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Color name
RGB 164 167 72

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 167 72 it is the complementary color RGB 91 88 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 167 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 167 72 shade: RGB 169 167 67, RGB 186 185 86, RGB 203 203 105, RGB 220 221 124 and RGB 237 239 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 167 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 167 72 shade: RGB 164 167 72, RGB 147 149 53, RGB 130 131 34, RGB 113 113 15 and RGB 96 95 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 167 72 shade: RGB 164 167 71, RGB 167 144 71, RGB 167 119 71, RGB 167 93 71 and RGB 167 71 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 167 72 shade: RGB 164 167 71, RGB 138 167 71, RGB 113 167 71, RGB 87 167 71 and RGB 71 167 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 167 72 shade matches the following richer shades: RGB 164 167 71, RGB 182 187 52, RGB 201 206 33 and RGB 219 225 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 167 72 shade: RGB 164 167 71, RGB 146 148 91, RGB 128 129 110, RGB 110 109 130 and RGB 92 90 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 167 72 shade: RGB 167 118 71, RGB 167 143 71, RGB 166 167 71, RGB 140 167 71 and RGB 115 167 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 167 72 shade: RGB 108 110 47, RGB 136 138 59, RGB 164 167 71, RGB 183 186 94 and RGB 196 198 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 167 72 shade: RGB 164 167 72, RGB 71 167 92 and RGB 131 71 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 167 72 shade: RGB 164 167 72, RGB 71 166 167 and RGB 167 71 166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 167 72 shade: RGB 164 167 72, RGB 71 167 92, RGB 73 71 167 and RGB 167 71 147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 167 72 shade: RGB 164 167 72, RGB 71 167 121, RGB 73 71 167 and RGB 167 71 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 57 / 35

HEX #A4A748

RGB 164 167 72

HSL 61.89, 0.4%, 0.47%

LAB 66.52, -14.13, 47.78

 

Complementary color

CMYK 50 / 52 / 0 / 28

HEX #5B58B7

RGB 91 88 183

HSL 241.89, 0.4%, 0.53%

LAB 42.19, 27.27, -50.15

 

CMYK 0 / 1 / 60 / 34

HEX #A9A743

RGB 169 167 67

HSL 58.82, 0.43%, 0.46%

LAB 66.88, -12.37, 50.59

 

CMYK 0 / 1 / 54 / 27

HEX #BAB956

RGB 186 185 86

HSL 59.4, 0.42%, 0.53%

LAB 73.42, -13.01, 49.58

 

CMYK 0 / 0 / 48 / 20

HEX #CBCB69

RGB 203 203 105

HSL 60, 0.49%, 0.6%

LAB 79.86, -13.53, 48.45

 

CMYK 0 / 0 / 44 / 13

HEX #DCDD7C

RGB 220 221 124

HSL 60.62, 0.59%, 0.68%

LAB 86.2, -13.96, 47.29

 

CMYK 1 / 0 / 40 / 6

HEX #EDEF8F

RGB 237 239 143

HSL 61.25, 0.75%, 0.75%

LAB 92.45, -14.32, 46.14

 

CMYK 2 / 0 / 57 / 35

HEX #A4A748

RGB 164 167 72

HSL 61.89, 0.4%, 0.47%

LAB 66.52, -14.13, 47.78

 

CMYK 1 / 0 / 64 / 42

HEX #939535

RGB 147 149 53

HSL 61.25, 0.48%, 0.4%

LAB 59.85, -13.46, 48.68

 

CMYK 1 / 0 / 74 / 49

HEX #828322

RGB 130 131 34

HSL 60.62, 0.59%, 0.32%

LAB 53.05, -12.59, 49.11

 

CMYK 0 / 0 / 87 / 56

HEX #71710F

RGB 113 113 15

HSL 60, 0.77%, 0.25%

LAB 46.12, -11.45, 48.48

 

CMYK 0 / 1 / 100 / 62

HEX #605F00

RGB 96 95 0

HSL 59.38, 1%, 0.19%

LAB 39.02, -9.97, 45.98

 

CMYK 2 / 0 / 57 / 35

HEX #A4A747

RGB 164 167 71

HSL 61.88, 0.4%, 0.47%

LAB 66.51, -14.2, 48.24

 

CMYK 0 / 14 / 57 / 35

HEX #A79047

RGB 167 144 71

HSL 45.63, 0.4%, 0.47%

LAB 60.44, -0.62, 41.38

 

CMYK 0 / 29 / 57 / 35

HEX #A77747

RGB 167 119 71

HSL 30, 0.4%, 0.47%

LAB 53.88, 13.36, 33.58

 

CMYK 0 / 44 / 57 / 35

HEX #A75D47

RGB 167 93 71

HSL 13.75, 0.4%, 0.47%

LAB 47.62, 27.98, 25.79

 

CMYK 0 / 57 / 57 / 35

HEX #A74747

RGB 167 71 71

HSL 0, 0.4%, 0.47%

LAB 43.03, 39.59, 19.84

 

CMYK 2 / 0 / 57 / 35

HEX #A4A747

RGB 164 167 71

HSL 61.88, 0.4%, 0.47%

LAB 66.51, -14.2, 48.24

 

CMYK 17 / 0 / 57 / 35

HEX #8AA747

RGB 138 167 71

HSL 78.13, 0.4%, 0.47%

LAB 64.56, -25.03, 45.51

 

CMYK 32 / 0 / 57 / 35

HEX #71A747

RGB 113 167 71

HSL 93.75, 0.4%, 0.47%

LAB 63.01, -34.67, 43.33

 

CMYK 48 / 0 / 57 / 35

HEX #57A747

RGB 87 167 71

HSL 110, 0.4%, 0.47%

LAB 61.76, -43.39, 41.54

 

CMYK 57 / 0 / 51 / 35

HEX #47A752

RGB 71 167 82

HSL 126.88, 0.4%, 0.47%

LAB 61.3, -46.36, 35.43

 

CMYK 2 / 0 / 57 / 35

HEX #A4A747

RGB 164 167 71

HSL 61.88, 0.4%, 0.47%

LAB 66.51, -14.2, 48.24

 

CMYK 3 / 0 / 72 / 27

HEX #B6BB34

RGB 182 187 52

HSL 62.22, 0.56%, 0.47%

LAB 73.37, -17.92, 63.58

 

CMYK 2 / 0 / 84 / 19

HEX #C9CE21

RGB 201 206 33

HSL 61.73, 0.72%, 0.47%

LAB 79.99, -19.97, 75.48

 

CMYK 3 / 0 / 94 / 12

HEX #DBE10D

RGB 219 225 13

HSL 61.7, 0.89%, 0.47%

LAB 86.47, -22.01, 84.31

 

CMYK 2 / 0 / 57 / 35

HEX #A4A747

RGB 164 167 71

HSL 61.88, 0.4%, 0.47%

LAB 66.51, -14.2, 48.24

 

CMYK 1 / 0 / 39 / 42

HEX #92945B

RGB 146 148 91

HSL 62.11, 0.24%, 0.47%

LAB 59.93, -9.8, 29.9

 

CMYK 1 / 0 / 15 / 49

HEX #80816E

RGB 128 129 110

HSL 63.16, 0.08%, 0.47%

LAB 53.4, -3.91, 10.19

 

CMYK 15 / 16 / 0 / 49

HEX #6E6D82

RGB 110 109 130

HSL 242.86, 0.09%, 0.47%

LAB 46.8, 4.99, -11.43

 

CMYK 38 / 40 / 0 / 42

HEX #5C5A95

RGB 92 90 149

HSL 242.03, 0.25%, 0.47%

LAB 40.83, 15.89, -32.15

 

CMYK 0 / 29 / 57 / 35

HEX #A77647

RGB 167 118 71

HSL 29.38, 0.4%, 0.47%

LAB 53.63, 13.92, 33.27

 

CMYK 0 / 14 / 57 / 35

HEX #A78F47

RGB 167 143 71

HSL 45, 0.4%, 0.47%

LAB 60.17, -0.07, 41.07

 

CMYK 1 / 0 / 57 / 35

HEX #A6A747

RGB 166 167 71

HSL 60.63, 0.4%, 0.47%

LAB 66.67, -13.35, 48.46

 

CMYK 16 / 0 / 57 / 35

HEX #8CA747

RGB 140 167 71

HSL 76.88, 0.4%, 0.47%

LAB 64.7, -24.22, 45.7

 

CMYK 31 / 0 / 57 / 35

HEX #73A747

RGB 115 167 71

HSL 92.5, 0.4%, 0.47%

LAB 63.13, -33.94, 43.48

 

CMYK 2 / 0 / 57 / 57

HEX #6C6E2F

RGB 108 110 47

HSL 61.9, 0.4%, 0.31%

LAB 45, -10.23, 34.28

 

CMYK 1 / 0 / 57 / 46

HEX #888A3B

RGB 136 138 59

HSL 61.52, 0.4%, 0.39%

LAB 55.81, -11.99, 41.25

 

CMYK 2 / 0 / 57 / 35

HEX #A4A747

RGB 164 167 71

HSL 61.88, 0.4%, 0.47%

LAB 66.51, -14.2, 48.24

 

CMYK 2 / 0 / 49 / 27

HEX #B7BA5E

RGB 183 186 94

HSL 61.96, 0.4%, 0.55%

LAB 73.54, -14.07, 45.84

 

CMYK 1 / 0 / 38 / 22

HEX #C4C67B

RGB 196 198 123

HSL 61.6, 0.4%, 0.63%

LAB 78.2, -11.96, 37.35

 

CMYK 2 / 0 / 57 / 35

HEX #A4A748

RGB 164 167 72

HSL 61.89, 0.4%, 0.47%

LAB 66.52, -14.13, 47.78

 

CMYK 57 / 0 / 45 / 35

HEX #47A75C

RGB 71 167 92

HSL 133.13, 0.4%, 0.47%

LAB 61.44, -44.81, 30.45

 

CMYK 22 / 57 / 0 / 35

HEX #8347A7

RGB 131 71 167

HSL 277.5, 0.4%, 0.47%

LAB 41.41, 42.77, -41.73

 

CMYK 2 / 0 / 57 / 35

HEX #A4A748

RGB 164 167 72

HSL 61.89, 0.4%, 0.47%

LAB 66.52, -14.13, 47.78

 

CMYK 57 / 1 / 0 / 35

HEX #47A6A7

RGB 71 166 167

HSL 180.63, 0.4%, 0.47%

LAB 62.85, -27.33, -8.95

 

CMYK 0 / 57 / 1 / 35

HEX #A747A6

RGB 167 71 166

HSL 300.63, 0.4%, 0.47%

LAB 46.28, 52.23, -33.12

 

CMYK 2 / 0 / 57 / 35

HEX #A4A748

RGB 164 167 72

HSL 61.89, 0.4%, 0.47%

LAB 66.52, -14.13, 47.78

 

CMYK 57 / 0 / 45 / 35

HEX #47A75C

RGB 71 167 92

HSL 133.13, 0.4%, 0.47%

LAB 61.44, -44.81, 30.45

 

CMYK 56 / 57 / 0 / 35

HEX #4947A7

RGB 73 71 167

HSL 241.25, 0.4%, 0.47%

LAB 35.43, 29, -51.66

 

CMYK 0 / 57 / 12 / 35

HEX #A74793

RGB 167 71 147

HSL 312.5, 0.4%, 0.47%

LAB 45.4, 48.98, -23.16

 

CMYK 2 / 0 / 57 / 35

HEX #A4A748

RGB 164 167 72

HSL 61.89, 0.4%, 0.47%

LAB 66.52, -14.13, 47.78

 

CMYK 57 / 0 / 28 / 35

HEX #47A779

RGB 71 167 121

HSL 151.25, 0.4%, 0.47%

LAB 61.96, -39.3, 15.48

 

CMYK 56 / 57 / 0 / 35

HEX #4947A7

RGB 73 71 167

HSL 241.25, 0.4%, 0.47%

LAB 35.43, 29, -51.66

 

CMYK 0 / 57 / 29 / 35

HEX #A74776

RGB 167 71 118

HSL 330.63, 0.4%, 0.47%

LAB 44.28, 44.65, -7.28

 

Description

Color code: RGB 164 167 72 | qconv.com Color code: RGB 164 167 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 167 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 167 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 57 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 57% 35% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Стройматериалы в Хар...
Link: http://bud.kharkov.ua

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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