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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 207 60 it is the complementary color RGB 91 48 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 207 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 207 60 shade: RGB 169 207 55, RGB 186 225 74, RGB 203 243 93, RGB 220 255 112 and RGB 237 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 207 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 207 60 shade: RGB 164 207 60, RGB 147 189 41, RGB 130 171 22, RGB 113 153 3 and RGB 96 135 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 207 60 shade: RGB 163 206 59, RGB 202 206 59, RGB 206 169 59, RGB 206 130 59 and RGB 206 90 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 207 60 shade: RGB 163 206 59, RGB 123 206 59, RGB 83 206 59, RGB 59 206 74 and RGB 59 206 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 207 60 shade matches the following richer shades: RGB 163 206 59, RGB 171 225 39 and RGB 179 245 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 207 60 shade: RGB 163 206 59, RGB 154 186 78, RGB 146 166 98, RGB 138 146 118 and RGB 130 126 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 207 60 shade: RGB 206 169 59, RGB 203 206 59, RGB 164 206 59, RGB 125 206 59 and RGB 86 206 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 207 60 shade: RGB 114 146 36, RGB 139 179 44, RGB 163 206 59, RGB 178 214 92 and RGB 194 222 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 207 60 shade: RGB 164 207 60, RGB 59 206 130 and RGB 188 59 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 207 60 shade: RGB 164 207 60, RGB 59 164 206 and RGB 206 59 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 207 60 shade: RGB 164 207 60, RGB 59 206 130, RGB 100 59 206 and RGB 206 59 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 207 60 shade: RGB 164 207 60, RGB 59 206 174, RGB 100 59 206 and RGB 206 59 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 71 / 19

HEX #A4CF3C

RGB 164 207 60

HSL 77.55, 0.6%, 0.52%

LAB 77.78, -34.48, 64.62

 

Complementary color

CMYK 53 / 75 / 0 / 24

HEX #5B30C3

RGB 91 48 195

HSL 257.55, 0.6%, 0.48%

LAB 34.56, 53.61, -69.59

 

CMYK 18 / 0 / 73 / 19

HEX #A9CF37

RGB 169 207 55

HSL 75, 0.61%, 0.51%

LAB 78.07, -32.79, 66.75

 

CMYK 17 / 0 / 67 / 12

HEX #BAE14A

RGB 186 225 74

HSL 75.5, 0.72%, 0.59%

LAB 84.37, -33.33, 66.58

 

CMYK 16 / 0 / 62 / 5

HEX #CBF35D

RGB 203 243 93

HSL 76, 0.86%, 0.66%

LAB 90.59, -33.76, 65.99

 

CMYK 14 / 0 / 56 / 0

HEX #DCFF70

RGB 220 255 112

HSL 74.69, 1%, 0.72%

LAB 95.12, -31.34, 63.35

 

CMYK 7 / 0 / 49 / 0

HEX #EDFF83

RGB 237 255 131

HSL 68.71, 1%, 0.76%

LAB 96.48, -23.23, 56.76

 

CMYK 21 / 0 / 71 / 19

HEX #A4CF3C

RGB 164 207 60

HSL 77.55, 0.6%, 0.52%

LAB 77.78, -34.48, 64.62

 

CMYK 22 / 0 / 78 / 26

HEX #93BD29

RGB 147 189 41

HSL 77.03, 0.64%, 0.45%

LAB 71.39, -33.88, 64.41

 

CMYK 24 / 0 / 87 / 33

HEX #82AB16

RGB 130 171 22

HSL 76.51, 0.77%, 0.38%

LAB 64.91, -33.09, 63.19

 

CMYK 26 / 0 / 98 / 40

HEX #719903

RGB 113 153 3

HSL 76, 0.96%, 0.31%

LAB 58.32, -32.06, 60.55

 

CMYK 29 / 0 / 100 / 47

HEX #608700

RGB 96 135 0

HSL 77.33, 1%, 0.26%

LAB 51.63, -30.7, 55.44

 

CMYK 21 / 0 / 71 / 19

HEX #A3CE3B

RGB 163 206 59

HSL 77.55, 0.6%, 0.52%

LAB 77.43, -34.47, 64.61

 

CMYK 2 / 0 / 71 / 19

HEX #CACE3B

RGB 202 206 59

HSL 61.63, 0.6%, 0.52%

LAB 80.19, -18.61, 68.24

 

CMYK 0 / 18 / 71 / 19

HEX #CEA93B

RGB 206 169 59

HSL 44.9, 0.6%, 0.52%

LAB 70.74, 2.15, 59.09

 

CMYK 0 / 37 / 71 / 19

HEX #CE823B

RGB 206 130 59

HSL 28.98, 0.6%, 0.52%

LAB 61.14, 23.24, 49.19

 

CMYK 0 / 56 / 71 / 19

HEX #CE5A3B

RGB 206 90 59

HSL 12.65, 0.6%, 0.52%

LAB 52.67, 44.04, 39.97

 

CMYK 21 / 0 / 71 / 19

HEX #A3CE3B

RGB 163 206 59

HSL 77.55, 0.6%, 0.52%

LAB 77.43, -34.47, 64.61

 

CMYK 40 / 0 / 71 / 19

HEX #7BCE3B

RGB 123 206 59

HSL 93.88, 0.6%, 0.52%

LAB 75.25, -49.02, 61.71

 

CMYK 60 / 0 / 71 / 19

HEX #53CE3B

RGB 83 206 59

HSL 110.2, 0.6%, 0.52%

LAB 73.74, -60.46, 59.69

 

CMYK 71 / 0 / 64 / 19

HEX #3BCE4A

RGB 59 206 74

HSL 126.12, 0.6%, 0.52%

LAB 73.26, -63.92, 53.08

 

CMYK 71 / 0 / 45 / 19

HEX #3BCE71

RGB 59 206 113

HSL 142.04, 0.6%, 0.52%

LAB 73.72, -58.61, 35.34

 

CMYK 21 / 0 / 71 / 19

HEX #A3CE3B

RGB 163 206 59

HSL 77.55, 0.6%, 0.52%

LAB 77.43, -34.47, 64.61

 

CMYK 24 / 0 / 83 / 12

HEX #ABE127

RGB 171 225 39

HSL 77.42, 0.76%, 0.52%

LAB 83.26, -40.81, 76.08

 

CMYK 27 / 0 / 92 / 4

HEX #B3F513

RGB 179 245 19

HSL 77.52, 0.92%, 0.52%

LAB 89.36, -46.89, 84.79

 

CMYK 21 / 0 / 71 / 19

HEX #A3CE3B

RGB 163 206 59

HSL 77.55, 0.6%, 0.52%

LAB 77.43, -34.47, 64.61

 

CMYK 17 / 0 / 58 / 27

HEX #9ABA4E

RGB 154 186 78

HSL 77.78, 0.44%, 0.52%

LAB 71.24, -27.26, 50.15

 

CMYK 12 / 0 / 41 / 35

HEX #92A662

RGB 146 166 98

HSL 77.65, 0.28%, 0.52%

LAB 65.17, -18.4, 32.88

 

CMYK 5 / 0 / 19 / 43

HEX #8A9276

RGB 138 146 118

HSL 77.14, 0.11%, 0.52%

LAB 59.22, -8.07, 13.89

 

CMYK 6 / 9 / 0 / 46

HEX #827E8A

RGB 130 126 138

HSL 260, 0.05%, 0.52%

LAB 53.5, 3.94, -5.95

 

CMYK 0 / 18 / 71 / 19

HEX #CEA93B

RGB 206 169 59

HSL 44.9, 0.6%, 0.52%

LAB 70.74, 2.15, 59.09

 

CMYK 1 / 0 / 71 / 19

HEX #CBCE3B

RGB 203 206 59

HSL 61.22, 0.6%, 0.52%

LAB 80.27, -18.19, 68.34

 

CMYK 20 / 0 / 71 / 19

HEX #A4CE3B

RGB 164 206 59

HSL 77.14, 0.6%, 0.52%

LAB 77.49, -34.08, 64.69

 

CMYK 39 / 0 / 71 / 19

HEX #7DCE3B

RGB 125 206 59

HSL 93.06, 0.6%, 0.52%

LAB 75.34, -48.35, 61.83

 

CMYK 58 / 0 / 71 / 19

HEX #56CE3B

RGB 86 206 59

HSL 108.98, 0.6%, 0.52%

LAB 73.83, -59.73, 59.81

 

CMYK 22 / 0 / 75 / 43

HEX #729224

RGB 114 146 36

HSL 77.45, 0.6%, 0.36%

LAB 56.35, -27.21, 51.13

 

CMYK 22 / 0 / 75 / 30

HEX #8BB32C

RGB 139 179 44

HSL 77.78, 0.61%, 0.44%

LAB 67.95, -32.29, 60.07

 

CMYK 21 / 0 / 71 / 19

HEX #A3CE3B

RGB 163 206 59

HSL 77.55, 0.6%, 0.52%

LAB 77.43, -34.47, 64.61

 

CMYK 17 / 0 / 57 / 16

HEX #B2D65C

RGB 178 214 92

HSL 77.7, 0.6%, 0.6%

LAB 80.92, -29.99, 55.25

 

CMYK 13 / 0 / 44 / 13

HEX #C2DE7D

RGB 194 222 125

HSL 77.32, 0.6%, 0.68%

LAB 84.58, -24.42, 44.38

 

CMYK 21 / 0 / 71 / 19

HEX #A4CF3C

RGB 164 207 60

HSL 77.55, 0.6%, 0.52%

LAB 77.78, -34.48, 64.62

 

CMYK 71 / 0 / 37 / 19

HEX #3BCE82

RGB 59 206 130

HSL 148.98, 0.6%, 0.52%

LAB 73.99, -55.56, 26.98

 

CMYK 9 / 71 / 0 / 19

HEX #BC3BCE

RGB 188 59 206

HSL 292.65, 0.6%, 0.52%

LAB 49.83, 69.25, -50.61

 

CMYK 21 / 0 / 71 / 19

HEX #A4CF3C

RGB 164 207 60

HSL 77.55, 0.6%, 0.52%

LAB 77.78, -34.48, 64.62

 

CMYK 71 / 20 / 0 / 19

HEX #3BA4CE

RGB 59 164 206

HSL 197.14, 0.6%, 0.52%

LAB 63.29, -16.28, -30.1

 

CMYK 0 / 71 / 20 / 19

HEX #CE3BA4

RGB 206 59 164

HSL 317.14, 0.6%, 0.52%

LAB 50.61, 66.86, -24.73

 

CMYK 21 / 0 / 71 / 19

HEX #A4CF3C

RGB 164 207 60

HSL 77.55, 0.6%, 0.52%

LAB 77.78, -34.48, 64.62

 

CMYK 71 / 0 / 37 / 19

HEX #3BCE82

RGB 59 206 130

HSL 148.98, 0.6%, 0.52%

LAB 73.99, -55.56, 26.98

 

CMYK 51 / 71 / 0 / 19

HEX #643BCE

RGB 100 59 206

HSL 256.73, 0.6%, 0.52%

LAB 38.36, 52.59, -69.72

 

CMYK 0 / 71 / 34 / 19

HEX #CE3B87

RGB 206 59 135

HSL 328.98, 0.6%, 0.52%

LAB 49.49, 63.31, -9.12

 

CMYK 21 / 0 / 71 / 19

HEX #A4CF3C

RGB 164 207 60

HSL 77.55, 0.6%, 0.52%

LAB 77.78, -34.48, 64.62

 

CMYK 71 / 0 / 16 / 19

HEX #3BCEAE

RGB 59 206 174

HSL 166.94, 0.6%, 0.52%

LAB 74.91, -45.77, 4.87

 

CMYK 51 / 71 / 0 / 19

HEX #643BCE

RGB 100 59 206

HSL 256.73, 0.6%, 0.52%

LAB 38.36, 52.59, -69.72

 

CMYK 0 / 71 / 56 / 19

HEX #CE3B5A

RGB 206 59 90

HSL 347.35, 0.6%, 0.52%

LAB 48.24, 59.16, 16.42

 

Description

Color code: RGB 164 207 60 | qconv.com Color code: RGB 164 207 60 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 207 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 207 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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