGB 158 113 208 and RGB 208 113 145

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 208 114 shade: RGB 164 208 114, RGB 113 208 205, RGB 158 113 208 and RGB 208 113 117

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 45 / 18

HEX #A4D072

RGB 164 208 114

HSL 88.09, 0.5%, 0.63%

LAB 78.59, -30.22, 41.89

 

Complementary color

CMYK 35 / 67 / 0 / 45

HEX #5B2F8D

RGB 91 47 141

HSL 268.09, 0.5%, 0.37%

LAB 29.86, 39.44, -44.78

 

CMYK 19 / 0 / 48 / 18

HEX #A9D06D

RGB 169 208 109

HSL 83.64, 0.51%, 0.62%

LAB 78.84, -28.93, 44.72

 

CMYK 18 / 0 / 43 / 11

HEX #BAE280

RGB 186 226 128

HSL 84.49, 0.63%, 0.69%

LAB 85.2, -28.98, 43.57

 

CMYK 17 / 0 / 40 / 4

HEX #CBF493

RGB 203 244 147

HSL 85.36, 0.82%, 0.77%

LAB 91.46, -28.99, 42.44

 

CMYK 14 / 0 / 35 / 0

HEX #DCFFA6

RGB 220 255 166

HSL 83.6, 1%, 0.83%

LAB 95.78, -25.7, 38.9

 

CMYK 7 / 0 / 27 / 0

HEX #EDFFB9

RGB 237 255 185

HSL 75.43, 1%, 0.86%

LAB 97.24, -17.11, 31.57

 

CMYK 21 / 0 / 45 / 18

HEX #A4D072

RGB 164 208 114

HSL 88.09, 0.5%, 0.63%

LAB 78.59, -30.22, 41.89

 

CMYK 23 / 0 / 50 / 25

HEX #93BE5F

RGB 147 190 95

HSL 87.16, 0.42%, 0.56%

LAB 72.13, -30.2, 43.05

 

CMYK 24 / 0 / 56 / 33

HEX #82AC4C

RGB 130 172 76

HSL 86.25, 0.39%, 0.49%

LAB 65.57, -30.12, 44.17

 

CMYK 27 / 0 / 63 / 40

HEX #719A39

RGB 113 154 57

HSL 85.36, 0.46%, 0.41%

LAB 58.9, -29.95, 45.16

 

CMYK 29 / 0 / 72 / 47

HEX #608826

RGB 96 136 38

HSL 84.49, 0.56%, 0.34%

LAB 52.1, -29.62, 45.78

 

CMYK 21 / 0 / 46 / 18

HEX #A4D071

RGB 164 208 113

HSL 87.79, 0.5%, 0.63%

LAB 78.58, -30.34, 42.37

 

CMYK 9 / 0 / 46 / 18

HEX #BDD071

RGB 189 208 113

HSL 72, 0.5%, 0.63%

LAB 80.25, -20.82, 44.8

 

CMYK 0 / 3 / 46 / 18

HEX #D0C971

RGB 208 201 113

HSL 55.58, 0.5%, 0.63%

LAB 79.83, -9.74, 44.62

 

CMYK 0 / 15 / 46 / 18

HEX #D0B071

RGB 208 176 113

HSL 39.79, 0.5%, 0.63%

LAB 73.32, 3.3, 36.48

 

CMYK 0 / 28 / 46 / 18

HEX #D09671

RGB 208 150 113

HSL 23.37, 0.5%, 0.63%

LAB 66.84, 17.33, 28.1

 

CMYK 21 / 0 / 46 / 18

HEX #A4D071

RGB 164 208 113

HSL 87.79, 0.5%, 0.63%

LAB 78.58, -30.34, 42.37

 

CMYK 34 / 0 / 46 / 18

HEX #8AD071

RGB 138 208 113

HSL 104.21, 0.5%, 0.63%

LAB 77.11, -39.49, 40.21

 

CMYK 46 / 0 / 45 / 18

HEX #71D072

RGB 113 208 114

HSL 120.63, 0.5%, 0.63%

LAB 75.97, -47.13, 38.04

 

CMYK 46 / 0 / 33 / 18

HEX #71D08C

RGB 113 208 140

HSL 137.05, 0.5%, 0.63%

LAB 76.38, -42.93, 25.26

 

CMYK 46 / 0 / 21 / 18

HEX #71D0A5

RGB 113 208 165

HSL 152.84, 0.5%, 0.63%

LAB 76.88, -38.07, 12.73

 

CMYK 21 / 0 / 46 / 18

HEX #A4D071

RGB 164 208 113

HSL 87.79, 0.5%, 0.63%

LAB 78.58, -30.34, 42.37

 

CMYK 26 / 0 / 56 / 13

HEX #A5DF62

RGB 165 223 98

HSL 87.84, 0.66%, 0.63%

LAB 82.73, -38.45, 54.43

 

CMYK 30 / 0 / 65 / 7

HEX #A6EE53

RGB 166 238 83

HSL 87.87, 0.82%, 0.63%

LAB 86.94, -45.91, 65.43

 

CMYK 34 / 0 / 73 / 0

HEX #A7FE44

RGB 167 254 68

HSL 88.06, 0.99%, 0.63%

LAB 91.47, -53.18, 75.41

 

CMYK 21 / 0 / 46 / 18

HEX #A4D071

RGB 164 208 113

HSL 87.79, 0.5%, 0.63%

LAB 78.58, -30.34, 42.37

 

CMYK 16 / 0 / 33 / 24

HEX #A3C181

RGB 163 193 129

HSL 88.13, 0.34%, 0.63%

LAB 74.52, -21.37, 28.99

 

CMYK 8 / 0 / 19 / 31

HEX #A2B190

RGB 162 177 144

HSL 87.27, 0.17%, 0.63%

LAB 70.27, -11.26, 15.16

 

CMYK 1 / 0 / 2 / 36

HEX #A1A29F

RGB 161 162 159

HSL 80, 0.02%, 0.63%

LAB 66.46, -0.92, 1.42

 

CMYK 9 / 16 / 0 / 31

HEX #A093AF

RGB 160 147 175

HSL 267.86, 0.15%, 0.63%

LAB 62.87, 10.27, -12.88

 

CMYK 0 / 3 / 46 / 18

HEX #D0CA71

RGB 208 202 113

HSL 56.21, 0.5%, 0.63%

LAB 80.09, -10.25, 44.94

 

CMYK 9 / 0 / 46 / 18

HEX #BDD071

RGB 189 208 113

HSL 72, 0.5%, 0.63%

LAB 80.25, -20.82, 44.8

 

CMYK 21 / 0 / 46 / 18

HEX #A4D071

RGB 164 208 113

HSL 87.79, 0.5%, 0.63%

LAB 78.58, -30.34, 42.37

 

CMYK 33 / 0 / 46 / 18

HEX #8BD071

RGB 139 208 113

HSL 103.58, 0.5%, 0.63%

LAB 77.16, -39.16, 40.29

 

CMYK 46 / 0 / 46 / 18

HEX #71D071

RGB 113 208 113

HSL 120, 0.5%, 0.63%

LAB 75.96, -47.27, 38.52

 

CMYK 31 / 0 / 66 / 30

HEX #7BB33C

RGB 123 179 60

HSL 88.24, 0.5%, 0.47%

LAB 67.11, -37.43, 52.91

 

CMYK 27 / 0 / 58 / 22

HEX #90C653

RGB 144 198 83

HSL 88.17, 0.5%, 0.55%

LAB 74.15, -36.26, 51.03

 

CMYK 21 / 0 / 46 / 18

HEX #A4D071

RGB 164 208 113

HSL 87.79, 0.5%, 0.63%

LAB 78.58, -30.34, 42.37

 

CMYK 16 / 0 / 34 / 15

HEX #B8DA90

RGB 184 218 144

HSL 87.57, 0.5%, 0.71%

LAB 83.1, -23.86, 32.83

 

CMYK 11 / 0 / 23 / 11

HEX #CCE4AF

RGB 204 228 175

HSL 87.17, 0.5%, 0.79%

LAB 87.69, -17.1, 23.29

 

CMYK 21 / 0 / 45 / 18

HEX #A4D072

RGB 164 208 114

HSL 88.09, 0.5%, 0.63%

LAB 78.59, -30.22, 41.89

 

CMYK 46 / 0 / 15 / 18

HEX #71D0B0

RGB 113 208 176

HSL 159.79, 0.5%, 0.63%

LAB 77.14, -35.7, 7.21

 

CMYK 0 / 46 / 3 / 18

HEX #D071CA

RGB 208 113 202

HSL 303.79, 0.5%, 0.63%

LAB 61.21, 49.79, -30.24

 

CMYK 21 / 0 / 45 / 18

HEX #A4D072

RGB 164 208 114

HSL 88.09, 0.5%, 0.63%

LAB 78.59, -30.22, 41.89

 

CMYK 46 / 21 / 0 / 18

HEX #71A4D0

RGB 113 164 208

HSL 207.79, 0.5%, 0.63%

LAB 65.45, -5.16, -27.71

 

CMYK 0 / 46 / 21 / 18

HEX #D071A4

RGB 208 113 164

HSL 327.79, 0.5%, 0.63%

LAB 59.8, 43.61, -10.7

 

CMYK 21 / 0 / 45 / 18

HEX #A4D072

RGB 164 208 114

HSL 88.09, 0.5%, 0.63%

LAB 78.59, -30.22, 41.89

 

CMYK 46 / 0 / 15 / 18

HEX #71D0B0

RGB 113 208 176

HSL 159.79, 0.5%, 0.63%

LAB 77.14, -35.7, 7.21

 

CMYK 24 / 46 / 0 / 18

HEX #9E71D0

RGB 158 113 208

HSL 268.42, 0.5%, 0.63%

LAB 55.72, 36.48, -42.63

 

CMYK 0 / 46 / 30 / 18

HEX #D07191

RGB 208 113 145

HSL 339.79, 0.5%, 0.63%

LAB 59.22, 40.96, -0.6

 

CMYK 21 / 0 / 45 / 18

HEX #A4D072

RGB 164 208 114

HSL 88.09, 0.5%, 0.63%

LAB 78.59, -30.22, 41.89

 

CMYK 46 / 0 / 1 / 18

HEX #71D0CD

RGB 113 208 205

HSL 178.11, 0.5%, 0.63%

LAB 77.89, -28.82, -7.26

 

CMYK 24 / 46 / 0 / 18

HEX #9E71D0

RGB 158 113 208

HSL 268.42, 0.5%, 0.63%

LAB 55.72, 36.48, -42.63

 

CMYK 0 / 46 / 44 / 18

HEX #D07175

RGB 208 113 117

HSL 357.47, 0.5%, 0.63%

LAB 58.51, 37.64, 14.6

 

Description

Color code: RGB 164 208 114 | qconv.com Color code: RGB 164 208 114 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 208 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 208 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 45 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 45% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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