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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 180.8 80.4 it is the complementary color RGB 91 74.2 174.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 180.8 80.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 180.8 80.4 shade: RGB 169 180.8 75.4, RGB 186 198.8 94.4, RGB 203 216.8 113.4, RGB 220 234.8 132.4 and RGB 237 252.8 151.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 180.8 80.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 180.8 80.4 shade: RGB 164 180.8 80.4, RGB 147 162.8 61.4, RGB 130 144.8 42.4, RGB 113 126.8 23.4 and RGB 96 108.8 4.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 180.8 80.4 shade: RGB 163 180 80, RGB 180 170 80, RGB 180 143 80, RGB 180 116 80 and RGB 180 89 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 180.8 80.4 shade: RGB 163 180 80, RGB 136 180 80, RGB 109 180 80, RGB 82 180 80 and RGB 80 180 105

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 180.8 80.4 shade matches the following richer shades: RGB 163 180 80, RGB 177 200 60, RGB 190 220 40 and RGB 204 241 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 180.8 80.4 shade: RGB 163 180 80, RGB 150 160 100, RGB 136 140 121, RGB 123 119 141 and RGB 109 99 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 180.8 80.4 shade: RGB 180 143 80, RGB 180 170 80, RGB 163 180 80, RGB 137 180 80 and RGB 110 180 80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 180.8 80.4 shade: RGB 112 124 53, RGB 139 153 66, RGB 163 180 80, RGB 178 192 109 and RGB 194 205 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 180.8 80.4 shade: RGB 164 180.8 80.4, RGB 80 180 117 and RGB 157 80 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 180.8 80.4 shade: RGB 164 180.8 80.4, RGB 80 163 180 and RGB 180 80 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 180.8 80.4 shade: RGB 164 180.8 80.4, RGB 80 180 117, RGB 97 80 180 and RGB 180 80 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 180.8 80.4 shade: RGB 164 180.8 80.4, RGB 80 180 147, RGB 97 80 180 and RGB 180 80 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 56 / 29

HEX #A4B450

RGB 164 180.8 80.4

HSL 70.04, 0.4%, 0.51%

LAB 70.49, -20.46, 48.38

 

Complementary color

CMYK 48 / 58 / 0 / 32

HEX #5B4AAE

RGB 91 74.2 174.6

HSL 250.04, 0.4%, 0.49%

LAB 38.25, 33.18, -51.55

 

CMYK 7 / 0 / 58 / 29

HEX #A9B44B

RGB 169 180.8 75.4

HSL 66.72, 0.42%, 0.5%

LAB 70.81, -18.81, 51.14

 

CMYK 6 / 0 / 53 / 22

HEX #BAC65E

RGB 186 198.8 94.4

HSL 67.36, 0.48%, 0.57%

LAB 77.29, -19.26, 50.12

 

CMYK 6 / 0 / 48 / 15

HEX #CBD871

RGB 203 216.8 113.4

HSL 68.01, 0.58%, 0.65%

LAB 83.66, -19.62, 49

 

CMYK 6 / 0 / 44 / 8

HEX #DCEA84

RGB 220 234.8 132.4

HSL 68.67, 0.72%, 0.72%

LAB 89.95, -19.9, 47.87

 

CMYK 6 / 0 / 40 / 1

HEX #EDFC97

RGB 237 252.8 151.4

HSL 69.35, 0.96%, 0.79%

LAB 96.15, -20.14, 46.74

 

CMYK 9 / 0 / 56 / 29

HEX #A4B450

RGB 164 180.8 80.4

HSL 70.04, 0.4%, 0.51%

LAB 70.49, -20.46, 48.38

 

CMYK 10 / 0 / 62 / 36

HEX #93A23D

RGB 147 162.8 61.4

HSL 69.35, 0.45%, 0.44%

LAB 63.89, -20, 49.32

 

CMYK 10 / 0 / 71 / 43

HEX #82902A

RGB 130 144.8 42.4

HSL 68.67, 0.55%, 0.37%

LAB 57.18, -19.39, 49.92

 

CMYK 11 / 0 / 82 / 50

HEX #717E17

RGB 113 126.8 23.4

HSL 68.01, 0.69%, 0.29%

LAB 50.34, -18.57, 49.73

 

CMYK 12 / 0 / 96 / 57

HEX #606C04

RGB 96 108.8 4.4

HSL 67.36, 0.92%, 0.22%

LAB 43.35, -17.46, 48.11

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 0 / 6 / 56 / 29

HEX #B4AA50

RGB 180 170 80

HSL 54, 0.4%, 0.51%

LAB 68.77, -8.24, 46.94

 

CMYK 0 / 21 / 56 / 29

HEX #B48F50

RGB 180 143 80

HSL 37.8, 0.4%, 0.51%

LAB 61.59, 6.34, 38.48

 

CMYK 0 / 36 / 56 / 29

HEX #B47450

RGB 180 116 80

HSL 21.6, 0.4%, 0.51%

LAB 54.84, 21.37, 30.17

 

CMYK 0 / 51 / 56 / 29

HEX #B45950

RGB 180 89 80

HSL 5.4, 0.4%, 0.51%

LAB 48.79, 36.05, 22.4

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 24 / 0 / 56 / 29

HEX #88B450

RGB 136 180 80

HSL 86.4, 0.4%, 0.51%

LAB 68.36, -31.21, 45.61

 

CMYK 39 / 0 / 56 / 29

HEX #6DB450

RGB 109 180 80

HSL 102.6, 0.4%, 0.51%

LAB 66.88, -40.88, 43.51

 

CMYK 54 / 0 / 56 / 29

HEX #52B450

RGB 82 180 80

HSL 118.8, 0.4%, 0.51%

LAB 65.76, -48.96, 41.91

 

CMYK 56 / 0 / 42 / 29

HEX #50B469

RGB 80 180 105

HSL 135, 0.4%, 0.51%

LAB 66.03, -45.77, 29.63

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 12 / 0 / 70 / 22

HEX #B1C83C

RGB 177 200 60

HSL 69.86, 0.56%, 0.51%

LAB 76.67, -25.99, 63.81

 

CMYK 14 / 0 / 82 / 14

HEX #BEDC28

RGB 190 220 40

HSL 70, 0.72%, 0.51%

LAB 83.07, -31.03, 76.15

 

CMYK 15 / 0 / 92 / 5

HEX #CCF113

RGB 204 241 19

HSL 70, 0.89%, 0.51%

LAB 89.76, -35.53, 85.75

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 6 / 0 / 38 / 37

HEX #96A064

RGB 150 160 100

HSL 70, 0.24%, 0.51%

LAB 63.79, -13.43, 30.11

 

CMYK 3 / 0 / 14 / 45

HEX #888C79

RGB 136 140 121

HSL 72.63, 0.08%, 0.51%

LAB 57.44, -5.03, 9.65

 

CMYK 13 / 16 / 0 / 45

HEX #7B778D

RGB 123 119 141

HSL 250.91, 0.09%, 0.51%

LAB 51.07, 6.18, -11.39

 

CMYK 32 / 39 / 0 / 37

HEX #6D63A1

RGB 109 99 161

HSL 249.68, 0.25%, 0.51%

LAB 45.29, 18.65, -32.19

 

CMYK 0 / 21 / 56 / 29

HEX #B48F50

RGB 180 143 80

HSL 37.8, 0.4%, 0.51%

LAB 61.59, 6.34, 38.48

 

CMYK 0 / 6 / 56 / 29

HEX #B4AA50

RGB 180 170 80

HSL 54, 0.4%, 0.51%

LAB 68.77, -8.24, 46.94

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 24 / 0 / 56 / 29

HEX #89B450

RGB 137 180 80

HSL 85.8, 0.4%, 0.51%

LAB 68.42, -30.83, 45.7

 

CMYK 39 / 0 / 56 / 29

HEX #6EB450

RGB 110 180 80

HSL 102, 0.4%, 0.51%

LAB 66.93, -40.54, 43.58

 

CMYK 10 / 0 / 57 / 51

HEX #707C35

RGB 112 124 53

HSL 70.14, 0.4%, 0.35%

LAB 49.64, -15.56, 36.64

 

CMYK 9 / 0 / 57 / 40

HEX #8B9942

RGB 139 153 66

HSL 69.66, 0.4%, 0.43%

LAB 60.48, -18, 43.25

 

CMYK 9 / 0 / 56 / 29

HEX #A3B450

RGB 163 180 80

HSL 70.2, 0.4%, 0.51%

LAB 70.18, -20.5, 48.19

 

CMYK 7 / 0 / 43 / 25

HEX #B2C06D

RGB 178 192 109

HSL 70.12, 0.4%, 0.59%

LAB 74.99, -17.61, 40.1

 

CMYK 5 / 0 / 33 / 20

HEX #C2CD8A

RGB 194 205 138

HSL 69.85, 0.4%, 0.67%

LAB 80.16, -14.48, 32.17

 

CMYK 9 / 0 / 56 / 29

HEX #A4B450

RGB 164 180.8 80.4

HSL 70.04, 0.4%, 0.51%

LAB 70.49, -20.46, 48.38

 

CMYK 56 / 0 / 35 / 29

HEX #50B475

RGB 80 180 117

HSL 142.2, 0.4%, 0.51%

LAB 66.24, -43.62, 23.54

 

CMYK 13 / 56 / 0 / 29

HEX #9D50B4

RGB 157 80 180

HSL 286.2, 0.4%, 0.51%

LAB 47.24, 47.84, -39.93

 

CMYK 9 / 0 / 56 / 29

HEX #A4B450

RGB 164 180.8 80.4

HSL 70.04, 0.4%, 0.51%

LAB 70.49, -20.46, 48.38

 

CMYK 56 / 9 / 0 / 29

HEX #50A3B4

RGB 80 163 180

HSL 190.2, 0.4%, 0.51%

LAB 62.67, -20.27, -16.47

 

CMYK 0 / 56 / 9 / 29

HEX #B450A3

RGB 180 80 163

HSL 310.2, 0.4%, 0.51%

LAB 49.6, 51.13, -26.02

 

CMYK 9 / 0 / 56 / 29

HEX #A4B450

RGB 164 180.8 80.4

HSL 70.04, 0.4%, 0.51%

LAB 70.49, -20.46, 48.38

 

CMYK 56 / 0 / 35 / 29

HEX #50B475

RGB 80 180 117

HSL 142.2, 0.4%, 0.51%

LAB 66.24, -43.62, 23.54

 

CMYK 46 / 56 / 0 / 29

HEX #6150B4

RGB 97 80 180

HSL 250.2, 0.4%, 0.51%

LAB 40.53, 32.62, -51.03

 

CMYK 0 / 56 / 21 / 29

HEX #B4508F

RGB 180 80 143

HSL 322.2, 0.4%, 0.51%

LAB 48.79, 47.99, -15.39

 

CMYK 9 / 0 / 56 / 29

HEX #A4B450

RGB 164 180.8 80.4

HSL 70.04, 0.4%, 0.51%

LAB 70.49, -20.46, 48.38

 

CMYK 56 / 0 / 18 / 29

HEX #50B493

RGB 80 180 147

HSL 160.2, 0.4%, 0.51%

LAB 66.87, -37.27, 8.09

 

CMYK 46 / 56 / 0 / 29

HEX #6150B4

RGB 97 80 180

HSL 250.2, 0.4%, 0.51%

LAB 40.53, 32.62, -51.03

 

CMYK 0 / 56 / 37 / 29

HEX #B45071

RGB 180 80 113

HSL 340.2, 0.4%, 0.51%

LAB 47.79, 43.98, 1.18

 

Description

Color code: RGB 164 180.8 80.4 | qconv.com Color code: RGB 164 180.8 80.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 180.8 green and 80.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 180.8 80.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 56% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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