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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 164 10 219 it is the complementary color RGB 91 245 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 164 10 219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 164 10 219 shade: RGB 169 10 214, RGB 186 28 233, RGB 203 46 252, RGB 220 64 255 and RGB 237 82 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 164 10 219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 164 10 219 shade: RGB 164 10 219, RGB 147 0 200, RGB 130 0 181, RGB 113 0 162 and RGB 96 0 143

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 164 10 219 shade: RGB 164 10 219, RGB 219 10 217, RGB 219 10 161, RGB 219 10 105 and RGB 219 10 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 164 10 219 shade: RGB 164 10 219, RGB 107 10 219, RGB 51 10 219 and RGB 10 10 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 164 10 219 shade matches the following richer shades: RGB 164 10 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 164 10 219 shade: RGB 164 10 219, RGB 155 28 200, RGB 146 47 182, RGB 137 66 163 and RGB 129 84 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 164 10 219 shade: RGB 52 10 219, RGB 107 10 219, RGB 163 10 219, RGB 219 10 219 and RGB 219 10 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 164 10 219 shade: RGB 105 6 140, RGB 134 8 179, RGB 164 10 219, RGB 186 26 244 and RGB 198 65 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 164 10 219 shade: RGB 164 10 219, RGB 219 10 24 and RGB 10 219 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 164 10 219 shade: RGB 164 10 219, RGB 219 163 10 and RGB 10 219 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 164 10 219 shade: RGB 164 10 219, RGB 219 10 24, RGB 66 219 10 and RGB 10 219 205

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 164 10 219 shade: RGB 164 10 219, RGB 219 59 10, RGB 66 219 10 and RGB 10 170 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

Complementary color

CMYK 63 / 0 / 85 / 4

HEX #5BF524

RGB 91 245 36

HSL 104.21, 0.91%, 0.55%

LAB 85.83, -72.92, 77.7

 

CMYK 21 / 95 / 0 / 16

HEX #A90AD6

RGB 169 10 214

HSL 286.76, 0.91%, 0.44%

LAB 43.52, 78.54, -65.54

 

CMYK 20 / 88 / 0 / 9

HEX #BA1CE9

RGB 186 28 233

HSL 286.24, 0.82%, 0.51%

LAB 48.45, 81.84, -68.24

 

CMYK 19 / 82 / 0 / 1

HEX #CB2EFC

RGB 203 46 252

HSL 285.73, 0.97%, 0.58%

LAB 53.68, 84, -70.29

 

CMYK 14 / 75 / 0 / 0

HEX #DC40FF

RGB 220 64 255

HSL 289.01, 1%, 0.63%

LAB 58.13, 82.46, -64.65

 

CMYK 7 / 68 / 0 / 0

HEX #ED52FF

RGB 237 82 255

HSL 293.76, 1%, 0.66%

LAB 62.73, 79.81, -57.16

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 27 / 100 / 0 / 22

HEX #9300C8

RGB 147 0 200

HSL 284.1, 1%, 0.39%

LAB 38.5, 74.18, -65.75

 

CMYK 28 / 100 / 0 / 29

HEX #8200B5

RGB 130 0 181

HSL 283.09, 1%, 0.35%

LAB 34.15, 68.52, -61.78

 

CMYK 30 / 100 / 0 / 36

HEX #7100A2

RGB 113 0 162

HSL 281.85, 1%, 0.32%

LAB 29.71, 62.75, -57.75

 

CMYK 33 / 100 / 0 / 44

HEX #60008F

RGB 96 0 143

HSL 280.28, 1%, 0.28%

LAB 25.17, 56.87, -53.63

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 0 / 95 / 1 / 14

HEX #DB0AD9

RGB 219 10 217

HSL 300.57, 0.91%, 0.45%

LAB 52.16, 86.58, -52.9

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA1

RGB 219 10 161

HSL 316.65, 0.91%, 0.45%

LAB 49.31, 79.41, -24.76

 

CMYK 0 / 95 / 52 / 14

HEX #DB0A69

RGB 219 10 105

HSL 332.73, 0.91%, 0.45%

LAB 47.36, 74.26, 6.34

 

CMYK 0 / 95 / 78 / 14

HEX #DB0A30

RGB 219 10 48

HSL 349.09, 0.91%, 0.45%

LAB 46.3, 71.36, 39.77

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 51 / 95 / 0 / 14

HEX #6B0ADB

RGB 107 10 219

HSL 267.85, 0.91%, 0.45%

LAB 34.92, 72.67, -82.87

 

CMYK 77 / 95 / 0 / 14

HEX #330ADB

RGB 51 10 219

HSL 251.77, 0.91%, 0.45%

LAB 29.5, 69.56, -92.03

 

CMYK 95 / 95 / 0 / 14

HEX #0A0ADB

RGB 10 10 219

HSL 240, 0.91%, 0.45%

LAB 27.83, 68.8, -94.85

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 23 / 86 / 0 / 22

HEX #9B1CC8

RGB 155 28 200

HSL 284.3, 0.75%, 0.45%

LAB 41.17, 71.18, -61.36

 

CMYK 20 / 74 / 0 / 29

HEX #922FB6

RGB 146 47 182

HSL 284, 0.59%, 0.45%

LAB 40.45, 60.47, -52.05

 

CMYK 16 / 60 / 0 / 36

HEX #8942A3

RGB 137 66 163

HSL 283.92, 0.42%, 0.45%

LAB 40.99, 46.06, -39.96

 

CMYK 10 / 42 / 0 / 44

HEX #815490

RGB 129 84 144

HSL 285, 0.26%, 0.45%

LAB 42.8, 29.7, -25.8

 

CMYK 76 / 95 / 0 / 14

HEX #340ADB

RGB 52 10 219

HSL 252.06, 0.91%, 0.45%

LAB 29.57, 69.59, -91.91

 

CMYK 51 / 95 / 0 / 14

HEX #6B0ADB

RGB 107 10 219

HSL 267.85, 0.91%, 0.45%

LAB 34.92, 72.67, -82.87

 

CMYK 26 / 95 / 0 / 14

HEX #A30ADB

RGB 163 10 219

HSL 283.92, 0.91%, 0.45%

LAB 42.94, 78.63, -69.39

 

CMYK 0 / 95 / 0 / 14

HEX #DB0ADB

RGB 219 10 219

HSL 300, 0.91%, 0.45%

LAB 52.28, 86.87, -53.85

 

CMYK 0 / 95 / 26 / 14

HEX #DB0AA3

RGB 219 10 163

HSL 316.08, 0.91%, 0.45%

LAB 49.4, 79.64, -25.81

 

CMYK 25 / 96 / 0 / 45

HEX #69068C

RGB 105 6 140

HSL 284.33, 0.92%, 0.29%

LAB 26.81, 56.33, -49.02

 

CMYK 25 / 96 / 0 / 30

HEX #8608B3

RGB 134 8 179

HSL 284.21, 0.91%, 0.37%

LAB 35, 67.61, -59.19

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 24 / 89 / 0 / 4

HEX #BA1AF4

RGB 186 26 244

HSL 284.04, 0.91%, 0.53%

LAB 49.14, 84.13, -73.32

 

CMYK 20 / 74 / 0 / 4

HEX #C641F6

RGB 198 65 246

HSL 284.09, 0.91%, 0.61%

LAB 54.49, 76.43, -65.68

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 0 / 95 / 89 / 14

HEX #DB0A18

RGB 219 10 24

HSL 355.98, 0.91%, 0.45%

LAB 46.1, 70.81, 52.01

 

CMYK 95 / 0 / 64 / 14

HEX #0ADB4F

RGB 10 219 79

HSL 139.81, 0.91%, 0.45%

LAB 76.86, -72.09, 54.82

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 0 / 26 / 95 / 14

HEX #DBA30A

RGB 219 163 10

HSL 43.92, 0.91%, 0.45%

LAB 70.37, 9.66, 72.71

 

CMYK 95 / 0 / 26 / 14

HEX #0ADBA3

RGB 10 219 163

HSL 163.92, 0.91%, 0.45%

LAB 78.09, -57.5, 15.2

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 0 / 95 / 89 / 14

HEX #DB0A18

RGB 219 10 24

HSL 355.98, 0.91%, 0.45%

LAB 46.1, 70.81, 52.01

 

CMYK 70 / 0 / 95 / 14

HEX #42DB0A

RGB 66 219 10

HSL 103.92, 0.91%, 0.45%

LAB 77.19, -70.44, 74.07

 

CMYK 95 / 0 / 6 / 14

HEX #0ADBCD

RGB 10 219 205

HSL 175.98, 0.91%, 0.45%

LAB 79.12, -46.65, -5.67

 

CMYK 25 / 95 / 0 / 14

HEX #A40ADB

RGB 164 10 219

HSL 284.21, 0.91%, 0.45%

LAB 43.1, 78.76, -69.13

 

CMYK 0 / 73 / 95 / 14

HEX #DB3B0A

RGB 219 59 10

HSL 14.07, 0.91%, 0.45%

LAB 49.75, 60.15, 59.08

 

CMYK 70 / 0 / 95 / 14

HEX #42DB0A

RGB 66 219 10

HSL 103.92, 0.91%, 0.45%

LAB 77.19, -70.44, 74.07

 

CMYK 95 / 22 / 0 / 14

HEX #0AAADB

RGB 10 170 219

HSL 194.07, 0.91%, 0.45%

LAB 64.91, -18.89, -34.85

 

Description

Color code: RGB 164 10 219 | qconv.com Color code: RGB 164 10 219 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 10 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 10 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 95 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 95% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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