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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 154 30 it is the complementary color RGB 91 101 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 154 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 154 30 shade: RGB 169 154 25, RGB 186 172 44, RGB 203 190 63, RGB 220 208 82 and RGB 237 226 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 154 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 154 30 shade: RGB 164 154 30, RGB 147 136 11, RGB 130 118 0, RGB 113 100 0 and RGB 96 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 154 30 shade: RGB 164 154 30, RGB 164 118 30, RGB 164 82 30, RGB 164 46 30 and RGB 164 30 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 154 30 shade: RGB 164 154 30, RGB 138 164 30, RGB 102 164 30, RGB 66 164 30 and RGB 30 164 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 154 30 shade matches the following richer shades: RGB 164 154 30 and RGB 179 167 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 154 30 shade: RGB 164 154 30, RGB 148 140 46, RGB 132 127 61, RGB 117 114 77 and RGB 101 100 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 154 30 shade: RGB 164 81 30, RGB 164 117 30, RGB 164 153 30, RGB 139 164 30 and RGB 104 164 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 154 30 shade: RGB 94 88 17, RGB 129 121 24, RGB 164 154 30, RGB 199 187 36 and RGB 219 207 58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 154 30 shade: RGB 164 154 30, RGB 30 164 46 and RGB 99 30 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 154 30 shade: RGB 164 154 30, RGB 30 164 153 and RGB 153 30 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 154 30 shade: RGB 164 154 30, RGB 30 164 46, RGB 30 41 164 and RGB 164 30 148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 154 30 shade: RGB 164 154 30, RGB 30 164 86, RGB 30 41 164 and RGB 164 30 108

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

Complementary color

CMYK 60 / 55 / 0 / 12

HEX #5B65E1

RGB 91 101 225

HSL 235.52, 0.69%, 0.62%

LAB 48.22, 32.76, -64.58

 

CMYK 0 / 9 / 85 / 34

HEX #A99A19

RGB 169 154 25

HSL 53.75, 0.74%, 0.38%

LAB 63.02, -7.56, 62.13

 

CMYK 0 / 8 / 76 / 27

HEX #BAAC2C

RGB 186 172 44

HSL 54.08, 0.62%, 0.45%

LAB 69.56, -8.85, 62.85

 

CMYK 0 / 6 / 69 / 20

HEX #CBBE3F

RGB 203 190 63

HSL 54.43, 0.57%, 0.52%

LAB 76, -9.93, 62.69

 

CMYK 0 / 5 / 63 / 14

HEX #DCD052

RGB 220 208 82

HSL 54.78, 0.66%, 0.59%

LAB 82.34, -10.82, 62.03

 

CMYK 0 / 5 / 57 / 7

HEX #EDE265

RGB 237 226 101

HSL 55.15, 0.79%, 0.66%

LAB 88.61, -11.58, 61.13

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 0 / 7 / 93 / 42

HEX #93880B

RGB 147 136 11

HSL 55.15, 0.86%, 0.31%

LAB 55.92, -8.23, 58.55

 

CMYK 0 / 9 / 100 / 49

HEX #827600

RGB 130 118 0

HSL 54.46, 1%, 0.25%

LAB 49.13, -6.5, 54.78

 

CMYK 0 / 12 / 100 / 56

HEX #716400

RGB 113 100 0

HSL 53.1, 1%, 0.22%

LAB 42.19, -4.49, 49.03

 

CMYK 0 / 15 / 100 / 62

HEX #605200

RGB 96 82 0

HSL 51.25, 1%, 0.19%

LAB 35.05, -2.36, 43.12

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 0 / 28 / 82 / 36

HEX #A4761E

RGB 164 118 30

HSL 39.4, 0.69%, 0.38%

LAB 52.89, 10.17, 51.68

 

CMYK 0 / 50 / 82 / 36

HEX #A4521E

RGB 164 82 30

HSL 23.28, 0.69%, 0.38%

LAB 44.26, 30.33, 43.79

 

CMYK 0 / 72 / 82 / 36

HEX #A42E1E

RGB 164 46 30

HSL 7.16, 0.69%, 0.38%

LAB 37.73, 47.43, 37.55

 

CMYK 0 / 82 / 82 / 36

HEX #A41E1E

RGB 164 30 30

HSL 0, 0.69%, 0.38%

LAB 35.82, 52.76, 35.66

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 16 / 0 / 82 / 36

HEX #8AA41E

RGB 138 164 30

HSL 71.64, 0.69%, 0.38%

LAB 63.38, -26.18, 60.13

 

CMYK 38 / 0 / 82 / 36

HEX #66A41E

RGB 102 164 30

HSL 87.76, 0.69%, 0.38%

LAB 61.19, -40.43, 57.34

 

CMYK 60 / 0 / 82 / 36

HEX #42A41E

RGB 66 164 30

HSL 103.88, 0.69%, 0.38%

LAB 59.71, -51.67, 55.44

 

CMYK 82 / 0 / 81 / 36

HEX #1EA41F

RGB 30 164 31

HSL 120.45, 0.69%, 0.38%

LAB 58.91, -58.45, 54.1

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 0 / 7 / 92 / 30

HEX #B3A70E

RGB 179 167 14

HSL 55.64, 0.85%, 0.38%

LAB 67.47, -10.17, 68.25

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 0 / 5 / 69 / 42

HEX #948C2E

RGB 148 140 46

HSL 55.29, 0.53%, 0.38%

LAB 57.32, -8.64, 49.08

 

CMYK 0 / 4 / 54 / 48

HEX #847F3D

RGB 132 127 61

HSL 55.77, 0.37%, 0.38%

LAB 52.31, -7.59, 36.12

 

CMYK 0 / 3 / 34 / 54

HEX #75724D

RGB 117 114 77

HSL 55.5, 0.21%, 0.38%

LAB 47.43, -5.07, 20.96

 

CMYK 0 / 1 / 8 / 60

HEX #65645D

RGB 101 100 93

HSL 52.5, 0.04%, 0.38%

LAB 42.26, -1, 4.1

 

CMYK 0 / 51 / 82 / 36

HEX #A4511E

RGB 164 81 30

HSL 22.84, 0.69%, 0.38%

LAB 44.05, 30.87, 43.59

 

CMYK 0 / 29 / 82 / 36

HEX #A4751E

RGB 164 117 30

HSL 38.96, 0.69%, 0.38%

LAB 52.63, 10.74, 51.45

 

CMYK 0 / 7 / 82 / 36

HEX #A4991E

RGB 164 153 30

HSL 55.07, 0.69%, 0.38%

LAB 62.31, -9.13, 60

 

CMYK 15 / 0 / 82 / 36

HEX #8BA41E

RGB 139 164 30

HSL 71.19, 0.69%, 0.38%

LAB 63.45, -25.75, 60.22

 

CMYK 37 / 0 / 82 / 36

HEX #68A41E

RGB 104 164 30

HSL 86.87, 0.69%, 0.38%

LAB 61.3, -39.7, 57.48

 

CMYK 0 / 6 / 82 / 63

HEX #5E5811

RGB 94 88 17

HSL 55.32, 0.69%, 0.22%

LAB 36.74, -6.34, 38.95

 

CMYK 0 / 6 / 81 / 49

HEX #817918

RGB 129 121 24

HSL 55.43, 0.69%, 0.3%

LAB 49.99, -8.03, 49.75

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 0 / 6 / 82 / 22

HEX #C7BB24

RGB 199 187 36

HSL 55.58, 0.69%, 0.46%

LAB 74.71, -11.22, 70.24

 

CMYK 0 / 5 / 74 / 14

HEX #DBCF3A

RGB 219 207 58

HSL 55.53, 0.69%, 0.54%

LAB 81.83, -12, 70.64

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 82 / 0 / 72 / 36

HEX #1EA42E

RGB 30 164 46

HSL 127.16, 0.69%, 0.38%

LAB 59, -57.31, 49.01

 

CMYK 40 / 82 / 0 / 36

HEX #631EA4

RGB 99 30 164

HSL 270.9, 0.69%, 0.38%

LAB 30.06, 54.43, -58.47

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 82 / 0 / 7 / 36

HEX #1EA499

RGB 30 164 153

HSL 175.07, 0.69%, 0.38%

LAB 60.89, -36.24, -4.07

 

CMYK 7 / 82 / 0 / 36

HEX #991EA4

RGB 153 30 164

HSL 295.07, 0.69%, 0.38%

LAB 38.52, 63.89, -44.37

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 82 / 0 / 72 / 36

HEX #1EA42E

RGB 30 164 46

HSL 127.16, 0.69%, 0.38%

LAB 59, -57.31, 49.01

 

CMYK 82 / 75 / 0 / 36

HEX #1E29A4

RGB 30 41 164

HSL 235.07, 0.69%, 0.38%

LAB 25.39, 40.99, -66.39

 

CMYK 0 / 82 / 10 / 36

HEX #A41E94

RGB 164 30 148

HSL 307.16, 0.69%, 0.38%

LAB 39.51, 63.57, -33

 

CMYK 0 / 6 / 82 / 36

HEX #A49A1E

RGB 164 154 30

HSL 55.52, 0.69%, 0.38%

LAB 62.59, -9.66, 60.24

 

CMYK 82 / 0 / 48 / 36

HEX #1EA456

RGB 30 164 86

HSL 145.07, 0.69%, 0.38%

LAB 59.43, -52.03, 30.83

 

CMYK 82 / 75 / 0 / 36

HEX #1E29A4

RGB 30 41 164

HSL 235.07, 0.69%, 0.38%

LAB 25.39, 40.99, -66.39

 

CMYK 0 / 82 / 34 / 36

HEX #A41E6C

RGB 164 30 108

HSL 325.07, 0.69%, 0.38%

LAB 37.67, 58.33, -11.05

 

Description

Color code: RGB 164 154 30 | qconv.com Color code: RGB 164 154 30 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 154 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 154 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 82 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 82% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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