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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 142 158 it is the complementary color RGB 91 113 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 142 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 142 158 shade: RGB 169 142 153, RGB 186 160 172, RGB 203 178 191, RGB 220 196 210 and RGB 237 214 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 142 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 142 158 shade: RGB 164 142 158, RGB 147 124 139, RGB 130 106 120, RGB 113 88 101 and RGB 96 70 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 142 158 shade: RGB 164 142 158, RGB 164 142 152, RGB 164 142 146 and RGB 164 142 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 142 158 shade: RGB 164 142 158, RGB 164 142 164, RGB 158 142 164, RGB 152 142 164 and RGB 146 142 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 142 158 shade matches the following richer shades: RGB 164 142 158, RGB 181 125 166, RGB 197 109 173, RGB 214 92 181 and RGB 230 76 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 142 158 shade: RGB 164 142 158, RGB 148 158 151, RGB 131 175 143, RGB 115 191 136 and RGB 98 208 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 142 158 shade: RGB 158 142 164, RGB 164 142 164, RGB 164 142 158, RGB 164 142 152 and RGB 164 142 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 142 158 shade: RGB 124 99 117, RGB 146 119 139, RGB 164 142 158, RGB 183 165 178 and RGB 201 188 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 142 158 shade: RGB 164 142 158, RGB 164 152 142 and RGB 142 164 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 142 158 shade: RGB 164 142 158, RGB 158 164 142 and RGB 142 158 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 142 158 shade: RGB 164 142 158, RGB 164 152 142, RGB 142 164 148 and RGB 142 154 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 142 158 shade: RGB 164 142 158, RGB 164 159 142, RGB 142 164 148 and RGB 142 147 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

Complementary color

CMYK 19 / 0 / 14 / 56

HEX #5B7161

RGB 91 113 97

HSL 136.36, 0.11%, 0.4%

LAB 45.49, -11.62, 6.21

 

CMYK 0 / 16 / 9 / 34

HEX #A98E99

RGB 169 142 153

HSL 335.56, 0.14%, 0.61%

LAB 61.72, 12.04, -2.04

 

CMYK 0 / 14 / 8 / 27

HEX #BAA0AC

RGB 186 160 172

HSL 332.31, 0.16%, 0.68%

LAB 68.43, 11.6, -2.68

 

CMYK 0 / 12 / 6 / 20

HEX #CBB2BF

RGB 203 178 191

HSL 328.8, 0.19%, 0.75%

LAB 75.01, 11.2, -3.3

 

CMYK 0 / 11 / 5 / 14

HEX #DCC4D2

RGB 220 196 210

HSL 325, 0.26%, 0.82%

LAB 81.48, 10.84, -3.9

 

CMYK 0 / 10 / 3 / 7

HEX #EDD6E5

RGB 237 214 229

HSL 320.87, 0.39%, 0.88%

LAB 87.85, 10.5, -4.47

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 0 / 16 / 5 / 42

HEX #937C8B

RGB 147 124 139

HSL 320.87, 0.1%, 0.53%

LAB 54.54, 11.56, -4.82

 

CMYK 0 / 18 / 8 / 49

HEX #826A78

RGB 130 106 120

HSL 325, 0.1%, 0.46%

LAB 47.51, 12.06, -4.2

 

CMYK 0 / 22 / 11 / 56

HEX #715865

RGB 113 88 101

HSL 328.8, 0.12%, 0.39%

LAB 40.3, 12.62, -3.53

 

CMYK 0 / 27 / 15 / 62

HEX #604652

RGB 96 70 82

HSL 332.31, 0.16%, 0.33%

LAB 32.87, 13.28, -2.79

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 0 / 13 / 7 / 36

HEX #A48E98

RGB 164 142 152

HSL 332.73, 0.11%, 0.6%

LAB 61.23, 10.01, -2.25

 

CMYK 0 / 13 / 11 / 36

HEX #A48E92

RGB 164 142 146

HSL 349.09, 0.11%, 0.6%

LAB 61.06, 8.93, 0.92

 

CMYK 0 / 13 / 13 / 36

HEX #A48E8E

RGB 164 142 142

HSL 0, 0.11%, 0.6%

LAB 60.95, 8.24, 3.04

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 0 / 13 / 0 / 36

HEX #A48EA4

RGB 164 142 164

HSL 300, 0.11%, 0.6%

LAB 61.58, 12.27, -8.55

 

CMYK 4 / 13 / 0 / 36

HEX #9E8EA4

RGB 158 142 164

HSL 283.64, 0.11%, 0.6%

LAB 61.04, 10.14, -9.41

 

CMYK 7 / 13 / 0 / 36

HEX #988EA4

RGB 152 142 164

HSL 267.27, 0.11%, 0.6%

LAB 60.52, 8.03, -10.25

 

CMYK 11 / 13 / 0 / 36

HEX #928EA4

RGB 146 142 164

HSL 250.91, 0.11%, 0.6%

LAB 60.01, 5.95, -11.06

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 0 / 31 / 8 / 29

HEX #B57DA6

RGB 181 125 166

HSL 316.07, 0.27%, 0.6%

LAB 59.2, 28.25, -13.08

 

CMYK 0 / 45 / 12 / 23

HEX #C56DAD

RGB 197 109 173

HSL 316.36, 0.43%, 0.6%

LAB 57.87, 43.48, -18.94

 

CMYK 0 / 57 / 15 / 16

HEX #D65CB5

RGB 214 92 181

HSL 316.23, 0.6%, 0.6%

LAB 57.35, 58.2, -24.13

 

CMYK 0 / 67 / 18 / 10

HEX #E64CBC

RGB 230 76 188

HSL 316.36, 0.75%, 0.6%

LAB 57.68, 70.08, -27.46

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 6 / 0 / 4 / 38

HEX #949E97

RGB 148 158 151

HSL 138, 0.05%, 0.6%

LAB 64.15, -4.94, 2.42

 

CMYK 25 / 0 / 18 / 31

HEX #83AF8F

RGB 131 175 143

HSL 136.36, 0.22%, 0.6%

LAB 67.63, -21.37, 11.69

 

CMYK 40 / 0 / 29 / 25

HEX #73BF88

RGB 115 191 136

HSL 136.58, 0.37%, 0.6%

LAB 71.34, -35.49, 20.53

 

CMYK 53 / 0 / 38 / 18

HEX #62D080

RGB 98 208 128

HSL 136.36, 0.54%, 0.6%

LAB 75.62, -48.93, 30.37

 

CMYK 4 / 13 / 0 / 36

HEX #9E8EA4

RGB 158 142 164

HSL 283.64, 0.11%, 0.6%

LAB 61.04, 10.14, -9.41

 

CMYK 0 / 13 / 0 / 36

HEX #A48EA4

RGB 164 142 164

HSL 300, 0.11%, 0.6%

LAB 61.58, 12.27, -8.55

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 0 / 13 / 7 / 36

HEX #A48E98

RGB 164 142 152

HSL 332.73, 0.11%, 0.6%

LAB 61.23, 10.01, -2.25

 

CMYK 0 / 13 / 11 / 36

HEX #A48E92

RGB 164 142 146

HSL 349.09, 0.11%, 0.6%

LAB 61.06, 8.93, 0.92

 

CMYK 0 / 20 / 6 / 51

HEX #7C6375

RGB 124 99 117

HSL 316.8, 0.11%, 0.44%

LAB 44.93, 13.35, -6.28

 

CMYK 0 / 18 / 5 / 43

HEX #92778B

RGB 146 119 139

HSL 315.56, 0.11%, 0.52%

LAB 53.13, 14.09, -6.91

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 0 / 10 / 3 / 28

HEX #B7A5B2

RGB 183 165 178

HSL 316.67, 0.11%, 0.68%

LAB 69.61, 8.86, -4.32

 

CMYK 0 / 6 / 2 / 21

HEX #C9BCC5

RGB 201 188 197

HSL 318.46, 0.11%, 0.76%

LAB 77.53, 6.19, -2.89

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 0 / 7 / 13 / 36

HEX #A4988E

RGB 164 152 142

HSL 27.27, 0.11%, 0.6%

LAB 63.59, 2.66, 6.84

 

CMYK 13 / 0 / 2 / 36

HEX #8EA4A1

RGB 142 164 161

HSL 171.82, 0.11%, 0.6%

LAB 65.65, -8.28, -1.04

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 4 / 0 / 13 / 36

HEX #9EA48E

RGB 158 164 142

HSL 76.36, 0.11%, 0.6%

LAB 66.35, -6.17, 10.69

 

CMYK 13 / 4 / 0 / 36

HEX #8E9EA4

RGB 142 158 164

HSL 196.36, 0.11%, 0.6%

LAB 64.07, -4.37, -5.05

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 0 / 7 / 13 / 36

HEX #A4988E

RGB 164 152 142

HSL 27.27, 0.11%, 0.6%

LAB 63.59, 2.66, 6.84

 

CMYK 13 / 0 / 10 / 36

HEX #8EA494

RGB 142 164 148

HSL 136.36, 0.11%, 0.6%

LAB 65.31, -10.89, 5.72

 

CMYK 13 / 6 / 0 / 36

HEX #8E9AA4

RGB 142 154 164

HSL 207.27, 0.11%, 0.6%

LAB 62.96, -2.16, -6.69

 

CMYK 0 / 13 / 4 / 36

HEX #A48E9E

RGB 164 142 158

HSL 316.36, 0.11%, 0.6%

LAB 61.4, 11.12, -5.41

 

CMYK 0 / 3 / 13 / 36

HEX #A49F8E

RGB 164 159 142

HSL 46.36, 0.11%, 0.6%

LAB 65.47, -1.2, 9.52

 

CMYK 13 / 0 / 10 / 36

HEX #8EA494

RGB 142 164 148

HSL 136.36, 0.11%, 0.6%

LAB 65.31, -10.89, 5.72

 

CMYK 13 / 10 / 0 / 36

HEX #8E93A4

RGB 142 147 164

HSL 226.36, 0.11%, 0.6%

LAB 61.04, 1.75, -9.55

 

Description

Color code: RGB 164 142 158 | qconv.com Color code: RGB 164 142 158 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 142 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 142 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 4 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 4% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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