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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 147 251 it is the complementary color RGB 91 108 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 147 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 147 251 shade: RGB 169 147 246, RGB 186 165 255, RGB 203 183 255, RGB 220 201 255 and RGB 237 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 147 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 147 251 shade: RGB 164 147 251, RGB 147 129 232, RGB 130 111 213, RGB 113 93 194 and RGB 96 75 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 147 251 shade: RGB 164 147 251, RGB 192 147 251, RGB 220 147 251, RGB 248 147 251 and RGB 251 147 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 147 251 shade: RGB 164 147 251 and RGB 147 147 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 147 251 shade matches the following richer shades: RGB 164 147 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 147 251 shade: RGB 164 147 251, RGB 170 156 242, RGB 176 165 233, RGB 182 174 224 and RGB 188 183 215

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 147 251 shade: RGB 147 187 251, RGB 147 159 251, RGB 162 147 251, RGB 190 147 251 and RGB 218 147 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 147 251 shade: RGB 97 67 248, RGB 130 107 250, RGB 164 147 251, RGB 197 187 253 and RGB 231 226 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 147 251 shade: RGB 164 147 251, RGB 251 147 215 and RGB 173 251 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 147 251 shade: RGB 164 147 251, RGB 251 162 147 and RGB 147 251 162

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 147 251 shade: RGB 164 147 251, RGB 251 147 215, RGB 235 251 147 and RGB 147 251 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 147 251 shade: RGB 164 147 251, RGB 251 147 183, RGB 235 251 147 and RGB 147 251 215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

Complementary color

CMYK 16 / 0 / 96 / 58

HEX #5B6C04

RGB 91 108 4

HSL 69.81, 0.93%, 0.22%

LAB 42.7, -19.37, 47.53

 

CMYK 31 / 40 / 0 / 4

HEX #A993F6

RGB 169 147 246

HSL 253.33, 0.85%, 0.77%

LAB 66.49, 29.57, -46.75

 

CMYK 27 / 35 / 0 / 0

HEX #BAA5FF

RGB 186 165 255

HSL 254, 1%, 0.82%

LAB 72.61, 26.37, -41.95

 

CMYK 20 / 28 / 0 / 0

HEX #CBB7FF

RGB 203 183 255

HSL 256.67, 1%, 0.86%

LAB 78.34, 21.37, -32.95

 

CMYK 14 / 21 / 0 / 0

HEX #DCC9FF

RGB 220 201 255

HSL 261.11, 1%, 0.89%

LAB 84.07, 16.82, -24.04

 

CMYK 7 / 14 / 0 / 0

HEX #EDDBFF

RGB 237 219 255

HSL 270, 1%, 0.93%

LAB 89.81, 12.67, -15.25

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 37 / 44 / 0 / 9

HEX #9381E8

RGB 147 129 232

HSL 250.49, 0.69%, 0.71%

LAB 59.64, 30.44, -49.96

 

CMYK 39 / 48 / 0 / 16

HEX #826FD5

RGB 130 111 213

HSL 251.18, 0.55%, 0.64%

LAB 52.86, 31.47, -50.17

 

CMYK 42 / 52 / 0 / 24

HEX #715DC2

RGB 113 93 194

HSL 251.88, 0.45%, 0.56%

LAB 45.95, 32.63, -50.41

 

CMYK 45 / 57 / 0 / 31

HEX #604BAF

RGB 96 75 175

HSL 252.6, 0.4%, 0.49%

LAB 38.92, 33.93, -50.68

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 24 / 41 / 0 / 2

HEX #C093FB

RGB 192 147 251

HSL 265.96, 0.93%, 0.78%

LAB 68.78, 37.08, -45.73

 

CMYK 12 / 41 / 0 / 2

HEX #DC93FB

RGB 220 147 251

HSL 282.12, 0.93%, 0.78%

LAB 71.59, 45, -41.13

 

CMYK 1 / 41 / 0 / 2

HEX #F893FB

RGB 248 147 251

HSL 298.27, 0.93%, 0.78%

LAB 74.69, 53.1, -36.07

 

CMYK 0 / 41 / 10 / 2

HEX #FB93E2

RGB 251 147 226

HSL 314.42, 0.93%, 0.78%

LAB 74.11, 49.74, -23.32

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 41 / 41 / 0 / 2

HEX #9393FB

RGB 147 147 251

HSL 240, 0.93%, 0.78%

LAB 64.99, 25.22, -51.96

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 30 / 36 / 0 / 5

HEX #AA9CF2

RGB 170 156 242

HSL 249.77, 0.77%, 0.78%

LAB 68.56, 23.75, -41.3

 

CMYK 24 / 29 / 0 / 9

HEX #B0A5E9

RGB 176 165 233

HSL 249.71, 0.61%, 0.78%

LAB 70.89, 18.24, -32.73

 

CMYK 19 / 22 / 0 / 12

HEX #B6AEE0

RGB 182 174 224

HSL 249.6, 0.45%, 0.78%

LAB 73.28, 13, -24.09

 

CMYK 13 / 15 / 0 / 16

HEX #BCB7D7

RGB 188 183 215

HSL 249.38, 0.29%, 0.78%

LAB 75.74, 8.03, -15.43

 

CMYK 41 / 25 / 0 / 2

HEX #93BBFB

RGB 147 187 251

HSL 216.92, 0.93%, 0.78%

LAB 75.27, 2.59, -35.86

 

CMYK 41 / 37 / 0 / 2

HEX #939FFB

RGB 147 159 251

HSL 233.08, 0.93%, 0.78%

LAB 67.99, 18.32, -47.22

 

CMYK 35 / 41 / 0 / 2

HEX #A293FB

RGB 162 147 251

HSL 248.65, 0.93%, 0.78%

LAB 66.15, 29, -50.06

 

CMYK 24 / 41 / 0 / 2

HEX #BE93FB

RGB 190 147 251

HSL 264.81, 0.93%, 0.78%

LAB 68.59, 36.52, -46.04

 

CMYK 13 / 41 / 0 / 2

HEX #DA93FB

RGB 218 147 251

HSL 280.96, 0.93%, 0.78%

LAB 71.38, 44.43, -41.48

 

CMYK 61 / 73 / 0 / 3

HEX #6143F8

RGB 97 67 248

HSL 249.94, 0.93%, 0.62%

LAB 43.26, 60.07, -85.61

 

CMYK 48 / 57 / 0 / 2

HEX #826BFA

RGB 130 107 250

HSL 249.65, 0.93%, 0.7%

LAB 54.2, 44.23, -68.76

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 22 / 26 / 0 / 1

HEX #C5BBFD

RGB 197 187 253

HSL 249.09, 0.94%, 0.86%

LAB 78.75, 16.95, -31.27

 

CMYK 9 / 11 / 0 / 0

HEX #E7E2FE

RGB 231 226 254

HSL 250.71, 0.93%, 0.94%

LAB 91.02, 6.89, -12.95

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 0 / 41 / 14 / 2

HEX #FB93D7

RGB 251 147 215

HSL 320.77, 0.93%, 0.78%

LAB 73.73, 47.99, -17.85

 

CMYK 31 / 0 / 41 / 2

HEX #ADFB93

RGB 173 251 147

HSL 105, 0.93%, 0.78%

LAB 91.68, -42.49, 42.37

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 0 / 35 / 41 / 2

HEX #FBA293

RGB 251 162 147

HSL 8.65, 0.93%, 0.78%

LAB 75.11, 31.3, 21.53

 

CMYK 41 / 0 / 35 / 2

HEX #93FBA2

RGB 147 251 162

HSL 128.65, 0.93%, 0.78%

LAB 90.69, -48.2, 33.44

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 0 / 41 / 14 / 2

HEX #FB93D7

RGB 251 147 215

HSL 320.77, 0.93%, 0.78%

LAB 73.73, 47.99, -17.85

 

CMYK 6 / 0 / 41 / 2

HEX #EBFB93

RGB 235 251 147

HSL 69.23, 0.93%, 0.78%

LAB 95.48, -20.5, 47.98

 

CMYK 41 / 0 / 27 / 2

HEX #93FBB7

RGB 147 251 183

HSL 140.77, 0.93%, 0.78%

LAB 91.06, -44.62, 23.33

 

CMYK 35 / 41 / 0 / 2

HEX #A493FB

RGB 164 147 251

HSL 249.81, 0.93%, 0.78%

LAB 66.31, 29.52, -49.79

 

CMYK 0 / 41 / 27 / 2

HEX #FB93B7

RGB 251 147 183

HSL 339.23, 0.93%, 0.78%

LAB 72.76, 43.38, -1.63

 

CMYK 6 / 0 / 41 / 2

HEX #EBFB93

RGB 235 251 147

HSL 69.23, 0.93%, 0.78%

LAB 95.48, -20.5, 47.98

 

CMYK 41 / 0 / 14 / 2

HEX #93FBD7

RGB 147 251 215

HSL 159.23, 0.93%, 0.78%

LAB 91.73, -38.33, 7.83

 

Description

Color code: RGB 164 147 251 | qconv.com Color code: RGB 164 147 251 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 147 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 147 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 41 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 41% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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