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Color name
RGB 164 119 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 119 34 it is the complementary color RGB 91 136 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 119 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 119 34 shade: RGB 169 119 29, RGB 186 137 48, RGB 203 155 67, RGB 220 173 86 and RGB 237 191 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 119 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 119 34 shade: RGB 164 119 34, RGB 147 101 15, RGB 130 83 0, RGB 113 65 0 and RGB 96 47 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 119 34 shade: RGB 165 119 33, RGB 165 84 33, RGB 165 48 33 and RGB 165 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 119 34 shade: RGB 165 119 33, RGB 165 155 33, RGB 139 165 33, RGB 104 165 33 and RGB 68 165 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 119 34 shade matches the following richer shades: RGB 165 119 33, RGB 181 124 17 and RGB 197 129 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 119 34 shade: RGB 165 119 33, RGB 148 114 49, RGB 132 109 65, RGB 116 104 82 and RGB 100 99 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 119 34 shade: RGB 165 49 33, RGB 165 84 33, RGB 165 119 33, RGB 165 154 33 and RGB 141 165 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 119 34 shade: RGB 96 70 19, RGB 130 94 26, RGB 165 119 33, RGB 199 144 40 and RGB 216 163 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 119 34 shade: RGB 164 119 34, RGB 53 165 33 and RGB 66 33 165

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 119 34 shade: RGB 164 119 34, RGB 33 165 119 and RGB 119 33 165

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 119 34 shade: RGB 164 119 34, RGB 53 165 33, RGB 33 79 165 and RGB 145 33 165

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 119 34 shade: RGB 164 119 34, RGB 33 165 53, RGB 33 79 165 and RGB 165 33 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 79 / 36

HEX #A47722

RGB 164 119 34

HSL 39.23, 0.66%, 0.39%

LAB 53.17, 9.76, 50.44

 

Complementary color

CMYK 59 / 38 / 0 / 13

HEX #5B88DD

RGB 91 136 221

HSL 219.23, 0.66%, 0.61%

LAB 57.13, 10.08, -48.05

 

CMYK 0 / 30 / 83 / 34

HEX #A9771D

RGB 169 119 29

HSL 38.57, 0.71%, 0.39%

LAB 53.73, 11.85, 53

 

CMYK 0 / 26 / 74 / 27

HEX #BA8930

RGB 186 137 48

HSL 38.7, 0.59%, 0.46%

LAB 60.38, 10.19, 52.57

 

CMYK 0 / 24 / 67 / 20

HEX #CB9B43

RGB 203 155 67

HSL 38.82, 0.57%, 0.53%

LAB 66.93, 8.8, 51.58

 

CMYK 0 / 21 / 61 / 14

HEX #DCAD56

RGB 220 173 86

HSL 38.96, 0.66%, 0.6%

LAB 73.4, 7.62, 50.37

 

CMYK 0 / 19 / 56 / 7

HEX #EDBF69

RGB 237 191 105

HSL 39.09, 0.79%, 0.67%

LAB 79.78, 6.6, 49.08

 

CMYK 0 / 27 / 79 / 36

HEX #A47722

RGB 164 119 34

HSL 39.23, 0.66%, 0.39%

LAB 53.17, 9.76, 50.44

 

CMYK 0 / 31 / 90 / 42

HEX #93650F

RGB 147 101 15

HSL 39.09, 0.81%, 0.32%

LAB 46.37, 11.61, 50.18

 

CMYK 0 / 36 / 100 / 49

HEX #825300

RGB 130 83 0

HSL 38.31, 1%, 0.25%

LAB 39.47, 13.82, 48.1

 

CMYK 0 / 42 / 100 / 56

HEX #714100

RGB 113 65 0

HSL 34.51, 1%, 0.22%

LAB 32.46, 16.45, 42.4

 

CMYK 0 / 51 / 100 / 62

HEX #602F00

RGB 96 47 0

HSL 29.38, 1%, 0.19%

LAB 25.32, 19.2, 35.58

 

CMYK 0 / 28 / 80 / 35

HEX #A57721

RGB 165 119 33

HSL 39.09, 0.67%, 0.39%

LAB 53.28, 10.17, 50.97

 

CMYK 0 / 49 / 80 / 35

HEX #A55421

RGB 165 84 33

HSL 23.18, 0.67%, 0.39%

LAB 44.87, 29.78, 43.05

 

CMYK 0 / 71 / 80 / 35

HEX #A53021

RGB 165 48 33

HSL 6.82, 0.67%, 0.39%

LAB 38.24, 47.08, 36.49

 

CMYK 0 / 80 / 80 / 35

HEX #A52121

RGB 165 33 33

HSL 0, 0.67%, 0.39%

LAB 36.36, 52.3, 34.57

 

CMYK 0 / 28 / 80 / 35

HEX #A57721

RGB 165 119 33

HSL 39.09, 0.67%, 0.39%

LAB 53.28, 10.17, 50.97

 

CMYK 0 / 6 / 80 / 35

HEX #A59B21

RGB 165 155 33

HSL 55.45, 0.67%, 0.39%

LAB 62.97, -9.64, 59.72

 

CMYK 16 / 0 / 80 / 35

HEX #8BA521

RGB 139 165 33

HSL 71.82, 0.67%, 0.39%

LAB 63.76, -26.12, 59.64

 

CMYK 37 / 0 / 80 / 35

HEX #68A521

RGB 104 165 33

HSL 87.73, 0.67%, 0.39%

LAB 61.62, -39.99, 56.9

 

CMYK 59 / 0 / 80 / 35

HEX #44A521

RGB 68 165 33

HSL 104.09, 0.67%, 0.39%

LAB 60.11, -51.34, 54.94

 

CMYK 0 / 28 / 80 / 35

HEX #A57721

RGB 165 119 33

HSL 39.09, 0.67%, 0.39%

LAB 53.28, 10.17, 50.97

 

CMYK 0 / 31 / 91 / 29

HEX #B57C11

RGB 181 124 17

HSL 39.15, 0.83%, 0.39%

LAB 56.37, 14.16, 59.26

 

CMYK 0 / 35 / 99 / 23

HEX #C58101

RGB 197 129 1

HSL 39.18, 0.99%, 0.39%

LAB 59.5, 18.3, 65.26

 

CMYK 0 / 28 / 80 / 35

HEX #A57721

RGB 165 119 33

HSL 39.09, 0.67%, 0.39%

LAB 53.28, 10.17, 50.97

 

CMYK 0 / 23 / 67 / 42

HEX #947231

RGB 148 114 49

HSL 39.39, 0.5%, 0.39%

LAB 50.16, 6.07, 40.15

 

CMYK 0 / 17 / 51 / 48

HEX #846D41

RGB 132 109 65

HSL 39.4, 0.34%, 0.39%

LAB 47.27, 3.02, 27.86

 

CMYK 0 / 10 / 29 / 55

HEX #746852

RGB 116 104 82

HSL 38.82, 0.17%, 0.39%

LAB 44.55, 1.01, 14.14

 

CMYK 0 / 1 / 2 / 61

HEX #646362

RGB 100 99 98

HSL 30, 0.01%, 0.39%

LAB 42.02, 0.19, 0.7

 

CMYK 0 / 70 / 80 / 35

HEX #A53121

RGB 165 49 33

HSL 7.27, 0.67%, 0.39%

LAB 38.39, 46.68, 36.64

 

CMYK 0 / 49 / 80 / 35

HEX #A55421

RGB 165 84 33

HSL 23.18, 0.67%, 0.39%

LAB 44.87, 29.78, 43.05

 

CMYK 0 / 28 / 80 / 35

HEX #A57721

RGB 165 119 33

HSL 39.09, 0.67%, 0.39%

LAB 53.28, 10.17, 50.97

 

CMYK 0 / 7 / 80 / 35

HEX #A59A21

RGB 165 154 33

HSL 55, 0.67%, 0.39%

LAB 62.69, -9.11, 59.47

 

CMYK 15 / 0 / 80 / 35

HEX #8DA521

RGB 141 165 33

HSL 70.91, 0.67%, 0.39%

LAB 63.9, -25.28, 59.82

 

CMYK 0 / 27 / 80 / 62

HEX #604613

RGB 96 70 19

HSL 39.74, 0.67%, 0.23%

LAB 31.61, 5.67, 33.36

 

CMYK 0 / 28 / 80 / 49

HEX #825E1A

RGB 130 94 26

HSL 39.23, 0.67%, 0.31%

LAB 42.5, 8.05, 42.2

 

CMYK 0 / 28 / 80 / 35

HEX #A57721

RGB 165 119 33

HSL 39.09, 0.67%, 0.39%

LAB 53.28, 10.17, 50.97

 

CMYK 0 / 28 / 80 / 22

HEX #C79028

RGB 199 144 40

HSL 39.25, 0.67%, 0.47%

LAB 63.54, 11.77, 59.2

 

CMYK 0 / 25 / 70 / 15

HEX #D8A341

RGB 216 163 65

HSL 38.94, 0.66%, 0.55%

LAB 70.3, 9.98, 56.45

 

CMYK 0 / 27 / 79 / 36

HEX #A47722

RGB 164 119 34

HSL 39.23, 0.66%, 0.39%

LAB 53.17, 9.76, 50.44

 

CMYK 68 / 0 / 80 / 35

HEX #35A521

RGB 53 165 33

HSL 110.91, 0.67%, 0.39%

LAB 59.69, -54.85, 54.39

 

CMYK 60 / 80 / 0 / 35

HEX #4221A5

RGB 66 33 165

HSL 255, 0.67%, 0.39%

LAB 26.63, 48.97, -64.86

 

CMYK 0 / 27 / 79 / 36

HEX #A47722

RGB 164 119 34

HSL 39.23, 0.66%, 0.39%

LAB 53.17, 9.76, 50.44

 

CMYK 80 / 0 / 28 / 35

HEX #21A577

RGB 33 165 119

HSL 159.09, 0.67%, 0.39%

LAB 60.4, -45.32, 14.27

 

CMYK 28 / 80 / 0 / 35

HEX #7721A5

RGB 119 33 165

HSL 279.09, 0.67%, 0.39%

LAB 33.41, 56.9, -53.5

 

CMYK 0 / 27 / 79 / 36

HEX #A47722

RGB 164 119 34

HSL 39.23, 0.66%, 0.39%

LAB 53.17, 9.76, 50.44

 

CMYK 68 / 0 / 80 / 35

HEX #35A521

RGB 53 165 33

HSL 110.91, 0.67%, 0.39%

LAB 59.69, -54.85, 54.39

 

CMYK 80 / 52 / 0 / 35

HEX #214FA5

RGB 33 79 165

HSL 219.09, 0.67%, 0.39%

LAB 35.27, 16.75, -50.83

 

CMYK 12 / 80 / 0 / 35

HEX #9121A5

RGB 145 33 165

HSL 290.91, 0.67%, 0.39%

LAB 37.52, 61.71, -46.64

 

CMYK 0 / 27 / 79 / 36

HEX #A47722

RGB 164 119 34

HSL 39.23, 0.66%, 0.39%

LAB 53.17, 9.76, 50.44

 

CMYK 80 / 0 / 68 / 35

HEX #21A535

RGB 33 165 53

HSL 129.09, 0.67%, 0.39%

LAB 59.43, -56.57, 46.63

 

CMYK 80 / 52 / 0 / 35

HEX #214FA5

RGB 33 79 165

HSL 219.09, 0.67%, 0.39%

LAB 35.27, 16.75, -50.83

 

CMYK 0 / 80 / 12 / 35

HEX #A52191

RGB 165 33 145

HSL 309.09, 0.67%, 0.39%

LAB 39.8, 62.57, -30.7

 

Description

Color code: RGB 164 119 34 | qconv.com Color code: RGB 164 119 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 119 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 119 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 79 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 79% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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