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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 121 75 it is the complementary color RGB 91 134 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 121 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 121 75 shade: RGB 169 121 70, RGB 186 139 89, RGB 203 157 108, RGB 220 175 127 and RGB 237 193 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 121 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 121 75 shade: RGB 164 121 75, RGB 147 103 56, RGB 130 85 37, RGB 113 67 18 and RGB 96 49 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 121 75 shade: RGB 164 121 76, RGB 164 97 76 and RGB 164 76 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 121 75 shade: RGB 164 121 76, RGB 164 145 76, RGB 159 164 76, RGB 135 164 76 and RGB 111 164 76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 121 75 shade matches the following richer shades: RGB 164 121 76, RGB 184 122 56, RGB 203 123 37 and RGB 222 123 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 121 75 shade: RGB 164 121 76, RGB 145 121 95, RGB 125 120 114, RGB 106 119 134 and RGB 87 119 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 121 75 shade: RGB 164 76 77, RGB 164 98 76, RGB 164 121 76, RGB 164 145 76 and RGB 160 164 76

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 121 75 shade: RGB 108 80 50, RGB 136 100 63, RGB 164 121 76, RGB 183 142 98 and RGB 196 162 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 121 75 shade: RGB 164 121 75, RGB 101 164 76 and RGB 86 76 164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 121 75 shade: RGB 164 121 75, RGB 76 164 121 and RGB 121 76 164

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 121 75 shade: RGB 164 121 75, RGB 101 164 76, RGB 76 118 164 and RGB 139 76 164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 121 75 shade: RGB 164 121 75, RGB 76 164 77, RGB 76 118 164 and RGB 164 76 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 54 / 36

HEX #A4794B

RGB 164 121 75

HSL 31.01, 0.37%, 0.47%

LAB 54.11, 11.27, 31.6

 

Complementary color

CMYK 49 / 26 / 0 / 29

HEX #5B86B4

RGB 91 134 180

HSL 211.01, 0.37%, 0.53%

LAB 54.63, -1.78, -28.76

 

CMYK 0 / 28 / 59 / 34

HEX #A97946

RGB 169 121 70

HSL 30.91, 0.41%, 0.47%

LAB 54.61, 13.02, 35.05

 

CMYK 0 / 25 / 52 / 27

HEX #BA8B59

RGB 186 139 89

HSL 30.93, 0.41%, 0.54%

LAB 61.33, 11.91, 33.55

 

CMYK 0 / 23 / 47 / 20

HEX #CB9D6C

RGB 203 157 108

HSL 30.95, 0.48%, 0.61%

LAB 67.94, 10.97, 32.14

 

CMYK 0 / 20 / 42 / 14

HEX #DCAF7F

RGB 220 175 127

HSL 30.97, 0.57%, 0.68%

LAB 74.45, 10.16, 30.82

 

CMYK 0 / 19 / 38 / 7

HEX #EDC192

RGB 237 193 146

HSL 30.99, 0.72%, 0.75%

LAB 80.86, 9.46, 29.59

 

CMYK 0 / 26 / 54 / 36

HEX #A4794B

RGB 164 121 75

HSL 31.01, 0.37%, 0.47%

LAB 54.11, 11.27, 31.6

 

CMYK 0 / 30 / 62 / 42

HEX #936738

RGB 147 103 56

HSL 30.99, 0.45%, 0.4%

LAB 47.22, 12.46, 33.16

 

CMYK 0 / 35 / 72 / 49

HEX #825525

RGB 130 85 37

HSL 30.97, 0.56%, 0.33%

LAB 40.21, 13.94, 34.73

 

CMYK 0 / 41 / 84 / 56

HEX #714312

RGB 113 67 18

HSL 30.95, 0.73%, 0.26%

LAB 33.07, 15.77, 36

 

CMYK 0 / 49 / 100 / 62

HEX #603100

RGB 96 49 0

HSL 30.63, 1%, 0.19%

LAB 25.81, 17.99, 36.04

 

CMYK 0 / 26 / 54 / 36

HEX #A4794C

RGB 164 121 76

HSL 30.68, 0.37%, 0.47%

LAB 54.12, 11.36, 31.07

 

CMYK 0 / 41 / 54 / 36

HEX #A4614C

RGB 164 97 76

HSL 14.32, 0.37%, 0.47%

LAB 48.21, 24.95, 23.56

 

CMYK 0 / 54 / 54 / 36

HEX #A44C4C

RGB 164 76 76

HSL 0, 0.37%, 0.47%

LAB 43.63, 36.35, 17.51

 

CMYK 0 / 26 / 54 / 36

HEX #A4794C

RGB 164 121 76

HSL 30.68, 0.37%, 0.47%

LAB 54.12, 11.36, 31.07

 

CMYK 0 / 12 / 54 / 36

HEX #A4914C

RGB 164 145 76

HSL 47.05, 0.37%, 0.47%

LAB 60.48, -2.05, 38.83

 

CMYK 3 / 0 / 54 / 36

HEX #9FA44C

RGB 159 164 76

HSL 63.41, 0.37%, 0.47%

LAB 65.31, -14.35, 44.4

 

CMYK 18 / 0 / 54 / 36

HEX #87A44C

RGB 135 164 76

HSL 79.77, 0.37%, 0.47%

LAB 63.53, -24.27, 41.86

 

CMYK 32 / 0 / 54 / 36

HEX #6FA44C

RGB 111 164 76

HSL 96.14, 0.37%, 0.47%

LAB 62.04, -33.47, 39.74

 

CMYK 0 / 26 / 54 / 36

HEX #A4794C

RGB 164 121 76

HSL 30.68, 0.37%, 0.47%

LAB 54.12, 11.36, 31.07

 

CMYK 0 / 34 / 70 / 28

HEX #B87A38

RGB 184 122 56

HSL 30.94, 0.53%, 0.47%

LAB 56.48, 18.04, 44.83

 

CMYK 0 / 39 / 82 / 20

HEX #CB7B25

RGB 203 123 37

HSL 31.08, 0.69%, 0.47%

LAB 58.97, 24.85, 56.36

 

CMYK 0 / 45 / 92 / 13

HEX #DE7B11

RGB 222 123 17

HSL 31.02, 0.86%, 0.47%

LAB 61.43, 32.36, 65.37

 

CMYK 0 / 26 / 54 / 36

HEX #A4794C

RGB 164 121 76

HSL 30.68, 0.37%, 0.47%

LAB 54.12, 11.36, 31.07

 

CMYK 0 / 17 / 34 / 43

HEX #91795F

RGB 145 121 95

HSL 31.2, 0.21%, 0.47%

LAB 52.42, 5.32, 17.74

 

CMYK 0 / 4 / 9 / 51

HEX #7D7872

RGB 125 120 114

HSL 32.73, 0.05%, 0.47%

LAB 50.7, 0.77, 3.96

 

CMYK 21 / 11 / 0 / 47

HEX #6A7786

RGB 106 119 134

HSL 212.14, 0.12%, 0.47%

LAB 49.47, -1.35, -9.81

 

CMYK 43 / 22 / 0 / 40

HEX #577799

RGB 87 119 153

HSL 210.91, 0.28%, 0.47%

LAB 48.91, -2.12, -21.97

 

CMYK 0 / 54 / 53 / 36

HEX #A44C4D

RGB 164 76 77

HSL 359.32, 0.37%, 0.47%

LAB 43.65, 36.44, 16.93

 

CMYK 0 / 40 / 54 / 36

HEX #A4624C

RGB 164 98 76

HSL 15, 0.37%, 0.47%

LAB 48.45, 24.39, 23.86

 

CMYK 0 / 26 / 54 / 36

HEX #A4794C

RGB 164 121 76

HSL 30.68, 0.37%, 0.47%

LAB 54.12, 11.36, 31.07

 

CMYK 0 / 12 / 54 / 36

HEX #A4914C

RGB 164 145 76

HSL 47.05, 0.37%, 0.47%

LAB 60.48, -2.05, 38.83

 

CMYK 2 / 0 / 54 / 36

HEX #A0A44C

RGB 160 164 76

HSL 62.73, 0.37%, 0.47%

LAB 65.39, -13.93, 44.52

 

CMYK 0 / 26 / 54 / 58

HEX #6C5032

RGB 108 80 50

HSL 31.03, 0.37%, 0.31%

LAB 36.28, 7.73, 22.15

 

CMYK 0 / 26 / 54 / 47

HEX #88643F

RGB 136 100 63

HSL 30.41, 0.37%, 0.39%

LAB 45.23, 9.88, 26.54

 

CMYK 0 / 26 / 54 / 36

HEX #A4794C

RGB 164 121 76

HSL 30.68, 0.37%, 0.47%

LAB 54.12, 11.36, 31.07

 

CMYK 0 / 22 / 46 / 28

HEX #B78E62

RGB 183 142 98

HSL 31.06, 0.37%, 0.55%

LAB 61.91, 9.86, 29.34

 

CMYK 0 / 17 / 36 / 23

HEX #C4A27E

RGB 196 162 126

HSL 30.86, 0.37%, 0.63%

LAB 68.81, 7.41, 23.43

 

CMYK 0 / 26 / 54 / 36

HEX #A4794B

RGB 164 121 75

HSL 31.01, 0.37%, 0.47%

LAB 54.11, 11.27, 31.6

 

CMYK 38 / 0 / 54 / 36

HEX #65A44C

RGB 101 164 76

HSL 102.95, 0.37%, 0.47%

LAB 61.52, -36.99, 38.98

 

CMYK 48 / 54 / 0 / 36

HEX #564CA4

RGB 86 76 164

HSL 246.82, 0.37%, 0.47%

LAB 37.53, 27.69, -46.42

 

CMYK 0 / 26 / 54 / 36

HEX #A4794B

RGB 164 121 75

HSL 31.01, 0.37%, 0.47%

LAB 54.11, 11.27, 31.6

 

CMYK 54 / 0 / 26 / 36

HEX #4CA479

RGB 76 164 121

HSL 150.68, 0.37%, 0.47%

LAB 61.19, -36.79, 14.43

 

CMYK 26 / 54 / 0 / 36

HEX #794CA4

RGB 121 76 164

HSL 270.68, 0.37%, 0.47%

LAB 41.08, 36.62, -40.54

 

CMYK 0 / 26 / 54 / 36

HEX #A4794B

RGB 164 121 75

HSL 31.01, 0.37%, 0.47%

LAB 54.11, 11.27, 31.6

 

CMYK 38 / 0 / 54 / 36

HEX #65A44C

RGB 101 164 76

HSL 102.95, 0.37%, 0.47%

LAB 61.52, -36.99, 38.98

 

CMYK 54 / 28 / 0 / 36

HEX #4C76A4

RGB 76 118 164

HSL 211.36, 0.37%, 0.47%

LAB 48.48, -0.93, -29.13

 

CMYK 15 / 54 / 0 / 36

HEX #8B4CA4

RGB 139 76 164

HSL 282.95, 0.37%, 0.47%

LAB 43.27, 41.59, -36.93

 

CMYK 0 / 26 / 54 / 36

HEX #A4794B

RGB 164 121 75

HSL 31.01, 0.37%, 0.47%

LAB 54.11, 11.27, 31.6

 

CMYK 54 / 0 / 53 / 36

HEX #4CA44D

RGB 76 164 77

HSL 120.68, 0.37%, 0.47%

LAB 60.45, -44.55, 36.94

 

CMYK 54 / 28 / 0 / 36

HEX #4C76A4

RGB 76 118 164

HSL 211.36, 0.37%, 0.47%

LAB 48.48, -0.93, -29.13

 

CMYK 0 / 54 / 1 / 36

HEX #A44CA3

RGB 164 76 163

HSL 300.68, 0.37%, 0.47%

LAB 46.59, 48.46, -30.89

 

Description

Color code: RGB 164 121 75 | qconv.com Color code: RGB 164 121 75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 121 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 121 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 54 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 54% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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