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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 147 4 it is the complementary color RGB 91 108 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 147 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 147 4 shade: RGB 169 147 0, RGB 186 165 18, RGB 203 183 37, RGB 220 201 56 and RGB 237 219 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 147 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 147 4 shade: RGB 164 147 4, RGB 147 129 0, RGB 130 111 0, RGB 113 93 0 and RGB 96 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 147 4 shade: RGB 164 147 4, RGB 164 104 4, RGB 164 61 4, RGB 164 18 4 and RGB 164 4 4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 147 4 shade: RGB 164 147 4, RGB 138 164 4, RGB 95 164 4, RGB 52 164 4 and RGB 9 164 4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 147 4 shade matches the following richer shades: RGB 164 147 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 147 4 shade: RGB 164 147 4, RGB 150 136 18, RGB 137 126 31, RGB 123 115 45 and RGB 110 104 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 147 4 shade: RGB 164 60 4, RGB 164 103 4, RGB 164 145 4, RGB 140 164 4 and RGB 97 164 4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 147 4 shade: RGB 84 75 2, RGB 124 111 3, RGB 164 147 4, RGB 204 183 5 and RGB 245 219 6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 147 4 shade: RGB 164 147 4, RGB 4 164 18 and RGB 81 4 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 147 4 shade: RGB 164 147 4, RGB 4 164 145 and RGB 145 4 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 147 4 shade: RGB 164 147 4, RGB 4 164 18, RGB 4 23 164 and RGB 164 4 151

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 147 4 shade: RGB 164 147 4, RGB 4 164 65, RGB 4 23 164 and RGB 164 4 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

Complementary color

CMYK 64 / 57 / 0 / 2

HEX #5B6CFB

RGB 91 108 251

HSL 233.63, 0.95%, 0.67%

LAB 51.74, 37.06, -73.43

 

CMYK 0 / 13 / 100 / 34

HEX #A99300

RGB 169 147 0

HSL 52.19, 1%, 0.33%

LAB 61.05, -4.25, 65.03

 

CMYK 0 / 11 / 90 / 27

HEX #BAA512

RGB 186 165 18

HSL 52.5, 0.82%, 0.4%

LAB 67.57, -5.93, 67.95

 

CMYK 0 / 10 / 82 / 20

HEX #CBB725

RGB 203 183 37

HSL 52.77, 0.69%, 0.47%

LAB 74, -7.39, 69.5

 

CMYK 0 / 9 / 75 / 14

HEX #DCC938

RGB 220 201 56

HSL 53.05, 0.7%, 0.54%

LAB 80.33, -8.62, 69.93

 

CMYK 0 / 8 / 68 / 7

HEX #EDDB4B

RGB 237 219 75

HSL 53.33, 0.82%, 0.61%

LAB 86.59, -9.68, 69.68

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 0 / 12 / 100 / 42

HEX #938100

RGB 147 129 0

HSL 52.65, 1%, 0.29%

LAB 53.92, -4.59, 58.97

 

CMYK 0 / 15 / 100 / 49

HEX #826F00

RGB 130 111 0

HSL 51.23, 1%, 0.25%

LAB 47.12, -2.55, 53.34

 

CMYK 0 / 18 / 100 / 56

HEX #715D00

RGB 113 93 0

HSL 49.38, 1%, 0.22%

LAB 40.15, -0.4, 47.58

 

CMYK 0 / 22 / 100 / 62

HEX #604B00

RGB 96 75 0

HSL 46.88, 1%, 0.19%

LAB 32.96, 1.89, 41.65

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 0 / 37 / 98 / 36

HEX #A46804

RGB 164 104 4

HSL 37.5, 0.95%, 0.33%

LAB 49.25, 17.52, 55.8

 

CMYK 0 / 63 / 98 / 36

HEX #A43D04

RGB 164 61 4

HSL 21.38, 0.95%, 0.33%

LAB 39.98, 40.42, 49.79

 

CMYK 0 / 89 / 98 / 36

HEX #A41204

RGB 164 18 4

HSL 5.25, 0.95%, 0.33%

LAB 34.67, 55.05, 46.84

 

CMYK 0 / 98 / 98 / 36

HEX #A40404

RGB 164 4 4

HSL 0, 0.95%, 0.33%

LAB 33.96, 57.1, 46.44

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 16 / 0 / 98 / 36

HEX #8AA404

RGB 138 164 4

HSL 69.75, 0.95%, 0.33%

LAB 63.31, -26.81, 64.98

 

CMYK 42 / 0 / 98 / 36

HEX #5FA404

RGB 95 164 4

HSL 85.88, 0.95%, 0.33%

LAB 60.78, -43.71, 61.91

 

CMYK 68 / 0 / 98 / 36

HEX #34A404

RGB 52 164 4

HSL 102, 0.95%, 0.33%

LAB 59.24, -55.85, 60.04

 

CMYK 95 / 0 / 98 / 36

HEX #09A404

RGB 9 164 4

HSL 118.13, 0.95%, 0.33%

LAB 58.62, -61.34, 59.27

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 0 / 9 / 88 / 41

HEX #968812

RGB 150 136 18

HSL 53.64, 0.79%, 0.33%

LAB 56.22, -6.7, 57.5

 

CMYK 0 / 8 / 77 / 46

HEX #897E1F

RGB 137 126 31

HSL 53.77, 0.63%, 0.33%

LAB 52.22, -6.78, 49.66

 

CMYK 0 / 7 / 63 / 52

HEX #7B732D

RGB 123 115 45

HSL 53.85, 0.46%, 0.33%

LAB 47.83, -6.3, 38.82

 

CMYK 0 / 5 / 46 / 57

HEX #6E683B

RGB 110 104 59

HSL 52.94, 0.3%, 0.33%

LAB 43.55, -4.68, 26.12

 

CMYK 0 / 63 / 98 / 36

HEX #A43C04

RGB 164 60 4

HSL 21, 0.95%, 0.33%

LAB 39.8, 40.89, 49.69

 

CMYK 0 / 37 / 98 / 36

HEX #A46704

RGB 164 103 4

HSL 37.13, 0.95%, 0.33%

LAB 49.01, 18.08, 55.63

 

CMYK 0 / 12 / 98 / 36

HEX #A49104

RGB 164 145 4

HSL 52.88, 0.95%, 0.33%

LAB 60.03, -5.4, 63.47

 

CMYK 15 / 0 / 98 / 36

HEX #8CA404

RGB 140 164 4

HSL 69, 0.95%, 0.33%

LAB 63.45, -25.95, 65.15

 

CMYK 41 / 0 / 98 / 36

HEX #61A404

RGB 97 164 4

HSL 85.13, 0.95%, 0.33%

LAB 60.87, -43, 62.03

 

CMYK 0 / 11 / 98 / 67

HEX #544B02

RGB 84 75 2

HSL 53.41, 0.95%, 0.17%

LAB 31.63, -4.2, 39.31

 

CMYK 0 / 10 / 98 / 51

HEX #7C6F03

RGB 124 111 3

HSL 53.55, 0.95%, 0.25%

LAB 46.53, -5.37, 51.96

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 0 / 10 / 98 / 20

HEX #CCB705

RGB 204 183 5

HSL 53.67, 0.95%, 0.41%

LAB 74.01, -7.54, 75.24

 

CMYK 0 / 11 / 98 / 4

HEX #F5DB06

RGB 245 219 6

HSL 53.47, 0.95%, 0.49%

LAB 87.04, -8.14, 86.29

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 98 / 0 / 89 / 36

HEX #04A412

RGB 4 164 18

HSL 125.25, 0.95%, 0.33%

LAB 58.62, -61.19, 57.03

 

CMYK 51 / 98 / 0 / 36

HEX #5104A4

RGB 81 4 164

HSL 268.88, 0.95%, 0.33%

LAB 25.31, 59.06, -66.38

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 98 / 0 / 12 / 36

HEX #04A491

RGB 4 164 145

HSL 172.88, 0.95%, 0.33%

LAB 60.45, -40.07, -0.25

 

CMYK 12 / 98 / 0 / 36

HEX #9104A4

RGB 145 4 164

HSL 292.88, 0.95%, 0.33%

LAB 35.57, 67.07, -49.19

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 98 / 0 / 89 / 36

HEX #04A412

RGB 4 164 18

HSL 125.25, 0.95%, 0.33%

LAB 58.62, -61.19, 57.03

 

CMYK 98 / 86 / 0 / 36

HEX #0417A4

RGB 4 23 164

HSL 232.88, 0.95%, 0.33%

LAB 21.28, 49.47, -73.24

 

CMYK 0 / 98 / 8 / 36

HEX #A40497

RGB 164 4 151

HSL 304.88, 0.95%, 0.33%

LAB 38.22, 68.26, -36.86

 

CMYK 0 / 10 / 98 / 36

HEX #A49304

RGB 164 147 4

HSL 53.63, 0.95%, 0.33%

LAB 60.58, -6.48, 63.87

 

CMYK 98 / 0 / 60 / 36

HEX #04A441

RGB 4 164 65

HSL 142.88, 0.95%, 0.33%

LAB 58.94, -57.19, 40.64

 

CMYK 98 / 86 / 0 / 36

HEX #0417A4

RGB 4 23 164

HSL 232.88, 0.95%, 0.33%

LAB 21.28, 49.47, -73.24

 

CMYK 0 / 98 / 37 / 36

HEX #A40467

RGB 164 4 103

HSL 322.88, 0.95%, 0.33%

LAB 35.9, 62.35, -10.54

 

Description

Color code: RGB 164 147 4 | qconv.com Color code: RGB 164 147 4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 147 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 147 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 98 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 98% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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