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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 158 25 it is the complementary color RGB 91 97 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 158 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 158 25 shade: RGB 169 158 20, RGB 186 176 39, RGB 203 194 58, RGB 220 212 77 and RGB 237 230 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 158 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 158 25 shade: RGB 164 158 25, RGB 147 140 6, RGB 130 122 0, RGB 113 104 0 and RGB 96 86 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 158 25 shade: RGB 164 158 25, RGB 164 120 25, RGB 164 83 25, RGB 164 45 25 and RGB 164 25 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 158 25 shade: RGB 164 158 25, RGB 133 164 25, RGB 95 164 25, RGB 57 164 25 and RGB 25 164 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 158 25 shade matches the following richer shades: RGB 164 158 25 and RGB 179 172 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 158 25 shade: RGB 164 158 25, RGB 149 144 40, RGB 134 130 55, RGB 118 116 70 and RGB 103 102 86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 158 25 shade: RGB 164 83 25, RGB 164 120 25, RGB 164 157 25, RGB 134 164 25 and RGB 97 164 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 158 25 shade: RGB 92 89 14, RGB 128 124 19, RGB 164 158 25, RGB 200 193 30 and RGB 224 216 47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 158 25 shade: RGB 164 158 25, RGB 25 164 45 and RGB 101 25 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 158 25 shade: RGB 164 158 25, RGB 25 164 157 and RGB 157 25 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 158 25 shade: RGB 164 158 25, RGB 25 164 45, RGB 25 32 164 and RGB 164 25 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 158 25 shade: RGB 164 158 25, RGB 25 164 87, RGB 25 32 164 and RGB 164 25 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

Complementary color

CMYK 60 / 58 / 0 / 10

HEX #5B61E6

RGB 91 97 230

HSL 237.41, 0.74%, 0.63%

LAB 47.61, 36.83, -68.4

 

CMYK 0 / 7 / 88 / 34

HEX #A99E14

RGB 169 158 20

HSL 55.57, 0.79%, 0.37%

LAB 64.11, -9.81, 64.16

 

CMYK 0 / 5 / 79 / 27

HEX #BAB027

RGB 186 176 39

HSL 55.92, 0.65%, 0.44%

LAB 70.62, -11.12, 65.4

 

CMYK 0 / 4 / 71 / 20

HEX #CBC23A

RGB 203 194 58

HSL 56.28, 0.58%, 0.51%

LAB 77.03, -12.22, 65.58

 

CMYK 0 / 4 / 65 / 14

HEX #DCD44D

RGB 220 212 77

HSL 56.64, 0.67%, 0.58%

LAB 83.36, -13.13, 65.15

 

CMYK 0 / 3 / 59 / 7

HEX #EDE660

RGB 237 230 96

HSL 57.02, 0.8%, 0.65%

LAB 89.6, -13.9, 64.38

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 0 / 5 / 96 / 42

HEX #938C06

RGB 147 140 6

HSL 57.02, 0.92%, 0.3%

LAB 57.05, -10.48, 60.23

 

CMYK 0 / 6 / 100 / 49

HEX #827A00

RGB 130 122 0

HSL 56.31, 1%, 0.25%

LAB 50.29, -8.72, 55.61

 

CMYK 0 / 8 / 100 / 56

HEX #716800

RGB 113 104 0

HSL 55.22, 1%, 0.22%

LAB 43.38, -6.78, 49.88

 

CMYK 0 / 10 / 100 / 62

HEX #605600

RGB 96 86 0

HSL 53.75, 1%, 0.19%

LAB 36.26, -4.75, 43.98

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 0 / 27 / 85 / 36

HEX #A47819

RGB 164 120 25

HSL 41.01, 0.74%, 0.37%

LAB 53.38, 8.88, 53.81

 

CMYK 0 / 49 / 85 / 36

HEX #A45319

RGB 164 83 25

HSL 25.04, 0.74%, 0.37%

LAB 44.45, 29.63, 46.1

 

CMYK 0 / 73 / 85 / 36

HEX #A42D19

RGB 164 45 25

HSL 8.63, 0.74%, 0.37%

LAB 37.55, 47.66, 39.98

 

CMYK 0 / 85 / 85 / 36

HEX #A41919

RGB 164 25 25

HSL 0, 0.74%, 0.37%

LAB 35.32, 53.92, 37.94

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 19 / 0 / 85 / 36

HEX #85A419

RGB 133 164 25

HSL 73.38, 0.74%, 0.37%

LAB 63.02, -28.46, 60.98

 

CMYK 42 / 0 / 85 / 36

HEX #5FA419

RGB 95 164 25

HSL 89.78, 0.74%, 0.37%

LAB 60.83, -43.13, 58.22

 

CMYK 65 / 0 / 85 / 36

HEX #39A419

RGB 57 164 25

HSL 106.19, 0.74%, 0.37%

LAB 59.43, -54.08, 56.44

 

CMYK 85 / 0 / 82 / 36

HEX #19A41D

RGB 25 164 29

HSL 121.73, 0.74%, 0.37%

LAB 58.83, -59.13, 54.59

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 0 / 4 / 95 / 30

HEX #B3AC09

RGB 179 172 9

HSL 57.53, 0.9%, 0.37%

LAB 68.83, -12.84, 69.95

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 0 / 3 / 73 / 42

HEX #959028

RGB 149 144 40

HSL 57.25, 0.58%, 0.37%

LAB 58.5, -10.67, 52.67

 

CMYK 0 / 3 / 59 / 47

HEX #868237

RGB 134 130 55

HSL 56.96, 0.42%, 0.37%

LAB 53.29, -8.86, 40.3

 

CMYK 0 / 2 / 41 / 54

HEX #767446

RGB 118 116 70

HSL 57.5, 0.26%, 0.37%

LAB 47.99, -6.68, 25.68

 

CMYK 0 / 1 / 17 / 60

HEX #676656

RGB 103 102 86

HSL 56.47, 0.09%, 0.37%

LAB 42.85, -2.66, 9.2

 

CMYK 0 / 49 / 85 / 36

HEX #A45319

RGB 164 83 25

HSL 25.04, 0.74%, 0.37%

LAB 44.45, 29.63, 46.1

 

CMYK 0 / 27 / 85 / 36

HEX #A47819

RGB 164 120 25

HSL 41.01, 0.74%, 0.37%

LAB 53.38, 8.88, 53.81

 

CMYK 0 / 4 / 85 / 36

HEX #A49D19

RGB 164 157 25

HSL 56.98, 0.74%, 0.37%

LAB 63.41, -11.4, 62.27

 

CMYK 18 / 0 / 85 / 36

HEX #86A419

RGB 134 164 25

HSL 72.95, 0.74%, 0.37%

LAB 63.09, -28.04, 61.06

 

CMYK 41 / 0 / 85 / 36

HEX #61A419

RGB 97 164 25

HSL 88.92, 0.74%, 0.37%

LAB 60.92, -42.43, 58.34

 

CMYK 0 / 3 / 85 / 64

HEX #5C590E

RGB 92 89 14

HSL 57.69, 0.74%, 0.21%

LAB 36.84, -8.04, 40.02

 

CMYK 0 / 3 / 85 / 50

HEX #807C13

RGB 128 124 19

HSL 57.8, 0.74%, 0.29%

LAB 50.75, -10.33, 51.87

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 0 / 4 / 85 / 22

HEX #C8C11E

RGB 200 193 30

HSL 57.53, 0.74%, 0.45%

LAB 76.38, -14, 73.12

 

CMYK 0 / 4 / 79 / 12

HEX #E0D82F

RGB 224 216 47

HSL 57.29, 0.74%, 0.53%

LAB 84.57, -14.79, 76.64

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 85 / 0 / 73 / 36

HEX #19A42D

RGB 25 164 45

HSL 128.63, 0.74%, 0.37%

LAB 58.93, -57.96, 49.3

 

CMYK 38 / 85 / 0 / 36

HEX #6519A4

RGB 101 25 164

HSL 272.81, 0.74%, 0.37%

LAB 29.77, 56.41, -58.94

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 85 / 0 / 4 / 36

HEX #19A49D

RGB 25 164 157

HSL 176.98, 0.74%, 0.37%

LAB 60.95, -35.47, -6.25

 

CMYK 4 / 85 / 0 / 36

HEX #9D19A4

RGB 157 25 164

HSL 296.98, 0.74%, 0.37%

LAB 38.8, 65.83, -43.88

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 85 / 0 / 73 / 36

HEX #19A42D

RGB 25 164 45

HSL 128.63, 0.74%, 0.37%

LAB 58.93, -57.96, 49.3

 

CMYK 85 / 80 / 0 / 36

HEX #1920A4

RGB 25 32 164

HSL 236.98, 0.74%, 0.37%

LAB 23.41, 45.73, -69.68

 

CMYK 0 / 85 / 13 / 36

HEX #A4198F

RGB 164 25 143

HSL 309.06, 0.74%, 0.37%

LAB 38.85, 64, -30.99

 

CMYK 0 / 4 / 85 / 36

HEX #A49E19

RGB 164 158 25

HSL 57.41, 0.74%, 0.37%

LAB 63.69, -11.92, 62.5

 

CMYK 85 / 0 / 47 / 36

HEX #19A457

RGB 25 164 87

HSL 146.76, 0.74%, 0.37%

LAB 59.38, -52.37, 30.24

 

CMYK 85 / 80 / 0 / 36

HEX #1920A4

RGB 25 32 164

HSL 236.98, 0.74%, 0.37%

LAB 23.41, 45.73, -69.68

 

CMYK 0 / 85 / 38 / 36

HEX #A41965

RGB 164 25 101

HSL 327.19, 0.74%, 0.37%

LAB 36.98, 58.8, -7.64

 

Description

Color code: RGB 164 158 25 | qconv.com Color code: RGB 164 158 25 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 158 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 158 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 85 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 85% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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