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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 136 31 it is the complementary color RGB 91 119 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 136 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 136 31 shade: RGB 169 136 26, RGB 186 154 45, RGB 203 172 64, RGB 220 190 83 and RGB 237 208 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 136 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 136 31 shade: RGB 164 136 31, RGB 147 118 12, RGB 130 100 0, RGB 113 82 0 and RGB 96 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 136 31 shade: RGB 163 135 31, RGB 163 100 31, RGB 163 64 31 and RGB 163 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 136 31 shade: RGB 163 135 31, RGB 155 163 31, RGB 119 163 31, RGB 84 163 31 and RGB 48 163 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 136 31 shade matches the following richer shades: RGB 163 135 31 and RGB 178 144 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 136 31 shade: RGB 163 135 31, RGB 147 126 47, RGB 131 117 62, RGB 116 108 78 and RGB 100 99 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 136 31 shade: RGB 163 64 31, RGB 163 99 31, RGB 163 134 31, RGB 156 163 31 and RGB 121 163 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 136 31 shade: RGB 93 78 18, RGB 128 106 24, RGB 163 135 31, RGB 197 164 38 and RGB 218 184 59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 136 31 shade: RGB 164 136 31, RGB 33 163 31 and RGB 82 31 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 136 31 shade: RGB 164 136 31, RGB 31 163 134 and RGB 134 31 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 136 31 shade: RGB 164 136 31, RGB 33 163 31, RGB 31 60 163 and RGB 161 31 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 136 31 shade: RGB 164 136 31, RGB 31 163 68, RGB 31 60 163 and RGB 163 31 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 81 / 36

HEX #A4881F

RGB 164 136 31

HSL 47.37, 0.68%, 0.38%

LAB 57.66, 0.13, 55.59

 

Complementary color

CMYK 59 / 47 / 0 / 12

HEX #5B77E0

RGB 91 119 224

HSL 227.37, 0.68%, 0.62%

LAB 52.73, 21.38, -56.75

 

CMYK 0 / 20 / 85 / 34

HEX #A9881A

RGB 169 136 26

HSL 46.15, 0.73%, 0.38%

LAB 58.15, 2.25, 57.77

 

CMYK 0 / 17 / 76 / 27

HEX #BA9A2D

RGB 186 154 45

HSL 46.38, 0.61%, 0.45%

LAB 64.76, 0.76, 58.01

 

CMYK 0 / 15 / 68 / 20

HEX #CBAC40

RGB 203 172 64

HSL 46.62, 0.57%, 0.52%

LAB 71.26, -0.49, 57.47

 

CMYK 0 / 14 / 62 / 14

HEX #DCBE53

RGB 220 190 83

HSL 46.86, 0.66%, 0.59%

LAB 77.68, -1.53, 56.55

 

CMYK 0 / 12 / 57 / 7

HEX #EDD066

RGB 237 208 102

HSL 47.11, 0.79%, 0.66%

LAB 84.01, -2.43, 55.45

 

CMYK 0 / 17 / 81 / 36

HEX #A4881F

RGB 164 136 31

HSL 47.37, 0.68%, 0.38%

LAB 57.66, 0.13, 55.59

 

CMYK 0 / 20 / 92 / 42

HEX #93760C

RGB 147 118 12

HSL 47.11, 0.85%, 0.31%

LAB 50.9, 1.79, 54.47

 

CMYK 0 / 23 / 100 / 49

HEX #826400

RGB 130 100 0

HSL 46.15, 1%, 0.25%

LAB 44.03, 3.8, 51.18

 

CMYK 0 / 27 / 100 / 56

HEX #715200

RGB 113 82 0

HSL 43.54, 1%, 0.22%

LAB 37.01, 6.17, 45.41

 

CMYK 0 / 33 / 100 / 62

HEX #604000

RGB 96 64 0

HSL 40, 1%, 0.19%

LAB 29.8, 8.71, 39.4

 

CMYK 0 / 17 / 81 / 36

HEX #A3871F

RGB 163 135 31

HSL 47.27, 0.68%, 0.38%

LAB 57.28, 0.22, 55.22

 

CMYK 0 / 39 / 81 / 36

HEX #A3641F

RGB 163 100 31

HSL 31.36, 0.68%, 0.38%

LAB 48.26, 19.96, 47.03

 

CMYK 0 / 61 / 81 / 36

HEX #A3401F

RGB 163 64 31

HSL 15, 0.68%, 0.38%

LAB 40.5, 39.22, 39.66

 

CMYK 0 / 81 / 81 / 36

HEX #A31F1F

RGB 163 31 31

HSL 0, 0.68%, 0.38%

LAB 35.72, 52.22, 34.93

 

CMYK 0 / 17 / 81 / 36

HEX #A3871F

RGB 163 135 31

HSL 47.27, 0.68%, 0.38%

LAB 57.28, 0.22, 55.22

 

CMYK 5 / 0 / 81 / 36

HEX #9BA31F

RGB 155 163 31

HSL 63.64, 0.68%, 0.38%

LAB 64.37, -18.31, 61.21

 

CMYK 27 / 0 / 81 / 36

HEX #77A31F

RGB 119 163 31

HSL 80, 0.68%, 0.38%

LAB 61.84, -33.47, 58

 

CMYK 48 / 0 / 81 / 36

HEX #54A31F

RGB 84 163 31

HSL 95.91, 0.68%, 0.38%

LAB 60.05, -46.08, 55.7

 

CMYK 71 / 0 / 81 / 36

HEX #30A31F

RGB 48 163 31

HSL 112.27, 0.68%, 0.38%

LAB 58.9, -55.3, 54.21

 

CMYK 0 / 17 / 81 / 36

HEX #A3871F

RGB 163 135 31

HSL 47.27, 0.68%, 0.38%

LAB 57.28, 0.22, 55.22

 

CMYK 0 / 19 / 92 / 30

HEX #B2900F

RGB 178 144 15

HSL 47.48, 0.84%, 0.38%

LAB 61.17, 1.7, 63.21

 

CMYK 0 / 17 / 81 / 36

HEX #A3871F

RGB 163 135 31

HSL 47.27, 0.68%, 0.38%

LAB 57.28, 0.22, 55.22

 

CMYK 0 / 14 / 68 / 42

HEX #937E2F

RGB 147 126 47

HSL 47.4, 0.52%, 0.38%

LAB 53.31, -1.32, 44.45

 

CMYK 0 / 11 / 53 / 49

HEX #83753E

RGB 131 117 62

HSL 47.83, 0.36%, 0.38%

LAB 49.37, -2.33, 32.07

 

CMYK 0 / 7 / 33 / 55

HEX #746C4E

RGB 116 108 78

HSL 47.37, 0.2%, 0.38%

LAB 45.62, -1.91, 17.95

 

CMYK 0 / 1 / 6 / 61

HEX #64635E

RGB 100 99 94

HSL 50, 0.03%, 0.38%

LAB 41.91, -0.62, 2.97

 

CMYK 0 / 61 / 81 / 36

HEX #A3401F

RGB 163 64 31

HSL 15, 0.68%, 0.38%

LAB 40.5, 39.22, 39.66

 

CMYK 0 / 39 / 81 / 36

HEX #A3631F

RGB 163 99 31

HSL 30.91, 0.68%, 0.38%

LAB 48.02, 20.53, 46.81

 

CMYK 0 / 18 / 81 / 36

HEX #A3861F

RGB 163 134 31

HSL 46.82, 0.68%, 0.38%

LAB 57.01, 0.78, 54.98

 

CMYK 4 / 0 / 81 / 36

HEX #9CA31F

RGB 156 163 31

HSL 63.18, 0.68%, 0.38%

LAB 64.45, -17.87, 61.32

 

CMYK 26 / 0 / 81 / 36

HEX #79A31F

RGB 121 163 31

HSL 79.09, 0.68%, 0.38%

LAB 61.96, -32.67, 58.15

 

CMYK 0 / 16 / 81 / 64

HEX #5D4E12

RGB 93 78 18

HSL 48, 0.68%, 0.22%

LAB 33.6, -0.81, 35.59

 

CMYK 0 / 17 / 81 / 50

HEX #806A18

RGB 128 106 24

HSL 47.31, 0.68%, 0.3%

LAB 45.58, -0.01, 45.75

 

CMYK 0 / 17 / 81 / 36

HEX #A3871F

RGB 163 135 31

HSL 47.27, 0.68%, 0.38%

LAB 57.28, 0.22, 55.22

 

CMYK 0 / 17 / 81 / 23

HEX #C5A426

RGB 197 164 38

HSL 47.55, 0.68%, 0.46%

LAB 68.43, 0, 64.16

 

CMYK 0 / 16 / 73 / 15

HEX #DAB83B

RGB 218 184 59

HSL 47.17, 0.68%, 0.54%

LAB 75.76, -0.58, 64.44

 

CMYK 0 / 17 / 81 / 36

HEX #A4881F

RGB 164 136 31

HSL 47.37, 0.68%, 0.38%

LAB 57.66, 0.13, 55.59

 

CMYK 80 / 0 / 81 / 36

HEX #21A31F

RGB 33 163 31

HSL 119.09, 0.68%, 0.38%

LAB 58.62, -57.75, 53.85

 

CMYK 50 / 81 / 0 / 36

HEX #521FA3

RGB 82 31 163

HSL 263.18, 0.68%, 0.38%

LAB 27.89, 51.32, -61.5

 

CMYK 0 / 17 / 81 / 36

HEX #A4881F

RGB 164 136 31

HSL 47.37, 0.68%, 0.38%

LAB 57.66, 0.13, 55.59

 

CMYK 81 / 0 / 18 / 36

HEX #1FA386

RGB 31 163 134

HSL 166.82, 0.68%, 0.38%

LAB 60.08, -40.96, 5.43

 

CMYK 18 / 81 / 0 / 36

HEX #861FA3

RGB 134 31 163

HSL 286.82, 0.68%, 0.38%

LAB 35.39, 59.85, -48.97

 

CMYK 0 / 17 / 81 / 36

HEX #A4881F

RGB 164 136 31

HSL 47.37, 0.68%, 0.38%

LAB 57.66, 0.13, 55.59

 

CMYK 80 / 0 / 81 / 36

HEX #21A31F

RGB 33 163 31

HSL 119.09, 0.68%, 0.38%

LAB 58.62, -57.75, 53.85

 

CMYK 81 / 63 / 0 / 36

HEX #1F3CA3

RGB 31 60 163

HSL 226.82, 0.68%, 0.38%

LAB 29.83, 28.58, -58.48

 

CMYK 1 / 81 / 0 / 36

HEX #A11FA3

RGB 161 31 163

HSL 299.09, 0.68%, 0.38%

LAB 39.92, 65.03, -41.45

 

CMYK 0 / 17 / 81 / 36

HEX #A4881F

RGB 164 136 31

HSL 47.37, 0.68%, 0.38%

LAB 57.66, 0.13, 55.59

 

CMYK 81 / 0 / 58 / 36

HEX #1FA344

RGB 31 163 68

HSL 136.82, 0.68%, 0.38%

LAB 58.88, -54.36, 39.22

 

CMYK 81 / 63 / 0 / 36

HEX #1F3CA3

RGB 31 60 163

HSL 226.82, 0.68%, 0.38%

LAB 29.83, 28.58, -58.48

 

CMYK 0 / 81 / 23 / 36

HEX #A31F7D

RGB 163 31 125

HSL 317.27, 0.68%, 0.38%

LAB 38.28, 59.89, -20.78

 

Description

Color code: RGB 164 136 31 | qconv.com Color code: RGB 164 136 31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 136 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 136 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 81 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 81% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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